Red, White & Blue: Three Filmmaking Lessons from Krzysztof Kieslowski

Justin Morrow | April 29, 2016

This Video Essay Breaks Down the Eyes of 'The Silence of the Lambs'

Justin Morrow | April 28, 2016

Tribeca 2016
'Don't Pander to Genre': How 'Lavender' Became a Character-Driven Horror Movie

Emily Buder | April 28, 2016

Tribeca 2016
Meet the People Who Capture Entire Lives in 800 Words: Vanessa Gould on 'Obit'

Andrew Lapin | April 28, 2016

INDIE FILM WEEKLY
Is Tribeca the New Premiere Destination for American Movies? [PODCAST]

Emily Buder | April 28, 2016

Shots Always Blurry? You Might Have to Calibrate Your Lens (Here's How)

V Renée | April 28, 2016

Tribeca 2016
Why You Need To Know about Alma Har'el and Her Cosmic Doc 'Lovetrue'

Liz Nord | April 27, 2016

And the 2016 Webby Award Winners Are...

V Renée | April 27, 2016

NAB 2016
Dissolve's Liftoff Team Will Turn Your Footage into Stock (Including Post-Production)

NFS Staff | April 27, 2016

NAB 2016
Motorized Precision's KIRA Gives You Easy Motion Control from an Xbox Controller

NFS Staff | April 27, 2016

NAB 2016
These New Interchangeable Mounts and Lenses from SLR Magic Are Definitely Not an Illusion

NFS Staff | April 27, 2016

NAB 2016
Fraunhofer Alliance's New Software Should Take Care of Your Nasty DCP Issues

NFS Staff | April 27, 2016

Tribeca 2016
Why Shooting Reality-Fiction Blur 'Actor Martinez' was 'Like Being on LSD'

Emily Buder | April 26, 2016

Tribeca 2016
5 Groundbreaking Ways to Tell Stories in the Future of Filmmaking

Liz Nord | April 26, 2016

How to Pull Off the 'Invisible Man' Effect (The 'Predator' One, Not the Kevin Bacon One)

V Renée | April 26, 2016

NAB 2016
Cooke Shows Off World's Only 300mm True Front Anamorphic Lens

NFS Staff | April 25, 2016

Kodak and Kickstarter Want to Help You Shoot on Film

Emily Buder | April 25, 2016

NAB 2016
Videoblocks Launches VR Stock Footage and Grows Marketplace for Filmmakers

NFS Staff | April 25, 2016

Tribeca 2016
'Painting With Faces': Trade Secrets from Legendary Casting Directors

Emily Buder | April 25, 2016

Blocked? Get Unstuck With These Free Resources for Writers

Justin Morrow | April 25, 2016

Tribeca 2016
How the Filmmakers Behind Horror Anthology 'Holidays' Use Genre to Thwart Expectations [PODCAST]

Jon Fusco | April 25, 2016

NAB 2016
Is the Arri Artemis Trinity the World's Most Advanced Camera Stabilizer?

NFS Staff | April 25, 2016

NAB 2016
Condition One Announces the Bison, a Rugged 16-Lens Stereoscopic 360° News Camera

NFS Staff | April 24, 2016

NAB 2016
Pelican Air Cases Are 40% Lighter & Just as Strong as Original Cases

NFS Staff | April 24, 2016

NAB 2016
Steadicam Adds Even More Stability to Gimbal Footage with the All New Steadimate

NFS Staff | April 23, 2016

NAB 2016
Leica Debuts 40mm T/2.0 & 15mm T/2.0 Summicron-C Lenses Plus Cine Macrolux +1 Diopter

NFS Staff | April 23, 2016

Watch: 100 of the Most Iconic Shots from the Last 100 Years of Cinema

V Renée | April 23, 2016

NAB 2016
GL Optics Brings Rehoused Still Glass to a Cinema Form Factor

NFS Staff | April 23, 2016

NAB 2016
Sound Devices Updates the 688 Mixer & PIX-E5 Interface Firmware

NFS Staff | April 23, 2016

NAB 2016
Frame.io's Feature-Rich Collaboration Tools Integrate Deeply with Premiere Pro

NFS Staff | April 23, 2016

Pages

In Case You Missed It