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	<title>nofilmschool &#187; beastsofthesouthernwild</title>
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		<title>5 Potential Obstacles That Actually Helped Oscar-Nominated &#039;Beasts of the Southern Wild&#039; Succeed</title>
		<link>http://nofilmschool.com/2013/03/5-potential-obstacles-oscar-nominated-beasts-southern-wild/</link>
		<comments>http://nofilmschool.com/2013/03/5-potential-obstacles-oscar-nominated-beasts-southern-wild/#comments</comments>
		<pubDate>Sat, 09 Mar 2013 11:52:34 +0000</pubDate>
		<dc:creator>V Renée</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[benhzeitlin]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[ifp]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=45627</guid>
		<description><![CDATA[<p>Beasts of the Southern Wild is one beast of a movie. Produced by a bunch of old buddies that formed the loose collective Court 13 (which also produced Death to the Tinman), and directed by Behn Zeitlin, the film demonstrates the potential of independent films, as well as revealing its influence on audiences today. In the IFP Q&#38;A video embedded [...]</p><p>The post <a href="http://nofilmschool.com/2013/03/5-potential-obstacles-oscar-nominated-beasts-southern-wild/">5 Potential Obstacles That Actually Helped Oscar-Nominated 'Beasts of the Southern Wild' Succeed</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-45684" title="beasts of the southern wild film still_1" src="http://nofilmschool.com/wp-content/uploads/2013/03/beasts-of-the-southern-wild-film-still_1-224x116.jpg" alt="" width="224" height="116" /><em><a href="http://www.amazon.com/Beasts-Of-The-Southern-Wild/dp/B00ABD0M54">Beasts of the Southern Wild</a> </em>is one beast of a movie. Produced by a bunch of old buddies that formed the loose collective Court 13 (<a href="http://nofilmschool.com/2013/03/ray-tintori-death-to-the-tinman/">which also produced <em>Death to the Tinman</em></a>), and directed by <a href="http://nofilmschool.com/tag/benhzeitlin/">Behn Zeitlin</a>, the film demonstrates the potential of independent films, as well as revealing its influence on audiences today. In the IFP Q&amp;A video embedded below, the producers of the film go into detail explaining just how demanding and ambitious every phase of production was, and how the team managed to come out the other side with the movie we see today. Based on that video, we&#8217;ve got a list of five potential obstacles that could have derailed the film, but actually ended up working in its favor. <a href="http://nofilmschool.com/2013/03/5-potential-obstacles-oscar-nominated-beasts-southern-wild/#more-45627" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/03/5-potential-obstacles-oscar-nominated-beasts-southern-wild/">5 Potential Obstacles That Actually Helped Oscar-Nominated 'Beasts of the Southern Wild' Succeed</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>19</slash:comments>
	
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			<media:title type="html"><![CDATA[5 Potential Obstacles That Actually Helped Oscar-Nominated &#039;Beasts of the Southern Wild&#039; Succeed - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Beasts of the Southern Wild is one beast of a movie. Produced by a bunch of old buddies that formed the loose collective Court 13 (which also produced Death to the Tinman), and directed by Behn Zeitlin, the film demonstrates the potential of independent films, as well as revealing its influence o]]></media:description>
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			<media:keywords>beastsofthesouthernwild,benhzeitlin,filmmaking,ifp</media:keywords>
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		<title>&#039;Beasts of the Southern Wild&#039; Surprises with 4 Oscar Nods, and is This the Last Major Year for Celluloid?</title>
		<link>http://nofilmschool.com/2013/01/beasts-southern-wild-academy-awards-oscars-celluloid-digital/</link>
		<comments>http://nofilmschool.com/2013/01/beasts-southern-wild-academy-awards-oscars-celluloid-digital/#comments</comments>
		<pubDate>Sat, 12 Jan 2013 02:05:39 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[academy]]></category>
		<category><![CDATA[academyawards]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[oscars]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=39539</guid>
		<description><![CDATA[<p>It&#8217;s that time of year again, when Hollywood nominates the films that ran the best Oscar campaigns best films from the previous year in a number of categories. Even just being nominated for an Academy Award is usually an honor for most of these filmmakers and actors, and many of them have been on the [...]</p><p>The post <a href="http://nofilmschool.com/2013/01/beasts-southern-wild-academy-awards-oscars-celluloid-digital/">'Beasts of the Southern Wild' Surprises with 4 Oscar Nods, and is This the Last Major Year for Celluloid?</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26178" title="beasts-of-the-southern-wild" src="http://nofilmschool.com/wp-content/uploads/2012/07/beasts-of-the-southern-wild-224x126.jpg" alt="" width="224" height="126" />It&#8217;s that time of year again, when Hollywood nominates the <del>films that ran the best Oscar campaigns</del> best films from the previous year in a number of categories. Even just being nominated for an Academy Award is usually an honor for most of these filmmakers and actors, and many of them have been on the ballot a number of times. Probably the most interesting selection is Benh Zeitlin&#8217;s <a href="http://nofilmschool.com/tag/beastsofthesouthernwild/"><em>Beasts of the Southern Wild</em></a>, a true independent film not just in budget but in spirit, which was nominated for Best Picture, Best Director, Best Adapted Screenplay, and the youngest Best Actress nomination ever in Quvenzhané Wallis. What&#8217;s even more interesting is how many of these films were still shot on actual film, but how long will that last? <a href="http://nofilmschool.com/2013/01/beasts-southern-wild-academy-awards-oscars-celluloid-digital/#more-39539" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/01/beasts-southern-wild-academy-awards-oscars-celluloid-digital/">'Beasts of the Southern Wild' Surprises with 4 Oscar Nods, and is This the Last Major Year for Celluloid?</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>26</slash:comments>
	
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		<title>2012 Screenwriters Reveal the Toughest Scenes They Wrote</title>
		<link>http://nofilmschool.com/2012/12/2012-screenwriters-toughest-scenes/</link>
		<comments>http://nofilmschool.com/2012/12/2012-screenwriters-toughest-scenes/#comments</comments>
		<pubDate>Fri, 28 Dec 2012 15:27:55 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[argo]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[flight]]></category>
		<category><![CDATA[lesmiserables]]></category>
		<category><![CDATA[looper]]></category>
		<category><![CDATA[scene]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=38273</guid>
		<description><![CDATA[<p>Many screenwriters talk about the difficulty of facing the blank page as they start page one of their screenplays. The desire to get the opening of the screenplay right can overwhelm, even paralyze. Yet, as the screenplay finally begins and takes shape, the first page is not necessarily the most difficult page. In reality, the [...]</p><p>The post <a href="http://nofilmschool.com/2012/12/2012-screenwriters-toughest-scenes/">2012 Screenwriters Reveal the Toughest Scenes They Wrote</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-24034" title="screenplay-script-photo" src="http://nofilmschool.com/wp-content/uploads/2012/05/screenplay-script-photo-224x149.jpg" alt="" width="224" height="149" />Many screenwriters talk about the difficulty of facing the blank page as they start page one of their screenplays. The desire to get the opening of the screenplay right can overwhelm, even paralyze. Yet, as the screenplay finally begins and takes shape, the first page is not necessarily the most difficult page. In reality, the challenge tends to come later, not when the audience is introduced to the movie, its characters and its world, but rather when the story truly launches into what will compel the audience to stay engaged for the next 90 minutes or more. Thanks to <a href="http://twitter.com/kylebuchanan">Kyle Buchanan</a> at Vulture (and Movies Editor for New York Magazine), we have a series of screenwriters from some of the most acclaimed films of 2012 describing in their own words what were the toughest scenes to write in their own screenplays. <a href="http://nofilmschool.com/2012/12/2012-screenwriters-toughest-scenes/#more-38273" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/12/2012-screenwriters-toughest-scenes/">2012 Screenwriters Reveal the Toughest Scenes They Wrote</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>2</slash:comments>
	
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		<title>Choosing Super 16mm over Digital and the Cinematography of &#039;Beasts of the Southern Wild&#039;</title>
		<link>http://nofilmschool.com/2012/12/cinematography-beasts-southern-wild/</link>
		<comments>http://nofilmschool.com/2012/12/cinematography-beasts-southern-wild/#comments</comments>
		<pubDate>Sat, 22 Dec 2012 00:54:19 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[arri]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[benhzeitlin]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[makingof]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=37569</guid>
		<description><![CDATA[<p>It seems like there have been tons of posts about this movie, but The Creators Project has been slowly releasing their exclusive Behind the Scenes videos over the course of the last few months. We&#8217;ve taken a look at the score and other aspects, but now we&#8217;ve got a video with Director of Photography Ben Richardson talking [...]</p><p>The post <a href="http://nofilmschool.com/2012/12/cinematography-beasts-southern-wild/">Choosing Super 16mm over Digital and the Cinematography of 'Beasts of the Southern Wild'</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-37634" title="Ben Richardson - Cinematography - Beasts of the Southern Wild" src="http://nofilmschool.com/wp-content/uploads/2012/12/Ben-Richardson-Cinematography-Beasts-of-the-Southern-Wild-224x124.png" alt="" width="224" height="124" />It seems like there <a href="http://nofilmschool.com/tag/beastsofthesouthernwild/">have been tons of posts about this movie</a>, but The Creators Project has been slowly releasing their exclusive Behind the Scenes videos over the course of the last few months. We&#8217;ve taken a look at the score and other aspects, but now we&#8217;ve got a video with Director of Photography <a href="http://benrichardson.com/" target="_blank">Ben Richardson</a> talking about the aesthetic of the film and their choice to shoot on celluloid as opposed to digital. <a href="http://nofilmschool.com/2012/12/cinematography-beasts-southern-wild/#more-37569" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/12/cinematography-beasts-southern-wild/">Choosing Super 16mm over Digital and the Cinematography of 'Beasts of the Southern Wild'</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>15</slash:comments>
	
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			<media:title type="html"><![CDATA[Choosing Super 16mm over Digital and the Cinematography of &#039;Beasts of the Southern Wild&#039; - nofilmschool]]></media:title>
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			<media:keywords>arri,beastsofthesouthernwild,benhzeitlin,celluloid,cinematography,film,makingof,watch</media:keywords>
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		<title>The Score of &#039;Beasts of the Southern Wild&#039; with Dan Romer and Director Benh Zeitlin</title>
		<link>http://nofilmschool.com/2012/12/score-beasts-southern-wild/</link>
		<comments>http://nofilmschool.com/2012/12/score-beasts-southern-wild/#comments</comments>
		<pubDate>Fri, 14 Dec 2012 01:37:19 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[benhzeitlin]]></category>
		<category><![CDATA[makingof]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[score]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=35849</guid>
		<description><![CDATA[<p>It&#8217;s a fairly uncommon thing for a director to score his own films &#8212; examples come to mind, to be sure, but it&#8217;s always interesting to see what comes out of such an arrangement. The director, of course, has a deep understanding of a film&#8217;s emotional texture. This makes the prospects of what a director-composer [...]</p><p>The post <a href="http://nofilmschool.com/2012/12/score-beasts-southern-wild/">The Score of 'Beasts of the Southern Wild' with Dan Romer and Director Benh Zeitlin</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-36328" title="scoring beasts of the southern wild Benh Zeitlin Dan Romer creators project" src="http://nofilmschool.com/wp-content/uploads/2012/12/scoring-beasts-of-the-southern-wild-Benh-Zeitlin-Dan-Romer-creators-project-224x124.jpg" alt="" width="224" height="124" />It&#8217;s a fairly uncommon thing for a director to score his own films &#8212; examples come to mind, to be sure, but it&#8217;s always interesting to see what comes out of such an arrangement. The director, of course, has a deep understanding of a film&#8217;s emotional texture. This makes the prospects of what a director-composer may bring to a film truly unique. <a href="http://nofilmschool.com/tag/beastsofthesouthernwild/"><em>Beasts of the Southern Wild</em></a> is one such case, in which co-composer Dan Romer and director Benh Zeitlin worked together to create a simple but emotively articulate score. <a href="http://nofilmschool.com/2012/12/score-beasts-southern-wild/#more-35849" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/12/score-beasts-southern-wild/">The Score of 'Beasts of the Southern Wild' with Dan Romer and Director Benh Zeitlin</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
	
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			<media:title type="html"><![CDATA[The Score of &#039;Beasts of the Southern Wild&#039; with Dan Romer and Director Benh Zeitlin - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[It&#039;s a fairly uncommon thing for a director to score his own films -- examples come to mind, to be sure, but it&#039;s always interesting to see what comes out of such an arrangement. The director, of course, has a deep understanding of a film&#039;s emotional texture. This makes the prospects of what a direc]]></media:description>
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			<media:keywords>beastsofthesouthernwild,benhzeitlin,makingof,music,score,watch</media:keywords>
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		<title>Screenplays for &#039;Beasts of the Southern Wild,&#039; &#039;The Sessions,&#039; and More Now Online</title>
		<link>http://nofilmschool.com/2012/11/screenplays-beasts-souther-wild-the-sessions-online/</link>
		<comments>http://nofilmschool.com/2012/11/screenplays-beasts-souther-wild-the-sessions-online/#comments</comments>
		<pubDate>Fri, 16 Nov 2012 03:00:48 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=33065</guid>
		<description><![CDATA[<p>Waters gonna rise up, wild animals gonna rerun from the grave, and screenplays gonna be online for your consideration. We have recently posted links to screenplays available to download for your consideration from Universal Pictures, Focus Features, Sony Pictures Classics and Lionsgate. Now, thanks to Fox Searchlight, we can read all of Hushpuppy&#8217;s pearls of [...]</p><p>The post <a href="http://nofilmschool.com/2012/11/screenplays-beasts-souther-wild-the-sessions-online/">Screenplays for 'Beasts of the Southern Wild,' 'The Sessions,' and More Now Online</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26178" title="beasts-of-the-southern-wild" src="http://nofilmschool.com/wp-content/uploads/2012/07/beasts-of-the-southern-wild-224x126.jpg" alt="" width="224" height="126" />Waters gonna rise up, wild animals gonna rerun from the grave, and screenplays gonna be online for your consideration. We have recently posted links to screenplays available to download for your consideration from <a title="For Your Consideration: Studios Post Screenplays Online for Awards Season" href="http://nofilmschool.com/2012/10/movie-studios-post-screenplays-online-free-download/">Universal Pictures</a>, <a title="For Your Consideration: Studios Post Screenplays Online for Awards Season" href="http://nofilmschool.com/2012/10/movie-studios-post-screenplays-online-free-download/">Focus Features</a>, <a title="'Smashed' and 'Celeste and Jesse Forever' Screenplays Now Available For Your Consideration" href="http://nofilmschool.com/2012/11/smashed-celeste-jesse-forever-screenplays/">Sony Pictures Classics</a> and <a title="But Wait, There's More! 'Arbitrage' and 'Perks of Being a Wallflower' Screenplays Now Available" href="http://nofilmschool.com/2012/11/arbitrage-perks-being-wallflower-screenplays/">Lionsgate</a>. Now, thanks to Fox Searchlight, we can read all of Hushpuppy&#8217;s pearls of wisdom in the screenplay for <a href="http://nofilmschool.com/tag/beastsofthesouthernwild/"><em>Beasts of the Southern Wild</em></a>, plus download (legally) screenplays for <em>The Sessions</em>, <em>Hitchcock</em>, and <em>The Best Exotic Marigold Hotel</em>. <a href="http://nofilmschool.com/2012/11/screenplays-beasts-souther-wild-the-sessions-online/#more-33065" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/11/screenplays-beasts-souther-wild-the-sessions-online/">Screenplays for 'Beasts of the Southern Wild,' 'The Sessions,' and More Now Online</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
	
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			<media:title type="html"><![CDATA[Screenplays for &#039;Beasts of the Southern Wild,&#039; &#039;The Sessions,&#039; and More Now Online - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Waters gonna rise up, wild animals gonna rerun from the grave, and screenplays gonna be online for your consideration. We have recently posted links to screenplays available to download for your consideration from Universal Pictures, Focus Features, Sony Pictures Classics and Lionsgate. Now, thanks ]]></media:description>
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		<title>&#039;Beasts of the Southern Wild&#039; Making of Demonstrates the Benefits of Collective Filmmaking</title>
		<link>http://nofilmschool.com/2012/08/beasts-southern-wild-making-demonstrates/</link>
		<comments>http://nofilmschool.com/2012/08/beasts-southern-wild-making-demonstrates/#comments</comments>
		<pubDate>Sat, 18 Aug 2012 19:39:55 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[benhzeitlin]]></category>
		<category><![CDATA[makingof]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=27549</guid>
		<description><![CDATA[<p>If like me you&#8217;re drawn to films which experiment with narrative form, presenting strong characters making their way in worlds that are slightly off kilter from our own, then I&#8217;m betting you also have Benh Zeitlin&#8217;s Beasts of the Southern Wild pretty high on your must watch list. Following the film&#8217;s Sundance premiere (where it [...]</p><p>The post <a href="http://nofilmschool.com/2012/08/beasts-southern-wild-making-demonstrates/">'Beasts of the Southern Wild' Making of Demonstrates the Benefits of Collective Filmmaking</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27552" title="Beasts of the Southern Wild" src="http://nofilmschool.com/wp-content/uploads/2012/08/Beasts-of-the-Southern-Wild-224x126.jpg" alt="" width="224" height="126" />If like me you&#8217;re drawn to films which experiment with narrative form, presenting strong characters making their way in worlds that are slightly off kilter from our own, then I&#8217;m betting you also have Benh Zeitlin&#8217;s <em>Beasts of the Southern Wild</em> pretty high on your must watch list. Following the film&#8217;s Sundance premiere (where it won the Narrative Grand Jury Prize and Best Cinematography) and Camera d’Or Cannes screening, the project has drawn accolades for both its story and six-year-old Quvenzhané Wallis&#8217; central performance. Here&#8217;s a taste of the Beasts&#8217; world in the trailer: <a href="http://nofilmschool.com/2012/08/beasts-southern-wild-making-demonstrates/#more-27549" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/08/beasts-southern-wild-making-demonstrates/">'Beasts of the Southern Wild' Making of Demonstrates the Benefits of Collective Filmmaking</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>10</slash:comments>
	
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			<media:title type="html"><![CDATA[&#039;Beasts of the Southern Wild&#039; Making of Demonstrates the Benefits of Collective Filmmaking - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[If like me you&#039;re drawn to films which experiment with narrative form, presenting strong characters making their way in worlds that are slightly off kilter from our own, then I&#039;m betting you also have Benh Zeitlin&#039;s Beasts of the Southern Wild pretty high on your must watch list. Following the film&#039;]]></media:description>
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		<title>Great Opportunity: Cinereach Awarding Grants of Up to $50K to Fiction and Documentary Film Projects</title>
		<link>http://nofilmschool.com/2012/08/cinereach-awarding-grants/</link>
		<comments>http://nofilmschool.com/2012/08/cinereach-awarding-grants/#comments</comments>
		<pubDate>Wed, 08 Aug 2012 14:00:56 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[cinereach]]></category>
		<category><![CDATA[grants]]></category>
		<category><![CDATA[opportunities]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=27060</guid>
		<description><![CDATA[<p>Cinereach, who we&#8217;ve covered previously, is a not-for-profit film organization that awards grants and fellowships to filmmakers in addition to producing a select few films (the most prominent current example of which is the terrific and touching Beasts of the Southern Wild). Documentary and fiction films from anywhere in the world are eligible for their [...]</p><p>The post <a href="http://nofilmschool.com/2012/08/cinereach-awarding-grants/">Great Opportunity: Cinereach Awarding Grants of Up to $50K to Fiction and Documentary Film Projects</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27065" title="summer_grants_20121" src="http://nofilmschool.com/wp-content/uploads/2012/08/summer_grants_20121-224x93.jpg" alt="" width="224" height="93" />Cinereach, who we&#8217;ve <a href="http://nofilmschool.com/tag/cinereach/">covered previously</a>, is a not-for-profit film organization that awards grants and fellowships to filmmakers in addition to <a href="http://www.cinereach.org/productions">producing</a> a select few films (the most prominent current example of which is the terrific and touching <em><a href="http://www.beastsofthesouthernwild.com/">Beasts of the Southern Wild</a></em>). Documentary and fiction films from anywhere in the world are eligible for their grants, which range from $5,000 – $50,000 per project. Since 2006 they&#8217;ve awarded close to $5 million in total funds, and they&#8217;ve just opened their 2012 grant cycle; if you&#8217;re interested in applying for such a great opportunity (as am I), you&#8217;ve got a month. Here are the details of how to apply: <a href="http://nofilmschool.com/2012/08/cinereach-awarding-grants/#more-27060" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/08/cinereach-awarding-grants/">Great Opportunity: Cinereach Awarding Grants of Up to $50K to Fiction and Documentary Film Projects</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>5</slash:comments>
	
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		<title>Benh Zeitlin and Lucy Alibar Describe the Script&#039;s Evolution for Beasts of the Southern Wild</title>
		<link>http://nofilmschool.com/2012/07/benh-zeitlin-lucy-alibar-script-beasts-southern-wild/</link>
		<comments>http://nofilmschool.com/2012/07/benh-zeitlin-lucy-alibar-script-beasts-southern-wild/#comments</comments>
		<pubDate>Tue, 17 Jul 2012 13:00:10 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[beastsofthesouthernwild]]></category>
		<category><![CDATA[benhzeitlin]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[lucyalibar]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=26172</guid>
		<description><![CDATA[<p>As Sundance and Cannes award-winner Beasts of the Southern Wild grows from festival darling to full-fledged must-see status in its platform rollout across the country, many interviews with first-time feature film director Benh Zeitlin have focused how his creative team managed to film a joyous apocalyptic story off the grid on the water during an [...]</p><p>The post <a href="http://nofilmschool.com/2012/07/benh-zeitlin-lucy-alibar-script-beasts-southern-wild/">Benh Zeitlin and Lucy Alibar Describe the Script's Evolution for Beasts of the Southern Wild</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26178" title="beasts-of-the-southern-wild" src="http://nofilmschool.com/wp-content/uploads/2012/07/beasts-of-the-southern-wild-224x126.jpg" alt="" width="224" height="126" />As Sundance and Cannes award-winner <a href="http://www.beastsofthesouthernwild.com"><em>Beasts of the Southern Wild</em></a> grows from festival darling to full-fledged must-see status in its platform rollout across the country, many interviews with first-time feature film director <a href="http://www.imdb.com/name/nm1022455/">Benh Zeitlin</a> have focused how his creative team managed to film a joyous apocalyptic story off the grid on the water during an oil spill in southern Louisiana with non-actors. Merely getting this film in the can was a miracle. My interest as a writer, however, craves to know more about how Zeitlin and his co-writer <a href="http://www.imdb.com/name/nm3599054/">Lucy Alibar</a> worked through the adaptation of Alibar&#8217;s play <em>Juicy and Delicious</em> to create this <em>Beast</em>. Thanks to <a href="http://twitter.com/EDouglasWW">Edward Douglas</a> at ComingSoon.net, we have some answers, straight from the co-writers themselves. <a href="http://nofilmschool.com/2012/07/benh-zeitlin-lucy-alibar-script-beasts-southern-wild/#more-26172" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/07/benh-zeitlin-lucy-alibar-script-beasts-southern-wild/">Benh Zeitlin and Lucy Alibar Describe the Script's Evolution for Beasts of the Southern Wild</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>7</slash:comments>
	
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			<media:title type="html"><![CDATA[Benh Zeitlin and Lucy Alibar Describe the Script&#039;s Evolution for Beasts of the Southern Wild - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[As Sundance and Cannes award-winner Beasts of the Southern Wild grows from festival darling to full-fledged must-see status in its platform rollout across the country, many interviews with first-time feature film director Benh Zeitlin have focused how his creative team managed to film a joyous apoca]]></media:description>
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