» Posts Tagged ‘distribution’

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IndieGogo Partners with IndieReignIndiegogo has been a pioneer in the crowdfunding game ever since its launch in 2008. Today they’ve announced a partnership with the filmmaker-friendly distribution platform IndieReign. The partnership aims to put the spotlight on interesting crowd-funding film projects and offer a seamless transition from funding to distribution. Hit the jump to find out how this news could affect you. More »

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Hills Green

Canadian filmmakers Ryan Glover and Krista Dzialoszynski talked to No Film School earlier this year about making their micro-budget feature film Hills Green. With the film’s release on iTunes today, I decided to bring them back to briefly talk about their festival expectations, distribution strategies and their long road to releasing on iTunes. More »

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vhx self distribution release audience foreign movie film sales filmmaking releaseAs the tools available to the independent filmmaker expand and improve, so do a number of services facilitating direct distribution. Several non-Louis C.K. success stories have emerged, often emphasizing the benefits of crowdfunding and the importance of social media outreach. One such service, VHX, has recently posted a tip we don’t hear quite as often. It’s something that seems totally obvious — and is comparatively ancient as far as actual technology is concerned — but can, according to VHX, greatly impact the success of directly distributed media. The tip? Adding subtitles to your film. More »

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East Nashville Tonight Direct Distribution

Drugs and music go hand-in-hand arguably as well as independent filmmaking and direct distribution, and I can’t think of a better way to exemplify the parallel than the Barnes Brothers‘ latest “hypothetical documentary” East Nashville Tonight. The film follows songwriters Todd Snider and Elizabeth Cook (among others) in an honest and refreshing portrayal of the musician’s predicament. Hit the jump for NFS’ interview with the filmmakers and Bond360 front-man Marc Schiller as we discuss the film’s marketing and distribution strategies. More »

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amateur-websites

The last time I posted about my MANCHILD prequel AMATEUR, I was asking for help and releasing a teaser trailer to help the short get picked up by sports and film websites. By releasing a short film directly online instead of waiting to get into festivals, I was accelerating the release schedule and — at least in theory — finding an audience everywhere, instead of just in a few select theaters. I’m glad to say that AMATEUR has now been featured on a lot of prominent websites and has enjoyed a lot of festival play as well — despite being free online. Let’s take a look at how we achieved this, the lessons I learned, and the status and schedule of the long-delayed but better-than-ever feature MANCHILD. More »

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netflix main iconLast week, Ted Sarandos, the Chief Content Officer of Netflix, ruffled a few feathers with NATO (um National Association of Theatre Owners, that is) when he gave a keynote address at the Film Independent Forum about how theater owners are strangling the lifeblood of the movies. On top of the pretty interesting points, he broke down just how filmmakers can join the Netflix revolution and make your own show into the next Orange is the New Black. More »

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netflix-originalsIt’s safe to say that Netflix took the world by storm with its first original series, House of Cards. Not only was the show immaculately produced, shot, and acted, but it also may have planted the seeds for an entertainment revolution in that it signaled the beginning of a shift away from traditional media outlets towards online streaming services. Today we got word that original series might just be the tip of the iceberg for Netflix, whose content boss said that original movies could be a reality for the company very soon. If this is the case, and Netflix starts taking on a studio-like role in the film world, what would the implications be for independent filmmakers? Let’s take a look: More »

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digital discource screencraft panel

I’ll be moderating a panel on the future of distribution and content creation here in NYC on November 6th, featuring a number of heavy-hitters at prominent film companies. The panel will be presented by our friends at ScreenCraft, in association with WGA East and Hello World. We’ve got an exclusive discount for NFS readers (note: we are not profiting on this event, and will be releasing some free video of it as well). Read on to find out where to watch the livestream UPDATE: the venue’s internet connection isn’t robust enough to host a livestream, but we will release video of the event later. Here are the details: More »

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piratingIt looks as though media pirating information is becoming more and more relevant to distribution and content rights holders. We’ve talked before about how Netflix monitors torrent activity to find out what’s popular amongst moviegoers, and Netflix CEO Reed Hastings had some interesting things to say about how the allure of free movies might be overshadowed by ease of use. An article from The Verge explores yet another dimension of the piracy discourse: availability of content. How does the availability of certain films affect illegal downloading, and how will this change the future of distribution? More »

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projectorIn many ways, making your film is the easy part. There are innumerable resources out there for budding filmmakers, including websites (ahem), books, and audio commentary tracks, that will help a novice become a seasoned vet in no time (well, not no time. Probably a long time. But it’s a journey, no? Yes.) But one thing a lot of indie filmmakers are unfamiliar with, especially those just starting out, are the ins and outs of distribution. Well, have no fear. Sheri Candler and Chris Holland offer some great insight into indie film distribution. Click below to learn the answers to 3 questions every filmmaker should ask themselves as they contemplate distributing their film! More »

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4K Porn is Coming from Huccio - nofilmschoolThe adult industry, always looking for a way to make some noise, is now jumping head-first into 4K porn distribution. While shooting porn in 4K is actually nothing new (the RED ONE has been used a bit), a new company called Huccio is claiming to be the first in porn to actually master and distribute their content in 4K. Regardless of your opinion on this — and judging by nofilmschool demographics you probably have a strong one — it could have very real effects not only for porn, but for the entire movie industry. More »

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New Day Films

With all the recent talk about new forms of distribution, producers sometimes forget the tried and true alternative distributors that have been making money for independent filmmakers (and collecting data, no less) for decades. New Day Films is a veteran distribution company that has been operating as a filmmaker-run collective since 1971. With decades of results to showcase their success, New Day is less of a gamble for producers whose projects are selected to join the elite roster of social issue films. “Member-owners” put more time into personally marketing their films through New Day, but their efforts are more effective than some third-party distributors because of that personalization. Steering committee chair Ellen Frankenstein gave NFS the lowdown on member-owner marketing, the benefits of a collective knowledge-base and the differences between New Day and traditional distribution. More »

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BitTorrent Bundles for Publishers

Since May of this year, BitTorrent has been developing its publishing service Bundles, a platform that provides a way for creators to have all the advantages of the peer-to-peer protocol while also maintaining control over their content. On September 24th they made major steps towards bringing it into the hands of every content creator by moving the platform into a closed Alpha stage. For filmmakers, access to these tools could be a real boon for certain distribution strategies, so hit the jump for nofilmschool’s Q&A with Matt Mason from BitTorrent. More »

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img-dj-spooky-1_09501789140IFP Film Week wrapped up Thursday with a keynote by DJ Spooky, marking the end to the Filmmaker Conference, Project Forum and Festival Forum for which worldwide creators converged at the Lincoln Center over the past five days. The week brought together industry veterans with first-time filmmakers in a series of panels densely packed back to back. Though some regretted that the conference frequently seemed to skirt issues dealing with the inequities built into the industry, those able to afford or steal a pass found certain key ideas exchanged worth the several-hundred-dollar ticket price. Read on for our top five takeaways. More »

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self distribution direct options

Whatever you choose to call it: self distribution, direct distribution, or as some prefer ”alternative-distribution” — the tools are out there for filmmakers to publish their work and get paid for it. It’s not a fast track to success and will likely require the full breadth of your attention to make it work, but it is quickly becoming the most viable way for filmmakers to carve out a market for themselves in this industry. Read on to get a roundup of some of the big players, a simple breakdown of what each of them offer and my first impressions.

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Simple Machine Screening in Memphis

With thousands of feature films being made each year, helping them connect to an audience has quickly become one of the biggest challenges facing the independent filmmaker today. Nandan Rao, the cinematographer behind The International Sign for Choking, Green, and the director of 2012′s The Men of Dodge City, offers his contribution to the distribution sphere in the form of Simple Machine: an online platform that connects filmmakers directly with venues to screen their films. The kicker? Anyone can list their film and anyone can be a venue. Read on to learn about how it works and why you should give it a try. More »

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vimeo-e1378182278821Vimeo has long been known for the quality of their video, and has become a haven for filmmakers who want a higher quality upload than is available from other video sites. Now they are experimenting with a new platform whereby filmmakers who debut their films at the Toronto Film Festival this week are eligible for $10,000 in funding if they distribute through Vimeo On Demand, the site’s online distribution channel launched in March earlier this year. Click below to check out this new platform and see what it could mean for indie filmmakers. More »

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tiff filmmaker boot camp ira deutchmanYou made your film, and thanks to the great internet content democratization, you can now buy it on Amazon. Let the champagne flow! Until you realize, however, that without a better plan, selling 5 DVDs a year simply won’t earn you enough to make your next film. In this 2013 Toronto International Film Festival Filmmaker Bootcamp video, keynote speaker Ira Deutchman, who started marketing for Cassavetes and today advocates a rise-from-the-dead for theatrical distribution, breaks down how you can use film festivals to distribute your film to a growing audience. More »

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World Map

Hollywood’s blockbusters no longer cater towards Americans. That’s fairly old news; overseas markets have ruled the box office since Titanic swept international audiences into movie theaters in record numbers for the time. With the majority of modern moviegoers living abroad — 80% of box office figures, according to veteran producer Lynda Obst — one might think that a more diverse selection of films would emerge as a result. But as some might have noticed by the slate of mega-movies and sequels this summer, just the opposite seems to be happening. Americans and international audiences agree that this summer’s ‘hits’ were mostly misses, producing box office figures that were, in Obst’s words, “pretty catastrophic for the movie business.” Why did it take Hollywood over a billion in losses to realize what most sentient earthlings could have told them from the script?  Obst describes “the new abnormal in the movie business,” and why it’s bound to change. More »

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Iron Man 3 Chinese PosterFor the past several years, we’ve been noticing the ramped up production of big budget films based on comics, graphic novels, and books. The American Society of Cinematographers offers an analysis as to why that is, and what role the international market, namely the fast growing Chinese market, plays in how American films are made and marketed. Highly marketable under the lucrative umbrella of a franchise, American films are heavily influenced and favored by the international box office, indicating that self-distribution through platforms like VOD is more important for independent filmmakers than ever. More »