» Posts Tagged ‘distribution’

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Vimeo on DemandFollowing the announcement of their plan to invest $10M to help support filmmakers utilizing Vimeo on Demand for direct distribution, Vimeo has unveiled their newly redesigned VOD platform at SXSW. The new design is aimed at creating a more organized way to discover and browse films using both genre categories and their new “film collections” feature. What does this mean for indie filmmakers? Well, a more user-friendly experience will help audiences navigate the site and bring more potential viewers to your film. Continue on to find out more about Vimeo’s new changes, as well as how you could potentially get your hands on a piece of that $10M. More »

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VHXVHX has a pretty simple mission: to allow users the ability to sell their content directly to their audience through their online distribution platform. It has spent the last two years in private beta testing, working with the likes of Kevin Spacey, Ira Glass, and Aziz Ansari, and distributing films like Upstream Color and Oscar-nominated The Act of KillingWell, VHX made the announcement yesterday that they are finally out of beta and ready to offer their services to the public at a price they’ve lowered to commemorate the launch. To find out more about this direct-to-fan distribution platform, continue on. More »

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Menthol World Premiere at SBIFF

In Part 1 of this series, I talked about the decisions in creating the seminal piece of marketing (the trailer) for my first narrative feature Menthol. We just had our world premiere last month at the 29th Santa Barbara International Film Fest and, being my first festival experience from the filmmaker’s side, I wanted to share a little bit about the experience and what it’s got me thinking about — the philosophical, the social, and the pragmatic. More »

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BitTorrent Bundles Download within ClientThe alpha publishing project BitTorrent Bundles is catching on as a diverse tool for the distribution of content directly to fans. BitTorrent has announced a new Android app and an update to two of their software clients, uTorrent and BitTorrent. The update will make Bundles available to download directly from inside the clients. What does this mean for filmmakers? Read on for more details. More »

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indiegogo distribution programIf you’re thinking about making your next film, you might be toying with the idea of crowdfunding some (or all) of the budget. If you thought picking your crowdfunding platform was about deciding which site’s design you like better, think again! During Sundance, Vimeo announced it was partnering with Kickstarter, Indiegogo, and Seed&Spark to help successful projects find audiences. A week later, Indiegogo announced a specialized Film Distribution Program with VHX and Yekra. Now, your crowdfunding platform could also get you a clear, discounted, or lucrative channel to distribution! Below is a look at what the changing distribution opportunities could mean for you. More »

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Menthol Trailer Festival Laurels

In this series of posts, I’m going to test, prod, and explore the process of releasing my first feature film almost entirely online, with no money or nepotism. As some of you know, I’ve been regularly writing about distribution on No Film School in recent months with the intention of one day putting what I’ve learned to use. That day has come with the imminent release of my narrative feature Menthol – and what better place than here to have the discussion as the process evolves? Read on for Part 1, in which I discuss decisions in cutting and releasing the all-important trailer. More »

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Anchorman 2 Last Paramount Movie Distributed on FilmMovies have been shown in theaters on actual film since the beginning of the format, but this year could very well be the last that we get to experience new films on 35mm. It has been reported that Paramount is ending distribution on celluloid, with Anchorman 2 being their last film print release — instead releasing all new movies digitally. What does this mean for the rest of the industry, and who is going to get left behind in the process? More »

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vimeoIt has been a big week for independent films — especially for independent, crowdfunded films. Not only is 10% of this year’s Sundance slate made up of Kickstarter-funded films, but Vimeo made an announcement at the festival yesterday that they’re launching a program specifically for films that have raised funds through crowdfunding platforms, offering $500K in support for marketing. Continue on for more info. More »

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Sundance InfographicWith Sundance ’14 being only four days away, independent filmmakers, studios, and buyers are gearing up for another festival year of screenings, bidding, passing, as well as contemplation over the current state of independent cinema. Cultural Weekly and Entertainment Media Partners CEO Adam Leipzig have released an in-depth infographic compiling key data from Sundance, namely on spending, which analyzes how these numbers stack up against those of the major studios. Their findings are a mixed bag of encouraging stats and disheartening truths. More »

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Blue Film Reels

As is customary at the beginning of every new year, we ask ourselves, “How will this year be different? What will change? What will stay the same?” As filmmakers, I’m sure most of us are asking these questions about the film industry, perhaps even making assertions and predictions about what we’ll be seeing in cinema in 2014, and founder of Sub-Genre Media, Brian Newman does the same. Here are his 10 predictions about the 2014 film industry. This is a guest post by Brian Newman. More »

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Jon Reiss no film school interviewUnless you are the 0.0005 percent of filmmakers who got picked out of the line-up of would-be Hollywood auteurs, you should stop thinking of ‘entrepreneur’ as a dirty word, and start thinking about how to find your audience yourself. That’s what producer/director Jon Reiss suggests, and he’s carved a living in independent film since, well, before the Internet. In the No Film School video interview below, Jon Reiss talks about anything from a filmmaker’s goals dictating a release strategy, to making music videos with Danzig and Trent Reznor, to the interactive theatrical experiences of his latest indie sequel Bomb It 2. More »

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The Act of Killing Bittorent BundleJoshua Oppenheimer’s Oscar-shortlisted The Act of Killinga documentary revisiting squad leaders from the Indonesian genocides of the 60′s, was released on iTunes today. In a partnership between Drafthouse Films and BitTorrent, heaps of exclusive and free bonus content can be downloaded through their new BitTorrent Bundle. Read on to find out what’s inside the Bundle and how you can download it. More »

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Reelhouse and Warner Bros

It’s been a good year for Reelhouse as the direct-to-consumer platform continues to find ways to incentivize audiences to click play. Reelhouse announced a partnership with Sundance earlier this year and now it adds select Warner Bros titles to its repertoire. However, this is not a move away from their independent focus, but an attempt to connect some of the virtues of the independent marketing sphere to the studio world. Read on to catch up with Reelhouse CEO Bill Mainguy to talk about their new initiative. More »

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IndieGogo Partners with IndieReignIndiegogo has been a pioneer in the crowdfunding game ever since its launch in 2008. Today they’ve announced a partnership with the filmmaker-friendly distribution platform IndieReign. The partnership aims to put the spotlight on interesting crowd-funding film projects and offer a seamless transition from funding to distribution. Hit the jump to find out how this news could affect you. More »

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Hills Green

Canadian filmmakers Ryan Glover and Krista Dzialoszynski talked to No Film School earlier this year about making their micro-budget feature film Hills Green. With the film’s release on iTunes today, I decided to bring them back to briefly talk about their festival expectations, distribution strategies and their long road to releasing on iTunes. More »

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vhx self distribution release audience foreign movie film sales filmmaking releaseAs the tools available to the independent filmmaker expand and improve, so do a number of services facilitating direct distribution. Several non-Louis C.K. success stories have emerged, often emphasizing the benefits of crowdfunding and the importance of social media outreach. One such service, VHX, has recently posted a tip we don’t hear quite as often. It’s something that seems totally obvious — and is comparatively ancient as far as actual technology is concerned — but can, according to VHX, greatly impact the success of directly distributed media. The tip? Adding subtitles to your film. More »

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East Nashville Tonight Direct Distribution

Drugs and music go hand-in-hand arguably as well as independent filmmaking and direct distribution, and I can’t think of a better way to exemplify the parallel than the Barnes Brothers‘ latest “hypothetical documentary” East Nashville Tonight. The film follows songwriters Todd Snider and Elizabeth Cook (among others) in an honest and refreshing portrayal of the musician’s predicament. Hit the jump for NFS’ interview with the filmmakers and Bond360 front-man Marc Schiller as we discuss the film’s marketing and distribution strategies. More »

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amateur-websites

The last time I posted about my MANCHILD prequel AMATEUR, I was asking for help and releasing a teaser trailer to help the short get picked up by sports and film websites. By releasing a short film directly online instead of waiting to get into festivals, I was accelerating the release schedule and — at least in theory — finding an audience everywhere, instead of just in a few select theaters. I’m glad to say that AMATEUR has now been featured on a lot of prominent websites and has enjoyed a lot of festival play as well — despite being free online. Let’s take a look at how we achieved this, the lessons I learned, and the status and schedule of the long-delayed but better-than-ever feature MANCHILD. More »

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netflix main iconLast week, Ted Sarandos, the Chief Content Officer of Netflix, ruffled a few feathers with NATO (um National Association of Theatre Owners, that is) when he gave a keynote address at the Film Independent Forum about how theater owners are strangling the lifeblood of the movies. On top of the pretty interesting points, he broke down just how filmmakers can join the Netflix revolution and make your own show into the next Orange is the New Black. More »

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netflix-originalsIt’s safe to say that Netflix took the world by storm with its first original series, House of Cards. Not only was the show immaculately produced, shot, and acted, but it also may have planted the seeds for an entertainment revolution in that it signaled the beginning of a shift away from traditional media outlets towards online streaming services. Today we got word that original series might just be the tip of the iceberg for Netflix, whose content boss said that original movies could be a reality for the company very soon. If this is the case, and Netflix starts taking on a studio-like role in the film world, what would the implications be for independent filmmakers? Let’s take a look: More »