» Posts Tagged ‘cinemacamera’

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Video thumbnail for vimeo video Hands-On With the 2.5K Blackmagic Design Cinema Camera - nofilmschoolYou might have a pre-order for either the EF or MFT version of the Blackmagic Cinema Camera, but you don’t have to wait a second longer. Both cameras are in stock right now at B&H for $3,000 including DaVinci Resolve, and at least the EF version is available through Amazon. Supplies are still more limited than the company would like, but if you’re behind on the pre-order list, and your camera isn’t shipping anytime soon, you can skip all that and get your hands on one right now. More »

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Video thumbnail for vimeo video Blackmagic - nofilmschoolWhile they’ve rarely had major delays with their other equipment, the company has had some serious problems delivering the Blackmagic Cinema Camera. If you’ve had a pre-order on the camera, you certainly know this by now. With the announcement of two new cameras at NAB, the Pocket Cinema Camera and Production Camera 4K, some of these same questions have come up again. Can they deliver in July as promised? Will there be delays that push camera availability weeks, or even months from the original release date? More »

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Blackmagic Cinema Camera with Micro 4-3 Mount - AngleIf you are in the US, and you’ve had a pre-order for the EF-mount version of the Blackmagic Cinema Camera, they are currently in stock at places like B&H. While there aren’t infinite quantities, if you’ve been looking to buy, you can get one right now at a number of different retailers. If you switched your pre-order to the Micro 4/3 version, there might be some light at the end of the tunnel for shipping on that model, especially as it has been some time since the Beta testers got a hold of that model. We’ve also got more footage shot with the Pocket Cinema Camera from John Brawley (which shares the same sensor technology as the original BMCC). This time he takes the camera into some serious low-light situations and puts the camera through its paces. More »

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BOSCH BMCC-Arri Alexa AdEach camera you use has strengths and weaknesses, and it’s common for bigger productions to use multiple cameras and formats depending on those attributes. Though many discussions often make the situation about one camera over another (especially with the recently released Magic Lantern hack), there are plenty of times where two or more cameras can be used in the same production to achieve a specific result. In the videos below, see if you can spot which camera is which (Arri Alexa, Blackmagic Cinema Camera, Canon 5D Mark II RAW), and also think about how they can be used to complement each other. More »

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Blackmagic Pocket Cinema CameraIf you’ve been following the site, you probably know his name already, but John Brawley, an Australian DP, has been working with Blackmagic to develop not only the Cinema Camera, but also the Pocket and 4K cameras. Footage has been nonexistent for the 4K camera (even though we’re closing in on the release date), but the Blackmagic Pocket Cinema Camera has gotten one bit of test clips so far, with another now being released. Check it out below: More »

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Metabones Speed Booster - With CapsBack in April it became clear that the Micro 4/3 version of the Metabones Speed Booster (the lens adapter that makes lenses wider, faster, and sharper), was going to be delayed for some time. While it still probably won’t be shipping for a while, the company has sent out some pre-production versions of the adapter, and we’ve got our first look at images from the adapter thanks to Philip Bloom, who recently got his hands on one. Check out his video below. More »

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cinema5D_5D_Mark_iii_BMCCEven though Blackmagic announced two more cameras at NAB, the original 2.5K BMCC is still shipping in limited quantities. While the company has been working hard to address the situation, an unlikely competitor has come along thanks to Magic Lantern: Canon’s year-old 5D Mark III. It is now the only DSLR to shoot RAW stills and video, and even though the hack is still in the early stages, it’s becoming clear that it will be a force to be reckoned with at this budget level. The guys over at cinema5D have been working with the hack, and they’ve now posted the first test comparing RAW video from the Blackmagic Cinema Camera and the Canon 5D Mark III. The results are interesting, to say the least. More »

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The latest firmware update for the current Blackmagic Cinema Camera only officially included one new feature, mainly for broadcast professionals who needed interlaced video in a TV environment. However, according to Robert Wolzak from juicedLink, it seems they also snuck in some audio functionality changes, but not without additional idiosyncrasies. Get all the details in the video below:
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Blackmagic announced two cameras at NAB 2013, but on the floor at the show, much of the buzz was not about the 4K camera, but actually the smaller Pocket Camera. Truly a first of its kind, the Blackmagic Pocket Cinema Camera with its Super 16mm-sized sensor will be recording ProRes and RAW 1080p footage in a package about the size of most mirrorless cameras, all for $1,000. I got to play around with both cameras a bit, but it’s always nicer to see a camera outside of the NAB show floor and really get a sense of what it’s capable of. John Brawley, who has worked closely with Blackmagic to develop their cameras, has posted the first footage from the Pocket Cinema Camera. More »

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Blackmagic might have introduced new cameras at NAB, but that doesn’t mean that they aren’t still working on support for the current 2.5K camera (which is still trickling out slowly but surely). Contrary to what most people think, research and development doesn’t necessarily interfere with anything they are doing to support the current camera, as it is normally different teams of people working on different things. The company has just released firmware update 1.3, which should be great for those who’ve wanted to bring the Blackmagic Cinema Camera into a broadcast environment. We’ve also got a video from Andrew Wonder that takes a little different approach to NAB coverage — check out the video below where he sits down with Blackmagic President Dan May to talk about the company’s philosophy and their new cameras. More »

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When it comes to wireless HD monitoring solutions, companies like Teradek have some impressive offerings. That company’s Bolt, however, isn’t the only airwave-bound HD-SDI transmission system around. Switronix’s Recon is another such offering, with models including HDMI support and HDMI to HD-SDI conversion. Switronix has just announced a new addition to the Wi-SDI family in the shape of lighter-form factor Recon Micro, made more compatible with the smaller scale of cameras like the Blackmagic (pair pictured left). Switronix has also released details for a new modular battery power solution, geared towards anything from BMCC to Sony HD camcorders. If you’re looking into powerful, off-the-grid, untethered field shooting solutions, check the details below. More »

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As we all know by now, Blackmagic has shocked again with their announcement of not one, but two new cameras at this year’s NAB. Get more intimate details in this video from our coverage partners over at FreshDV: More »

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Official word has just dropped from last night’s exciting announcement leak of two new cameras from Blackmagic Design: The 4k Production Camera and the Pocket Cinema Camera. Any skepticism on its legitimacy is now put to rest — it’s real alright. Read on for the full details and more info about the cameras from John Brawley. More »

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We’ve all been speculating that this year’s NAB show would be a major one in terms of new cinema-style cameras at incredibly low price points. After Blackmagic Design shook up the cinema camera world last year, the market seemed destined for another company to swoop in an steal the BMCC’s thunder. However, a photo of two brand-spankin’ new Blackmagic Cinema Cameras has been leaked, and it’s definitely real. It appears that Blackmagic has done it again, and their thunder is locked down in a vault that would leave even Danny Ocean and his team of 13 stumped. Check out the photo below for the limited details that we have at this point. More »

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When news of the Blackmagic Cinema Camera dropped, I got that warm, giddy feeling. Everything I need in a camera and nothing I don’t! A few months of research later, I decided: this will be the camera I will shoot my feature film with. The quality of images this camera produces is superb. I love the dynamic range, the sharpness, the texture, and the richness in the blacks. I feel closer to shooting on film than I ever have. However, when it comes to peace of mind on set, it can leave a lot to be desired. There’s plenty of praises to sing, but I want to talk about some of the issues I’ve had with it, hidden expenses, and quirks to be aware of that are pertinent to the independent filmmaker. Click through for a list I’ve compiled after shooting two indie features with it, along with some comments from Dan May, the president of Blackmagic Design. More »

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The Micro 4/3 mount Blackmagic Cinema Camera was announced back in September 2012, and just recently we saw that beta cameras were starting to ship to people around the world. Many have asked which camera they should be ordering (since they both sell for $3K and you can switch your pre-order to EF), and while we’ve done our best to answer that question (and more), it’s always good to hear the perspective of someone who has used both models. Philip Bloom reviewed the camera back in September, but he finally got an MFT camera to try out, and he’s posted his review online. Check it out below. More »

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The Blackmagic Cinema Camera is still steadily shipping out, but so far they’ve only been sending out the EF mount cameras. The issue of infinity focus with those cameras was confirmed to not be affecting the shipping speed, so there is hope we have seen the last of the delays and shortages. If, however, you’re one of those who switched your order to the Micro 4/3 BMCC (or ordered separately), it looks like shipment could be just around the corner. More »

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It may be a few months away from getting into the hands of us regular folks, but the Micro 4/3 mount version of the Blackmagic Cinema Camera has gotten plenty of work in a number of real-world situations thanks to John Brawley. While he’s been testing plenty of PL mount lenses on the camera (we’ve got some brand new footage below), he’s also been trying out of all of the manual MFT lenses that are currently out there, including those from Voightlander, and a brand new lens from SLR Magic, the new T/0.95 lens, which just may be a perfect go-to option for the MFT BMCC. More »

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This is a guest post by Cinematographer Ryan E. Walters.

Welcome to Part 03 of Some Like It RAW, where I am comparing the Arri AlexaBlackmagic Cinema Camera, and the RED EPIC. My goal for these tests is to explore how each of these cameras handle real world shooting environments. Part 01 explored how these cameras handle IR pollution. In Part 02, I tested underexposure. And here in Part 03, I’m exploring the world of overexposure and diffusion filtration. Continue on to watch the 10 minute video, read my summary, and get the downloadable RAW frames from each camera. More »

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There have been a number of reports regarding the Blackmagic Cinema Camera and getting proper infinity focus with quite a few lenses. Earlier in the month we showed you a few videos documenting the issue, and Blackmagic so far has been very responsive, telling us at that point that they were looking into the issue. We now have a solution straight from the company, and it looks like it’s going to be a hardware fix if your camera has already been delivered. More »