DP Shane Hurlbut is at the forefront of using prosumer HDSLRs in high-end productions. His background isn’t in still photography, but rather shooting 35mm Hollywood blockbusters like Terminator Salvation and Into the Blue. As such, he’s perhaps more qualified than anyone when it comes to using DSLRs as part of a traditional movie workflow. Here’s an excerpt from Shane’s HDSLR Bootcamp:
[via Filmmaker Magazine]
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