» Posts Tagged ‘16mm’
When I was nine or ten years old, and not busy seeing movies I was far too young to be seeing (thanks, indulgent parenting!), I haunted the film section at any available bookstore, buying scripts, biographies of my favorite directors, books on technique and craft — it didn’t really matter, so long as it was film related. Sometime in the mid-90s, this indiscriminate process resulted in my discovery of the classic, Feature Filmmaking at Used Car Prices. The author, Rick Schmidt, had written it several years before, and its premise was that for the average cost of a used car (around $6,000), it was eminently possible to make a feature film. Recently, I reread the book, and there’s no time like the present to catch up with the past, so put on your jodhpurs, grab a megaphone, and let’s make a movie, what say? More »
Last week, celluloid lovers scored a major victory when a few major studios struck a pact with Kodak to ensure that film would remain a viable capture medium for the foreseeable future. Because film will be sticking around for a while, there is still value in learning the ins and outs of the various film formats available today, especially for cinematographers aspiring to work at the highest levels of the industry. One of the aspects of film that beginning filmmakers often find confusing is that of perforations, or the small holes that line the edges of the stock. In a technical sense, these perforations are what the sprocket catches in order to hold each individual frame in place so that it can be properly exposed. However, perforations are also used to describe the various formats and aspect ratios of film, and that’s where things can get confusing. Luckily, there’s a handy new infographic that explains everything you need to know about film perforations. More »
With Hollywood studios and filmmakers rallying together last week to save Kodak film from going extinct at least for the next few years, many in the industry have spoken out about the situation. Director Martin Scorsese, who has shot on film the majority of his career (though has recently experimented with digital on some of his more recent projects, including the completely digital Hugo), issued a very personal statement about the state of filmmaking and why it’s important that we don’t let film die. More »
As he is arguably the most successful Hollywood director of all time, it should surprise no one that, even as a teenager, Steven Spielberg was a prodigy. Like many kids of his generation, he used a Super 8 camera to make short films; unlike most of them, he had a preternatural knack for filmmaking, and, at the age of 17, wrote and directed a 135-minute sci-fi epic, Firelight. Click below to read the story of Spielberg’s first (and extremely indie) foray into feature filmmaking, and watch the surviving footage! More »
Teenage is not your grandma’s movie. Ok, well technically it is, but during the time when your grandma snuck out of the house, lived fast, and might have been part of a secret teenage society that innovated on the cultural norms of the day. Taking a ninety-degree turn from the Ken Burns-ian tradition of history as black and white pans with slow banjo music, this film is a visually poetic, punk-lensed rumination on what it means to be a teenager. Below, check out director Matt Wolf’s before-and-after footage, a short excerpt, and read about anything from finding techniques in old American Cinematographer to coming up with a transformative soundtrack by Deerhunter/Atlas Sound musician Bradford Cox. More »
I just wrote about the early documentaries of Stanley Kubrick, and now, in an embarrassment of riches, we have three early student films by Martin Scorsese to look at. Unlike Kubrick, whose first efforts were commercial news reels and industrials, Martin Scorsese was a member of the so-called “film school generation,” attending NYU in the 60s. Filmmaker IQ has posted three of Scorsese’s early student films, and they are instructive viewing for any fan of Scorsese, or student of cinema. Click below to check out these three early works from a master!