» Posts Tagged ‘digitalintermediate’

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light iron michael cioni post production color correction grading dit digital imaging technician lily pad outpost todailies app film filmmakingA few weeks ago, I was fortunate enough to attend the grand opening of Light Iron’s New York facility. I met very nice, dedicated, hard-working (and patient!) people there, and got a chance to hear words from Michael Cioni, the post company’s CEO. I also got a chance to scratch the surface of some of Light Iron’s infrastructure — including its LILY PAD DIT station — which aims to empower the on-set technician, and crew as a whole, with a seamless media experience. In addition to the hardware, this experience is supercharged by the likes of Light Iron’s custom Todailies app, which will receive an upcoming upgrade as well. More »

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The aspect ratio is one of the fundamentals determining your compositions. Even though we live in a time where displaying any aspect ratio is incredibly easy, films are still being shown incorrectly in many mediums in an attempt to make them fill the entire screen (even if that’s not the intention of the filmmaker). Interestingly enough, cinema history has actually been plagued by these kinds of issues related to aspect ratio. A visual essay by Criterion Collection illustrates how the intended aspect ratio of On The Waterfront is still in question to this day, and we also get a demonstration of the impressive restoration to Hitchcock’s The Man Who Knew Too Much from a heavily warped and damaged print. More »

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Ever wondered what format, camera model, lens type, finishing format, lens manufacturer, etc. was used to create a certain film? You may have found yourself punching in IMDb as your default movie trivia database, and you may have found some or all such information in the film’s technical specs page — or you may not have. While IMDb has a lot of other coverage to keep itself occupied logging (particularly cast and crew lists), you may find yourself wanting a more detailed and dedicated technical breakdown — enter ‘ShotOnWhat?More »

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The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen — at least according to the predictions of Michael Cioni. As the CEO of post house Light Iron, he has helped pioneer RED workflows at the highest level of filmmaking, so his word is not to be taken lightly — particularly since he’s predicting the end of what his and any other post house does as we know it by 2017. Furthermore, what cameras (and therefore camera teams) will have to take care of themselves is staggering, especially taking a look at the duties fulfilled by today’s high-end DIT carts — including those assembled by Light Iron itself. More »