» Posts Tagged ‘adobecs6’

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Adobe Premiere Pro CC October 2013 UpdateSince Adobe announced their new suite of programs, CC, as subscription-only, there have been plenty complaints about being forced to pay indefinitely for software that was previously able to be owned outright. While they haven’t done anything drastic with the subscription implementation since launch, they have kept their promise of releasing significant updates for the software much faster and more fully-featured. The first update came in July, and now the second major release includes updates for Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Adobe Media Encoder CC, and Adobe Story, as well as a completely new iPad app called Prelude Live Logger. The Adobe CC suite is getting tons of native codec support and better roundtripping between Premiere and SpeedGrade, but check out the videos below to learn more about the new features in the update planned for October 2013. More »

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AetutsPlus After Effects Network RenderingIf you don’t have the latest and greatest system (and even if you do), there is a great way that you can actually speed up your renders in Adobe After Effects. If you’ve got another computer system or two hanging around collecting dust, you can put those machines to good use by setting up Network Rendering in AE. Check out the tutorial below from Aetuts+ to get the full scoop and get your renders flying: More »

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Video thumbnail for vimeo video Adobe Premiere Update - nofilmschoolOne of the chief criticisms of the new Adobe CC suite is that you are constantly paying for the software, and at some point, if you decide you don’t want to pay for it anymore, you won’t have access to your work until you pay again. While Adobe has said they are looking into ways to improve the situation, one of the reasons they have said for doing this is that they are able to improve the software much more frequently. It looks like they are making good on that with the release of the first major update for Adobe Premiere Pro CC less than one month after it was released. More »

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Adobe Creative CloudAdobe CC, the new Creative Cloud only suite that is replacing CS6, should be launching at some point tonight. But if you’re one of the many who haven’t been happy with the new approach, or you’d like to play the wait-and-see game, there might be some other options down the road, especially for those people who would like indefinite access to all of their files even if they are no longer subscribing to CC. More »

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Adobe Creative Cloud DiscountAbout a year ago, Adobe announced that they were going to be offering subscriptions for their software through what they were calling Creative Cloud. Besides being a monthly subscription instead of a one-time fee, Creative Cloud also offers other advantages like being able to view and share work from any device through specific applications. Back in March, Adobe killed off boxed versions of the Creative Suite, suggesting that they were going to move away from CS altogether, and starting in June, they’re doing just that: future versions of Creative Suite will only be available through Creative Cloud. Click through for more from Adobe on the announcement. More »

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It’s official. As of May 1st, Adobe will no longer sell boxed versions of its Creative Suite of applications through their website or through any of their various resellers. Of course, this isn’t the first time that we’ve seen a move of this sort from a major software company. Apple made the switch to an entirely digital fulfillment method for its software (and third party software) with the App Store well over a year ago, and tons of smaller companies have solely relied on digital delivery for ages. More »

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If you thought Video Copilot’s Adobe After Effects plug-in Element 3D couldn’t get any better, then check out the new features the free 1.5 update is sporting: support for importing animated 3D sequences, real-time glow, new particle ordering and repeating options, ambient occlusion improvements, layer grid mode, and more. Feast your eyes on Andrew Kramer’s video below for a complete tour of what’s new in Element 3D: More »

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Learning a new piece of software can be a daunting task, especially when that software may be nothing like any program you’ve used before. Even if you’re an expert, getting a well-rounded walk-through of a suite of programs can make you better and more efficient — and you might even learn a thing or two. For a limited time, you can get a complete set of training videos for the entire Adobe CS6 suite for only $100. Click through to learn more and check out some sample lessons. More »

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Oh where, oh where is Apple’s “Pro” line of products going? Okay, I admit the words don’t work as well with the song as the actual lyrics, but it’s still a fair enough question to ask. There’s speculation that Apple is slowly but surely consolidating its professional products line with its consumer one — in terms of both software and hardware — but whatever the reason for the delay, the fact is that the Mac Pro has been ‘on hiatus’ for two years at this point. If you’re a Mac User looking to upgrade, what are you to do in the mean time? You’ve got a few options. Bare Feats has recently performed a number of benchmark tests on the new 27″ 3.4GHz Core i7 iMac, with some impressive results. More »

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This past summer I wrote about the release and initial tutorials for Video Copilot’s awesome Adobe After Effects plug-in, Element 3D. Andrew Kramer has been slowly but surely releasing new tutorials for the plug-in that show off more aspects of its functionality and practical applications in After Effects projects. His three latest Element 3D tutorials delve into image based lighting, using video clips as textures to create screen animations, and making a field of random rocks as a part of a set extension. As an extra bonus, I’ve included some tutorials for the free open-source 3D modeling and animation program Blender, to get you started making your own objects for Element 3D. More »

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In post production, I’ve always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this year I finally made the decision to migrate to Premiere Pro CS6, as Final Cut Pro X has some infamous issues. Granted, Final Cut Pro X has come a long way, and it continues to be a true “pro” tool, but there are some quirks worth comparing against Premiere Pro CS6. Both suites are tools that should be compared objectively. Ric Lanciotti from The Pacific Northwest College of Art made this great video comparing the two editing suites. Though he takes the perspective of an educator looking for solutions for students, I think there are still lessons for all of us — especially those of us who only edit in one suite or the other. Check out his full 45 minute presentation after the jump: More »

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Filmmaking often comes down to problem-solving, though not that every task we face is necessarily problematic. I think we arrive at many solutions by way of new, situation-specific techniques that are built by a combination of the techniques we already know. When it comes to digital effects, it can help to possess a variety of techniques in our experiential arsenal. Who knows, perhaps having learned a basic tool within a software will help time-budget an effect, or maybe even save some money? In this vein, we’re happy to bring you this After Effects tutorial from AE.Tuts+ — in it, Axel Sorenson explains how to reshape one subject’s face into another, without the use of (paid) third party plug-ins. His example uses stills, but remember, in AE, anything you can think, you can track! More »

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If you just got in on a RED camera for a tremendous price, and you aren’t familiar to the RED workflow, it can be a little confusing at first, especially since RAW files offer a tremendous amount of flexbility. If you’ve got Adobe Premiere Pro CS6, RED has put together a little video showing exactly what you need to do to get started working with RED RAW files and manipulating them within the program. Check out the video below: More »

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It’s no secret that Apple has neglected to update the Mac Pro line in any significant way since 2010. In fact, both the iMac and the Macbook Pro have gotten a few major revisions just in that time span, and many have turned to building Hackintoshes to satisfy the growing need for professional equipment (and to save a few bucks). We’re getting word from CEO Tim Cook that one should be coming in 2013, but the details have been vague. A Facebook page was started by Lou Borella, a freelance editor/animator, to bring together professionals looking for Apple to address this growing issue. Now that the new Apple philosophy is becoming more clear, Lou has addressed the state of Apple and the Mac Pro line, and what he thinks will be coming in the next version.

This is a guest post from Lou Borella. More »

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We’ve written a lot on NoFilmSchool about the tutorials available for editing, visual effects, and color correction, but there’s one area of post production we haven’t really touched upon: DVD authoring. However, once you watch these tutorials from Creative Cow’s Andrew Devis, you’ll have the knowledge you need to start creating content for your DVD’s: More »

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So much for the deal expiring at the end of August — Adobe’s offer of their entire Creative Suite for $30/month (as opposed to $50/month) is now available until June of 2013 for current CS users (CS3 or later). You have to sign up for a full year of Creative Cloud but the savings totals $240; I myself am a satisfied Creative Cloud user, and who doesn’t like saving 40%? More »

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In what will surely be welcome news for those who routinely use Photoshop and Premiere, Adobe is planning to natively support the higher resolution display of the new Macbook Pro (as well as any other HiDPI displays in the future). While there are certain creative applications that immediately supported the Retina resolution with software updates (namely Apple’s Final Cut Pro X and Motion), Adobe was not able to offer this support right away. For those who are loving the extra screen resolution, it’s disappointing to then have to open Adobe products only to see them not share the same crispness as the native apps. Not all Creative Cloud applications will receive support (at least at this time), but you can read the full list of programs that will get software updates below. More »

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We posted this earlier this month, but the deal expires in a week so it’s worth one last notification. If you’re a current user of any Adobe software (CS3 or later), you can upgrade to Adobe’s new all-inclusive Creative Cloud membership for $29.95/month (instead of $49.95) for the first year — a savings of $240. The discount expires at the end of August, so get cracking if you’re thinking of signing up. More »

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I’ve been meaning to do this personally, but almost forgot — so here’s a reminder of an expiring deal. If you’re a current user of any Adobe software (CS3 or later), you can upgrade to Adobe’s new all-inclusive Creative Cloud membership for $29.95/month (instead of $49.95) for the first year — a savings of $240. The discount expires at the end of this month (August), so get cracking if you’re thinking of signing up. More »

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Last month I wrote about the new Adobe After Effects plug-in from Video Copilot: Element 3D. The initial demo videos were pretty amazing, but Andrew Kramer is delving deeper into Element 3D’s functionality in his most recent tutorial videos, covering the creation and manipulation of materials, powerful animation options in the Particle Replicator, environment maps, and 3D Compositing. And if that wasn’t enough, there’s also a tutorial from Serge Mustu on a Cinema 4D to Element 3D workflow and animating titles: More »