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	<title>nofilmschool &#187; documentary</title>
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	<link>http://nofilmschool.com</link>
	<description>read, discuss, learn: free film school for all</description>
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		<title>Filmmaking and Google Street View Get Together for a Breathtaking Hyperlapse Road Trip</title>
		<link>http://nofilmschool.com/2013/05/filmmaking-google-street-view-hyperlapse/</link>
		<comments>http://nofilmschool.com/2013/05/filmmaking-google-street-view-hyperlapse/#comments</comments>
		<pubDate>Thu, 23 May 2013 17:12:50 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[jonasnaimark]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[teehan+lax]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=54549</guid>
		<description><![CDATA[What if someone grabbed a copy of your favourite road movie and edited out the character development so all that remained were those scenic out-of-the-window cutaways &#8212; and then floored it so the world zipped by? That would be a very close approximation to the experience you get watching the Teehan+Lax Labs project short Google [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-54562" alt="Google Street View Hyperlapse" src="http://nofilmschool.com/wp-content/uploads/2013/05/Google-Street-View-Hyperlapse-224x125.jpg" width="224" height="125" />What if someone grabbed a copy of your favourite road movie and edited out the character development so all that remained were those scenic out-of-the-window cutaways &#8212; and then floored it so the world zipped by? That would be a very close approximation to the experience you get watching the Teehan+Lax Labs project short <em>Google Street View Hyperlapse</em>. Call shotgun and buckle your seatbelt for the stop motion ride of your life after the jump. <a href="http://nofilmschool.com/2013/05/filmmaking-google-street-view-hyperlapse/#more-54549" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/05/filmmaking-google-street-view-hyperlapse/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	
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			<media:title type="html"><![CDATA[Filmmaking and Google Street View Get Together for a Breathtaking Hyperlapse Road Trip - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[What if someone grabbed a copy of your favourite road movie and edited out the character development so all that remained were those scenic out-of-the-window cutaways -- and then floored it so the world zipped by? That would be a very close approximation to the experience you get watching the Teehan]]></media:description>
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			<media:title type="html"><![CDATA[Google Street View Hyperlapse]]></media:title>
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		<title>Get Your Film on TV: PBS Series POV Releases &#039;For Filmmakers&#039; Resource</title>
		<link>http://nofilmschool.com/2013/04/get-your-film-on-tv-pbs-pov-filmmakers-resource/</link>
		<comments>http://nofilmschool.com/2013/04/get-your-film-on-tv-pbs-pov-filmmakers-resource/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 15:00:37 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[resourcesforfilmmakers]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50812</guid>
		<description><![CDATA[You want to make a documentary, and you know how Ken Burns did it, so you google &#8220;NEH grant.&#8221; Four hours go by. Who knew it took eleven steps to sign up to apply for said grant, let alone finish the 20+ pages of writing, acquire two humanities experts, and get one public television station [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-50849" title="POV resources for filmmakers" src="http://nofilmschool.com/wp-content/uploads/2013/04/POV-resources-for-filmmakers1-224x126.jpg" alt="" width="224" height="126" />You want to make a documentary, and you know how Ken Burns did it, so you google &#8220;NEH grant.&#8221; Four hours go by. Who knew it took eleven steps to sign up to apply for said grant, let alone finish the 20+ pages of writing, acquire two humanities experts, and get one public television station letter-of-interest that may or may not be needed to turn it in?! (Hey, I&#8217;m no expert &#8212; I never actually finished my application.) To help with these headaches, POV has released a handy-dandy new &#8220;For Filmmakers&#8221; page to save us from some of the pain of trying to figure out how to make content for public television from scratch. <a href="http://nofilmschool.com/2013/04/get-your-film-on-tv-pbs-pov-filmmakers-resource/#more-50812" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
	
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		<title>First Time at Tribeca: &#039;Alias Ruby Blade&#039; Forgets Hollywood and Tells a Real Spy Love Story</title>
		<link>http://nofilmschool.com/2013/04/tribeca-alias-ruby-blade/</link>
		<comments>http://nofilmschool.com/2013/04/tribeca-alias-ruby-blade/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 01:18:14 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[aliasrubyblade]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[eastimor]]></category>
		<category><![CDATA[tribeca]]></category>
		<category><![CDATA[tribecafilmfestival]]></category>
		<category><![CDATA[tribecaonlinefestival]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50432</guid>
		<description><![CDATA[Amidst a revolution to overthow invading oppressors, a beautiful young woman becomes a spy for the resistance under the moniker &#8216;Ruby Blade.&#8217; While she sneaks in messages to the imprisoned, non-violent leader of said resistance, they begin a glorious love affair. And get this, it&#8217;s not starring Leo DiCaprio, it&#8217;s a true story! From chasing [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-50436 aligncenter" title="Alias Ruby Blade" src="http://nofilmschool.com/wp-content/uploads/2013/04/ARB_blk_hires-e1366420620907-616x241.jpg" alt="" width="616" height="241" /></p>
<p>Amidst a revolution to overthow invading oppressors, a beautiful young woman becomes a spy for the resistance under the moniker &#8216;Ruby Blade.&#8217; While she sneaks in messages to the imprisoned, non-violent leader of said resistance, they begin a glorious love affair. And get this, it&#8217;s not starring Leo DiCaprio, it&#8217;s a true story! From chasing sharks to helicoptering heads-of-state, filmmakers Alexander Meillier and Tanya Ager Meillier are taking their very first feature documentary <em><a href="http://www.imdb.com/title/tt1864253/" target="_blank">Alias Ruby Blade</a></em> to Tribeca. Director Alex Meillier was kind enough to sit down with NFS to explain just how you go about telling an action-adventure love story&#8230;that really happened. Read on for the interview, plus a way you can watch it online through Tribeca tonight. <a href="http://nofilmschool.com/2013/04/tribeca-alias-ruby-blade/#more-50432" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/04/tribeca-alias-ruby-blade/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
	
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			<media:title type="html"><![CDATA[First Time at Tribeca: &#039;Alias Ruby Blade&#039; Forgets Hollywood and Tells a Real Spy Love Story - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ Amidst a revolution to overthow invading oppressors, a beautiful young woman becomes a spy for the resistance under the moniker &#039;Ruby Blade.&#039; While she sneaks in messages to the imprisoned, non-violent leader of said resistance, they begin a glorious love affair. And get this, it&#039;s not starring Leo]]></media:description>
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			<media:keywords>aliasrubyblade,documentary,eastimor,tribeca,tribecafilmfestival,tribecaonlinefestival,news</media:keywords>
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			<media:title type="html"><![CDATA[Alias Ruby Blade]]></media:title>
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		<item>
		<title>&#039;Beyond the Bolex&#039;: a Kickstarter Documentary About Jacques Bolsey, Inventor of the Bolex Film Camera</title>
		<link>http://nofilmschool.com/2013/04/beyond-bolex-documentary-jacques-bolsey/</link>
		<comments>http://nofilmschool.com/2013/04/beyond-bolex-documentary-jacques-bolsey/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 20:25:42 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[d16]]></category>
		<category><![CDATA[digitalbolex]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[kickstarter]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50366</guid>
		<description><![CDATA[This is a guest post by Alyssa Bolsey. First things first, you want to make a movie and you need a camera, right? The options are endless and it feels like there is a new camera coming out every couple of months! What to do? After you’ve done all your research, you either buy one, [...]]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by <a href="http://www.kickstarter.com/projects/cappuccino/beyond-the-bolex-a-documentary-film">Alyssa Bolsey</a><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-50373" title="Bolex" src="http://nofilmschool.com/wp-content/uploads/2013/04/Bolex-e1366141728108-224x162.jpg" alt="" width="224" height="162" />.</em></p>
<p>First things first, you want to make a movie and you need a camera, right? The options are endless and it feels like there is a new camera coming out every couple of months! What to do? After you’ve done all your research, you either buy one, rent one, or most likely (as in my case) you beg until someone will let you borrow theirs for a few days. Ahhh… Such is the life of an indie filmmaker. Now, imagine a time when there wasn’t an affordable camera to buy, borrow or rent because independent filmmaking didn’t exist and therefore, a camera for the independent filmmaker didn’t exist. This is <a href="http://www.kickstarter.com/projects/cappuccino/beyond-the-bolex-a-documentary-film"><em>Beyond the Bolex</em></a>, the story of the man responsible for the beginning of independent filmmaking and the inventor of the Bolex motion picture film camera, Jacques Bolsey. <a href="http://nofilmschool.com/2013/04/beyond-bolex-documentary-jacques-bolsey/#more-50366" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/04/beyond-bolex-documentary-jacques-bolsey/feed/</wfw:commentRss>
		<slash:comments>24</slash:comments>
	
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			<media:title type="html"><![CDATA[Bolex]]></media:title>
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		<item>
		<title>With One Day to Prepare, Krisp Films Brings Us &#039;Paradise City&#039;: a Documentary About Love &amp; Happiness on the Streets</title>
		<link>http://nofilmschool.com/2013/04/krisp-films-paradise-city-documentary/</link>
		<comments>http://nofilmschool.com/2013/04/krisp-films-paradise-city-documentary/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 18:30:10 +0000</pubDate>
		<dc:creator>V Renée</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[krispfilms]]></category>
		<category><![CDATA[kristonjohnson]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=49025</guid>
		<description><![CDATA[Filmmaker, editor, and creator of Krisp Films, Kriston Johnson granted a short interview to nofilmschool about his project, Paradise City: a short documentary about homelessness, addiction, but ultimately love and happiness. The film follows a young homeless couple, &#8220;Christina&#8221; and &#8220;Papi,&#8221; as they shed light on what it&#8217;s like for them to live in the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-49028" title="Paradise City" src="http://nofilmschool.com/wp-content/uploads/2013/04/Paradise-City-224x125.png" alt="" width="224" height="125" />Filmmaker, editor, and creator of <a href="http://krispfilms.com/">Krisp Films</a>, Kriston Johnson granted a short interview to nofilmschool about his project, <em>Paradise City</em>: a short documentary about homelessness, addiction, but ultimately love and happiness. The film follows a young homeless couple, &#8220;Christina&#8221; and &#8220;Papi,&#8221; as they shed light on what it&#8217;s like for them to live in the City of Brotherly Love. Watch the full film below and jump down for the interview: <a href="http://nofilmschool.com/2013/04/krisp-films-paradise-city-documentary/#more-49025" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/04/krisp-films-paradise-city-documentary/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
	
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			<media:title type="html"><![CDATA[With One Day to Prepare, Krisp Films Brings Us &#039;Paradise City&#039;: a Documentary About Love &#38; Happiness on the Streets - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Filmmaker, editor, and creator of Krisp Films, Kriston Johnson granted a short interview to nofilmschool about his project, Paradise City: a short documentary about homelessness, addiction, but ultimately love and happiness. The film follows a young homeless couple, &#34;Christina&#34; and &#34;Papi,&#34; as they s]]></media:description>
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			<media:title type="html"><![CDATA[Paradise City]]></media:title>
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		<item>
		<title>Case Study: 3 Celebrity Documentaries with Totally Different Distribution Strategies</title>
		<link>http://nofilmschool.com/2013/04/3-celebrity-documentaries-distribution-strategies/</link>
		<comments>http://nofilmschool.com/2013/04/3-celebrity-documentaries-distribution-strategies/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 13:00:21 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[nineinchnails]]></category>
		<category><![CDATA[rihanna]]></category>
		<category><![CDATA[stevienicks]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=48234</guid>
		<description><![CDATA[Music documentaries happen to make very useful case studies in distribution strategies, because it’s so damn obvious who their core audiences are. And lucky for us, it seems like rock stars past and present have new films about them released every week. Below is a cross comparison of three new music documentaries and their corresponding [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-48243 style-off" title="Stevie Nicks - In Your Dreams" src="http://nofilmschool.com/wp-content/uploads/2013/04/photo-credit-kristin-burns-extralarge_1303853859132-e1365101482710-224x122.jpg" alt="" width="224" height="122" />Music documentaries happen to make very useful case studies in distribution strategies, because it’s so damn obvious who their core audiences are. And lucky for us, it seems like rock stars past and present have new films about them released every week. Below is a cross comparison of three new music documentaries and their corresponding release strategies that I thought were both useful and entertaining to compare.<br />
 <a href="http://nofilmschool.com/2013/04/3-celebrity-documentaries-distribution-strategies/#more-48234" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/04/3-celebrity-documentaries-distribution-strategies/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/U-LNpDbMwSU" duration="99">
			<media:player url="http://www.youtube-nocookie.com/v/U-LNpDbMwSU" />
			<media:title type="html"><![CDATA[Case Study: 3 Celebrity Documentaries with Totally Different Distribution Strategies - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Music documentaries happen to make very useful case studies in distribution strategies, because it’s so damn obvious who their core audiences are. And lucky for us, it seems like rock stars past and present have new films about them released every week. Below is a cross comparison of three new mus]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/case-study-3-celebrity-documentaries-with-totally-different-distribution-strategies-nofilmschool-224x168.jpg" />
			<media:keywords>distribution,documentary,nineinchnails,rihanna,stevienicks,news</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/photo-credit-kristin-burns-extralarge_1303853859132-e1365101482710-125x69.jpg" />
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			<media:title type="html"><![CDATA[Stevie Nicks - In Your Dreams]]></media:title>
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		<item>
		<title>Fair Use and the FBI: How Filmmakers Uncovered White House Super 8 Movies Without Going to Jail</title>
		<link>http://nofilmschool.com/2013/03/fair-use-fbi-our-nixon-white-house-super-8-movies/</link>
		<comments>http://nofilmschool.com/2013/03/fair-use-fbi-our-nixon-white-house-super-8-movies/#comments</comments>
		<pubDate>Thu, 28 Mar 2013 18:46:10 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[brianlfrye]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[ournixon]]></category>
		<category><![CDATA[pennylane]]></category>
		<category><![CDATA[super8]]></category>
		<category><![CDATA[sxsw]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=47550</guid>
		<description><![CDATA[The filmmakers behind the new, entirely found-footage documentary Our Nixon weave an eclectic portrait of one of the most peculiar American Presidents and best Futurama talking heads ever: Richard Nixon. This doc is no historical snooze-fest, but an &#8220;Anti-Nixon-Film Film&#8221; revealing never-before-seen private Super 8 movies filmed by Nixon&#8217;s youthful White House Aides. (The contemporary [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-47552 aligncenter" title="Our_Nixon_2" src="http://nofilmschool.com/wp-content/uploads/2013/03/Our_Nixon_2-e1364495498801-616x259.jpg" alt="" width="616" height="259" /></p>
<p>The filmmakers behind the new, entirely found-footage documentary <a title="Our Nixon" href="http://www.imdb.com/title/tt2282662/" target="_blank"><em>Our Nixon</em></a> weave an eclectic portrait of one of the most peculiar American Presidents and best Futurama talking heads ever: Richard Nixon. This doc is no historical snooze-fest, but an &#8220;Anti-Nixon-Film Film&#8221; revealing never-before-seen private Super 8 movies filmed by Nixon&#8217;s youthful White House Aides. (The contemporary version might be like stumbling onto Malia Obama&#8217;s iPhone with two years of Vine videos that had never been uploaded.) While waiting for a delayed flight to the SXSW film festival, Producer Brian L. Frye sat down with NFS to give us insight about how they pulled off the film, from before-and-after 4k scans, to standing up for your fair use rights as a filmmaker. <a href="http://nofilmschool.com/2013/03/fair-use-fbi-our-nixon-white-house-super-8-movies/#more-47550" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>9</slash:comments>
	
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			<media:title type="html"><![CDATA[Fair Use and the FBI: How Filmmakers Uncovered White House Super 8 Movies Without Going to Jail - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ The filmmakers behind the new, entirely found-footage documentary Our Nixon weave an eclectic portrait of one of the most peculiar American Presidents and best Futurama talking heads ever: Richard Nixon. This doc is no historical snooze-fest, but an &#34;Anti-Nixon-Film Film&#34; revealing never-before-see]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/fair-use-and-the-fbi-how-filmmakers-uncovered-white-house-super-8-movies-without-going-to-jail-nofilmschool-224x126.jpg" />
			<media:keywords>brianlfrye,documentary,ournixon,pennylane,super8,sxsw,news</media:keywords>
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			<media:title type="html"><![CDATA[Our_Nixon_2]]></media:title>
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		<title>Sundance Channel and Nokia Music Document the Underground Music Scene in &#039;New American Noise&#039;</title>
		<link>http://nofilmschool.com/2013/03/sundance-channel-nokia-new-american-noise/</link>
		<comments>http://nofilmschool.com/2013/03/sundance-channel-nokia-new-american-noise/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 00:20:13 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nokia]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[sundance]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=42532</guid>
		<description><![CDATA[If you&#8217;re heavily into music you&#8217;ll undoubtably be aware that certain geographical areas tend to become associated with particular music scenes. For myself here in the UK, I could quickly point to Manchester as the birth place of the aptly named &#8216;Madchester&#8217; scene comprising bands such as The Stone Roses, Happy Mondays, and The Charlatans, [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-47412" title="That B.E.A.T" src="http://nofilmschool.com/wp-content/uploads/2013/03/That-B.E.A.T-224x125.jpg" alt="" width="224" height="125" />If you&#8217;re heavily into music you&#8217;ll undoubtably be aware that certain geographical areas tend to become associated with particular music scenes. For myself here in the UK, I could quickly point to Manchester as the birth place of the aptly named &#8216;Madchester&#8217; scene comprising bands such as The Stone Roses, Happy Mondays, and The Charlatans, and the beautifully idealistic Factory Records, closely followed by rave culture which sprang up around the legendary Hacienda nightclub. Recently Nokia Music in partnership with the Sundance Channel raided Somesuch &amp; Co&#8217;s director roster (Emily Kai Bock &#8211; <em>Spit Gold Under An Empire</em>, Tyrone Lebon &#8211; <em>Atlanta Dream$ &amp; SFV ACID</em>, Bob Harlow &#8211; <em>Lords of Detroit </em> &amp; Abteen Bagheri &#8211; <em>Electric Noise &amp; That B.E.A.T</em>) for <em>New American Noise</em>; a six-part series of documentaries exposing the underground music scene in six US cities. <a href="http://nofilmschool.com/2013/03/sundance-channel-nokia-new-american-noise/#more-42532" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/03/sundance-channel-nokia-new-american-noise/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
	
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			<media:title type="html"><![CDATA[Sundance Channel and Nokia Music Document the Underground Music Scene in &#039;New American Noise&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[If you&#039;re heavily into music you&#039;ll undoubtably be aware that certain geographical areas tend to become associated with particular music scenes. For myself here in the UK, I could quickly point to Manchester as the birth place of the aptly named &#039;Madchester&#039; scene comprising bands such as The Stone ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/sundance-channel-and-nokia-music-document-the-underground-music-scene-in-new-american-noise-nofilmschool-224x168.jpg" />
			<media:keywords>documentary,music,nokia,short,sundance,watch</media:keywords>
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			<media:title type="html"><![CDATA[That B.E.A.T]]></media:title>
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		<title>How to Make Your First Film Halfway Across the World with No Money and Get Picked Up by Oscilloscope</title>
		<link>http://nofilmschool.com/2013/03/interview-these-birds-walk-sxsw-oscilloscope-laboratories/</link>
		<comments>http://nofilmschool.com/2013/03/interview-these-birds-walk-sxsw-oscilloscope-laboratories/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 20:31:50 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[OscilloscopeLaboratories]]></category>
		<category><![CDATA[sxsw]]></category>
		<category><![CDATA[TheseBirdsWalk]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=46687</guid>
		<description><![CDATA[It’s the stuff of dreams. Omar Mullick and Bassam Tariq started out on a no-budget journey to make their first film about one man, a non-proselytizing humanitarian in Pakistan named Edhi. The film, These Birds Walk, just premiered at SXSW to sold out crowds, with Oscilloscope Laboratories coming on board in their first-ever producing role; [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-46695 aligncenter" title="These Birds Walk Interview 3 orphanage" src="http://nofilmschool.com/wp-content/uploads/2013/03/These-Birds-Walk-Interview-3-orphanage-e1363754325721-616x236.jpeg" alt="" width="616" height="236" /></p>
<p>It’s the stuff of dreams. Omar Mullick and Bassam Tariq started out on a no-budget journey to make their first film about one man, a non-proselytizing humanitarian in Pakistan named Edhi. The film, <em><a title="These Birds Walk IMDB" href="http://www.imdb.com/title/tt2130282/" target="_blank">These Birds Walk</a>,</em> just premiered at SXSW to sold out crowds, with Oscilloscope Laboratories coming on board in their first-ever producing role; the film will probably play in theaters later this year. Our Q&amp;A follows. <a href="http://nofilmschool.com/2013/03/interview-these-birds-walk-sxsw-oscilloscope-laboratories/#more-46687" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>9</slash:comments>
	
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			<media:title type="html"><![CDATA[How to Make Your First Film Halfway Across the World with No Money and Get Picked Up by Oscilloscope - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ It’s the stuff of dreams. Omar Mullick and Bassam Tariq started out on a no-budget journey to make their first film about one man, a non-proselytizing humanitarian in Pakistan named Edhi. The film, These Birds Walk, just premiered at SXSW to sold out crowds, with Oscilloscope Laboratories coming ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/how-to-make-your-first-film-halfway-across-the-world-with-no-money-and-get-picked-up-by-oscilloscope-nofilmschool-224x125.jpg" />
			<media:keywords>documentary,interview,OscilloscopeLaboratories,sxsw,TheseBirdsWalk,news</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/These-Birds-Walk-Interview-3-orphanage-e1363754325721-125x69.jpeg" />
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			<media:title type="html"><![CDATA[These Birds Walk Interview 3 orphanage]]></media:title>
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		<title>How to Fund Your Documentary: an IFP Masterclass with Louise Rosen</title>
		<link>http://nofilmschool.com/2013/03/fund-documentary-ifp-masterclass-louise-rosen/</link>
		<comments>http://nofilmschool.com/2013/03/fund-documentary-ifp-masterclass-louise-rosen/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 19:23:03 +0000</pubDate>
		<dc:creator>Oakley Anderson-Moore</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[fundraising]]></category>
		<category><![CDATA[ifp]]></category>
		<category><![CDATA[louiserosen]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=46384</guid>
		<description><![CDATA[It seems counterintuitive to shell out $100 or more to attend a fundraising workshop when you&#8217;re desperate for money to begin with, but if your entire fundraising strategy consists of &#8220;getting a grant from a top granting agency&#8221; in today&#8217;s climate, well it might be money well spent. Fortunately for us, IFP has uploaded an [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-46354" title="IFP Independent Film Week Louise Rosen Masterclass" src="http://nofilmschool.com/wp-content/uploads/2013/03/IFP-Independent-Film-Week-Louise-Rosen-Masterclass1-224x132.jpg" alt="" width="224" height="132" />It seems counterintuitive to shell out $100 or more to attend a fundraising workshop when you&#8217;re desperate for money to begin with, but if your entire fundraising strategy consists of &#8220;getting a grant from a top granting agency&#8221; in today&#8217;s climate, well it might be money well spent. Fortunately for us, <a title="Independent FIlmmaker Project" href="http://www.ifp.org/" target="_blank">IFP</a> has uploaded an entire masterclass from 25-year-plus media executive <a title="Louise Rosen" href="http://www.louiserosenltd.com/" target="_blank">Louise Rosen</a> for us to watch, and we don&#8217;t have to pay a dime. What Louise outlines right off the bat is that the documentary funding landscape is in flux. Today, doc filmmakers have to get more creative, and Louise outlines just how to go about getting started on raising your budget incrementally in the video below: <a href="http://nofilmschool.com/2013/03/fund-documentary-ifp-masterclass-louise-rosen/#more-46384" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>17</slash:comments>
	
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			<media:title type="html"><![CDATA[How to Fund Your Documentary: an IFP Masterclass with Louise Rosen - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[It seems counterintuitive to shell out $100 or more to attend a fundraising workshop when you&#039;re desperate for money to begin with, but if your entire fundraising strategy consists of &#34;getting a grant from a top granting agency&#34; in today&#039;s climate, well it might be money well spent. Fortunately for ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/how-to-fund-your-documentary-an-ifp-masterclass-with-louise-rosen-nofilmschool-224x168.jpg" />
			<media:keywords>documentary,fundraising,ifp,louiserosen</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/IFP-Independent-Film-Week-Louise-Rosen-Masterclass1-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2013/03/IFP-Independent-Film-Week-Louise-Rosen-Masterclass1.jpg" medium="image">
			<media:title type="html"><![CDATA[IFP Independent Film Week Louise Rosen Masterclass]]></media:title>
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		<title>Oscar-Winning, Partly iPhone-Shot &#039;Searching for Sugar Man&#039; Proves Content is King</title>
		<link>http://nofilmschool.com/2013/03/oscar-searching-sugar-man-shot-iphone/</link>
		<comments>http://nofilmschool.com/2013/03/oscar-searching-sugar-man-shot-iphone/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 08:35:59 +0000</pubDate>
		<dc:creator>Robert Hardy</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[academyawards]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[oscars]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=45475</guid>
		<description><![CDATA[It&#8217;s far too easy to get caught up in the technological aspects of filmmaking, whether it be with new cameras, lenses, NLEs, or anything else. Focusing on gear is easy when something new comes out practically every day, but all of this technology is in place for the purpose of helping us tell better stories. [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-45478" title="Searching for Sugar Man" src="http://nofilmschool.com/wp-content/uploads/2013/03/Searching-for-Sugar-Man-224x134.jpg" alt="" width="224" height="134" />It&#8217;s far too easy to get caught up in the technological aspects of filmmaking, whether it be with new cameras, lenses, NLEs, or anything else. Focusing on gear is easy when something new comes out practically every day, but all of this technology is in place for the purpose of helping us tell better stories. What better way to remind ourselves of this than to see a great story made with what is widely considered to be &#8220;less than adequate&#8221; equipment? Such is the case with <em><a href="http://www.amazon.com/Searching-Sugar-Man-Rodriguez/dp/B008JFUTT0/">Searching for Sugar Man</a>,</em> the Academy Award winner for Best Feature Documentary <a title="Shorts 'Paperman' and 'Curfew' Win Oscars, 'Inocente' is 1st Academy Award-Winning Kickstarter Film" href="http://nofilmschool.com/2013/02/short-film-inocente-academy-award-kickstarter-paperman-curfew/">at this year&#8217;s Oscars</a>, part of which was shot on, as you might have already guessed, an iPhone. Check out the trailer for this fascinating film below: <a href="http://nofilmschool.com/2013/03/oscar-searching-sugar-man-shot-iphone/#more-45475" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>16</slash:comments>
	
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			<media:title type="html"><![CDATA[Oscar-Winning, Partly iPhone-Shot &#039;Searching for Sugar Man&#039; Proves Content is King - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[It&#039;s far too easy to get caught up in the technological aspects of filmmaking, whether it be with new cameras, lenses, NLEs, or anything else. Focusing on gear is easy when something new comes out practically every day, but all of this technology is in place for the purpose of helping us tell better]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/oscar-winning-partly-iphone-shot-searching-for-sugar-man-proves-content-is-king-nofilmschool-224x168.jpg" />
			<media:keywords>academyawards,documentary,iphone,oscars,technology</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/Searching-for-Sugar-Man-125x69.jpg" />
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			<media:title type="html"><![CDATA[Searching for Sugar Man]]></media:title>
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		<title>&#039;Side by Side,&#039; the Film vs. Digital Documentary Produced by Keanu Reeves, is Now on Netflix</title>
		<link>http://nofilmschool.com/2013/02/side-by-side-film-digital-documentary-keanu-reeves-netflix/</link>
		<comments>http://nofilmschool.com/2013/02/side-by-side-film-digital-documentary-keanu-reeves-netflix/#comments</comments>
		<pubDate>Wed, 27 Feb 2013 20:44:28 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[35mm]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[digitalbolex]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[tribeca]]></category>
		<category><![CDATA[tribecafilm]]></category>
		<category><![CDATA[tribecafilminstitute]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=44973</guid>
		<description><![CDATA[Film vs. Digital. Celluloid vs. Silicon. While the debate is beginning to die down due to economics and advancements in digital cinema cameras, a documentary on the subject called Side by Side takes a look at the issue with some of the premiere directors and cinematographers. We mentioned a few months ago that the doc, produced [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27814" title="side by side documentary film" src="http://nofilmschool.com/wp-content/uploads/2012/08/side-by-side-documentary-film-224x106.png" alt="" width="224" height="106" />Film vs. Digital. Celluloid vs. Silicon. While the debate is beginning to die down due to economics and advancements in digital cinema cameras, a documentary on the subject called <a href="http://www.amazon.com/exec/obidos/ASIN/B0090EJZA8/nofilmschool-20"><em>Side by Side</em></a> takes a look at the issue with some of the premiere directors and cinematographers. We <a href="http://nofilmschool.com/2012/08/keanu-reeves-tribeca-doc-side-by-side-asks-digital-vs-film-which-side-are-you-on/">mentioned a few months ago</a> that the doc, produced by Keanu Reeves, was available to buy, but now the film is available to watch right now on Netflix. Click through for some clips from the movie. <a href="http://nofilmschool.com/2013/02/side-by-side-film-digital-documentary-keanu-reeves-netflix/#more-44973" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>36</slash:comments>
	
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			<media:title type="html"><![CDATA[&#039;Side by Side,&#039; the Film vs. Digital Documentary Produced by Keanu Reeves, is Now on Netflix - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Film vs. Digital. Celluloid vs. Silicon. While the debate is beginning to die down due to economics and advancements in digital cinema cameras, a documentary on the subject called Side by Side takes a look at the issue with some of the premiere directors and cinematographers. We mentioned a few mon]]></media:description>
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			<media:keywords>35mm,digital,digitalbolex,documentary,editing,film,projection,tribeca,tribecafilm,tribecafilminstitute</media:keywords>
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			<media:title type="html"><![CDATA[side by side documentary film]]></media:title>
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		<title>Doc Alliance Streaming 17 Agnès Varda Documentaries for Free Until February 17th</title>
		<link>http://nofilmschool.com/2013/02/doc-alliance-streaming-agnes-varda/</link>
		<comments>http://nofilmschool.com/2013/02/doc-alliance-streaming-agnes-varda/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 04:38:15 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[agnesvarda]]></category>
		<category><![CDATA[docalliance]]></category>
		<category><![CDATA[documentary]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=43898</guid>
		<description><![CDATA[Doc Alliance, a documentary distribution platform which is the result of a partnership between seven European documentary film festivals, frequently runs retrospectives of great documentary filmmakers. This month, and until February 17th, they are streaming 17 films from the legendary French filmmaker Agnès Varda. Click through for more details on her and the films they are [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-full wp-image-44000 style-off" title="docalliance-logo-2013" src="http://nofilmschool.com/wp-content/uploads/2013/02/docalliance-logo-2013.png" alt="" width="123" height="135" />Doc Alliance, a documentary distribution platform which is the result of a partnership between seven European documentary film festivals, frequently runs retrospectives of great documentary filmmakers. This month, and until February 17th, they are streaming 17 films from the legendary French filmmaker Agnès Varda. Click through for more details on her and the films they are showing. <a href="http://nofilmschool.com/2013/02/doc-alliance-streaming-agnes-varda/#more-43898" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>5</slash:comments>
	
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			<media:title type="html"><![CDATA[Doc Alliance Streaming 17 Agnès Varda Documentaries for Free Until February 17th - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Doc Alliance, a documentary distribution platform which is the result of a partnership between seven European documentary film festivals, frequently runs retrospectives of great documentary filmmakers. This month, and until February 17th, they are streaming 17 films from the legendary French filmmak]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/doc-alliance-streaming-17-agnes-varda-documentaries-for-free-until-february-17th-nofilmschool-224x168.jpg" />
			<media:keywords>agnesvarda,docalliance,documentary</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/docalliance-logo-2013-123x69.png" />
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			<media:title type="html"><![CDATA[docalliance-logo-2013]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/docalliance-logo-2013-123x69.png" />
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		<item>
		<title>Upcoming B&amp;H Seminar: &#039;Making a Movie Without a Hollywood Budget and Big Crew&#039;</title>
		<link>http://nofilmschool.com/2013/02/bhphoto-video-seminar-making-movie/</link>
		<comments>http://nofilmschool.com/2013/02/bhphoto-video-seminar-making-movie/#comments</comments>
		<pubDate>Sat, 09 Feb 2013 14:00:58 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[bhphoto]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[cameras]]></category>
		<category><![CDATA[crowdfunding]]></category>
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		<category><![CDATA[documentary]]></category>
		<category><![CDATA[gailmooney]]></category>
		<category><![CDATA[howto]]></category>
		<category><![CDATA[indiegogo]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[learning]]></category>
		<category><![CDATA[openingoureyes]]></category>
		<category><![CDATA[presentation]]></category>
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		<category><![CDATA[videoseminar]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=43446</guid>
		<description><![CDATA[Beginning in the summer of 2010, filmmaker Gail Mooney and her daughter took a 99-day journey all over the world to create &#8220;a film about people who were making a positive difference.&#8221; Opening Our Eyes was the result. The partially Kickstarter-funded film follows eleven subjects across six continents, and went on to achieve accolades such [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-43479" title="opening our eyes gail mooney bh b&amp;h photo video seminar" src="http://nofilmschool.com/wp-content/uploads/2013/02/opening-our-eyes-gail-mooney-bh-bh-photo-video-seminar-224x119.jpg" alt="" width="224" height="119" />Beginning in the summer of 2010, filmmaker Gail Mooney and her daughter took a 99-day journey all over the world to create &#8220;a film about people who were making a positive difference.&#8221; <em><a href="http://www.amazon.com/Opening-Our-Eyes-Making-ebook/dp/B009A3MURO/">Opening Our Eyes</a></em> was the result. The partially Kickstarter-funded film follows eleven subjects across six continents, and went on to achieve accolades such as Best Documentary at the 2012 Orlando Film Festival. Considering the scope and scale of the project, and the budget at which it was accomplished, <em>Opening Our Eyes</em> is a startling achievement &#8212; and, through an upcoming B&amp;H seminar with Mooney herself, other filmmakers can learn exactly <em>how</em> it was accomplished. <a href="http://nofilmschool.com/2013/02/bhphoto-video-seminar-making-movie/#more-43446" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>17</slash:comments>
	
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			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=21598761" />
			<media:title type="html"><![CDATA[Upcoming B&#38;H Seminar: &#039;Making a Movie Without a Hollywood Budget and Big Crew&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Beginning in the summer of 2010, filmmaker Gail Mooney and her daughter took a 99-day journey all over the world to create &#34;a film about people who were making a positive difference.&#34; Opening Our Eyes was the result. The partially Kickstarter-funded film follows eleven subjects across six continents]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/upcoming-bh-seminar-making-a-movie-without-a-hollywood-budget-and-big-crew-nofilmschool-224x125.jpg" />
			<media:keywords>bhphoto,camera,cameras,crowdfunding,crowdinvesting,documentary,gailmooney,howto,indiegogo,kickstarter,learning,openingoureyes,presentation,seminar,shooting,videoseminar</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/opening-our-eyes-gail-mooney-bh-bh-photo-video-seminar-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2013/02/opening-our-eyes-gail-mooney-bh-bh-photo-video-seminar.jpg" medium="image">
			<media:title type="html"><![CDATA[opening our eyes gail mooney bh b&#38;h photo video seminar]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/opening-our-eyes-gail-mooney-bh-bh-photo-video-seminar-125x69.jpg" />
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		<title>Focus Forward Documentary Winners Announced, Watch All 5 Including the $100K Grand Prize Film</title>
		<link>http://nofilmschool.com/2013/01/focus-forward-documentary-competition-winners/</link>
		<comments>http://nofilmschool.com/2013/01/focus-forward-documentary-competition-winners/#comments</comments>
		<pubDate>Wed, 23 Jan 2013 05:08:23 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinelan]]></category>
		<category><![CDATA[contest]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[opportunities]]></category>
		<category><![CDATA[shortfilm]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=41031</guid>
		<description><![CDATA[It was announced all the way back in February 2012, but the Focus Forward documentary short film competition has finally come to a close, and they&#8217;ve announced the winners at this year&#8217;s Sundance Film Festival. The contest, sponsored by General Electric and Vimeo, and in partnership with Cinelan, has awarded $200,000 in prize money to five short [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-23810 style-off" title="focus forward film challenge" src="http://nofilmschool.com/wp-content/uploads/2012/05/focus-forward-film-challenge-e1337659447774-224x116.jpg" alt="" width="224" height="116" />It was announced <a href="http://nofilmschool.com/2012/02/vimeo-cinelan-award-200k-prizes-short-docs/">all the way back in February 2012</a>, but the Focus Forward documentary short film competition has finally come to a close, and they&#8217;ve announced the winners at this year&#8217;s Sundance Film Festival. The contest, sponsored by General Electric and Vimeo, and in partnership with Cinelan, has awarded $200,000 in prize money to five short films around the theme of invention or innovation. Check out all of the winners below, plus a new short film from Morgan Spurlock. <a href="http://nofilmschool.com/2013/01/focus-forward-documentary-competition-winners/#more-41031" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>8</slash:comments>
	
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			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=56769793" />
			<media:title type="html"><![CDATA[Focus Forward Documentary Winners Announced, Watch All 5 Including the $100K Grand Prize Film - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[It was announced all the way back in February 2012, but the Focus Forward documentary short film competition has finally come to a close, and they&#039;ve announced the winners at this year&#039;s Sundance Film Festival. The contest, sponsored by General Electric and Vimeo, and in partnership with Cinelan, ]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/focus-forward-documentary-winners-announced-watch-all-5-including-the-100k-grand-prize-film-nofilmschool-224x125.jpg" />
			<media:keywords>cinelan,contest,documentary,filmmaking,opportunities,shortfilm,shorts,vimeo,watch</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/05/focus-forward-film-challenge-e1337659447774-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/05/focus-forward-film-challenge-e1337659447774.jpg" medium="image">
			<media:title type="html"><![CDATA[focus forward film challenge]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/05/focus-forward-film-challenge-e1337659447774-125x69.jpg" />
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		<title>Forget 24FPS, How About a Hollywood Production for Just One Photo?</title>
		<link>http://nofilmschool.com/2012/12/gregory-crewdson-photography-brief-encounters/</link>
		<comments>http://nofilmschool.com/2012/12/gregory-crewdson-photography-brief-encounters/#comments</comments>
		<pubDate>Sat, 29 Dec 2012 22:08:36 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[construction]]></category>
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		<category><![CDATA[film]]></category>
		<category><![CDATA[landscape]]></category>
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		<category><![CDATA[photography]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=38395</guid>
		<description><![CDATA[Exercising micromanagement and fine-tune control over the minutia of scenery is a must in filmmaking for all but the most hardcore run-and-gun-style productions. It&#8217;s not very often, however, that you see production-level set design and construction, prop manipulation down to the inch, or cinema lighting used to illuminate deep lived-in landscapes in still photography. Gregory [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-38396" title="gregory crewdson brief encounters ben shapiro" src="http://nofilmschool.com/wp-content/uploads/2012/12/gregory-crewdson-brief-encounters-ben-shapiro-224x145.jpg" alt="" width="224" height="145" />Exercising micromanagement and fine-tune control over the minutia of scenery is a must in filmmaking for all but the most hardcore run-and-gun-style productions. It&#8217;s not very often, however, that you see production-level set design and construction, prop manipulation down to the inch, or cinema lighting used to illuminate deep lived-in landscapes in still photography. Gregory Crewdson does just this, implementing an unheard-of degree of visionary control upon the constituents of his still frames &#8212; the image at left, for one, is no incidental happenstance. Filmmaker Ben Shapiro has documented Crewdson&#8217;s decade-spanning pursuit of creating true-to-life vignettes by fictitious articulation in <em>Brief Encounters</em> &#8212; screenings are limited, but the doc looks to be a must-see. Watch the trailer and some clips from the film below. <a href="http://nofilmschool.com/2012/12/gregory-crewdson-photography-brief-encounters/#more-38395" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>45</slash:comments>
	
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			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=52412374" />
			<media:title type="html"><![CDATA[Forget 24FPS, How About a Hollywood Production for Just One Photo? - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Exercising micromanagement and fine-tune control over the minutia of scenery is a must in filmmaking for all but the most hardcore run-and-gun-style productions. It&#039;s not very often, however, that you see production-level set design and construction, prop manipulation down to the inch, or cinema lig]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/12/forget-24fps-how-about-a-hollywood-production-for-just-one-photo-nofilmschool-224x125.jpg" />
			<media:keywords>construction,documentary,film,landscape,photo,photography,watch,news</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/12/gregory-crewdson-brief-encounters-ben-shapiro-125x69.jpg" />
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			<media:title type="html"><![CDATA[gregory crewdson brief encounters ben shapiro]]></media:title>
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		<title>Could You Find Thanksgiving Dinner in the Trash? Alex Mallis Documents Dumpster Diving in SPOILS</title>
		<link>http://nofilmschool.com/2012/11/dumpster-diving-spoils-alex-mallis/</link>
		<comments>http://nofilmschool.com/2012/11/dumpster-diving-spoils-alex-mallis/#comments</comments>
		<pubDate>Thu, 22 Nov 2012 15:45:09 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[alexmallis]]></category>
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		<category><![CDATA[thanksgiving]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=33674</guid>
		<description><![CDATA[What does a grocery store do with food deemed to be &#8220;unsellable&#8221; &#8212; when a bag is torn or a can damaged, or when items are past their sell-by date? In many cases charities can&#8217;t accept such food. So this otherwise perfectly good &#8212; or at least partially good &#8212; food ends up in the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-33710" title="SPOILS" src="http://nofilmschool.com/wp-content/uploads/2012/11/SPOILS-224x125.jpg" alt="" width="224" height="125" />What does a grocery store do with food deemed to be &#8220;unsellable&#8221; &#8212; when a bag is torn or a can damaged, or when items are past their sell-by date? In many cases charities can&#8217;t accept such food. So this otherwise perfectly good &#8212; or at least partially good &#8212; food ends up in the dumpster out back. What kind of people show up to dig through these discards? Filmmaker Alex Mallis shows they&#8217;re sometimes not who you think with his doc <em>Spoils: Extraordinary Harvest</em>. As many of us sit down to (over)consume Thanksgiving dinner in the U.S., watch what happens to some of the food you didn&#8217;t &#8212; or couldn&#8217;t &#8212; buy (in this case, here in Brooklyn, NY). Don&#8217;t click play if you&#8217;re expecting a quick-hit viral video with visual effects; this is a 20-minute documentary starring very real characters. <a href="http://nofilmschool.com/2012/11/dumpster-diving-spoils-alex-mallis/#more-33674" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
	
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			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=39852473" />
			<media:title type="html"><![CDATA[Could You Find Thanksgiving Dinner in the Trash? Alex Mallis Documents Dumpster Diving in SPOILS - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[What does a grocery store do with food deemed to be &#34;unsellable&#34; -- when a bag is torn or a can damaged, or when items are past their sell-by date? In many cases charities can&#039;t accept such food. So this otherwise perfectly good -- or at least partially good -- food ends up in the dumpster out back.]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/11/could-you-find-thanksgiving-dinner-in-the-trash-alex-mallis-documents-dumpster-diving-in-spoils-nofilmschool-224x125.jpg" />
			<media:keywords>alexmallis,bfc,documentary,thanksgiving,watch</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/11/SPOILS-125x69.jpg" />
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			<media:title type="html"><![CDATA[SPOILS]]></media:title>
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		<title>Tapes in Underwear, Documents Down the Toilet: Guerilla Tactics and the Filming of &#039;The Iran Job&#039;</title>
		<link>http://nofilmschool.com/2012/10/guerilla-tactics-and-the-filming-of-the-iran-job/</link>
		<comments>http://nofilmschool.com/2012/10/guerilla-tactics-and-the-filming-of-the-iran-job/#comments</comments>
		<pubDate>Tue, 09 Oct 2012 21:24:34 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[basketball]]></category>
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		<category><![CDATA[kickstarter]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29731</guid>
		<description><![CDATA[This is a guest post by Till Schauder (with Sara Nodjoumi). I’m married to an Iranian woman. She’s smart, beautiful, and tough as nails. (I may be a little biased, though not much…) In 2007 a friend of ours – actually the fellow who married us – sent me an article about a handful of Americans who play [...]]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by <a href="http://www.kickstarter.com/projects/554272471/the-iran-job-bring-it-to-a-theater-near-you?ref=users">Till Schauder</a> (with Sara Nodjoumi).</em></p>
<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-30237 aligncenter" title="Iran Job Opening" src="http://nofilmschool.com/wp-content/uploads/2012/10/Iran-Job-Opening-616x228.jpg" alt="" width="616" height="228" /></p>
<p>I’m married to an Iranian woman. She’s smart, beautiful, and tough as nails. (I may be a little biased, though not much…)</p>
<p>In 2007 a friend of ours – actually the fellow who married us – sent me an article about a handful of Americans who play professional basketball in Iran. At that time we were high at war with Iraq and Afghanistan and it looked like Iran – or “I-ran” – would be next on the list, just as it does again now. In the absence of diplomatic relations (we haven’t had an embassy in Tehran since 1979), I was inspired by these athletes, who arguably do more for dialogue between Iranians and Americans than any politician on either side. <a href="http://nofilmschool.com/2012/10/guerilla-tactics-and-the-filming-of-the-iran-job/#more-29731" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>14</slash:comments>
	
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			<media:title type="html"><![CDATA[Iran Job Opening]]></media:title>
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		<title>Documentary Web Series &#039;The Videographers Guide&#039; Pulls Back the Creative Veil on Working Filmmakers</title>
		<link>http://nofilmschool.com/2012/10/documentary-web-series-the-videographers-guide-pulls-back-the-creative-veil-on-working-filmmakers/</link>
		<comments>http://nofilmschool.com/2012/10/documentary-web-series-the-videographers-guide-pulls-back-the-creative-veil-on-working-filmmakers/#comments</comments>
		<pubDate>Mon, 08 Oct 2012 14:30:25 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[trevorbayack]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29952</guid>
		<description><![CDATA[&#8220;How do I become a music video director? How did you get into this? Whose door do I knock on? That&#8217;s not the right way to think about it. You should really just grab a camera and shoot stuff and wait till it&#8217;s good enough for people to notice.&#8221; Being exposed to first hand knowledge [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-30136" title="The Videographers Guide Ep 1" src="http://nofilmschool.com/wp-content/uploads/2012/10/The-Videographers-Guide-Ep-1-224x125.jpg" alt="" width="224" height="125" />&#8220;<em>How do I become a music video director? How did you get into this? Whose door do I knock on? That&#8217;s not the right way to think about it. You should really just grab a camera and shoot stuff and wait till it&#8217;s good enough for people to notice.</em>&#8221;</p>
<p>Being exposed to first hand knowledge and advice from those also on the filmmaking journey is vitally important when it comes to developing your craft, regardless of how far along in your career you are &#8212; it&#8217;s pretty much this ethos which saw our very own Koo put out the <a title="Get a 100-page eBook of the “astonishingly detailed and useful” DSLR Cinematography Guide FREE" href="http://nofilmschool.com/2010/09/ebook-of-the-dslr-cinematography-guide-free/">DSLR Cinematography Guide</a>. As last month&#8217;s Fidgit Box <a href="http://nofilmschool.com/2012/09/commercial-director-william-mcgregor/">interview with William McGregor</a> demonstrated, advice from a peer can be of more practical use than the wisdom gleaned from cinema&#8217;s master practitioners as it often contains insights you can put into practice here and now, as opposed to filing it away for that elusive day when you direct your first multi-million dollar feature. Episode 1 of the new documentary web series <em>The Videographers Guide</em> aims to share this type of knowledge through its interviews with working music video directors: <a href="http://nofilmschool.com/2012/10/documentary-web-series-the-videographers-guide-pulls-back-the-creative-veil-on-working-filmmakers/#more-29952" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/10/documentary-web-series-the-videographers-guide-pulls-back-the-creative-veil-on-working-filmmakers/feed/</wfw:commentRss>
		<slash:comments>18</slash:comments>
	
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			<media:title type="html"><![CDATA[Documentary Web Series &#039;The Videographers Guide&#039; Pulls Back the Creative Veil on Working Filmmakers - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[&#34;How do I become a music video director? How did you get into this? Whose door do I knock on? That&#039;s not the right way to think about it. You should really just grab a camera and shoot stuff and wait till it&#039;s good enough for people to notice.&#34; Being exposed to first hand knowledge and advice from t]]></media:description>
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			<media:keywords>documentary,short,trevorbayack,watch</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/The-Videographers-Guide-Ep-1-125x69.jpg" />
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			<media:title type="html"><![CDATA[The Videographers Guide Ep 1]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/10/The-Videographers-Guide-Ep-1-125x69.jpg" />
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		<item>
		<title>Interrotron: an Interviewing Tool Essential to the Documentaries of Oscar Winner Errol Morris</title>
		<link>http://nofilmschool.com/2012/09/interrotron-errol-morris-documentary/</link>
		<comments>http://nofilmschool.com/2012/09/interrotron-errol-morris-documentary/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 00:39:27 +0000</pubDate>
		<dc:creator>Benjamin Dewhurst</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[errolmorris]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[teleprompter]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29424</guid>
		<description><![CDATA[One of the most crucial pieces to a great documentary is the interview. In post production you will ground your edit around a transcription of what these people have to say about your subject. When you are performing the interview, you obviously want the subject looking straight at you to achieve a human connection and [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/2012/09/interrotron-errol-morris-documentary/errol-morris-interview-interrotron/" rel="attachment wp-att-29425"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-29425" title="errol morris interview interrotron" src="http://nofilmschool.com/wp-content/uploads/2012/09/errol-morris-interview-interrotron-224x106.png" alt="" width="224" height="106" /></a>One of the most crucial pieces <a href="http://nofilmschool.com/tag/documentary/">to a great documentary</a> is the interview. In post production you will ground your edit around a transcription of what these people have to say about your subject. When you are performing the interview, you obviously want the subject looking straight at you to achieve a human connection and better result. But what if you want to connect your subject to the audience more&#8230; how would you go about making the connection with the subject while getting a first-person angle on them? Enter the Interrotron, a favorite device <a href="http://nofilmschool.com/tag/errolmorris/">used by Oscar winner Errol Morris</a>. Check out these clips from <a href="http://www.amazon.com/dp/B006TLZK2C/?tag=nofilmschool-20"><em>Fog of War</em></a>, his Oscar winner that used the device: <a href="http://nofilmschool.com/2012/09/interrotron-errol-morris-documentary/#more-29424" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/09/interrotron-errol-morris-documentary/feed/</wfw:commentRss>
		<slash:comments>20</slash:comments>
	
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			<media:title type="html"><![CDATA[Interrotron: an Interviewing Tool Essential to the Documentaries of Oscar Winner Errol Morris - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[One of the most crucial pieces to a great documentary is the interview. In post production you will ground your edit around a transcription of what these people have to say about your subject. When you are performing the interview, you obviously want the subject looking straight at you to achieve a ]]></media:description>
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			<media:keywords>camera,design,documentary,errolmorris,gear,teleprompter</media:keywords>
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			<media:title type="html"><![CDATA[errol morris interview interrotron]]></media:title>
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