A New $5 Million Fund Just Made Production in New York City Even More Awesome

Liz Nord | September 29, 2016

Why That Bear Performed Fellatio on That Guy in 'The Shining'

Jon Fusco | September 29, 2016

Introducing Polaroid BrightSaber—Is it as Good as a Blaster?

Charles Haine | September 29, 2016

HBO's 'Westworld': Cinematographer Paul Cameron on Getting 'Fearless Coverage' on 35mm Film

Daron James | September 29, 2016

INDIE FILM WEEKLY
Hail the Disruptors! [PODCAST]

Liz Nord | September 29, 2016

How Wes Craven Prepped His Audience for Pain in 'The Nightmare on Elm Street'

V Renée | September 29, 2016

3 Thoughts on the Collaborative Relationship Between DPs and Directors

V Renée | September 28, 2016

One Little Goat Makes One Little Remote for Blackmagic Micro Cinema Camera

Charles Haine | September 28, 2016

Vintage Cinema Lens Library is the Most Exhaustive Lens Test We've Ever Seen

Charles Haine | September 28, 2016

TIFF 2016
Terrence Malick's 'Voyage of Time' Producers on Making an Epic Cosmic History of the Universe

Emily Buder | September 28, 2016

Venus Optics Teases a Very Different Macro Lens

Charles Haine | September 28, 2016

Straight from SeriesFest
Watch: Is it Your Time To Take a Creative Risk?

Julie Keck | September 28, 2016

IFP FILM WEEK
Here's How Music Videos Can Inform Your Narrative Feature

Jon Fusco | September 27, 2016

'Search for Revelations': Invaluable Cinematography Advice from DP Kirsten Johnson

Liz Nord | September 27, 2016

DJI’s New Mavic Pro Aims to Take Down GoPro’s Karma

Randall Esulto | September 27, 2016

Robic Breaks The Speed Limit With Its Motion Control Arm

Charles Haine | September 27, 2016

'Burtonesque': Breaking Down the Gothic Cinematic Style of Tim Burton

V Renée | September 26, 2016

How to Turn a Spotlight into an Area Light: A Basic Lesson on Bounce Lighting

V Renée | September 26, 2016

5 Tips for Scaring the Bejeezus Out of Your Audience

Oakley Anderson-Moore | September 26, 2016

IFP FILM WEEK
Should You Shoot on 16mm?

Jon Fusco | September 26, 2016

cineXinsert Can Save Your Delivery With One Simple Tool

Charles Haine | September 26, 2016

TIFF 2016
How to Keep Your Subjects Safe: Nanette Burstein on Dangerous Documentary [PODCAST]

Liz Nord | September 26, 2016

TIFF 2016
What You Missed at Film's Front Lines: TIFF 2016

NFS Staff | September 26, 2016

Here's What the First 3 Minutes of 'Boogie Nights' Can Teach You About Shot Economy

V Renée | September 26, 2016

No Homes, No Escape: David Lynch's Peculiar Style of Filmmaking (Un)Explained

V Renée | September 25, 2016

Tutorial: Do You Have $50? Then You Can Get Cinematic Lighting

V Renée | September 25, 2016

Watch: The Half-Haunted Creative Style of DP Darius Khondji

V Renée | September 25, 2016

The Socially Anxious Framing of 'Mr. Robot' and How It's Used to Tell Stories

V Renée | September 24, 2016

New to DaVinci Resolve? Here Are a Bunch of Tips to Get You Started

V Renée | September 24, 2016

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