» Posts Tagged ‘5dmarkii’
Hacked Shootout: Panasonic GH2 vs. 5D Mark III RAW & Magic Lantern Gets Playback/Audio Working
I don’t recall in recent memory any sort of software with this many updates in such a short period of time, but the folks over at Magic Lantern have been working around the clock, and we’re getting almost consistent updates thanks to the incredible people working on the RAW video hack. Basic capabilities from regular H.264 video are being ported over, and it looks like both playback and audio are working in at least a basic form with RAW video mode — so we should see those at some point. We’ve also got a great little comparison from Luke Neumann showing the RAW Canon 5D Mark III against the hacked Panasonic GH2. More »
How to Get Started with Magic Lantern RAW Video on Your Canon Camera
If you’ve been reading these Magic Lantern RAW video posts and watching the clips, and you’d like to get in on the action, we’ve got just the tutorial for you. Luke Neumann, who has been testing the Canon 5D Mark III with Magic Lantern and recently posted a clip of his own, has put together a great video that runs through some of what you’ll need to do to get up and running. We’ve also got another great test video to whet your whistle, so head on down and check everything out below. More »
Will the Magic Lantern Canon DSLR RAW Video Hack Kill Your Camera's Sensor? Short Answer: No
Long Answer: Nope. There seems to be a lot of misunderstanding about what is actually happening with the new Magic Lantern hack in development that enables RAW Video output on Canon DSLRs. While it seems like some sort of magic on the surface (and it basically is), the reason this is possible is because of the RAW data stream that the camera is already outputting during normal operation. Read on for a clear explanation as well as some words from the Magic Lantern team on how this affects your camera. More »
These RAW Video Clips Will Make You Want a Canon 5D Mark III (Unless You Already Own One)
The Canon 5D Mark III has become a true cinema camera. That’s a bold statement, but some of the footage that is currently being shot with the new 14-bit RAW Magic Lantern hack is absolutely night and day when compared to 8-bit H.264 footage recorded in-camera, and there is no doubt it rivals much more expensive cameras just in sheer image quality. We’ve got some impressive samples from cinema5D, Luke Neumann, as well as a few others below. Click through for the head-exploding videos. More »
1080P RAW Video Now Possible on Canon 5D Mark III & Real Anamorphic Shooting with the New Hack
Not only do we have news that RAW video at 24fps is possible on the Canon 5D Mark III, but we now know it’s possible to get a full 1920 x 1080 image with 1000x speed cards. The first samples were possible by cropping the image to 1920 x 820, but g3gg0 from Magic Lantern has unlocked a way to get the entire image — the full 1920 x 1080. This makes the Mark III the first full-frame (36mm x 24mm) camera to shoot RAW video at 1080p. Also, now that we’re capable of getting really high-quality custom resolutions, a whole new world has potentially opened up for anamorphic shooting with the camera. More »
Canon 5D Mark III is Now Shooting RAW Video at 24FPS
The team at Magic Lantern has been able to do some amazing things with Canon’s cameras. Late last month, we learned it was possible to get a burst of RAW still images from the camera without the shutter moving at reduced resolutions — which yielded more resolution and dynamic range. Some people working with ML were confident we could get RAW video at usable frame rates (since they were only getting 5-15fps at best) with these images at some point as long as the cards were fast enough, and now that has become a reality: the Canon 5D Mark III is a RAW-shooting video camera. Click through for the first video samples. More »
Canon Finally Releases Firmware V1.2.1, Enabling Clean HDMI on the 5D Mark III
With everything going on with the 5D cameras over the last few days, you’d think the clean HDMI firmware had already been released — but today Canon finally took the wraps off the firmware update they announced all the way back in October. While the headline feature is definitely the clean/uncompressed HDMI, they have introduced a number of other fixes as well. Click through for more from Canon about the update. More »
Canon 5D Mark III Clean HDMI Firmware Leaks, Plus More from Magic Lantern Regarding RAW Video
It seems like it’s been all about the Canon DSLRs over the last day or so, but we assure you there are plenty of other things happening. Even though it’s not set to be released for another few days, it looks like an official firmware update for clean HDMI on the Canon 5D Mark III has leaked to the internet, version 1.21. We wanted to make sure this was the real deal and wouldn’t brick any cameras, but it definitely looks like this is an official update — but whether this will be the final release is unclear. We also have some more information about the RAW video hack that the guys are working on over at Magic Lantern. More »
First RAW Video Sample DNGs from the Canon 5D Mark III with New Magic Lantern Firmware
We just told you about what Magic Lantern is doing with the RAW liveview image, and now we’ve got some of the first samples for you to play around with. Luke Neumann has been testing the new firmware with A1ex over at Magic Lantern, and he has produced a spectacular sample that really gives you an idea of what this firmware is capable of. First, here is a video from Luke walking you through the process he went through to get these samples: More »
Magic Lantern Unlocks RAW Video on the Canon 5D Mark II and Mark III
Every day it seems things get more and more interesting with what these Canon cameras are actually capable of. It would be interesting to know if Canon is actually aware of what their cameras can do, or if some of these are happy accidents for the team over at Magic Lantern. They have made significant discoveries trying to enable full uncompressed HDMI, and not only do we have RAW still images from the liveview video stream, but they’ve actually managed to get RAW video working on Mark III. More »
There are many more options for DSLRs and smaller cameras than there ever have been, but there are still a lot of reasons you might want to use Canon’s cameras. For one thing, they still take incredible still photos, but on the video side, even while there might be some cameras that resolve more detail or have less aliasing/moire, some of the older releases from Canon still give a great built-in look that doesn’t require much work in post (subjective, of course). JJ Kim from Orange Wedding Films recently took a look at the newer full-frame Canon 6D, along with the APS-C 7D and 60D, and the full-frame 5D Mark II. In the video below, JJ compares their features/specs, as well as image quality and low-light/moire performance. More »
A solid color grade can very quickly take the edge off an image that looks “too digital.” If you don’t have much time to spend on said color grade, but you’d like to get a great look very easily, a film LUT that attempts to recreate some of the magic we get from Kodak and Fuji stocks could serve you well. We’ve discussed FilmConvert a bit before, but basically it’s either a standalone program or a plugin for the major Apple and Adobe products that uses the color science of the specific camera you’re using in order to precisely match the film stocks they have in their system. Now they’ve introduced another update, this time including support for the Canon C300 and the Arri Alexa. More »
This camera seems to be getting as much vitriol in the comments on this website as the Canon 1D C, but the Canon C100 also has its share of defenders. It might not be priced perfectly considering the features, but it’s a camera that should just work out the box without much fuss, and Canon has made some key changes compared to the C300 that might be a deal-breaker for some, but well worth the cost-savings for others. I’ve said quite a bit about where I think this camera can fit in, but don’t take my word for it, here is Philip Johnston with his review (which is also available for download): More »
Color is just about the most subjective aspect of any visual creation. Everyone sees color a little differently, so it’s no surprise that we talk endlessly about color science and about which cameras we prefer. Certain looks are too much for some people, and others are not enough. Blackmagic spent a great deal of time developing their color science with Australian Director of Photography John Brawley, and I think working with an actual shooter in developing their camera has made a significant difference in the visuals of the final product. Adam Roberts got a hold of the BMCC and performed a thorough test to compare the camera’s skin tones to that of the FS100 and the Mark II. Click through to check it out. More »
As we approach midnight in most places around the world (with some already celebrating the new year), the hardworking team over at Magic Lantern has delivered more updates to the trusty Canon DSLRs. We now have a second alpha for the Canon 7D — a camera that we previously thought was unhackable — and more updates are on their way with support for the Canon T4i, 6D, and 40D. Check out all of the exciting developments below. More »
Want Film-Like GH2 Footage? FilmConvert Now Supports GH2, More Canon Profiles, and Final Cut Pro 7
Not too long ago we told you about a color corrector plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you’re using. Until now the only cameras that were guaranteed to work properly with FilmConvert to achieve the specific look were Canon DSLRs and RED cameras, but now they are adding support for the Panasonic GH2, as well as support for more Canon picture profiles, and a brand new plugin for Final Cut Pro 7. More »
Canon 5D Mark II, 5D Mark III, and the New 6D Face off in a Moire and Aliasing Test
If you’re looking for a new full-frame camera from Canon, you’ve got some options now that the new Canon 6D is beginning to ship. We’ve already seen some samples from that camera, but it’s hard to know how it compares to the other models without looking at all of them directly. Mitch from planet5D has gotten a hold of the Mark II, Mark III, and 6D simultaneously to see if the new model still exhibits some of the same issues that the Canon 5D Mark III has fixed. More »
Camera modifications never cease to amaze. We’ve already seen some really nifty lens modifications with the Canon 5D Mark II, but this is in another league entirely. Robert Benson, a professional photographer, had a $6,500 Leica Noctilux 50mm f/1.0 lens but no Leica M9 camera to put it on (as you do). What’s the next best thing? Take a cheaper full-frame camera like the Mark II, gut it, and put a mount on there capable of taking M lenses. Check out a little bit of the process and some of the results below. More »
FilmConvert: the Best Film Stock Emulator You've Ever Seen
We’ve said a lot about the digital versus film debate, and a lot of people have a lot of different opinions. Film still had a technological advantage over digital until really the last few years or so, and now we have digital sensors which can match or exceed film stocks with dynamic range. Either way, with digital sensors being “too clean” for some people who have loved the look of film, there is a program called FilmConvert that takes the color information of specific cameras and actually uses that to determine how a specific film stock could best be represented using that sensor. Click through for some videos of the program in action. More »
Magic Lantern, the well-known third party firmware solution for Canon DSLRs that we discussed a few weeks ago, has finally released their newest firmware version 2.3 as a free download. Since it takes a tremendous amount of work to put together these firmware updates, they were asking for a donation in exchange for the download, or you could compile the firmware update yourself for free (which isn’t very straightforward). Check out the video below to see some of the great features that have been added in this version. More »
Gene: I'm very happy to see anything that will help make true 4k a reality on th… Will the Google-Supported WebM Open-Source V9 Video Codec Surpass H.265?
Michael: It isn't working. I'm a camera backer and all we've gotten from these peop… Plethora of Updates on the Digital Bolex Reminds Us That Good Things Come …
Derek: bottom left is h265, I agree though the right looks better, with the youtu… Will the Google-Supported WebM Open-Source V9 Video Codec Surpass H.265?
Michael: Hi, I was just wondering if there were any success/fail stories out there … How to Build a Hackintosh
stuart: This matters more to distributors and marketers. V9 is Google's play to… Will the Google-Supported WebM Open-Source V9 Video Codec Surpass H.265?