» Archive for October, 2009
Zack and I directed, and I DP’d, the first episode of RADAR Season 2, which kicks off today with the episode “Undetermined Measurements.” Check out the episode below, and stay tuned to RADAR for future episodes; Zack and I also directed another forthcoming episode in Season 2, and a number of very talented directors helmed the others. Thanks to Lance Weiler, Alex Johnson, Janine Saunders, and the rest of the RADAR crew! More »
The world of film distribution is changing so rapidly that it’s worrisome for many and exiting for the rest. Among the many advances in DIY distribution in the past few months are the announcement and launch of OpenIndie and Indie Screenings, both sites focused on allowing filmmakers to screen their films more easily. OpenIndie is an Arin Crumley project that aims to help filmmakers geotarget their audiences, whereas Indie Screenings allows anyone to put on an DIY screening of a film and share proceeds with the filmmaker; the latter site has been brought about by the Age of Stupid crew. More »
First, Canon has announced a 24p/25p update to the Canon 5d Mark II; this is crucial and I will now be keeping the camera I purchased mere months ago. But I don’t have much interesting to say about that, other than, “thank the lord.”
There’s some other news out of the Canon camp today, however, and that’s what the title of this post is about. The thing about light is… when it comes to guerilla filmmaking, there’s never enough of it. More »
Despite the fact that Zack and I have been pitching and developing our transmedia project Third Rail for over a year, it was a mad rush to pull together a trailer and rehearse our presentation for yesterday’s first annual Pixel Pitch here in London. During this process, which we had to conduct virtually — with him in New York, and myself temporarily in North Carolina — we considered a few different approaches to our verbal sell, some more theatrical and some more straightforward. Ultimately we went with the straightforward approach, and, in retrospect, that was probably a mistake. More »
Zack and I are excitedly headed to London this week for the Power to the Pixel Cross-Media Film Forum, which opens the Times BFI London Film Festival. There, we will be pitching our next project, Third Rail, to a very qualified jury and a sold-out audience of 200; we’re seeking funding and distribution for our ambitious (and long-time-coming) transmedia undertaking, which I’m sure you’ll hear more about here in the coming weeks. 120 applicants applied for the Pixel Pitch and we are fortunate enough to be among the seven projects selected. There are a lot of great speakers and events at the conference, so if you’re in London, head on down!
Steven Soderbergh called attention to this issue a few months back, but the DGA’s website was in a state of disrepair and his opinion piece couldn’t be properly linked. Also, I don’t have cable, so I didn’t pick up on the issue first hand — that is, until I moved out of my apartment September 1st and, by relying on the kindness of others and couch surfing, began watching movies on cable in wonderful high definition. There’s been just one problem: the movies are crapped. Sorry, I mean cropped. More »












MadP: Because SAG actors typically aren't any better than what you can get from … Top Five Essentials for Shooting Your Indie Film
Dimitri: Can someone please confirm this question. If I'm understanding this corre… Apple Adds Multicam Support (And a Way to Open Final Cut 7 Projects) to Fi…
Angelo: Looks interesting as a Premiere-centric answer to Red Cine X or FCP's Batc… Adobe Gives a Sneak Peak at New Video Application 'Prelude'
Scott: Spot Focus function...... Any one found solution to Moire problem yet? Sony Aims to 'Fulfill the Needs of Filmmakers' with New NEX-VG20 Camcorder
Ryan: Not true, market determines price always. look at the cost of a f35 vs th… Patent Filing Reveals Canon's RAW 4K Future