» Posts Tagged ‘5dmarkii’

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Timur CivanEverything in life has its purists. There are Mac purists and PC purists — vinyl purists and people who hate music (kidding.) In the filmmaking world, there are plenty of things to be a purist about, especially when it comes to cameras. (Canon and Nikon might as well be the Hatfields and McCoys.) But cameras, as well as almost every tool we use, have their advantages and disadvantages, and understanding which tools work best in certain situations is something that DP Timur Civan has learned to do. In a recent interview, Civan explains how making a decision on which camera to use depends less on prices or reviews, and more on the context of your material. More »

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rawmagic04There have been a few programs floating around to convert the .RAW files from Magic Lantern on the PC and Mac, but getting the files into a usable form takes a little bit of effort, as these programs were turning the files into DNG first, which aren’t compatible with programs like DaVinci Resolve (since DNG is a stills format). Now we have a better solution as Thomas Worth from Rarevision (who created 5DtoRGB) has created a program called RAWMagic to get After Effects and Resolve-supported CinemaDNG files straight from the .RAW camera originals. More »

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Magic_Lantern_logo-whiteIf you’ve been following the Magic Lantern RAW video news, you have probably seen quite a bit of material from the Canon 5D Mark II and the 5D Mark III. The hack, however, is working on many of Canon’s cameras, including the 50D (a camera that never shot video before), 60D, 6D, and more. Even if a camera is supported, that doesn’t mean you’re necessarily going to get full resolutions while recording continuously  so Roman over on the Magic Lantern forum has put together a list of the Canon cameras and max burst and continuous resolutions currently supported. Check out if your camera is currently supported below. More »

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BOSCH BMCC-Arri Alexa AdEach camera you use has strengths and weaknesses, and it’s common for bigger productions to use multiple cameras and formats depending on those attributes. Though many discussions often make the situation about one camera over another (especially with the recently released Magic Lantern hack), there are plenty of times where two or more cameras can be used in the same production to achieve a specific result. In the videos below, see if you can spot which camera is which (Arri Alexa, Blackmagic Cinema Camera, Canon 5D Mark II RAW), and also think about how they can be used to complement each other. More »

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Canon 5D Mark III at Big SurStrides are being made to get more and more resolution and frames out of the lower-end Canons using the Magic Lantern RAW video hack. Right now the only way to get continuous recording is by shooting at about 960 x 540 at 24fps, but other resolutions are working for a specific number of frames. Nick Driftwood, who has done a considerable amount of work with the Panasonic GH2, has been shooting some tests with the Canon 60D, and he’s posted his first video online. We’ve also got a metered dynamic range test comparing H.264 and RAW on the 5D Mark II, as well as a fantastic example of what the Canon 5D Mark III using Magic Lantern is capable of. More »

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Canon 50D vs 5D Mark II Magic Lantern RAWIt is absolutely incredible how far the Magic Lantern RAW video hack has come in such a short amount of time. Not only is it getting more stable every day, but they’ve managed to get a camera that never shot video at all — the Canon 50D — giving us beautiful RAW video. If you’ve been looking for a cheaper used camera to play around with RAW video (or you happen to have one of these sitting around), the Canon 50D and the full-frame Canon 5D Mark II are both great options (and both are from 2008), but how do they compare against each other? More »

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Julian Canon 50D RAW VideoThis is something you don’t see everyday: a camera that couldn’t even shoot video back in August 2008, is now shooting RAW video with the newer Magic Lantern hack! It seems the APS-C Canon 50D, which contains a CF card slot, is a much more capable video DSLR that it would have appeared at first glance. The tech inside the 50D looks like it borrows a lot more from its higher-end siblings, like the 5D Mark II, and it’s possible we may actually get better RAW video quality out of the 50D than we do out of any of the non-CF Canon cameras. Check out some samples below. More »

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Panasonic GH2 vs Mark III RAWI don’t recall in recent memory any sort of software with this many updates in such a short period of time, but the folks over at Magic Lantern have been working around the clock, and we’re getting almost consistent updates thanks to the incredible people working on the RAW video hack. Basic capabilities from regular H.264 video are being ported over, and it looks like both playback and audio are working in at least a basic form with RAW video mode — so we should see those at some point. We’ve also got a great little comparison from Luke Neumann showing the RAW Canon 5D Mark III against the hacked Panasonic GH2. More »

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Luke Neumann - Magic Lantern RAW TutorialIf you’ve been reading these Magic Lantern RAW video posts and watching the clips, and you’d like to get in on the action, we’ve got just the tutorial for you. Luke Neumann, who has been testing the Canon 5D Mark III with Magic Lantern and recently posted a clip of his own, has put together a great video that runs through some of what you’ll need to do to get up and running. We’ve also got another great test video to whet your whistle, so head on down and check everything out below. More »

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Canon 5D Mark III with Canon EF 24-70mm f/2.8L II USM Zoom LensLong Answer: Nope. There seems to be a lot of misunderstanding about what is actually happening with the new Magic Lantern hack in development that enables RAW Video output on Canon DSLRs. While it seems like some sort of magic on the surface (and it basically is), the reason this is possible is because of the RAW data stream that the camera is already outputting during normal operation. Read on for a clear explanation as well as some words from the Magic Lantern team on how this affects your camera. More »

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Canon 5D Mark III Hack Night SampleThe Canon 5D Mark III has become a true cinema camera. That’s a bold statement, but some of the footage that is currently being shot with the new 14-bit RAW Magic Lantern hack is absolutely night and day when compared to 8-bit H.264 footage recorded in-camera, and there is no doubt it rivals much more expensive cameras just in sheer image quality. We’ve got some impressive samples from cinema5D, Luke Neumann, as well as a few others below. Click through for the head-exploding videos. More »

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Canon 5D Mark III BackNot only do we have news that RAW video at 24fps is possible on the Canon 5D Mark III, but we now know it’s possible to get a full 1920 x 1080 image with 1000x speed cards. The first samples were possible by cropping the image to 1920 x 820, but g3gg0 from Magic Lantern has unlocked a way to get the entire image — the full 1920 x 1080. This makes the Mark III the first full-frame (36mm x 24mm) camera to shoot RAW video at 1080p. Also, now that we’re capable of getting really high-quality custom resolutions, a whole new world has potentially opened up for anamorphic shooting with the camera. More »

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Canon 5D Mark III Official Photos and SpecsThe team at Magic Lantern has been able to do some amazing things with Canon’s cameras. Late last month, we learned it was possible to get a burst of RAW still images from the camera without the shutter moving at reduced resolutions — which yielded more resolution and dynamic range. Some people working with ML were confident we could get RAW video at usable frame rates (since they were only getting 5-15fps at best) with these images at some point as long as the cards were fast enough, and now that has become a reality: the Canon 5D Mark III is a RAW-shooting video camera. Click through for the first video samples. More »

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With everything going on with the 5D cameras over the last few days, you’d think the clean HDMI firmware had already been released — but today Canon finally took the wraps off the firmware update they announced all the way back in October. While the headline feature is definitely the clean/uncompressed HDMI, they have introduced a number of other fixes as well. Click through for more from Canon about the update. More »

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It seems like it’s been all about the Canon DSLRs over the last day or so, but we assure you there are plenty of other things happening. Even though it’s not set to be released for another few days, it looks like an official firmware update for clean HDMI on the Canon 5D Mark III has leaked to the internet, version 1.21. We wanted to make sure this was the real deal and wouldn’t brick any cameras, but it definitely looks like this is an official update — but whether this will be the final release is unclear. We also have some more information about the RAW video hack that the guys are working on over at Magic Lantern. More »

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We just told you about what Magic Lantern is doing with the RAW liveview image, and now we’ve got some of the first samples for you to play around with. Luke Neumann has been testing the new firmware with A1ex over at Magic Lantern, and he has produced a spectacular sample that really gives you an idea of what this firmware is capable of. First, here is a video from Luke walking you through the process he went through to get these samples: More »

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Every day it seems things get more and more interesting with what these Canon cameras are actually capable of. It would be interesting to know if Canon is actually aware of what their cameras can do, or if some of these are happy accidents for the team over at Magic Lantern. They have made significant discoveries trying to enable full uncompressed HDMI, and not only do we have RAW still images from the liveview video stream, but they’ve actually managed to get RAW video working on Mark III. More »

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There are many more options for DSLRs and smaller cameras than there ever have been, but there are still a lot of reasons you might want to use Canon’s cameras. For one thing, they still take incredible still photos, but on the video side, even while there might be some cameras that resolve more detail or have less aliasing/moire, some of the older releases from Canon still give a great built-in look that doesn’t require much work in post (subjective, of course). JJ Kim from Orange Wedding Films recently took a look at the newer full-frame Canon 6D, along with the APS-C 7D and 60D, and the full-frame 5D Mark II. In the video below, JJ compares their features/specs, as well as image quality and low-light/moire performance. More »

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A solid color grade can very quickly take the edge off an image that looks “too digital.” If you don’t have much time to spend on said color grade, but you’d like to get a great look very easily, a film LUT that attempts to recreate some of the magic we get from Kodak and Fuji stocks could serve you well. We’ve discussed FilmConvert a bit before, but basically it’s either a standalone program or a plugin for the major Apple and Adobe products that uses the color science of the specific camera you’re using in order to precisely match the film stocks they have in their system. Now they’ve introduced another update, this time including support for the Canon C300 and the Arri Alexa. More »

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This camera seems to be getting as much vitriol in the comments on this website as the Canon 1D C, but the Canon C100 also has its share of defenders. It might not be priced perfectly considering the features, but it’s a camera that should just work out the box without much fuss, and Canon has made some key changes compared to the C300 that might be a deal-breaker for some, but well worth the cost-savings for others. I’ve said quite a bit about where I think this camera can fit in, but don’t take my word for it, here is Philip Johnston with his review (which is also available for download): More »