Field Monitor
First off, I don’t currently own a field monitor. This is primarily because they cost money, but I’ve also been waiting for Tramm to get 1080i HDMI-out enabled during recording on the 5D (which may or may not make it into the next release). Currently, as soon as recording starts on the 5D, the output resolution drops to 480p, which makes an external monitor much less useful for focusing. This change in resolutions also introduces a number of issues with monitor switching; every monitor is different, but many monitors take a few seconds to switch modes, and repeated hundreds of times a day, this can be an exercise in frustration. The 7D has its own issues as well, and presumably the T2i introduces a host of new (but different!) problems. Despite these issues, however, I’m currently planning on buying the SmallHD DP-SLR, which at 5.6″ is a bit smaller than many monitors but large enough to provide for more precise focus monitoring while still being able to mount it to a handheld rig (with an articulating arm, which will allow for more angles). It’s very high resolution, has upgradeable firmware, and should work great on whatever camera I shoot with next (a RED, for example).
Until then, to digest what’s currently being said on the forums:
For $230 the Lilliput 669 is a great cheap option. A monitor at this price point isn’t going to have a lot of adjustment options and won’t offer the most accurate color reproduction, but again, if you spent $800 on a DSLR then you probably don’t want to spend $1,000 or more on a field monitor (some would disagree). The Lilliput has a 7″ screen and is 800×480 native resolution; there’s a lot of good info in this thread at Cinema5d. Note for the Lilliput you will need a few accessories (miniHDMI to HDMI adapter, batteries, etc.) to get properly connect and mount the monitor; I haven’t tested it myself but there are some forum tips in here as well as more details on battery options.
For $800 the SmallHD DP1 is a very popular choice; it has a higher 1024×768 resolution for what approximates to 720p resolution. Similarly to the LCDVF, the guys at the North Carolina-based SmallHD bootstrapped their own 10″ LCD monitor and are now selling them at volume, and the general consensus on the forums is the SmallHD can’t be beat at the $800 price point. I look forward to shooting with their smaller model; after all I have to help my fellow Carolinians raise up.
There are plenty of more expensive monitors on the market from manufacturers like Marshall, Ikan, Manhattan, and Panasonic, but for DSLR use I’ll move on; if you’re spending $2,000 on a field monitor, you’ll probably want to do your own research rather than take my word for it. If I do come across any of these other monitors, I’ll add my thoughts. In the meantime, Cinema5D has published a four monitor review, comparing the smallHD DP-1, ikan V8000HDMI, Marshall V-LCD70P-HDMI, and ikan V5600. There were also some new monitors demonstrated at NAB.
5 COMMENTS
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Steve on 01.14.12 @ 9:40AM
The SmallHD DP-6 claim to fix the scaling issue with the 5D and other DSLR’s. Haven’t tried it but this to me would put them ahead of the competition
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bangari on 04.11.12 @ 4:48PM
Im planing to shoot a some scenes of my film in 60d with zeiss ze lenses, which will be release in theaters (2.35 ratio) is there any field monitors with 2.35 aspect ratio mask or guide frame marks available in market ?
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Danneth Maxwell on 11.15.12 @ 12:12PM
useful article thanks, what are people’s experiences with the lilliput? I shoot rugby matches at my university and too often have I taken shots to post production to find they are out of focus. I’ve been looking at the 5D-ii which is still pushing my budget but has peaking which might resolve my focus problem. It’s this one:
http://www.lilliputuk.com/monitors/hdmi/5D-ii/
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- DSLR cinematography guide, 7D and 5D Mk2 and similar | JC Leger indie-films's Blog on 08.23.10 @ 10:20AM












I recently purchased a kit from BHPhoto with a Marshal 7″ lcd that included a canon BP-E6 battery, mini-hdmi to hdmi cable, basically everything you need. While I don’t think it’s capable of 720 or 1080 resolution, just getting things off the tiny 3″ lcd helps dramatically.
I shoot a lot of ice hockey and having to pan right to left, the on camera options aren’t really viable. The 7″ marshal makes it possible or easier to maintain focus on the play. If I recall the monitor averages under $300, and the kit right at $300.