August 18, 2016 at 1:44PM
How do I handle a 4K workflow and 1080p proxies?
I just finished shooting a project with the new Ursa Mini 4.6k and we shot the entire thing in 4.6k raw 4:1 (which are not compatible with premiere pro at the moment). I have rendered proxies in 1080p and now wonder how I best handle the entire workflow in Premiere Pro and Davinci.
Since I can't use premiere pro with my raw footage I was wondering if there is a way to easily work around it all.
Would it be possible to edit everything with my proxies in 1080p in Premiere and then later on import the timeline into Davinci and in there replace all of the clips with my original raw footage?