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January 19, 2011

What Exactly is 'HDRx,' RED's In-Camera High Dynamic Range Mode?

For those unfamiliar with RED camera-native files, a common first reaction to ungraded footage is "this looks really flat." Indeed, that is exactly the point: by capturing as much visual information as possible, the camera gives the colorist the most flexibility in post to push the image toward a desired look. Now, with a new mode called HDRx, RED has found a way to conjoin two adjacent exposures in order to give rise to a real-time High Dynamic Range moving image. So in terms of dynamic range, what's one of the hardest shots for a camera to expose? Quite possibly a dark interior with a bright sunny day outside. To prove the mettle of their HDRx mode, RED released the following clip:


Without a HDR mode like HDRx, you would have a choice: either you could see what's in the barn, or you could see what's outside. Not both. That's the benefit of a mode like HDRx, which can allow the next generation of RED cameras (both EPIC and SCARLET) to capture up to 18 stops of dynamic range (a good deal more than film's roughly 15 stops, and double that of a DSLR's roughly 9 stops). But because HDRx is in fact two conjoined exposures, it has a number of side effects, some bad and some good. Here, RED's Jim Jannard gushes about the motion-rendering characteristics of HDRx, describing the frame-combining mode dubbed "magic motion:"

Shooting 24fps and 180 degree shutter on film or digital is an illusion. It is not really the way we see motion. Ask someone to stand in front of you and swing their arm over their head from one side to the other. If this was shot traditionally at 24fps at 1/48th shutter all you would see is a constant motion blur until the arm stopped. But that isn't what your eyes actually see. You see both motion blur AND sharper references to the arm and hand all along the path. "Magic Motion" is much closer to what the eyes see… the combination of motion blur (A-track) and a sharper reference (X-track)… with the bonus of extraordinary dynamic range not seen in any motion capture camera.

Jannard is no stranger to hyperbole, but while everyone's busy comparing the dynamic range of the RED and ARRI ALEXA cameras, this change in motion rendering will also be something to keep an eye on. Those who've seen it in action swear by it, but despite the name it will likely be something that is not "magic" -- whether or not one uses HDRx and its associated motion rendering options will likely be very shot-specific. If you're curious about HDRx and Magic Motion, check out Jannard's post at REDUSER...

Link: HDRx™ Overview - REDUSER

Your Comment


Personally, I find the actual work being done by Jim and his team to be truly outstanding. But much of it seems to be getting spoiled by the overuse of hyperbole. He's like Steve Jobs without a tangible product to back up his claims.

January 19, 2011


Nick, I think John Schwartzman, ASC would disagree with you there, seeing as he has been shooting the Spiderman reboot on Epics for over 4 weeks.
Mark L. Pederson of OffHollywood also has the first and second delivered Epics (first one got stolen so he currently only has one).

I have held and operated a working Epic.
There most definitely IS a tangible product - albeit not for sale for the moment.
First mass produced Epics start shipping THIS MONTH and everyone who has placed orders so far will have theirs by summer.

January 26, 2011

Jack Frost


January 28, 2011


It is not magic, but old. Their competition asked me about doing this around 8 years ago, and I quickly pointed out the issues, and at that time there was little computing power and expertise to right the image. I was actually the one that suggested this to Red as a work around solution to do what a sub $100 camera's sensor could do, and how to do it properly to minimise the issues of the work around. We probably discussed this publicly 8 years ago. Half of their camera's usefulness comes from suggestions of a couple of individuals. It is great, but not magic.

Unfortunately, even some of the potential/owners on forums are not unfamiliar with expressing hyperbole against more reasonable people. It has all gone too far, all too inward looking, something that goes unnoticed when you are pushing out a baby like this. The stability is a pain in the forums, I think I'd better stop taking it so seriously and start hanging out around writers instead ;)

September 4, 2012