April 26, 2017
NAB 2017

An In-Depth Look at the Canon EOS C700 and Latest Telephoto Lens

Don't let the Canon's EOS C700 Super 35mm 4K camera "shoot your eye out." 

Last year, Canon announced the EOS C700, featuring internal 4K ProRes and XF-AVC recording as well as uncompressed raw up to 120 frames per second (when using the optional Codex CDX-3150 recorder).

Available in three models, the EOs C700, EOS C700PL, and EOS C700 GS PL, both EF and PL versions provide pixel resolution up to 4.5K and 15 stops of dynamic range on its 11.54 megapixel CMOS sensor. The EOS C700 GS PL features 4K resolution, 14 stops of dynamic range, and a global shutter. 

C700 Tech Specs

  • 4K (4,096 x 2,160) video recording at up to 810Mbps
  • Internal 10/12-bit XF-AVC or ProRes recording
  • 4K recording at up 59.94P/50P internally or 100P/120P with optional Codex recorder CDX-36150
  • Up to 15 stops dynamic range
  • Dual Pixel CMOS AF (EOS C700 only)
  • PL mount Global Shutter model options
  • Proxy Recording to SD Cards
  • Selectable Gamma and Log Curves
  • XF-AVC and ProRes Recording to CFast 2.0
  • Raw Recording Option
  • OU-70 Remote Control Unit
  • Adaptable to B4 mount
  • Internal Anamorphic de-squeeze

Canon also debuted the CN-E 70-200mm telephoto lens. The compact lens is essential for filmmakers seeking the quality optics of Canon's Cinema Primes with the features of an EF lens. Designed for cameras with EF-mounts featuring Super 35mm or APS-C sized sensors, the lens maintains its brightness across the entire focal range at T4. A nine-blade iris aperture diaphragm gives the footage its artistic look and a desired bokeh effect in areas out of focus. 

CN-E 70-200mm Tech Specs

  • EF Mount
  • Super 35mm friendly
  • 2.8x zoom ration 
  • T4.4 at 70-200mm
  • 84mm front diameter

No Film School's complete coverage of NAB 2017 is brought to you by My RØDE Reel, Vimeo 360, and Blackmagic Design.

More of No Film School's coverage from the NAB showroom floor:

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2 Comments

its big size camera for not having internal RAW. With codex and battery it will be huge. And it too expensive for entire configuration, for indie film its out of reach. And T 4.4 zooms are gimmick.

April 27, 2017 at 12:46AM, Edited April 27, 12:52AM

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Sony should learn from Canon (or Arri for that matter) on how to do good menu systems.

April 28, 2017 at 8:32PM

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Jonathon Sendall
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