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Fincher Reframes in Post! The 4K Release of 'The Girl With the Dragon Tattoo'

12.28.11 @ 11:33AM Tags : 4k, davidfincher, red, redepic, redscarlet, workflow

With all the hype surrounding 4K acquisition, I was surprised to hear that David Fincher’s The Girl with the Dragon Tattoo would be the first large-scale end-to-end 4K digital cinema release. Previous films captured at 4K were posted and distributed at 2K… which kind of defeats the purpose. In my quest to find a 4K theater to see GWTDT, I got a response from Sony’s Digital Cinema Twitter account, yet because I’ve been catching holiday films with my family (including young ones) I haven’t yet had a chance to see the film yet (it seems I’m not the only one in this situation). Regardless, I wanted to share a very interesting article about the film’s 4K workflow by Light Iron’s Michael Cioni, which includes this interesting nugget on Fincher’s approach to reframing in post (his framing chart is pictured): More »

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David Fincher's Streamlined, Almost DIY Post-Production Workflow for 'The Social Network'

05.25.11 @ 3:40PM Tags : adobe, aftereffects, davidfincher, finalcut, premierepro, thesocialnetwork

I had no idea when watching David Fincher’s generation-defining (yeah, I said it) The Social Network that the RED-shot film would utilize a post-production process similar to what you or I could execute. It turns out that the crew on the award-winning film conformed all shots — and did some basic visual effects work — using Adobe After Effects, after utilizing Premiere Pro to get their Final Cut Pro timeline into AE. Yes, they also used higher-end tools — notably Quantel’s Pablo for the color grade — but the basic editing tools are the same as you or I might use on a no-budget project. Here’s Fincher and assistant editor Tyler Nelson on the process: More »

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New Trailer: David Fincher's RED-shot, Trent Reznor-scored 'The Social Network'

07.16.10 @ 12:14PM Tags : davidfincher, red, seen, trailer

I’m not sure why this project is holding my attention so. David Fincher and Sony Pictures aren’t exactly DIY filmmaking, so it’s not hugely topical to this site. And on the list of true stories I’d like to see told by Hollywood, the founding of Facebook isn’t on top. But with the official trailer for The Social Network hitting the web today, I can’t help but stay interested in the project. The RED-shot film is loosely based on the book The Accidental Billionaires and the trailer is masterfully cut to a choral version of Radiohead’s Creep by the Scala and Kolacny Brothers. The film itself will be scored by Nine Inch Nails’ Trent Reznor, who says of the film, “it’s really fucking good. And dark!” Trent Reznor is calling a film about Facebook “dark?” Maybe that’s why I’m interested. More »