January 13, 2013

Mini S35 Camera from Kinefinity: 2K RAW in a RED EPIC-Style Body, Priced Under $6K

I don't envy those who make the little grey or black boxes that give us pretty pictures. Another day, another camera, but there is something special about this one: Kinefinity, who makes the 2K KineRAW S35 camera that shoots RAW and Cineform compressed RAW for under $10,000, looks to be planning a smaller and cheaper version called the Mini S35 that just may compete with the Blackmagic Cinema Camera -- and literally everything else out there.

Thanks to Dan Chung at DSLR News Shooter for the exclusive scoop:

There is no denying the resemblance to RED's SCARLET and EPIC cameras. In fact, if I wasn't paying close attention, I could probably confuse the two. That's the first thing that stood out to me immediately, and I would love to hear the response from the RED guys about this one. Let's keep in mind that this is a computer rendering, and not a final camera model yet, so it's likely that it's still months away -- but they've said it should be at NAB 2013. If you're wondering why they would announce a new camera without finishing their first one -- well, their original model, the KineRAW S35, is already shipping in China, and will probably be shipping internationally sometime in 2013.

Here are the specs we know so far about the camera:

  • Super 35mm CMOS Sensor
  •  12-bit Uncompressed CinemaDNG (Cineform is optional to a recorder they don't make yet)
  • 2048 x 1080 // 1920 x 1080 // 1280 x 720
  • One 2.5" SSD Slot
  • ISO: 80-10,240 -- Base of ISO 800
  • Dynamic Range: 11.5 Stops
  • Electronic Canon or Interchangeable Kinefinity Mount
  • Monitoring: 720p with 2 HDMI Outputs
  • No Fan or Phantom Power Audio
  • Optional Handgrip with Battery
  • Power Consumption: 8-10 Watts
  • No On-board Monitor or LCD

So how are they making this camera so cheap (and fanless)? Firstly the price is not finalized yet, but based on their pricing of the S35, which starts at around $6,000, it doesn't make any sense to introduce a brand new model that's only moderately cheaper. This camera could very well be priced somewhere in the $3,000-$5,000 range. That's more or less the camera many of you have been asking for, but part of the reason for the price is that it's incredibly stripped down from the bigger brother, and you're not getting Cineform compressed RAW internally, which means you're going to have some large files. These files won't be as big as the Blackmagic Cinema Camera's 2.5K files, but they will still be much bigger than compressed -- and the Mini S35 will not have any compressed formats internally. Cineform may be an option at some point to an external recorder, but you won't be able to record the HDMI outputs as they are 720p only.

From the RAW clips I've seen so far of the KineRAW S35, it doesn't look like it's quite as sharp as the BMCC's files. This is probably due to the pixel-binning that Kinefinity is doing to get down from 4K to 2K. It also looks to have a bit lower dynamic range than the BMCC, so there are a few compromises that help keep the price down.

For those wondering where the Super 35mm BMCC is for $6K-$8K, it doesn't exist, and it's not going to exist for a long time, because the sensor technology just isn't there yet unless you're developing it yourself. The Blackmagic Cinema Camera has nearly as much dynamic range as a camera like the Arri Alexa. If you move up to a Super 35mm sensor, you're going to have to compromise somewhere in image quality (the way the KineRAW has lower dynamic range), and I'm glad Blackmagic chose image quality over sensor size. It's one of those situations where if you actually start using the BMCC, the crop is almost a non-issue, and the images are so good for the price of the camera that it's a compromise most people could probably live with.

If Kinefinity can actually make this Mini S35 and then get it delivered to the US sometime later this year (it seems like it's barely even a prototype at this point), filmmakers will have two options for RAW cameras in a true budget price range (not counting the short-lived RED ONE MX sale). I would love to see this priced around $3,000 for the body, and you would have an interchangeable lens camera capable of taking almost any lens out there. It would serve as a great A-camera for tons of productions, or even a B-camera for people shooting on RED. We're not getting 4K RAW for a long time in this price range -- and many of you probably don't want it anyway -- but 2K RAW will be well within reach for many filmmakers in the not-too-distant future.

Do you find this camera more interesting than the KineRAW S35? At what price point might you pick this up as a primary (or even secondary) camera? Does the uncompressed RAW worry you at all?

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79 Comments

As a poor highschool kid still rocking on a t2i, I could definitely see this as the stopping gap towards one of the top tier cinema cameras. Certainly a good alternative to BMCC. Hopefully this will cause a flood of 2k cameras for those poor filmmakers (ahem myself) who can't afford a RED, C300, etc.

January 13, 2013

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Kingkazma

The flood is coming, don't worry :-)

January 13, 2013

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marklondon

Bring it on! Really looking forward to a lot of great digital cameras coming out this year.

January 13, 2013

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Sorry but BMCC has better IQ compared to the C300. This flood of 2k cameras is around the corner look and see. The next NAB will be full of surprised. Canon better change his game ....

January 13, 2013

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Davinci

I'm wating for the flood myself! It's the only chance I'd have to put hands around a cinema camera.

January 14, 2013

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maghoxfre

It sounds great. I hope the cineform option will be affordable and the whole thing will actually be for sale soon (unlike the BMCC).

George - tshit.de/freshdailies

January 13, 2013

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Finally, somebody gets it.

January 13, 2013

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john jeffreys

As much as I love what Blackmagic did, they need to start shipping. I have a strange suspicion that NAB we'll see a ton of 2k raw cameras in the $2k-$3,500 range.

More options the better. Let the flood come.

January 13, 2013

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I'm with you on this as well. I backed the Digital Bolex and we're about to hit that wonderful one year anniversary with them.

If anyone wants to take my spot for the Digital Bolex, they're supposedly "close" - I believe I had pre-purchased around the 60s (number-wise). I'd love at this point to just give up on that product and put the money back towards my RED.

January 13, 2013

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Kinefinity is doing now what Red did in the past. Instead of resolution, Kinefinity is competing on price. To be honest, Kinefinity has come quite a long way. I still remember when Kinefinity first came out with a prototype and most people mutually agreed that they're not gonna make it. Here they are.

January 13, 2013

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Soosan Khanoom

Arf, why always Canon Mount. I like my Nikon glasses ! Why is there so many pressure for me to change ^^ ?

January 13, 2013

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The interchangeable mount will be capable of taking Nikon lenses as well as PL.

January 13, 2013

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Joe Marine
Editor-at-Large
Shooter/Writer/Director

Well until it actually delivers it is nothing. I still haven't seen their "old" alexa copies. Who would want them anyway? They are so huge and bulky. This looks much better. And they must have electronic aperture control if they are aiming at EF users.

January 13, 2013

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mike

yes, it has EF electronic aperture control

January 13, 2013

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jason

Any word on frame rates? Also - never having worked with 2K myself, is it still natively 16x9? It sounds like a really small resolution bump; I can't imagine a huge benefit over 1080p. Am I missing something?

January 13, 2013

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2k is 2048x1080...while it's basically just 1920x1080, it is nice to have that extra side resolution if you're delivering a 2k DCP...otherwise you have to do a tiny upscale that could give funky results, or you have little black letterbox bars on the side.

January 13, 2013

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Gabe

The cineform raw was one of the most compelling reasons to look at their line. Uncompressed raw is too difficult to work with for most projects. There's a good reason most dslrs shoot stills in some format of compressed raw these days. It makes sense. 720p HDMI?! Nice price and form factor though.

January 13, 2013

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Jammy

Couldn't you just compress it after the fact to make your working files?

January 13, 2013

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cows

Yes, indeed you can. It still presents large problems when you're actually shooting though, all the more so if you require having two copies of your files at all times for backup. The on site storage requirements are huge for those uncompressed raw files until you can get them cineform encoded. So you're not only eating in camera drive space at a voracious rate your onsite backups need to be incredibly large. Having it compressed from the get go makes it much less of a hassle.

Once people start getting BMCC's or Digital Bolex's in a working environment there's going to be a big fuss raised about all this. It's just impractile for most of us who might be shooting more than 30min of footage to be shooting these things in uncompressed raw on location. There is going to be a push for external recorders that can record cineform, gopro could make a killing if they work their IP right.

January 14, 2013

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Jammy

From what I know, KineRAW Mini supports offline Cineform encoding. That says in the process of copying DNGRaw footage to computer through their exclusive software, footage are encoded to Cineform file in realtime.

January 13, 2013

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jason

So long bmcc.

January 13, 2013

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vinceGortho

lol :)

January 14, 2013

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Ant

No XLR ? 720p HDMI ? It better be cheap...

January 13, 2013

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FabDex

This looks like it could have some great potential. Give it an F5 style LCD / Loupe and the ergonomics would be leagues better than the BMC (but I guess that's not saying much).

January 13, 2013

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Gene Sung

This looks great, but the BMCC *is* shipping. Picked mine up from my dealer last week. I am sure the rest of those who pre-ordered will not gave long to wait now.

January 13, 2013

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TiCa

When did you place your order?

January 13, 2013

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Swested

Early: last April.

January 14, 2013

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TiCa

It seems most resellers have not received anything, those 25% or so who have have received less than 10 units each. It's not exactly shipping in volume.

January 14, 2013

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Ant

Joe, thanks for the post, looks interesting. Do you think Cineform is a manageable format to work with for independent projects?

January 13, 2013

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There will be 5 editions of Mini S35 camera, MSRP ranging from USD3,800 (brain only) to USD6,800 (premium). The standard edition is around USD4,800 features battery grip, 64G KineMAG SSD, electronic aperture control EOS mount, external recorder output, 3D feature, and offline Cineform encoding

January 13, 2013

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jason

It didn't seem like there was definite pricing yet - did I miss something somewhere?

January 13, 2013

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Joe Marine
Editor-at-Large
Shooter/Writer/Director

Right here.
http://www.filmaker.cn/forum.php?mod=viewthread&tid=28235
The configuration and MSRP are in Chinese currency.

January 14, 2013

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jason

Hmm, the title of that post does say Gossip - so I'm not sure how confident they are in those numbers.

January 14, 2013

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Joe Marine
Editor-at-Large
Shooter/Writer/Director

Dude I don't realize you can read Chinese! Interesting!

January 14, 2013

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Jason

Haha, no, I wish, I was just using a translator.

January 14, 2013

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Joe Marine
Editor-at-Large
Shooter/Writer/Director

I bet someone in China has pre-order at the discounted price already.

January 14, 2013

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jason

BTW the price below MSRP is the discounted price for the first 100 pre-order.

January 14, 2013

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jason

in the order of Brain only, Basic edition, Standard edition, Pro edition, Premium edition

January 14, 2013

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jason

Is this like a wishlist or actual factual details? Not being a prick, I would really like to know.

January 14, 2013

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Stil, if it aint a better image quality than the BMCC, why pay more?! You would really choose a lightly shallower dof than much much better image quality?!?

January 14, 2013

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Quobetah

Much much better? I don't know. Denver Riddle will get a KineRAW S35 soon maybe he will give his two cents then from a colorist perspective.

January 14, 2013

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jason

Another pre-order promise. Pay and wait...forever. Tired of it. Whoever delivers at NAB gets my dough. Otherwise, I'm out to lunch, probably Margaritaville on the Blvd. See ya' in Sin City.

January 14, 2013

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marty nathaniel

Yup, deliver! Mini will be delivered in March.

January 14, 2013

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jason

How can this be delivered in march when they still are not able to deliver their "old" camera to the US and Europe.

January 14, 2013

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mike

domestic.......I mean......China :P

January 14, 2013

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Jason

Jason, I will have to travel to Beijing then in march :)

January 14, 2013

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mike

Is the SSD for the Mini 35 going to be proprietary? I have no problem with there being no monitor with the camera as most people are going to either have one on hand or buy one that they like that fits their needs. But adding a monitor and/or EVF adds $$$ to the final price. If the media is proprietary, then that will limit the camera's widespread adoption. The final price seems to be coming in closer to the FS100, with the primary difference being slightly higher resolution and the ability to shoot raw.

Even if the camera doesn't hit all the marks out of the gate, it still is a shakeup for the other manufacturers to offer better quality at a more affordable price in the future. Competition is great :)

Once again, we have RED to thank for all this. If it wasn't for RED camera shaking things up, the digital film revolution would have been delayed by a decade at least.

January 14, 2013

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Neil Brimelow

No, not proprietary. SSD that works on BMCC will fit mini35 as well.

January 14, 2013

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jason

Oh, that's good that the storage is not proprietary, especially seeing that the company is located in China.

Once again, I'm pretty sure RED has something in the works for the $3-5k range. I don't think the 3k for $3k was feasible up till now.

January 14, 2013

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Neil Brimelow

If only it had more stops of dynamic range. The latest footage I saw from from their camera didn't really distinguish from current DSLR videos that much.

January 14, 2013

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michael

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