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	<title>Comments on: The future of cinematography; or, how I learned to stop worrying and love the DSLR</title>
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	<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/</link>
	<description>NoFilmSchool is a site for DIY filmmakers and independent creatives.</description>
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		<title>By: Jeffrey</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-87174</link>
		<dc:creator>Jeffrey</dc:creator>
		<pubDate>Sat, 23 Jul 2011 02:59:10 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-87174</guid>
		<description>If you are interested in a 5D. I highly recommend a book called DSLR Cinema. Where people like George Lucas and others that work on Terminator movies and Tv shows like House talk about the brilliantness of the camera. One gent even talks about how he was asked to come to Skywalker ranch and show Lucas and his brood the many wonders of the 5D, and then they project it all onto the 40FT screen they have there. 

Made me very happy I made my purchase. And my projects that I have done so far look amazing. I notice none of the drawbacks our insightful writer speaks of in my projects. But most of my work is indoors. So maybe that might be one thing...who knows.</description>
		<content:encoded><![CDATA[<p>If you are interested in a 5D. I highly recommend a book called DSLR Cinema. Where people like George Lucas and others that work on Terminator movies and Tv shows like House talk about the brilliantness of the camera. One gent even talks about how he was asked to come to Skywalker ranch and show Lucas and his brood the many wonders of the 5D, and then they project it all onto the 40FT screen they have there. </p>
<p>Made me very happy I made my purchase. And my projects that I have done so far look amazing. I notice none of the drawbacks our insightful writer speaks of in my projects. But most of my work is indoors. So maybe that might be one thing&#8230;who knows.</p>
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		<title>By: Duluth Garage Door installation</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-68929</link>
		<dc:creator>Duluth Garage Door installation</dc:creator>
		<pubDate>Mon, 10 Jan 2011 07:39:47 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-68929</guid>
		<description>Thanks for the discussing really usefull. I wish to bookmark this site.</description>
		<content:encoded><![CDATA[<p>Thanks for the discussing really usefull. I wish to bookmark this site.</p>
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		<title>By: Why I Lived out of a Suitcase for Ten Months (And Why You Should Too!) - NoFilmSchool</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-65007</link>
		<dc:creator>Why I Lived out of a Suitcase for Ten Months (And Why You Should Too!) - NoFilmSchool</dc:creator>
		<pubDate>Thu, 08 Jul 2010 17:07:26 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-65007</guid>
		<description>[...] no expensive toys. By far my largest expense was in fact my Canon 5D, which I only bought after much deliberation via a combination of selling my old camera and moving out of my apartment (for which I got back my [...]</description>
		<content:encoded><![CDATA[<p>[...] no expensive toys. By far my largest expense was in fact my Canon 5D, which I only bought after much deliberation via a combination of selling my old camera and moving out of my apartment (for which I got back my [...]</p>
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		<title>By: In the Future, Cameras Will Look Like Giant Ear Scopes: Canon Shows &#8216;Wonder Camera&#8217; Concept - NoFilmSchool</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-64986</link>
		<dc:creator>In the Future, Cameras Will Look Like Giant Ear Scopes: Canon Shows &#8216;Wonder Camera&#8217; Concept - NoFilmSchool</dc:creator>
		<pubDate>Tue, 06 Jul 2010 15:45:59 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-64986</guid>
		<description>[...] a future of convergence, where still photos are simply extracted from video footage. I&#8217;ve written about this in-depth before, and I do believe that as datarates, resolution, and dynamic range increase, photography and [...]</description>
		<content:encoded><![CDATA[<p>[...] a future of convergence, where still photos are simply extracted from video footage. I&#8217;ve written about this in-depth before, and I do believe that as datarates, resolution, and dynamic range increase, photography and [...]</p>
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		<title>By: Can we please just call them DSLRs? &#171; NoFilmSchool</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-64448</link>
		<dc:creator>Can we please just call them DSLRs? &#171; NoFilmSchool</dc:creator>
		<pubDate>Tue, 11 May 2010 15:45:36 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-64448</guid>
		<description>[...] disturbing trend, and I am here to quash it! Ever since Digital Single-Lens Reflex cameras started showing up with a movie mode, people have felt the need to call them by a new name. The DSLR acronym was no longer descriptive [...]</description>
		<content:encoded><![CDATA[<p>[...] disturbing trend, and I am here to quash it! Ever since Digital Single-Lens Reflex cameras started showing up with a movie mode, people have felt the need to call them by a new name. The DSLR acronym was no longer descriptive [...]</p>
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		<title>By: The NoFilmSchool Manifesto &#171; NoFilmSchool</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-64194</link>
		<dc:creator>The NoFilmSchool Manifesto &#171; NoFilmSchool</dc:creator>
		<pubDate>Fri, 23 Apr 2010 16:02:02 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-64194</guid>
		<description>[...] health insurance). I took the money I saved by living rent-free (while doing freelance gigs) and invested it in a camera package, which I&#8217;m going to use in the coming months to shoot a wide-ranging series of crowdfunding [...]</description>
		<content:encoded><![CDATA[<p>[...] health insurance). I took the money I saved by living rent-free (while doing freelance gigs) and invested it in a camera package, which I&#8217;m going to use in the coming months to shoot a wide-ranging series of crowdfunding [...]</p>
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		<title>By: Matt</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63934</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Tue, 09 Mar 2010 19:17:34 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63934</guid>
		<description>Amazing.

I&#039;m sold.</description>
		<content:encoded><![CDATA[<p>Amazing.</p>
<p>I&#8217;m sold.</p>
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		<title>By: Ryan</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63932</link>
		<dc:creator>Ryan</dc:creator>
		<pubDate>Tue, 09 Mar 2010 18:15:37 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63932</guid>
		<description>No, I don&#039;t think a theatrical release with a 5d is impossible at all. Once the 24p update comes out next week, theatrical limitations will have much more to do with the content and reach of the film rather than the shooting format...</description>
		<content:encoded><![CDATA[<p>No, I don&#8217;t think a theatrical release with a 5d is impossible at all. Once the 24p update comes out next week, theatrical limitations will have much more to do with the content and reach of the film rather than the shooting format&#8230;</p>
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		<title>By: Matt</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63929</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Tue, 09 Mar 2010 10:01:47 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63929</guid>
		<description>What if you do want to do a theatrical release with a 5d film? Is it impossible? Or is the 7D a better option for that?

Thoughts?</description>
		<content:encoded><![CDATA[<p>What if you do want to do a theatrical release with a 5d film? Is it impossible? Or is the 7D a better option for that?</p>
<p>Thoughts?</p>
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		<title>By: DSLR aliasing: not seeing the forest for the trees - The Real Spice of Entertainment - Pak Spice</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63329</link>
		<dc:creator>DSLR aliasing: not seeing the forest for the trees - The Real Spice of Entertainment - Pak Spice</dc:creator>
		<pubDate>Wed, 16 Dec 2009 10:37:57 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63329</guid>
		<description>[...] across its surface. I knew about, and expected, the DSLR aliasing problems, and even wrote that I had some ideas about how to defeat them (on the rooftop that day, I tested several contrast and softening filters in an attempt to defeat [...]</description>
		<content:encoded><![CDATA[<p>[...] across its surface. I knew about, and expected, the DSLR aliasing problems, and even wrote that I had some ideas about how to defeat them (on the rooftop that day, I tested several contrast and softening filters in an attempt to defeat [...]</p>
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		<title>By: DSLR aliasing: not seeing the forest for the trees at No Film School</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63313</link>
		<dc:creator>DSLR aliasing: not seeing the forest for the trees at No Film School</dc:creator>
		<pubDate>Fri, 04 Dec 2009 17:56:11 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63313</guid>
		<description>[...] across its surface. I knew about, and expected, the DSLR aliasing problems, and even wrote that I had some ideas about how to defeat them (on the rooftop that day, I tested several contrast and softening filters in an attempt to defeat [...]</description>
		<content:encoded><![CDATA[<p>[...] across its surface. I knew about, and expected, the DSLR aliasing problems, and even wrote that I had some ideas about how to defeat them (on the rooftop that day, I tested several contrast and softening filters in an attempt to defeat [...]</p>
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		<title>By: The thing about light is&#8230; at No Film School</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63094</link>
		<dc:creator>The thing about light is&#8230; at No Film School</dc:creator>
		<pubDate>Tue, 20 Oct 2009 06:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63094</guid>
		<description>[...] months ago I wrote, in a post about the future of cinematography: For decades, the most common observation for first-time cinematographers has likely been, “wow, [...]</description>
		<content:encoded><![CDATA[<p>[...] months ago I wrote, in a post about the future of cinematography: For decades, the most common observation for first-time cinematographers has likely been, “wow, [...]</p>
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		<title>By: Reflections on the Pixel Pitch and the transmedia market at No Film School</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63085</link>
		<dc:creator>Reflections on the Pixel Pitch and the transmedia market at No Film School</dc:creator>
		<pubDate>Fri, 16 Oct 2009 12:40:43 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63085</guid>
		<description>[...] &#8212; comment on it being well-shot, stylish, and well-edited. The footage was shot on my newly acquired DSLR, which cost less than the camcorder I won as a student in a contest eight years ago, and I edited [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8212; comment on it being well-shot, stylish, and well-edited. The footage was shot on my newly acquired DSLR, which cost less than the camcorder I won as a student in a contest eight years ago, and I edited [...]</p>
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		<title>By: The pains of being a DSLR filmmaker at No Film School</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63070</link>
		<dc:creator>The pains of being a DSLR filmmaker at No Film School</dc:creator>
		<pubDate>Fri, 04 Sep 2009 18:37:13 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63070</guid>
		<description>[...] the frustration voiced by many 5d Mark II owners &#8212; especially those who just bought one, like myself, and, apparently, Der Führer. If you&#8217;re tired of Downfall mashups, given how many there have [...]</description>
		<content:encoded><![CDATA[<p>[...] the frustration voiced by many 5d Mark II owners &#8212; especially those who just bought one, like myself, and, apparently, Der Führer. If you&#8217;re tired of Downfall mashups, given how many there have [...]</p>
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		<title>By: Ryan</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63065</link>
		<dc:creator>Ryan</dc:creator>
		<pubDate>Fri, 28 Aug 2009 16:53:49 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63065</guid>
		<description>There&#039;s some interesting discussion of 5dMkII vs. GH1 &lt;a href=&quot;http://www.dvinfo.net/conf/panasonic-lumix-gh1/239239-gh1-5dmk2-two-different-markets.html&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt;. I&#039;d love to have the 24p of the GH1, but not at the expense of low-light sensitivity, inferior codec, ISO banding, and no hacked firmware. As it is, putting together a DSLR shoot package feels fairly future-proof, as pro DSLRs hold their value well, and one could swap out the cam itself and keep everything else the same (when a superior model is released). This, of course, is basically the RED &quot;brain&quot; model.</description>
		<content:encoded><![CDATA[<p>There&#8217;s some interesting discussion of 5dMkII vs. GH1 <a href="http://www.dvinfo.net/conf/panasonic-lumix-gh1/239239-gh1-5dmk2-two-different-markets.html" rel="nofollow">here</a>. I&#8217;d love to have the 24p of the GH1, but not at the expense of low-light sensitivity, inferior codec, ISO banding, and no hacked firmware. As it is, putting together a DSLR shoot package feels fairly future-proof, as pro DSLRs hold their value well, and one could swap out the cam itself and keep everything else the same (when a superior model is released). This, of course, is basically the RED &#8220;brain&#8221; model.</p>
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		<title>By: RadRaven</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63064</link>
		<dc:creator>RadRaven</dc:creator>
		<pubDate>Fri, 28 Aug 2009 16:53:42 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63064</guid>
		<description>Thank you for the great article!!!

Please keep&#039; em coming!!!!</description>
		<content:encoded><![CDATA[<p>Thank you for the great article!!!</p>
<p>Please keep&#8217; em coming!!!!</p>
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		<title>By: Darren Abate</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63062</link>
		<dc:creator>Darren Abate</dc:creator>
		<pubDate>Thu, 27 Aug 2009 23:01:23 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63062</guid>
		<description>Nice post. I&#039;m a professional stills shooter who, after getting the 5Dm2, has gone into cinematography professionally, after several years of only dabbling in it as a hobby.

I&#039;ve been amazed at what I&#039;ve been able to do with my 5D and Zeiss Primes. The camera – especially for the money – amazes me every day in its abilities. In fact, I just completed the teaser trailer for a feature film I&#039;m shooting on the 5Dm2: http://machinacinema.com

The Red is overkill for a lot of people out there, and considering the price difference, the 5Dm2 is a godsend for the small time indie filmmaker.</description>
		<content:encoded><![CDATA[<p>Nice post. I&#8217;m a professional stills shooter who, after getting the 5Dm2, has gone into cinematography professionally, after several years of only dabbling in it as a hobby.</p>
<p>I&#8217;ve been amazed at what I&#8217;ve been able to do with my 5D and Zeiss Primes. The camera – especially for the money – amazes me every day in its abilities. In fact, I just completed the teaser trailer for a feature film I&#8217;m shooting on the 5Dm2: <a href="http://machinacinema.com" rel="nofollow">http://machinacinema.com</a></p>
<p>The Red is overkill for a lot of people out there, and considering the price difference, the 5Dm2 is a godsend for the small time indie filmmaker.</p>
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		<title>By: illdefined</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63056</link>
		<dc:creator>illdefined</dc:creator>
		<pubDate>Thu, 27 Aug 2009 00:29:02 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63056</guid>
		<description>great piece man. good to see you finally got the 5DII. looking forward to seeing what you do with it.

the GH1 to small a sensor DOF wise?</description>
		<content:encoded><![CDATA[<p>great piece man. good to see you finally got the 5DII. looking forward to seeing what you do with it.</p>
<p>the GH1 to small a sensor DOF wise?</p>
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		<title>By: Ricardo Motta</title>
		<link>http://nofilmschool.com/2009/08/the-future-of-cinematography-or-how-i-learned-to-stop-worrying-and-love-the-dslr/comment-page-1/#comment-63004</link>
		<dc:creator>Ricardo Motta</dc:creator>
		<pubDate>Thu, 20 Aug 2009 07:02:37 +0000</pubDate>
		<guid isPermaLink="false">http://nofilmschool.com/?p=317#comment-63004</guid>
		<description>Very good post. Regarding real-time HDR, it has been available for several years from the Pixim sensors.</description>
		<content:encoded><![CDATA[<p>Very good post. Regarding real-time HDR, it has been available for several years from the Pixim sensors.</p>
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