» Posts Tagged ‘copyright’
Den Lennie of F-Stop Academy posted a video comparison involving a test between a Rotolight Anova, Dedo Softbox, and Kino Flo Celeb. Five months later (and without contacting Den first), Rotolight, one of the manufacturers in the test, had this review abruptly taken down by Vimeo because of supposed copyright infringement. He was then contacted directly by Rotolight days later explaining that they did not think the test was fair or representative of their product. Den responded on Facebook to express his disappointment, and Rotolight later issued a statement to give their side of the story. Here’s what has happened since. More »
If you’ve been following along, you already know the details, but if you need a quick refresher, head on over to the previous post. Basically, Den posted a review that included a Rotolight Anova, and they were not happy with the results, and had Vimeo take it down without first consulting with him. Now Rotolight has responded to all of the criticism with their side of the story. You can read that below. More »
That’s exactly what happened to Den Lennie of F-Stop Academy, even though they owned all of the equipment in the review. He posted a review of the Rotolight Anova, Dedo Softbox, and Kino Flo Celeb, and while the review had been up for some time, one of those companies was not happy with the result. They issued a DMCA takedown notice to Vimeo, and the video was removed. Check out Den’s video below for the explanation: More »
Recently Sony Pictures took home a fair use win over a Faulkner quote in Woody Allen’s 2011 flick Midnight in Paris. There’s been a fair bit of chat about fair use recently, especially after Andy Baio’s unfortunate out-of-court settlement over an infringement which he possibly could have established as fair use, had he hired the army of lawyers and consultants that Sony Pictures used to spar with Faulkner, Inc. Still, Sony’s win is a small step forward in a much larger war, so let’s celebrate with a look at five court cases upholding our right to reference and remix others’ art in our own art. More »
Whether you’ve had one of your videos taken down due to copyright issues, or someone else has pulled your video and uploaded it elsewhere without permission, YouTube’s copyright procedures can be a little confusing. That’s why we’ve got puppets Glove and Boots to give you the rundown about copyright rules and how YouTube handles takedown notices. Check out the video below: More »
Filmmaking is hard. We all know that. Fortunately, we have lots of tools, gadgets, and resources that make almost every phase of production easier: from screenwriting software that formats your scripts for you, to step-by-step online video tutorials. However, one aspect of production still seems to be absent from the bountiful spring of online help: securing, maintaining, and assign the copyrights for projects. Wading through all of the legal jargon, lengthy documents, and confusing rules and regulations can stomp out your creative fire, but, it looks like that’s about to change with Chain of Title, a website geared toward making this process a lot less painful. More »
A Creative Commons license is far less restrictive than a traditional copyright, and allows people to adapt, remix, and repurpose the original work. While there are several different variations of CC licenses, searching Creative Commons media can be a great way of finding images, video, and sounds that you can use in your own work — provided you abide by the particular license and attribute the original author. The search engine CC Search allows you to search the following services: More »
A year ago I wrote, “in an effort to post more regularly, without having to increase my output of original material, I’m going to start embedding interesting short films or other video content from the far corners of the interweb, most of which (I hope) you will not have seen before.”
I went back to check because I was curious as to how many Seen posts I’d made over the past year; the sad answer is a trifling three.
So here is the Danish documentary Good Copy Bad Copy, which was released gratis last year on the internet. Fitting, considering its subject: copyright, specifically laws pertaining to attribution and payment, both in music and film. The doc, directed by Andreas Johnsen, Ralf Chistensen, and Henrik Moltke, moves briskly from music sampling techniques in American hip-hop, to baile funk remixes in Brazil, to movie pirating in Nigeria, to file sharing in Sweden (and plenty more). It features interviews with Girl Talk and Danger Mouse, music by RJD2 and Santogold, and is globetrotting, informative, and entertaining. It’s also an hour long, so I’d recommend clicking the full screen button and kicking back.