<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:media="http://search.yahoo.com/mrss/">

<channel>
	<title>nofilmschool &#187; color-correction</title>
	<atom:link href="http://nofilmschool.com/tag/color-correction/feed/" rel="self" type="application/rss+xml" />
	<link>http://nofilmschool.com</link>
	<description>read, discuss, learn: free film school for all</description>
	<lastBuildDate>Sun, 19 May 2013 18:40:41 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>Grab Some 4K Canon 1D C DSLR Sample Footage, and Check Out a Possible FCPX Workflow</title>
		<link>http://nofilmschool.com/2013/01/4k-canon-1d-c-sample-footage-planet5d/</link>
		<comments>http://nofilmschool.com/2013/01/4k-canon-1d-c-sample-footage-planet5d/#comments</comments>
		<pubDate>Mon, 21 Jan 2013 07:22:44 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[1dc]]></category>
		<category><![CDATA[1dx]]></category>
		<category><![CDATA[4k]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[canon1dc]]></category>
		<category><![CDATA[canon1dx]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[download]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[eos1dc]]></category>
		<category><![CDATA[fcpx]]></category>
		<category><![CDATA[finalcut]]></category>
		<category><![CDATA[finalcutpro]]></category>
		<category><![CDATA[finalcutprox]]></category>
		<category><![CDATA[footage]]></category>
		<category><![CDATA[motionjpeg]]></category>
		<category><![CDATA[planet5d]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40613</guid>
		<description><![CDATA[Canon&#8217;s 4K video capable DSLR, the EOS-1D C, has marked an upset for the DSLR industry &#8212; and in more ways than one. Many feel that the addition of Motion-JPEG alone is not worth the camera&#8217;s $12K price point. This is particularly the case when weighing in controversial speculation that internally it&#8217;s mostly identical to [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-21758 style-off" title="Canon_EOS1DC_Angle" src="http://nofilmschool.com/wp-content/uploads/2012/04/Canon_EOS1DC_Angle-e1356437073819-224x240.jpg" alt="" width="179" height="192" />Canon&#8217;s 4K video capable DSLR, the EOS-1D C, has <a href="http://nofilmschool.com/2012/12/canon-4k-dslr-1d-c-hybrid-photo-video-camera/">marked an upset for the DSLR industry</a> &#8212; and in <a href="http://nofilmschool.com/2013/01/canon-legal-team-modify-hack-firmware-1d-x-1d-c/">more ways than one</a>. Many feel that the addition of Motion-JPEG alone is not worth <a href="http://nofilmschool.com/canon1dc">the camera&#8217;s $12K price point</a>. This is particularly the case when weighing in controversial <a href="http://nofilmschool.com/2012/10/is-the-canon-1d-c-the-twin-of-the-canon-1d-x/">speculation that internally it&#8217;s mostly identical</a> to its <a href="http://www.bhphotovideo.com/c/product/827036-REG/Canon_5253B002_EOS_1D_X_EOS_Digital.html/BI/5955/KBID/6829">$7K 1080p sibling, the 1D X</a> &#8212; and the fact that Canon is likely <a href="http://nofilmschool.com/2013/01/canon-legal-team-modify-hack-firmware-1d-x-1d-c/">anticipating with gritted teeth the possibility of firmware hacks</a> 4K-ifying the 1D X. That said, it could be <a href="http://nofilmschool.com/2012/12/canon-4k-dslr-1d-c-hybrid-photo-video-camera/">a near-perfect blend of features</a> depending on your application. If this is the case for you, but you want the chance to check out or grade some full-res video footage before pulling the trigger, you&#8217;re in luck &#8212; planet5D has just posted some downloadable 1D C 4K footage for your viewing consideration (assuming of course your machine can handle it). <a href="http://nofilmschool.com/2013/01/4k-canon-1d-c-sample-footage-planet5d/#more-40613" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/4k-canon-1d-c-sample-footage-planet5d/feed/</wfw:commentRss>
		<slash:comments>77</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/VlQwiBS_Ef4" duration="441">
			<media:player url="http://www.youtube-nocookie.com/v/VlQwiBS_Ef4" />
			<media:title type="html"><![CDATA[Grab Some 4K Canon 1D C DSLR Sample Footage, and Check Out a Possible FCPX Workflow - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Canon&#039;s 4K video capable DSLR, the EOS-1D C, has marked an upset for the DSLR industry -- and in more ways than one. Many feel that the addition of Motion-JPEG alone is not worth the camera&#039;s $12K price point. This is particularly the case when weighing in controversial speculation that internally i]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/grab-some-4k-canon-1d-c-dslr-sample-footage-and-check-out-a-possible-fcpx-workflow-nofilmschool-224x168.jpg" />
			<media:keywords>1dc,1dx,4k,canon,canon1dc,canon1dx,color-correction,colorcorrection,colorgrading,download,dslr,editing,eos1dc,fcpx,finalcut,finalcutpro,finalcutprox,footage,motionjpeg,planet5d</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/04/Canon_EOS1DC_Angle-e1356437073819-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/04/Canon_EOS1DC_Angle-e1356437073819.jpg" medium="image">
			<media:title type="html"><![CDATA[Canon_EOS1DC_Angle]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/04/Canon_EOS1DC_Angle-e1356437073819-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>Blackmagic Adds Retina Macbook Pro Support in DaVinci Resolve 9.1 Update</title>
		<link>http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/</link>
		<comments>http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/#comments</comments>
		<pubDate>Sun, 20 Jan 2013 05:09:08 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40463</guid>
		<description><![CDATA[Blackmagic&#8217;s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40470 style-off" title="Blackmagic DaVinci Resolve" src="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-224x135.jpg" alt="" width="224" height="135" />Blackmagic&#8217;s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes and resolutions. We&#8217;ve featured a few tutorials on the software so far, so if you&#8217;re unfamiliar with it, <a href="http://nofilmschool.com/tag/davinciresolve/">be sure to check them out</a>. Click through for all of the additions in the new Resolve version 9.1. <a href="http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/#more-40463" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
	
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve.jpg" medium="image">
			<media:title type="html"><![CDATA[Blackmagic DaVinci Resolve]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>Want an Interactive Master Class with Legendary Spielberg Color Timer? There&#039;s an App for That</title>
		<link>http://nofilmschool.com/2013/01/interactive-color-timing-master-class-app-spielberg/</link>
		<comments>http://nofilmschool.com/2013/01/interactive-color-timing-master-class-app-spielberg/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 11:41:14 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[apps]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[colortiming]]></category>
		<category><![CDATA[dalegrahn]]></category>
		<category><![CDATA[ipad]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[timing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40277</guid>
		<description><![CDATA[Is it possible we&#8217;re losing something through the non-destructive way in which we decide the final look of our shots? The answer, quaintly enough, is absolutely yes &#8212; but what, exactly? Simplicity. True finesse in color timing is something Dale Grahn (Saving Private Ryan, Gladiator, Munich, Apocalypse Now: Redux) knows a lot about, and in [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40278 style-off" title="dale grahn color app ios ipad interactive master class color timing grading correction post production" src="http://nofilmschool.com/wp-content/uploads/2013/01/dale-grahn-color-app-ios-ipad-interactive-master-class-color-timing-grading-correction-post-production-224x168.jpg" alt="" width="224" height="168" />Is it possible we&#8217;re losing something through the non-destructive way in which we decide the final look of our shots? The answer, quaintly enough, is absolutely yes &#8212; but what, exactly? <strong>Simplicity</strong>. True finesse in color timing is something Dale Grahn (<em><a href="http://www.amazon.com/Saving-Private-Ryan/dp/B008CBZX7E/">Saving Private Ryan</a></em>, <em><a href="http://www.amazon.com/Gladiator/dp/B005DNO7MQ/">Gladiator</a></em>, <em><a href="http://www.amazon.com/Munich-Widescreen-Edition-Eric-Bana/dp/B000F1IQN2/">Munich</a></em>, <em><a href="http://www.amazon.com/Apocalypse-Now-Redux/dp/B0045INTVA/">Apocalypse Now: Redux</a></em>) knows a lot about, and in a true chemical timing sense &#8212; which says a lot about the power of bold and minimal control over imagery. Lucky for any of us looking to learn from the experience, Mr. Grahn is asking <strong>you</strong> to match his own color grades by way of a new iPad app &#8212; and in the process interact with the very essentials of color grading. <a href="http://nofilmschool.com/2013/01/interactive-color-timing-master-class-app-spielberg/#more-40277" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/interactive-color-timing-master-class-app-spielberg/feed/</wfw:commentRss>
		<slash:comments>31</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=57486598" duration="148">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=57486598" />
			<media:title type="html"><![CDATA[Want an Interactive Master Class with Legendary Spielberg Color Timer? There&#039;s an App for That - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Is it possible we&#039;re losing something through the non-destructive way in which we decide the final look of our shots? The answer, quaintly enough, is absolutely yes -- but what, exactly? Simplicity. True finesse in color timing is something Dale Grahn (Saving Private Ryan, Gladiator, Munich, Apocaly]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/want-an-interactive-master-class-with-legendary-spielberg-color-timer-theres-an-app-for-that-nofilmschool-224x168.jpg" />
			<media:keywords>app,apple,apps,class,color-correction,colorcorrection,colorgrading,colortiming,dalegrahn,ipad,mobile,post,postproduction,timing,tutorial,tutorials</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/dale-grahn-color-app-ios-ipad-interactive-master-class-color-timing-grading-correction-post-production-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2013/01/dale-grahn-color-app-ios-ipad-interactive-master-class-color-timing-grading-correction-post-production.jpg" medium="image">
			<media:title type="html"><![CDATA[dale grahn color app ios ipad interactive master class color timing grading correction post production]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/dale-grahn-color-app-ios-ipad-interactive-master-class-color-timing-grading-correction-post-production-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>Beginner&#039;s Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs</title>
		<link>http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/</link>
		<comments>http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 23:26:23 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[danmoran]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[philipbloom]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29779</guid>
		<description><![CDATA[With the Blackmagic Cinema Camera just on the horizon (sooner rather than later, hopefully), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since the camera includes Blackmagic&#8217;s color grading suite, DaVinci Resolve 9, the RAW files can be brought into that program and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-29780" title="DaVinci Resolve 9 and Blackmagic Cinema Camera - Dan Moran" src="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran-224x126.png" alt="" width="224" height="126" />With the Blackmagic Cinema Camera just on the horizon (<a href="http://nofilmschool.com/2012/09/blackmagic-cinema-camera-delay-explained/">sooner rather than later, hopefully</a>), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">the camera includes Blackmagic&#8217;s color grading</a> suite, <a href="http://nofilmschool.com/tag/davinciresolve/">DaVinci Resolve 9</a>, the RAW files can be brought into that program and then converted into something with a more manageable bitrate and color space for editing purposes. Colorist Dan Moran over at Philip Bloom&#8217;s blog takes a look at DaVinci, and gives a nice and simple tutorial to get you started working with and color grading RAW files. <a href="http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/#more-29779" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=50534799" duration="1226">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=50534799" />
			<media:title type="html"><![CDATA[Beginner&#039;s Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[With the Blackmagic Cinema Camera just on the horizon (sooner rather than later, hopefully), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since the camera includes Blackmagic&#039;s color grading suite, DaVinci Resolve 9, the RAW files can be ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/beginners-guide-to-davinci-resolve-9-and-blackmagic-cinema-camera-raw-cinemadngs-nofilmschool-224x125.jpg" />
			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,danmoran,davinci,davinciresolve,editing,philipbloom,tutorial,tutorials</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran-125x69.png" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran.png" medium="image">
			<media:title type="html"><![CDATA[DaVinci Resolve 9 and Blackmagic Cinema Camera - Dan Moran]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran-125x69.png" />
		</media:content>
	</item>
		<item>
		<title>Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free)</title>
		<link>http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/</link>
		<comments>http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/#comments</comments>
		<pubDate>Wed, 01 Aug 2012 22:56:14 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=26854</guid>
		<description><![CDATA[While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic&#8217;s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in July, it has been slightly delayed (along with [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26907" title="DaVinci Resolve 9 Lightbox View" src="http://nofilmschool.com/wp-content/uploads/2012/08/DaVinci-Resolve-9-Lightbox-View-224x137.jpg" alt="" width="224" height="137" />While the <a href="http://www.bhphotovideo.com/c/product/855879-REG/Blackmagic_Design_BMD_CINECAM26KEF_Cinema_Camera.html/BI/5955/KBID/6829">Blackmagic Cinema Camera</a> is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with <a href="http://nofilmschool.com/tag/blackmagic/">Blackmagic&#8217;s</a> powerful <a href="http://nofilmschool.com/tag/davinciresolve/">color correction/grading program DaVinci Resolve</a>. While the newest version, DaVinci Resolve 9, was set to be released in July, <a href="http://nofilmschool.com/2012/07/pre-ordered-blackmagic-cinema-camera-coming/">it has been slightly delayed (along with the camera)</a>. Blackmagic has, however, released a beta version of the program which is free to download from their site. Alexis Van Hurkman, a writer/director/colorist <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">who we&#8217;ve covered here in the past with his post-NAB Resolve 9 demo</a>, takes a look at some of his favorite features that are new to version 9. <a href="http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/#more-26854" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/feed/</wfw:commentRss>
		<slash:comments>29</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/XOMlQA2eV8o" duration="1293">
			<media:player url="http://www.youtube-nocookie.com/v/XOMlQA2eV8o" />
			<media:title type="html"><![CDATA[Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free) - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic&#039;s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/08/blackmagic-davinci-resolve-9-beta-now-available-to-download-for-free-nofilmschool-224x168.jpg" />
			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,davinci,davinciresolve,editing,tutorial,tutorials</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/08/DaVinci-Resolve-9-Lightbox-View-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/08/DaVinci-Resolve-9-Lightbox-View.jpg" medium="image">
			<media:title type="html"><![CDATA[DaVinci Resolve 9 Lightbox View]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/08/DaVinci-Resolve-9-Lightbox-View-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9</title>
		<link>http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/</link>
		<comments>http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/#comments</comments>
		<pubDate>Thu, 12 Jul 2012 14:52:21 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=26022</guid>
		<description><![CDATA[If you&#8217;ve been reading this site for the past few months, you know we&#8217;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There&#8217;s no question the specs are interesting, (and preorders are flying out the door) because there has never been [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9.jpg"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26023" title="Rule Boston Camera DaVinci Resolve 9" src="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9-224x124.jpg" alt="" width="224" height="124" /></a>If you&#8217;ve been <a href="http://nofilmschool.com/tag/cinemacamera/">reading this site for the past few months</a>, you know we&#8217;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little <a href="http://www.bhphotovideo.com/c/product/855879-REG/Blackmagic_Design_BMD_CINECAM26KEF_Cinema_Camera.html/BI/5955/KBID/6829">camera called the Cinema Camera</a>. There&#8217;s no question the specs are interesting, (and preorders are flying out the door) because there has never been a camera at the $3,000 price point that could give ProRes, DNxHD, and RAW all in one camera body. Not only that, but it happens to come free (that&#8217;s right, free) with a color correction/color grading program that used to cost about what you&#8217;d pay for a new car until Blackmagic took over the development. That program is called <a href="http://nofilmschool.com/tag/davinciresolve/">DaVinci Resolve 9</a>, and if you&#8217;re curious about what the big deal is, and you&#8217;d like to get started with it before you get your Blackmagic Cinema Camera, check out the videos below. <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/#more-26022" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/feed/</wfw:commentRss>
		<slash:comments>30</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=45264096" duration="7105">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=45264096" />
			<media:title type="html"><![CDATA[Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[If you&#039;ve been reading this site for the past few months, you know we&#039;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There&#039;s no question the specs are interesting, (and preorders are flying out the door) bec]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/07/everything-you-need-to-know-to-get-started-in-color-correction-and-davinci-resolve-9-nofilmschool-224x126.jpg" />
			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,davinci,davinciresolve,editing,tutorial,tutorials</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9.jpg" medium="image">
			<media:title type="html"><![CDATA[Rule Boston Camera DaVinci Resolve 9]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>20-minute Color Grading Tutorial for Premiere Pro CS 5.5 with Lots of Useful Tips</title>
		<link>http://nofilmschool.com/2012/04/20-minute-color-grading-tutorial-premiere/</link>
		<comments>http://nofilmschool.com/2012/04/20-minute-color-grading-tutorial-premiere/#comments</comments>
		<pubDate>Sun, 22 Apr 2012 16:03:39 +0000</pubDate>
		<dc:creator>Justin Minich</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[cs55]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[premiere]]></category>
		<category><![CDATA[premierepro]]></category>
		<category><![CDATA[tutorial]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=22217</guid>
		<description><![CDATA[While Adobe CS6 is coming down the pike, maybe you&#8217;re like me and are still getting to know CS 5.5, or maybe you&#8217;ve been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by Jarle Leirpoll. He goes [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/2011/07/optimizing-premiere-pro-effects-cs5-5-performance/adobe-cs5-5-production-premium-2/" rel="attachment wp-att-13147"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-13147" title="Adobe-CS5.5-Production-Premium" src="http://nofilmschool.com/wp-content/uploads/2011/07/Adobe-CS5.5-Production-Premium1-224x86.jpg" alt="" width="224" height="86" /></a>While <a href="http://nofilmschool.com/tag/cs6/">Adobe CS6</a> is coming down the pike, maybe you&#8217;re like me and are still getting to know <a href="http://nofilmschool.com/tag/cs5-5/">CS 5.5</a>, or maybe you&#8217;ve been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by <a href="http://premierepro.net/">Jarle Leirpoll</a>. He goes over all sorts of useful primary and secondary color correction techniques, including methods for fixing moire, blown-out highlights, iris adjustments, and more. Check out the tutorial video below:</p>
<p> <a href="http://nofilmschool.com/2012/04/20-minute-color-grading-tutorial-premiere/#more-22217" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/04/20-minute-color-grading-tutorial-premiere/feed/</wfw:commentRss>
		<slash:comments>24</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=29256397" duration="1200">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=29256397" />
			<media:title type="html"><![CDATA[20-minute Color Grading Tutorial for Premiere Pro CS 5.5 with Lots of Useful Tips - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[While Adobe CS6 is coming down the pike, maybe you&#039;re like me and are still getting to know CS 5.5, or maybe you&#039;ve been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by Jarle Leirpoll. He goes over all ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/04/20-minute-color-grading-tutorial-for-premiere-pro-cs-5-5-with-lots-of-useful-tips-nofilmschool-224x125.jpg" />
			<media:keywords>adobe,color-correction,colorgrading,cs55,editing,premiere,premierepro,tutorial</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/07/Adobe-CS5.5-Production-Premium1-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2011/07/Adobe-CS5.5-Production-Premium1.jpg" medium="image">
			<media:title type="html"><![CDATA[Adobe-CS5.5-Production-Premium]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/07/Adobe-CS5.5-Production-Premium1-125x69.jpg" />
		</media:content>
	</item>
		<item>
		<title>Free Multi-Touch iPad Color Correction App Emulates $25k Control Surfaces</title>
		<link>http://nofilmschool.com/2010/11/free-multi-touch-ipad-application-emulates/</link>
		<comments>http://nofilmschool.com/2010/11/free-multi-touch-ipad-application-emulates/#comments</comments>
		<pubDate>Mon, 15 Nov 2010 14:15:53 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[ipad]]></category>
		<category><![CDATA[post-production]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=8503</guid>
		<description><![CDATA[Serious colorists don&#8217;t use a mouse; they use a much more capable hardware control surface based around three trackballs that control lift, gamma, and gain. These hardware devices are important because they give the colorist control over multiple push-pull adjustments at the same time. Such surfaces have traditionally run $25k or more, but Tangent Devices [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/11/ipad-cc-224x125.jpg" alt="" title="ipad-cc" width="224" height="125" class="alignleft size-medium wp-image-8507" />Serious colorists don&#8217;t use a mouse; they use a much more capable hardware control surface based around three trackballs that control lift, gamma, and gain. These hardware devices are important because they give the colorist control over multiple push-pull adjustments at the same time. Such surfaces have traditionally run $25k or more, but <a href="http://www.tangentdevices.co.uk">Tangent Devices</a> managed to get this triple-trackball interface down in price to $1,500 with their <a href="http://www.bhphotovideo.com/c/product/571637-REG/Tangent_Devices_WAVE.html/BI/5955/KBID/6829">Wave Control Surface</a> released last year. Now they&#8217;ve created a brilliant virtual version using the iPad&#8217;s multi-touch screen. Here&#8217;s a video of the interface in action, and instructions to get the free application: <a href="http://nofilmschool.com/2010/11/free-multi-touch-ipad-application-emulates/#more-8503" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2010/11/free-multi-touch-ipad-application-emulates/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=16788239" duration="75">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=16788239" />
			<media:title type="html"><![CDATA[Free Multi-Touch iPad Color Correction App Emulates $25k Control Surfaces - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Serious colorists don&#039;t use a mouse; they use a much more capable hardware control surface based around three trackballs that control lift, gamma, and gain. These hardware devices are important because they give the colorist control over multiple push-pull adjustments at the same time. Such surfaces]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/11/free-multi-touch-ipad-color-correction-app-emulates-25k-control-surfaces-nofilmschool-224x168.jpg" />
			<media:keywords>color,color-correction,ipad,post-production</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/11/ipad-cc-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2010/11/ipad-cc.jpg" medium="image">
			<media:title type="html"><![CDATA[ipad-cc]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/11/ipad-cc-125x69.jpg" />
		</media:content>
	</item>
	</channel>
</rss>
