How Does the RED EPIC Compare to the 5D Mark II -- After Being Compressed for the Web?

It's interesting -- once compressed for the web, the clips are pretty similar and as far as bang-for-your-buck goes, the 5D Mark II is still a hero.
To download 5K footage, go here (at present, the link is dead due to too much bandwidth, which happens with 5K footage); to download the free REDCINE-X, go here.
And, I'm doing things out of order here, but if you're more interested in an overview of the operational functions of the EPIC, here's an earlier Film Riot episode:
I've held an EPIC in my hands and it's an incredible feat of engineering. That said, so is the 5D Mark II. It's a good time to be shooting.
Speaking of which, I'd love to shoot my first feature film (which needs your help!) on an EPIC. DSLRs would be problematic because of their pronounced CMOS skew (which is not ideal for fast action, and which the RED exhibits a good deal less of), and the RED is especially appropriate because the script calls for several slow-motion sequences. As we get closer to the shoot date -- which is not going to be for several months -- if any No Film School readers are lucky enough to pick up an EPIC and want to cut a low-budget first feature a deal, that would be wonderful! Otherwise there are plenty of RED ONE M-X cameras floating around. We'll see -- first, the Kickstarter campaign has to be successful...









