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	<title>nofilmschool &#187; davinciresolve</title>
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		<title>NAB Video: Davinci Resolve 10 and Scopes</title>
		<link>http://nofilmschool.com/2013/04/nab-video-davinci-resolve-10/</link>
		<comments>http://nofilmschool.com/2013/04/nab-video-davinci-resolve-10/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 06:00:35 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[nab]]></category>
		<category><![CDATA[nab2013]]></category>
		<category><![CDATA[nabfreshdv2]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=49275</guid>
		<description><![CDATA[<p>&#160; Blackmagic keeps pressing forward with version 10 of Davinci Resolve and Scopes to support the evolving market for 4K and beyond. Watch the video from FreshDV&#8216;s coverage to hear about the new features Open Effects, the Online Editor, and Resolve Live:</p><p>The post <a href="http://nofilmschool.com/2013/04/nab-video-davinci-resolve-10/">NAB Video: Davinci Resolve 10 and Scopes</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-49285 style-off" title="Davinci Resolve and Scopes" src="http://nofilmschool.com/wp-content/uploads/2013/04/Davinci-Resolve-and-Scopes.jpg" alt="" width="616" height="124" /></p>
<p>&nbsp;</p>
<p>Blackmagic keeps pressing forward with version 10 of Davinci Resolve and Scopes to support <a title="It's Official: Introducing Blackmagic 4K &amp; Pocket Cinema Cameras for $4K and $1K" href="http://nofilmschool.com/2013/04/its-official-blackmagic-two-new-camera/">the evolving market</a> for 4K and beyond. Watch the video from <a href="http://www.freshdv.com">FreshDV</a>&#8216;s coverage to hear about the new features Open Effects, the Online Editor, and Resolve Live: <a href="http://nofilmschool.com/2013/04/nab-video-davinci-resolve-10/#more-49275" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/04/nab-video-davinci-resolve-10/">NAB Video: Davinci Resolve 10 and Scopes</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>11</slash:comments>
	
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			<media:title type="html"><![CDATA[NAB Video: Davinci Resolve 10 and Scopes - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ &#160; Blackmagic keeps pressing forward with version 10 of Davinci Resolve and Scopes to support the evolving market for 4K and beyond. Watch the video from FreshDV&#039;s coverage to hear about the new features Open Effects, the Online Editor, and Resolve Live: http://vimeo.com/63611530 Davinci aims t]]></media:description>
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			<media:title type="html"><![CDATA[Davinci Resolve and Scopes]]></media:title>
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		<item>
		<title>Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What&#039;s a LUT?</title>
		<link>http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/</link>
		<comments>http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/#comments</comments>
		<pubDate>Tue, 29 Jan 2013 16:29:11 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[abelcine]]></category>
		<category><![CDATA[andyshipsides]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[bmcc]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[cinemadng]]></category>
		<category><![CDATA[colorscience]]></category>
		<category><![CDATA[colorspace]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[howto]]></category>
		<category><![CDATA[lookuptable]]></category>
		<category><![CDATA[lut]]></category>
		<category><![CDATA[transcoding]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=41896</guid>
		<description><![CDATA[<p>Ever asked yourself, &#8220;What in the f#$% is a LUT?!&#8221; Or what a LUT&#8217;s relationship is with color space? Or what a color space is? If &#8220;yes,&#8221; not to worry &#8212; these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it [...]</p><p>The post <a href="http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/">Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What's a LUT?</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40470" title="Blackmagic DaVinci Resolve" src="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-224x135.jpg" alt="" width="224" height="135" />Ever asked yourself, &#8220;<a href="http://nofilmschool.com/2011/05/what-is-a-look-up-table-lut-anyway/">What in the f#$% is a LUT?!</a>&#8221; Or what a LUT&#8217;s relationship is with color space? Or what a color space is? If &#8220;yes,&#8221; not to worry &#8212; these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers the fundamentals. And even if you answered &#8220;no&#8221; to all the above, you should still check out some of outstanding basic-breakdowns of these concepts below &#8212; including how to convert <a href="http://nofilmschool.com/tag/cinemadng/">CinemaDNG</a> footage into the Academy Color Encoding Spec color space (ACES) in <a href="http://nofilmschool.com/tag/blackmagic/">Davinci Resolve</a>, plus how to use that very program to generate dailies (like a boss). <a href="http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/#more-41896" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/">Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What's a LUT?</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>8</slash:comments>
	
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			<media:title type="html"><![CDATA[Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What&#039;s a LUT? - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Ever asked yourself, &#34;What in the f#$% is a LUT?!&#34; Or what a LUT&#039;s relationship is with color space? Or what a color space is? If &#34;yes,&#34; not to worry -- these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers]]></media:description>
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		<item>
		<title>Blackmagic Adds Retina Macbook Pro Support in DaVinci Resolve 9.1 Update</title>
		<link>http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/</link>
		<comments>http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/#comments</comments>
		<pubDate>Sun, 20 Jan 2013 05:09:08 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40463</guid>
		<description><![CDATA[<p>Blackmagic&#8217;s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes [...]</p><p>The post <a href="http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/">Blackmagic Adds Retina Macbook Pro Support in DaVinci Resolve 9.1 Update</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40470 style-off" title="Blackmagic DaVinci Resolve" src="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-224x135.jpg" alt="" width="224" height="135" />Blackmagic&#8217;s DaVinci Resolve 9 has seen a number of updates since its release over the summer, and even though many have been waiting for the full version that comes with their Blackmagic Cinema Camera, the free version, DaVinci Resolve Lite, is almost exactly the same , with just a few limitations in terms of nodes and resolutions. We&#8217;ve featured a few tutorials on the software so far, so if you&#8217;re unfamiliar with it, <a href="http://nofilmschool.com/tag/davinciresolve/">be sure to check them out</a>. Click through for all of the additions in the new Resolve version 9.1. <a href="http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/#more-40463" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/01/blackmagic-retina-macbook-pro-davinci-resolve-9-1/">Blackmagic Adds Retina Macbook Pro Support in DaVinci Resolve 9.1 Update</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
	
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			<media:title type="html"><![CDATA[Blackmagic DaVinci Resolve]]></media:title>
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		<title>Still Waiting on a New Mac Pro? 2012 iMac Beats Mac Pro in DaVinci Resolve and Premiere</title>
		<link>http://nofilmschool.com/2013/01/late-2012-imac-beats-mac-pro-benchmark-bare-feats/</link>
		<comments>http://nofilmschool.com/2013/01/late-2012-imac-beats-mac-pro-benchmark-bare-feats/#comments</comments>
		<pubDate>Sun, 06 Jan 2013 22:43:57 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobecs6]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[barefeats]]></category>
		<category><![CDATA[benchmark]]></category>
		<category><![CDATA[cs6]]></category>
		<category><![CDATA[davinciresolve]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=39047</guid>
		<description><![CDATA[<p>Oh where, oh where is Apple&#8217;s &#8220;Pro&#8221; line of products going? Okay, I admit the words don&#8217;t work as well with the song as the actual lyrics, but it&#8217;s still a fair enough question to ask. There&#8217;s speculation that Apple is slowly but surely consolidating its professional products line with its consumer one &#8212; in [...]</p><p>The post <a href="http://nofilmschool.com/2013/01/late-2012-imac-beats-mac-pro-benchmark-bare-feats/">Still Waiting on a New Mac Pro? 2012 iMac Beats Mac Pro in DaVinci Resolve and Premiere</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-11953 style-off" title="imac" src="http://nofilmschool.com/wp-content/uploads/2011/05/imac-224x123.jpg" alt="" width="224" height="123" />Oh where, oh where is Apple&#8217;s &#8220;Pro&#8221; line of products going? Okay, I admit the words don&#8217;t work as well with the song as the actual lyrics, but it&#8217;s still a fair enough question to ask. There&#8217;s speculation that <a href="http://nofilmschool.com/2012/10/next-mac-pro-predicting-apples-pro-future/">Apple is slowly but surely consolidating its professional products line</a> with its consumer one &#8212; in terms of both software and hardware &#8212; but whatever the reason for the delay, the fact is that the Mac Pro has been &#8216;on hiatus&#8217; for two years at this point. If you&#8217;re a Mac User looking to upgrade, what are you to do in the mean time? You&#8217;ve got a few options. Bare Feats has recently performed a number of benchmark tests on the new 27&#8243; 3.4GHz Core i7 iMac, with some impressive results. <a href="http://nofilmschool.com/2013/01/late-2012-imac-beats-mac-pro-benchmark-bare-feats/#more-39047" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2013/01/late-2012-imac-beats-mac-pro-benchmark-bare-feats/">Still Waiting on a New Mac Pro? 2012 iMac Beats Mac Pro in DaVinci Resolve and Premiere</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>57</slash:comments>
	
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			<media:title type="html"><![CDATA[Still Waiting on a New Mac Pro? 2012 iMac Beats Mac Pro in DaVinci Resolve and Premiere - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Oh where, oh where is Apple&#039;s &#34;Pro&#34; line of products going? Okay, I admit the words don&#039;t work as well with the song as the actual lyrics, but it&#039;s still a fair enough question to ask. There&#039;s speculation that Apple is slowly but surely consolidating its professional products line with its consumer ]]></media:description>
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		<title>Beginner&#039;s Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs</title>
		<link>http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/</link>
		<comments>http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 23:26:23 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
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		<category><![CDATA[danmoran]]></category>
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		<category><![CDATA[philipbloom]]></category>
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		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29779</guid>
		<description><![CDATA[<p>With the Blackmagic Cinema Camera just on the horizon (sooner rather than later, hopefully), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since the camera includes Blackmagic&#8217;s color grading suite, DaVinci Resolve 9, the RAW files can be brought into that program and [...]</p><p>The post <a href="http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/">Beginner's Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-29780" title="DaVinci Resolve 9 and Blackmagic Cinema Camera - Dan Moran" src="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran-224x126.png" alt="" width="224" height="126" />With the Blackmagic Cinema Camera just on the horizon (<a href="http://nofilmschool.com/2012/09/blackmagic-cinema-camera-delay-explained/">sooner rather than later, hopefully</a>), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">the camera includes Blackmagic&#8217;s color grading</a> suite, <a href="http://nofilmschool.com/tag/davinciresolve/">DaVinci Resolve 9</a>, the RAW files can be brought into that program and then converted into something with a more manageable bitrate and color space for editing purposes. Colorist Dan Moran over at Philip Bloom&#8217;s blog takes a look at DaVinci, and gives a nice and simple tutorial to get you started working with and color grading RAW files. <a href="http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/#more-29779" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/10/beginners-guide-davinci-resolve-9-blackmagic-cinema-camera/">Beginner's Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>19</slash:comments>
	
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			<media:title type="html"><![CDATA[Beginner&#039;s Guide to DaVinci Resolve 9 and Blackmagic Cinema Camera RAW CinemaDNGs - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[With the Blackmagic Cinema Camera just on the horizon (sooner rather than later, hopefully), one of the big hurdles for many people is trying to understand the new RAW workflow with Cinema DNG files. Since the camera includes Blackmagic&#039;s color grading suite, DaVinci Resolve 9, the RAW files can be ]]></media:description>
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			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,danmoran,davinci,davinciresolve,editing,philipbloom,tutorial,tutorials</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/DaVinci-Resolve-9-and-Blackmagic-Cinema-Camera-Dan-Moran-125x69.png" />
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			<media:title type="html"><![CDATA[DaVinci Resolve 9 and Blackmagic Cinema Camera - Dan Moran]]></media:title>
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		<title>A Color Grading Case Study of the New Music Video from Hip-Hop Artist Killer Mike</title>
		<link>http://nofilmschool.com/2012/09/killer-mike-a-color-grading-case-study/</link>
		<comments>http://nofilmschool.com/2012/09/killer-mike-a-color-grading-case-study/#comments</comments>
		<pubDate>Mon, 10 Sep 2012 13:30:40 +0000</pubDate>
		<dc:creator>Tristan Kneschke</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[resolve]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=28497</guid>
		<description><![CDATA[<p>Even with the growing prominence of cheaper color correction systems, the craft of color grading is still mysterious to many, including those who work in post-production. I&#8217;m often asked how I approach specific projects or how I achieve particular looks so I thought it would be helpful to illustrate some of my methodologies with a [...]</p><p>The post <a href="http://nofilmschool.com/2012/09/killer-mike-a-color-grading-case-study/">A Color Grading Case Study of the New Music Video from Hip-Hop Artist Killer Mike</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-28505" title="shaping light" src="http://nofilmschool.com/wp-content/uploads/2012/09/shaping-light-224x123.jpg" alt="" width="224" height="123" />Even with the growing prominence of cheaper color correction systems, the craft of color grading is still mysterious to many, including those who work in post-production. I&#8217;m often asked how I approach specific projects or how I achieve particular looks so I thought it would be helpful to illustrate some of my methodologies with a music video for the rap artist <a href="http://en.wikipedia.org/wiki/Killer_Mike">Killer Mike</a>. Beyond nerding out on Resolve, I hope the reader will start to see that there is a lot that happens outside of the software. <a href="http://nofilmschool.com/2012/09/killer-mike-a-color-grading-case-study/#more-28497" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/09/killer-mike-a-color-grading-case-study/">A Color Grading Case Study of the New Music Video from Hip-Hop Artist Killer Mike</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>32</slash:comments>
	
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			<media:title type="html"><![CDATA[A Color Grading Case Study of the New Music Video from Hip-Hop Artist Killer Mike - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Even with the growing prominence of cheaper color correction systems, the craft of color grading is still mysterious to many, including those who work in post-production. I&#039;m often asked how I approach specific projects or how I achieve particular looks so I thought it would be helpful to illustrate]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/09/a-color-grading-case-study-of-the-new-music-video-from-hip-hop-artist-killer-mike-nofilmschool-224x168.jpg" />
			<media:keywords>blackmagic,colorcorrection,colorgrading,davinciresolve,resolve</media:keywords>
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			<media:title type="html"><![CDATA[shaping light]]></media:title>
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		<title>A Complete Guide to Setting Up a Home Color Grading Suite</title>
		<link>http://nofilmschool.com/2012/09/complete-guide-setting-up-home-color-grading-suite/</link>
		<comments>http://nofilmschool.com/2012/09/complete-guide-setting-up-home-color-grading-suite/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 16:08:40 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[apple]]></category>
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		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
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		<category><![CDATA[ryanewalters]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=28455</guid>
		<description><![CDATA[<p>This is a guest post by Cinematographer Ryan E. Walters. As Moore&#8217;s Law continues to make technology more accessible to the masses, it is time to start exploring what it takes to build your own grading suite at home or in your office. Before reading the rest of this post, I recommend that you check [...]</p><p>The post <a href="http://nofilmschool.com/2012/09/complete-guide-setting-up-home-color-grading-suite/">A Complete Guide to Setting Up a Home Color Grading Suite</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by</em><em> Cinematographer</em> <a href="http://www.ryanewalters.com/">Ryan E. Walters</a>.</p>
<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-28537 aligncenter" title="Ryan E Walters - Grading Monitor Setup" src="http://nofilmschool.com/wp-content/uploads/2012/09/Ryan-E-Walters-Grading-Monitor-Setup-e1346859127916-616x408.jpg" alt="" width="616" height="408" /></p>
<p>As Moore&#8217;s Law continues to make technology more accessible to the masses, it is time to start exploring what it takes to build your own grading suite at home or in your office. Before reading the rest of this post, I recommend that you check out <a href="http://www.ryanewalters.com/Blog/blog.php?id=2643059478611975454" target="_blank">How To Get The Most Out Of CS6, DaVinci, &amp; Your Mac Pro</a>, as this article continues to build on what I&#8217;ve outlined. So let&#8217;s get started shall we? <a href="http://nofilmschool.com/2012/09/complete-guide-setting-up-home-color-grading-suite/#more-28455" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/09/complete-guide-setting-up-home-color-grading-suite/">A Complete Guide to Setting Up a Home Color Grading Suite</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>67</slash:comments>
	
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			<media:title type="html"><![CDATA[Ryan E Walters - Grading Monitor Setup]]></media:title>
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		<title>A Colorist’s Perspective: Practical Comparisons of DaVinci Resolve and Apple Color</title>
		<link>http://nofilmschool.com/2012/08/colorists-perspective-practical-comparisons-davinci-resolve-apple-color/</link>
		<comments>http://nofilmschool.com/2012/08/colorists-perspective-practical-comparisons-davinci-resolve-apple-color/#comments</comments>
		<pubDate>Mon, 13 Aug 2012 13:36:05 +0000</pubDate>
		<dc:creator>Tristan Kneschke</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[applecolor]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[grading]]></category>
		<category><![CDATA[mac]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[resolve]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=27199</guid>
		<description><![CDATA[<p>This is a guest post by Tristan Kneschke. With the release of Apple Color several years ago, the once-niche field of high-end color grading trickled down to the average user. When Blackmagic released DaVinci Resolve on Mac it became more obvious that color grading was the next big wave. Having already been grading professionally with [...]</p><p>The post <a href="http://nofilmschool.com/2012/08/colorists-perspective-practical-comparisons-davinci-resolve-apple-color/">A Colorist’s Perspective: Practical Comparisons of DaVinci Resolve and Apple Color</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by <a href="http://www.exitedit.com" target="_blank">Tristan Kneschke</a>.<br />
</em></p>
<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27204" title="Color HSL Key" src="http://nofilmschool.com/wp-content/uploads/2012/08/Color-HSL-Key-224x116.jpg" alt="" width="224" height="116" />With the release of <a href="http://nofilmschool.com/tag/applecolor/">Apple Color</a> several years ago, the once-niche field of high-end color grading trickled down to the average user. <a href="http://nofilmschool.com/tag/davinciresolve/">When Blackmagic released DaVinci Resolve</a> on Mac it became more obvious that color grading was the next big wave. Having already been grading professionally with Color shortly after it was released, I quickly decided to invest in a traveling DaVinci Resolve Mac Pro tower. The client demand for color grading in particular, and a traveling station specifically, has grown my business at a rate I never thought possible. Now, <a href="http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/">with Resolve 9 nearing its official</a>, non-beta release, <a href="http://nofilmschool.com/tag/blackmagic/">Blackmagic has separated itself</a> even more from Apple&#8217;s killed product. <a href="http://nofilmschool.com/2012/08/colorists-perspective-practical-comparisons-davinci-resolve-apple-color/#more-27199" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/08/colorists-perspective-practical-comparisons-davinci-resolve-apple-color/">A Colorist’s Perspective: Practical Comparisons of DaVinci Resolve and Apple Color</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>35</slash:comments>
	
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			<media:title type="html"><![CDATA[Color HSL Key]]></media:title>
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		<title>Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free)</title>
		<link>http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/</link>
		<comments>http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/#comments</comments>
		<pubDate>Wed, 01 Aug 2012 22:56:14 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=26854</guid>
		<description><![CDATA[<p>While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic&#8217;s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in July, it has been slightly delayed (along with [...]</p><p>The post <a href="http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/">Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free)</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26907" title="DaVinci Resolve 9 Lightbox View" src="http://nofilmschool.com/wp-content/uploads/2012/08/DaVinci-Resolve-9-Lightbox-View-224x137.jpg" alt="" width="224" height="137" />While the <a href="http://www.bhphotovideo.com/c/product/855879-REG/Blackmagic_Design_BMD_CINECAM26KEF_Cinema_Camera.html/BI/5955/KBID/6829">Blackmagic Cinema Camera</a> is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with <a href="http://nofilmschool.com/tag/blackmagic/">Blackmagic&#8217;s</a> powerful <a href="http://nofilmschool.com/tag/davinciresolve/">color correction/grading program DaVinci Resolve</a>. While the newest version, DaVinci Resolve 9, was set to be released in July, <a href="http://nofilmschool.com/2012/07/pre-ordered-blackmagic-cinema-camera-coming/">it has been slightly delayed (along with the camera)</a>. Blackmagic has, however, released a beta version of the program which is free to download from their site. Alexis Van Hurkman, a writer/director/colorist <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">who we&#8217;ve covered here in the past with his post-NAB Resolve 9 demo</a>, takes a look at some of his favorite features that are new to version 9. <a href="http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/#more-26854" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/08/blackmagic-has-released-davinci-resolve-9-beta/">Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free)</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>29</slash:comments>
	
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			<media:title type="html"><![CDATA[Blackmagic DaVinci Resolve 9 Beta Now Available to Download (For Free) - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic&#039;s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in]]></media:description>
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			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,davinci,davinciresolve,editing,tutorial,tutorials</media:keywords>
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			<media:title type="html"><![CDATA[DaVinci Resolve 9 Lightbox View]]></media:title>
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		<title>Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9</title>
		<link>http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/</link>
		<comments>http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/#comments</comments>
		<pubDate>Thu, 12 Jul 2012 14:52:21 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[color-correction]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=26022</guid>
		<description><![CDATA[<p>If you&#8217;ve been reading this site for the past few months, you know we&#8217;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There&#8217;s no question the specs are interesting, (and preorders are flying out the door) because there has never been [...]</p><p>The post <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9.jpg"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-26023" title="Rule Boston Camera DaVinci Resolve 9" src="http://nofilmschool.com/wp-content/uploads/2012/07/Rule-Boston-Camera-DaVinci-Resolve-9-224x124.jpg" alt="" width="224" height="124" /></a>If you&#8217;ve been <a href="http://nofilmschool.com/tag/cinemacamera/">reading this site for the past few months</a>, you know we&#8217;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little <a href="http://www.bhphotovideo.com/c/product/855879-REG/Blackmagic_Design_BMD_CINECAM26KEF_Cinema_Camera.html/BI/5955/KBID/6829">camera called the Cinema Camera</a>. There&#8217;s no question the specs are interesting, (and preorders are flying out the door) because there has never been a camera at the $3,000 price point that could give ProRes, DNxHD, and RAW all in one camera body. Not only that, but it happens to come free (that&#8217;s right, free) with a color correction/color grading program that used to cost about what you&#8217;d pay for a new car until Blackmagic took over the development. That program is called <a href="http://nofilmschool.com/tag/davinciresolve/">DaVinci Resolve 9</a>, and if you&#8217;re curious about what the big deal is, and you&#8217;d like to get started with it before you get your Blackmagic Cinema Camera, check out the videos below. <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/#more-26022" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/07/get-started-in-color-correction-and-davinci-resolve-9/">Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>30</slash:comments>
	
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			<media:title type="html"><![CDATA[Everything You Need to Know to Get Started in Color Correction and DaVinci Resolve 9 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[If you&#039;ve been reading this site for the past few months, you know we&#039;ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There&#039;s no question the specs are interesting, (and preorders are flying out the door) bec]]></media:description>
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			<media:keywords>blackmagic,cinemacamera,color-correction,colorgrading,davinci,davinciresolve,editing,tutorial,tutorials</media:keywords>
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			<media:title type="html"><![CDATA[Rule Boston Camera DaVinci Resolve 9]]></media:title>
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		<title>Learn Sound Design Tips from the Experts with This SoundWorks Collection Video for &#039;Prometheus&#039;</title>
		<link>http://nofilmschool.com/2012/06/learn-sound-design-tips-experts-soundworks/</link>
		<comments>http://nofilmschool.com/2012/06/learn-sound-design-tips-experts-soundworks/#comments</comments>
		<pubDate>Wed, 13 Jun 2012 23:00:43 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[prometheus]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[soundworkscollection]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=24932</guid>
		<description><![CDATA[<p>Though the camera, lighting, and set design can certainly affect the quality of a production, more often than not it is the sound design that separates a film from the pack. Sound has an unbelievable ability to not only surround an audience in the atmosphere of the film, but also transport them in a way [...]</p><p>The post <a href="http://nofilmschool.com/2012/06/learn-sound-design-tips-experts-soundworks/">Learn Sound Design Tips from the Experts with This SoundWorks Collection Video for 'Prometheus'</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-24933" title="Soundworks Prometheus Sound Designers" src="http://nofilmschool.com/wp-content/uploads/2012/06/Soundworks-Prometheus-Sound-Designers-224x125.jpg" alt="" width="224" height="125" />Though the <a href="http://nofilmschool.com/tag/DSLR">camera</a>, <a href="http://nofilmschool.com/2012/05/lighting-for-mood-smapp-lighting-tutorial-stillmotion/">lighting</a>, and set design can certainly affect the quality of a production, more often than not it is the sound design that separates a film from the pack. Sound has an unbelievable ability to not only surround an audience in the atmosphere of the film, but also transport them in a way that images cannot. Like many big-budget science fiction and action films, sound plays an <a href="http://nofilmschool.com/2012/03/ridley-scott-ted-team-up-for-prometheus/">important role in <em>Prometheus</em></a>. If you haven&#8217;t seen it yet, it certainly is one of those films that deserves a viewing for its production design alone. <a href="http://soundworkscollection.com/">SoundWorks Collection</a> has put together a tremendous resource for those interested in sound and sound design, and this video detailing the sound design in <em></em><a href="http://nofilmschool.com/2012/03/insightful-qa-ridley-scott-damon-lindelof/"><em>Prometheus</em></a> is no exception: <a href="http://nofilmschool.com/2012/06/learn-sound-design-tips-experts-soundworks/#more-24932" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2012/06/learn-sound-design-tips-experts-soundworks/">Learn Sound Design Tips from the Experts with This SoundWorks Collection Video for 'Prometheus'</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>26</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=43796489" duration="769">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=43796489" />
			<media:title type="html"><![CDATA[Learn Sound Design Tips from the Experts with This SoundWorks Collection Video for &#039;Prometheus&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Though the camera, lighting, and set design can certainly affect the quality of a production, more often than not it is the sound design that separates a film from the pack. Sound has an unbelievable ability to not only surround an audience in the atmosphere of the film, but also transport them in a]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/06/learn-sound-design-tips-from-the-experts-with-this-soundworks-collection-video-for-prometheus-nofilmschool-224x140.jpg" />
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			<media:title type="html"><![CDATA[Soundworks Prometheus Sound Designers]]></media:title>
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		<title>DaVinci Resolve Now Available on Windows Thanks to Free Public Beta</title>
		<link>http://nofilmschool.com/2011/12/davinci-release-free-public-beta-windows/</link>
		<comments>http://nofilmschool.com/2011/12/davinci-release-free-public-beta-windows/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 14:14:22 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[resolve]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=16990</guid>
		<description><![CDATA[<p>Just because the popular color correction software DaVinci Resolve uses a Mac monitor for its press image (at left) doesn&#8217;t mean it&#8217;s Mac only &#8212; any more. Resolve, which has a free version known fittingly as Resolve Lite, now comes in a Windows version for the first time thanks a newly-released Public Beta. If you [...]</p><p>The post <a href="http://nofilmschool.com/2011/12/davinci-release-free-public-beta-windows/">DaVinci Resolve Now Available on Windows Thanks to Free Public Beta</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/11/DaVinci-Resolve_FREE-224x186.jpg" alt="" title="DaVinci Resolve_FREE" width="224" height="186" class="alignleft size-medium wp-image-16322 style-off" />Just because the popular color correction software <a href="http://www.blackmagic-design.com/products/davinciresolve/">DaVinci Resolve</a> uses a Mac monitor for its press image (at left) doesn&#8217;t mean it&#8217;s Mac only &#8212; any more. Resolve, which has a free version known fittingly as Resolve Lite, now comes in a Windows version for the first time thanks a newly-released Public Beta. If you have already purchased Resolve for Mac, the Windows version comes included, so you now have a Windows license too. <a href="http://nofilmschool.com/2011/12/davinci-release-free-public-beta-windows/#more-16990" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2011/12/davinci-release-free-public-beta-windows/">DaVinci Resolve Now Available on Windows Thanks to Free Public Beta</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>21</slash:comments>
	
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			<media:title type="html"><![CDATA[DaVinci Resolve_FREE]]></media:title>
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		<title>New Version of DaVinci Resolve Lite Removes Key Restrictions, Plus Here&#039;s Some Free Training</title>
		<link>http://nofilmschool.com/2011/11/davinci-resolve-lite-free-training/</link>
		<comments>http://nofilmschool.com/2011/11/davinci-resolve-lite-free-training/#comments</comments>
		<pubDate>Sun, 20 Nov 2011 19:46:17 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[tutorial]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=16320</guid>
		<description><![CDATA[<p>In July DaVinci released a free version of their $1k color correction software, Resolve (also available with a $30k control panel). Now they&#8217;ve upgraded Resolve Lite, as the free version is known, to version 8.1, also removing the two node restriction and allowing for unlimited color correction nodes (nodes are similar to layers in After [...]</p><p>The post <a href="http://nofilmschool.com/2011/11/davinci-resolve-lite-free-training/">New Version of DaVinci Resolve Lite Removes Key Restrictions, Plus Here's Some Free Training</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/11/DaVinci-Resolve_FREE-224x186.jpg" alt="" title="DaVinci Resolve_FREE" width="224" height="186" class="alignleft size-medium wp-image-16322 style-off" />In July DaVinci <a href="http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/" title="DaVinci Resolve Lite is the Free Version of a $29,995 Color Grading Suite">released a free version</a> of their $1k color correction software, Resolve (also available with a <a href="http://blackmagic-design.com/products/davinciresolve/control/">$30k control panel</a>). Now they&#8217;ve upgraded Resolve Lite, as the free version is known, to version 8.1, also removing the two node restriction and allowing for unlimited color correction nodes (nodes are similar to layers in After Effects, though they&#8217;re generally more flexible). There are a number of other updates as well (see the press release below), but to go along with the new release, there&#8217;s also a 15-minute video tutorial from <a href="http://www.dankanes.com/">Dan Kanes</a>, who also did a recent <a href="http://nofilmschool.com/2011/11/reds-free-color-grading-application-redcine-x/">free REDCINE-X Pro tutorial</a>: <a href="http://nofilmschool.com/2011/11/davinci-resolve-lite-free-training/#more-16320" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2011/11/davinci-resolve-lite-free-training/">New Version of DaVinci Resolve Lite Removes Key Restrictions, Plus Here's Some Free Training</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>13</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/mrqPXoLdpGE" duration="956">
			<media:player url="http://www.youtube-nocookie.com/v/mrqPXoLdpGE" />
			<media:title type="html"><![CDATA[New Version of DaVinci Resolve Lite Removes Key Restrictions, Plus Here&#039;s Some Free Training - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[In July DaVinci released a free version of their $1k color correction software, Resolve (also available with a $30k control panel). Now they&#039;ve upgraded Resolve Lite, as the free version is known, to version 8.1, also removing the two node restriction and allowing for unlimited color correction node]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/11/new-version-of-davinci-resolve-lite-removes-key-restrictions-plus-heres-some-free-training-nofilmschool-224x168.jpg" />
			<media:keywords>colorcorrection,colorgrading,davinci,davinciresolve,tutorial</media:keywords>
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			<media:title type="html"><![CDATA[DaVinci Resolve_FREE]]></media:title>
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		<title>Curious About High-End DaVinci Resolve Color Correction? Free Live Webinar September 8th</title>
		<link>http://nofilmschool.com/2011/09/davinci-resolve-free-live-webinar/</link>
		<comments>http://nofilmschool.com/2011/09/davinci-resolve-free-live-webinar/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 13:57:04 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[webinar]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=14347</guid>
		<description><![CDATA[<p>Ever since DaVinci released a free version of their $29,995 high-end Resolve color grading suite &#8212; and, more importantly, premiered a $995 software-only version &#8212; the color grading application has seen a drastic increase in accessibility. If you&#8217;re interested in learning how to use the program, which conveniently comes at a time when Apple has [...]</p><p>The post <a href="http://nofilmschool.com/2011/09/davinci-resolve-free-live-webinar/">Curious About High-End DaVinci Resolve Color Correction? Free Live Webinar September 8th</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/09/webinar_promo_davincionmac_long-224x80.jpg" alt="" title="webinar_promo_davincionmac_long" width="224" height="80" class="alignleft size-medium wp-image-14356" />Ever since DaVinci released a <a href="http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/">free version</a> of their $29,995 high-end <a href="http://nofilmschool.com/davinciresolve">Resolve</a> color grading suite &#8212; and, more importantly, premiered a $995 software-only version &#8212; the color grading application has seen a drastic increase in accessibility. If you&#8217;re interested in learning how to use the program, which conveniently comes at a time when Apple has discontinued Color (which was itself the <a href="http://www.macworld.com/article/53416/2006/10/silicon.html">$25k program FinalTouch</a> before Apple bought and then axed it), there&#8217;s a free 90-minute live webinar this Thursday September 8, 2011 at 10AM PDT (1PM EDT). Here&#8217;s a preview: <a href="http://nofilmschool.com/2011/09/davinci-resolve-free-live-webinar/#more-14347" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2011/09/davinci-resolve-free-live-webinar/">Curious About High-End DaVinci Resolve Color Correction? Free Live Webinar September 8th</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
	
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			<media:player url="http://www.youtube-nocookie.com/v/dDI4Kjj2YO4" />
			<media:title type="html"><![CDATA[Curious About High-End DaVinci Resolve Color Correction? Free Live Webinar September 8th - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Ever since DaVinci released a free version of their $29,995 high-end Resolve color grading suite -- and, more importantly, premiered a $995 software-only version -- the color grading application has seen a drastic increase in accessibility. If you&#039;re interested in learning how to use the program, wh]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/09/curious-about-high-end-davinci-resolve-color-correction-free-live-webinar-september-8th-nofilmschool-224x168.jpg" />
			<media:keywords>colorcorrection,colorgrading,davinci,davinciresolve,webinar</media:keywords>
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			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/09/webinar_promo_davincionmac_long-125x69.jpg" />
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		<title>DaVinci Resolve Lite is the Free Version of a $29,995 Color Grading Suite</title>
		<link>http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/</link>
		<comments>http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 14:53:20 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[colorcorrection]]></category>
		<category><![CDATA[colorgrading]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[free]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=13394</guid>
		<description><![CDATA[<p>Blackmagic Design&#8217;s DaVinci Resolve is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000. There&#8217;s also a $1,000 software-only version that runs on Mac and Linux. And now there&#8217;s a free Mac version that retains many of the key features of its paid brethren. Here&#8217;s a [...]</p><p>The post <a href="http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/">DaVinci Resolve Lite is the Free Version of a $29,995 Color Grading Suite</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/07/davinciresolvelite-224x138.jpg" alt="" title="davinciresolvelite" width="224" height="138" class="alignleft size-medium wp-image-13402" />Blackmagic Design&#8217;s <a href="http://www.blackmagic-design.com/products/davinciresolve/models/">DaVinci Resolve</a> is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000. There&#8217;s also a $1,000 <a href="http://nofilmschool.com/davinciresolve">software-only version</a> that runs on Mac and Linux. And now there&#8217;s a free Mac version that retains many of the key features of its paid brethren. Here&#8217;s a demo of the color correction and impressive tracking features of Resolve in action: <a href="http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/#more-13394" class="more-link">(more&#8230;)</a></p>
<p>The post <a href="http://nofilmschool.com/2011/07/davinci-resolve-lite-free-version/">DaVinci Resolve Lite is the Free Version of a $29,995 Color Grading Suite</a> appeared first on <a href="http://nofilmschool.com">nofilmschool</a>.</p>]]></content:encoded>
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		<slash:comments>31</slash:comments>
	
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			<media:title type="html"><![CDATA[DaVinci Resolve Lite is the Free Version of a $29,995 Color Grading Suite - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Blackmagic Design&#039;s DaVinci Resolve is a high-end color correction suite replete with an elaborate control surface designed for professional colorists. It costs $30,000. There&#039;s also a $1,000 software-only version that runs on Mac and Linux. And now there&#039;s a free Mac version that retains many of th]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2011/07/davinci-resolve-lite-is-the-free-version-of-a-29995-color-grading-suite-nofilmschool-224x168.jpg" />
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