» Posts Tagged ‘digitalcinemacamera’

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kinefinity kineraw mini 6k 4k 2k raw high definition video cameraThere’s been a lot of buzz regarding affordable 4K acquisition recently, and for good reason. How about affordable 6K? You may know Chinese manufacturer Kinefinity for its strangely familiar-looking family of cameras, but with features like simultaneous compressed and uncompressed RAW recording and very competitive pricing, it’s a family with merits all its own. Our crew on the floor of NAB 2014 talked to Michel Juknat, a Kinefinity european distributor, discussing the ~$5K KineMINI 4K camera in depth and hitting upon the upcoming KineMAX 6K camera. Check out the video below — plus some KineMINI footage from Michel himself. More »

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Apertus Axiom Alpha03_1It’s been a long road for the team over at Apertus, but they’ve reached a major milestone: they are recording footage and are finally showing it to the public. To put this into perspective, Apertus first announced their plans to build a camera from scratch nearly 2 years ago, and in that time with just a small group of people they’ve got a working product. It should be noted that for testing purposes the first step is getting HDMI recording working (though they will eventually use 3G-SDI and they did show off a 4K RAW image back in January – it’s just a lot of data to handle for full motion footage and that’s an end goal with the Axiom). Either way, it’s a huge accomplishment, so check out the very, very early prototype footage below. More »

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kendricken_celluloid_film_fuji_fujifilm_production_manufacture_cancelWith modern digital cinema cameras, it is often preferable to achieve a look that is more “cinematic” than “digital.” No one factor creates a filmic feel, but the precedent is simple enough — film itself. The emulation of emulsion may depend on anything from lens choice and lighting to grading and grain plug-ins, but there is one sure-fire way to get a true film look: using film. Celluloid acquisition may be beyond the budget of your shoot, but using a “film intermediate” process — that is, transferring color corrected digital footage out to film, then scanning back to digital — could be one technique for splitting the difference. A webinar with VFX artist & colorist Jerome Thelia details just such a process, regarding the Oscar-winning short film Curfew. Read on for details. More »

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Apertus Axiom open-modules-concept-front-V1 croppedYou may have read some of our previous coverage on the Apertus Axiom Open Source 4K camera (not to be confused with Axiom Images who just shot RED DRAGON aerials), but the concept continues to improve. The team is hard at work on their prototypes, and while their module concept idea is not new, they are working on having the first open source camera with easily interchangeable mounts, sensor filters, and even image sensors. Click through for more on their open module concept and how they’ve expanded it. More »

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Apertus Axiom Modular Camera CompleteThe Apertus Axiom project, which is trying to build the first open source 4K RAW Super 35mm camera, has been making steady progress over the last year or so, with a significant amount happening in the last few months. The team has been working hard with the CMOSIS 4K sensor that will eventually be in a completed camera, and they’ve now delivered the first 4K DNG for all of you to mess around with. More »

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Sony-F55wZeissUltra16-FDTimes-640x340In the year or so since Sony announced the F5 and the F55, the company has released a veritable plethora of firmware updates and an optional hardware upgrade of the replaceable optical low-pass filter. Despite a somewhat premature release of the cameras with some of the key functionalities missing (especially in terms of higher resolutions and frame rates), the cameras are finally up to their original specs and then some. Sony isn’t stopping there, however. In the third version of the firmware for the cameras, which was released today, a few impressive new features were added to the cameras. Read on to hear all about these exciting new features. More »

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Nikon Df Silver with 50mm LensToday was the unveiling of the not-so-secret Nikon Df (digital fusion) DSLR. While many are calling the design “retro,” Nikon has really gone back to what made shooting photos easier: physical dials. Not everyone is pleased, but the goal for the company was to make a product that attempted to remove the barrier between the photographer and the photography, something that film cameras arguably did by being simple mechanical devices. As a part of the strategy, however, Nikon has also gone against the grain and removed all video features from the camera. But if a Japanese camera company is willing to release a ‘fusion’ photography camera, where’s the ‘fusion’ digital cinema camera? More »

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apertus axiom-modules-cinemadng 4k raw camera open source alpha prototype2In an age of 6K RAW and 2.5K for $2K cameras rapidly announced and released, it’s possible even for novel and notable concepts to fall by the wayside. Amongst the competition, I’m sure I was not alone in hoping against such a fate for the fully-open source Apertus Axiom camera project. A fully transparent and modular global-shutter Super35 CinemaDNG 4K with 15 stops of latitude and 150 fps at full-res is still a damn desirable piece of equipment. It now appears that the Axiom is showing its first signs of life with an improved modular design. Check out the details below. More »

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Black Betty camopside

The brand new camera design is in the open (You guys are good!). Black Betty is much more than a camera. It’s a complete cinema solution utilizing an Apple Mac Mini computer with a Silicon Imaging SI-2K Mini for the imager. It also happens to be the first single unit camera in existence capable of shooting, editing, and posting footage online, without the need for any other hardware. More »

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This is an interesting item – Ikonoskop, the folks behind the A-Cam dII (a raw shooting HD camera previously covered) recently announced a black and white version – the A-Cam dII Panchromatic.  By using a monochrome sensor, it aims to give folks looking for great black and white footage a new option with “an amazing range of gradations”.  Want to see some sample footage?  Check this out: More »