Here’s what I learned from running a $125,000 Kickstarter campaign for my feature film Man-child, which became the most funded project in Kickstarter’s narrative film category — for just one day, it turns out. (more…)

Big news about Man-child today, thanks to you! Three things:

FIRST: with only ten days left in my campaign to make my first feature film, I just discovered that if we’re successful, we will make history. I didn’t start out with this goal in mind, but as I was exploring Kickstarter I found that if Man-child is funded it will become the single most funded project to be listed in Kickstarter’s narrative film category. Wow.

SECOND: we are officially most of the way there. Most of the way to making history, that is! 51% and counting. However, the campaign is ending next Friday. As you know by now, Kickstarter projects are all-or-nothing, so if we don’t make history we’ll make… nothing. Now is a great time to get on board!

THIRD: last week’s Twitter outreach campaign was extremely effective. Thank you to everyone who helped reach the basketball community — it was a classic case of “strength in numbers,” as I never could’ve done it alone. In fact, we now have a success story worthy of an official press release (after the jump). What happened? Well, we were able to reach none other than one of the greatest basketball coaches of all time: (more…)

Here it is, at long last: my first feature, Man-child. I’ve spent the past year writing it and many more years dreaming about it. I’ve just launched an ambitious Kickstarter campaign to try to turn the dream into reality, and I’m hoping and praying that, if you’ve found NoFilmSchool to be a valuable resource, you’ll consider helping me. I hope to share everything I learn during the production of the film here on this site, going beyond DSLRs and technology, and getting into more content about financing, directing, producing, the film festival circuit, distribution… absolutely everything I learn along the way. But of course, to do that I have to make the movie first, and I need your help to do so! (more…)

I heard recently from an NYC-based actor friend who is undergoing an internal debate common to his profession. Should he move to LA to pursue an acting career (uprooting himself in hopes of getting cast in a major TV show or film), or stay where he is and do what he can outside of Hollywood? As someone who runs a web site focused on DIY/independent careers, I thought I’d write him an open letter explaining why I think 21st-century performing artists should forget about putting their careers in the hands of others, and instead take the reins — and responsibility — themselves. Here is that letter: (more…)

It hasn’t been easy writing a blog about filmmaking without having a project of my own to show since my 2007 fly-by-night production of The West Side. The main reason for this? I tried to get something made in the studio system. 200 pages of screenplay and twenty-something meetings later, I arrived at the conclusion that I should’ve stuck to the DIY route. However, there’s another reason you haven’t seen a new project from me in a while: I haven’t had access to a camera, to actors, or to much of anything, because I’ve been living out of a suitcase for ten months. Why did I decide to do this — and why do I recommend others do the same? (more…)