How to Get Great Audio on Location -- a Crash Course from Zacuto
How often do you take a location’s audio characteristics into account when choosing where to shoot? What kind of mic is better suited for a shooting range vs an indoor dialogue scene? In an on-going series of informative sound tutorials courtesy of Zacuto, Clinton Harn delves into the importance of these questions while aiming to provide filmmakers with a basic introduction to sound recording for film. Not only does he cover the tools of the trade, but he delves into many of the choices we as filmmakers have to make when deciding how to capture a given sound. For example, how would one record an interior car scene?
In this video, Harn demonstrates how different kinds of mics in different locations will give you a variety of sound options within a car:
But to get the full benefit of this demo, you’ll want to start at the beginning — with Harn’s overview to his approach to sound and the importance of understanding what goes into the capture of sound for film. The series covers everything from sound recording terminology to common tools of the trade and their uses. But more importantly, Harn makes an effort to emphasize how these all come together when actually recording on-location: understanding how the acoustic qualities of a given space, in conjunction with the sound you are trying to capture, will affect your choice of tools in recording.
This is a pretty solid starting point for someone looking to get a quick overview of the process, and gives you more than enough terms and concepts to Google further on your own. Ready to start? You can visit the main page here, or follow these links:
- The Mitra 3D Mic Pro 'Sounds' Like it Could Help Indies Gather Quality Location Audio
- New PluralEyes 3.0 Offers 10-20 Times Faster Audio Synching
- Zacuto Announces EVF Viewfinder, Redrock Micro EVF May Have Less Resolution than Claimed