» Posts Tagged ‘canon5dmarkiii’

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FilmConvert Standalone Version 1.047During the NAB 2013 show, FilmConvert, the film emulation color grading program/plugin that actually maps color profiles to specific film stocks, was updated with support for the Blackmagic Cinema Camera, GoPro HERO3, Canon 7D, and 60D, as well as newer profiles for the Canon 5D Mark II and Mark III. Now, in the newest update, they’ve added the Panasonic GH3, Nikon D800 and D7000, in addition to the Canon T2i/T3i. Read on for more about the update, including a new ability to apply film color and contrast separately. More »

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Canon 5D Mark III BackNot only do we have news that RAW video at 24fps is possible on the Canon 5D Mark III, but we now know it’s possible to get a full 1920 x 1080 image with 1000x speed cards. The first samples were possible by cropping the image to 1920 x 820, but g3gg0 from Magic Lantern has unlocked a way to get the entire image — the full 1920 x 1080. This makes the Mark III the first full-frame (36mm x 24mm) camera to shoot RAW video at 1080p. Also, now that we’re capable of getting really high-quality custom resolutions, a whole new world has potentially opened up for anamorphic shooting with the camera. More »

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Canon 5D Mark III Official Photos and SpecsThe team at Magic Lantern has been able to do some amazing things with Canon’s cameras. Late last month, we learned it was possible to get a burst of RAW still images from the camera without the shutter moving at reduced resolutions — which yielded more resolution and dynamic range. Some people working with ML were confident we could get RAW video at usable frame rates (since they were only getting 5-15fps at best) with these images at some point as long as the cards were fast enough, and now that has become a reality: the Canon 5D Mark III is a RAW-shooting video camera. Click through for the first video samples. More »

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With everything going on with the 5D cameras over the last few days, you’d think the clean HDMI firmware had already been released — but today Canon finally took the wraps off the firmware update they announced all the way back in October. While the headline feature is definitely the clean/uncompressed HDMI, they have introduced a number of other fixes as well. Click through for more from Canon about the update. More »

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It seems like it’s been all about the Canon DSLRs over the last day or so, but we assure you there are plenty of other things happening. Even though it’s not set to be released for another few days, it looks like an official firmware update for clean HDMI on the Canon 5D Mark III has leaked to the internet, version 1.21. We wanted to make sure this was the real deal and wouldn’t brick any cameras, but it definitely looks like this is an official update — but whether this will be the final release is unclear. We also have some more information about the RAW video hack that the guys are working on over at Magic Lantern. More »

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We just told you about what Magic Lantern is doing with the RAW liveview image, and now we’ve got some of the first samples for you to play around with. Luke Neumann has been testing the new firmware with A1ex over at Magic Lantern, and he has produced a spectacular sample that really gives you an idea of what this firmware is capable of. First, here is a video from Luke walking you through the process he went through to get these samples: More »

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Every day it seems things get more and more interesting with what these Canon cameras are actually capable of. It would be interesting to know if Canon is actually aware of what their cameras can do, or if some of these are happy accidents for the team over at Magic Lantern. They have made significant discoveries trying to enable full uncompressed HDMI, and not only do we have RAW still images from the liveview video stream, but they’ve actually managed to get RAW video working on Mark III. More »

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Canon announced all the way back in October 2012 that they had worked out what we had previously thought impossible: uncompressed HDMI (which really just involves making the output fill the screen and removing overlays). While it’s not necessarily going to be a magic bullet for better image quality, there are plenty of uses for clean HDMI, including better workflow options. Unfortunately for those who were looking at the beginning of the month for the firmware update, Canon has now pushed it all the way until the end of this month. Click through for more. More »

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If you’ve been itching to shoot a project on the Canon 1D C in 4K but you need 25fps, it looks like you’ll have to wait just a bit longer. Canon officially announced that the firmware would be released in April, but it wasn’t clear when exactly it would be coming. Now there is word that we’ll get it after NAB, and an image has been released that shows it being tested on the camera with an additional frame rate we’ve never seen before. We have also been looking forward to the clean HDMI update on the Canon 5D Mark III, which at the moment is still scheduled for sometime this month. Click through for more on both cameras. More »

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Last month we mentioned a growing issue among a number of video shooters that were experiencing camera crashes with the Canon 5D Mark III. While it seems that the issue may be related to certain brands of CF cards corrupting footage, other users have experienced issues regardless of the cards used. A petition to Canon was started online to hopefully get a solution to the problem, and it seems that at least two of those cameras affected with this issue have had their cameras fixed by Canon for free. Here is a message from Max, who started the petition, sent earlier today: More »

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Have you ever had your Canon 5D Mark III freeze after capturing a video up to the time limit? Apparently the Mark III has issues with certain CF cards, regardless of speed, and cameras have been locking up and losing footage. This seems to occur most often once the camera reaches the 30 minute mark. Since the Mark III records to a FAT32 file system on CF cards, the max file size for each clip can only be 4GB, which corresponds to about 12 minutes. Once the camera hits 30 minutes, certain cards have caused the camera to lock-up, losing the previous 12 minute clip in the process. Now we have a petition from users who have been affected hoping for a fix from Canon. More »

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We already know what the Canon 5D Mark III can do, and there’s a good bet you’ve seen plenty of RED SCARLET videos online, but why such a cost difference between the two? Obviously one only shoots 1080p in H.264 but can be pushed quite a bit in lower light, and one can go all the way up to 4K at 24fps in RAW, but its ISO can’t be pushed quite as far. What if the stuff you’re shooting is just going to the web, do you really need all that extra resolution and detail? Will it make a difference in the end? Check out a test below from Robureau comparing the two cameras visually. More »

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Up until recently, there wasn’t much competition for PL style lenses at the lower budget level. If you were lucky, some used Super Speeds or Standard Speeds would be a good catch. Now we’ve got brand new cinema lenses from Canon right in this range, the CN-E lenses, and even though they aren’t PL mount, they cross off the other checkboxes in regards to giving you a professional solution. The team over at Magnanimous Media got a hold of the CN-E 24mm T/1.5, 50mm T/1.3, and 85mm T/1.3 primes from Canon, and compared them in a brief, unscientific test against the equivalent still lenses from Canon, the 24mm F/1.4, 50mm F/1.2, and 85mm F/1.2. Click through to watch their results. More »

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If you’re looking for a camera in the $3,000-$8,000 range right now, there aren’t too many options — at least as far as large sensor cameras go. We’ve always had lots of options in this range for 1/3″ cameras, but it has taken a bit for manufacturers to start moving the prices down and really get competitive larger sensor cameras in this range. Magnanimous Media, a rental house in Chicago, Illinois, has taken the Canon C100, Canon 5D Mark III, and the FS100 for a spin and offers their thoughts about some of the advantages and disadvantages of the new C100 compared to the others. More »

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If you’re looking for a new full-frame camera from Canon, you’ve got some options now that the new Canon 6D is beginning to ship. We’ve already seen some samples from that camera, but it’s hard to know how it compares to the other models without looking at all of them directly. Mitch from planet5D has gotten a hold of the Mark II, Mark III, and 6D simultaneously to see if the new model still exhibits some of the same issues that the Canon 5D Mark III has fixed. More »

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People have done as much as possible to argue against the test that was performed with the Blackmagic Cinema Camera by Marco Solorio and OneRiver Media. That test compared the 5D Mark III and the BMCC, and even though the superior resolution and dynamic range of one of those cameras should have been obvious, many still prefer the Mark III and complained that a better picture profile or some post sharpness would make the differences less noticeable. Well, Marco is back with a new test, and (in my personal opinion) it’s hard to argue against these results, as he’s pulled out all of the stops to really test the Blackmagic Cinema Camera and show why 8-bit will always be 8-bit, and what it means when you’ve got the capability for 12-bit images. More »

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That’s right, Canon is going to be giving users clean HDMI in a future firmware update for the 5D Mark III, and it’s not coming from the hardworking folks at Magic Lantern. Canon has innovated in some ways in the DSLR space, but they have made a clear distinction between their video and photography product lines. Lack of clean HDMI is a feature their competition already has — namely Nikon and Sony, who both have cameras with clean HDMI — with the Nikon D800 being the first full-frame camera out of the gate with a fully uncompressed 1080p. Obviously Canon has a plan for announcing this now, the only question is, when will you actually be able to get it? More »

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Nikon has been steadily improving video quality in their DSLRs, but they have mostly lagged behind their competitors until the release of the D800, which had more resolution than the Canon 5D Mark III as well as the ability to record the HDMI output. The one area where the D800 was not as stellar as the Mark III (thanks to the 36 megapixel sensor in the Nikon), was low-light performance. With the release of the Nikon D600, Nikon is hoping to at least match Canon’s offerings (the 5D Mark III and the brand new Canon 6D) not only in video quality, but in low-light performance. CheesyCam, a gear review site we have featured here before, takes a look at the Nikon D600 vs. the Canon 5D Mark III: More »

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It’s hard to really explain to some people the advantages of one camera system over another. There are many people who just glaze over when you start talking about 12-bit RAW and ProRes 4:2:2 HQ. If you are one of those people, then we’ve got a comparison for you, which gives you pretty pictures and hard evidence to compare two similarly priced cameras: the Blackmagic Cinema Cinema at $3,000 and the Canon 5D Mark III at around $3,500. The test was conducted by OneRiver Media, who also recently took the camera for a go in this short film. Click through for the test video. More »

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The Canon 1D X was announced all the way back in October of 2011, and only now is it starting to get in the hands of shooters. We reported on the increase in resolution between the 1D X and the 5D Mark III, but that increase comes at a price. Canon has decided to try to separate its Cinema EOS line with its DSLRs, but interestingly enough the new Canon 1D C DSLR (which is capable of 4K) is basically the same camera as the 1D X (sans 4K), yet it costs twice as much. Either way, it’s looking like the 1D X is the DSLR that most people wanted the 5D Mark III to be (at least in terms of resolution). More »