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	<title>nofilmschool &#187; drama</title>
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	<link>http://nofilmschool.com</link>
	<description>read, discuss, learn: free film school for all</description>
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		<title>Award-Winning Short &#039;Voice Over&#039; Breaks Narrative Conventions to Reveal Life&#039;s Significant Moments</title>
		<link>http://nofilmschool.com/2013/02/award-winning-short-voice-over-martin-rosete/</link>
		<comments>http://nofilmschool.com/2013/02/award-winning-short-voice-over-martin-rosete/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 17:30:45 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[martinrosete]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[shortfilm]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=44571</guid>
		<description><![CDATA[You&#8217;re the astronaut who&#8217;ll never reach the oxygen tanks. No hold on, on second thoughts you&#8217;re the bleeding soldier who can&#8217;t detonate the charges. Actually scrap that, you&#8217;re the fisherman being dragged to the bottomless depths. Or perhaps you&#8217;re someone completely different? Martín Rosete&#8217;s 10 minute short Voice Over depicts the urgency of life&#8217;s pivotal moments [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-44627" title="Voice Over" src="http://nofilmschool.com/wp-content/uploads/2013/02/Voice-Over-224x125.jpg" alt="" width="224" height="125" />You&#8217;re the astronaut who&#8217;ll never reach the oxygen tanks. No hold on, on second thoughts you&#8217;re the bleeding soldier who can&#8217;t detonate the charges. Actually scrap that, you&#8217;re the fisherman being dragged to the bottomless depths. Or perhaps you&#8217;re someone completely different? Martín Rosete&#8217;s 10 minute short <em>Voice Over</em> depicts the urgency of life&#8217;s pivotal moments in a desperate race against time. Watch it after the break. <a href="http://nofilmschool.com/2013/02/award-winning-short-voice-over-martin-rosete/#more-44571" class="more-link">(more&#8230;)</a></p>
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			<wfw:commentRss>http://nofilmschool.com/2013/02/award-winning-short-voice-over-martin-rosete/feed/</wfw:commentRss>
		<slash:comments>25</slash:comments>
	
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			<media:title type="html"><![CDATA[Award-Winning Short &#039;Voice Over&#039; Breaks Narrative Conventions to Reveal Life&#039;s Significant Moments - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[You&#039;re the astronaut who&#039;ll never reach the oxygen tanks. No hold on, on second thoughts you&#039;re the bleeding soldier who can&#039;t detonate the charges. Actually scrap that, you&#039;re the fisherman being dragged to the bottomless depths. Or perhaps you&#039;re someone completely different? Martín Rosete&#039;s 10 ]]></media:description>
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		<title>Clifton Archuleta Avoids Getting Preachy at Life&#039;s Crossroads in Coming of Age Short &#039;Broken Cycle&#039;</title>
		<link>http://nofilmschool.com/2012/07/clifton-archuleta-avoids-getting-preachy-at-lifes-crossroads-in-coming-of-age-short-broken-cycle/</link>
		<comments>http://nofilmschool.com/2012/07/clifton-archuleta-avoids-getting-preachy-at-lifes-crossroads-in-coming-of-age-short-broken-cycle/#comments</comments>
		<pubDate>Tue, 10 Jul 2012 16:30:31 +0000</pubDate>
		<dc:creator>Mar Belle</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[cliftonarchuleta]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[shortfilm]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=25959</guid>
		<description><![CDATA[In short film Broken Cycle from U.S. Army Arabic translator turned filmmaker Clifton Archuleta, a teen finds himself taken in by a gang of neighbourhood thugs and is presented with the decision of whether or not to embrace his anger and step up to the next level, leaving his innocence behind.]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/07/Broken-Cycle-125x69.jpg" alt="" title="Broken Cycle" width="125" height="69" class="alignleft size-thumbnail wp-image-25962" />In short film <em>Broken Cycle</em> from U.S. Army Arabic translator turned filmmaker Clifton Archuleta, a teen finds himself taken in by a gang of neighbourhood thugs and is presented with the decision of whether or not to embrace his anger and step up to the next level, leaving his innocence behind. <a href="http://nofilmschool.com/2012/07/clifton-archuleta-avoids-getting-preachy-at-lifes-crossroads-in-coming-of-age-short-broken-cycle/#more-25959" class="more-link">(more&#8230;)</a></p>
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			<wfw:commentRss>http://nofilmschool.com/2012/07/clifton-archuleta-avoids-getting-preachy-at-lifes-crossroads-in-coming-of-age-short-broken-cycle/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
	
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			<media:title type="html"><![CDATA[Clifton Archuleta Avoids Getting Preachy at Life&#039;s Crossroads in Coming of Age Short &#039;Broken Cycle&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[In short film Broken Cycle from U.S. Army Arabic translator turned filmmaker Clifton Archuleta, a teen finds himself taken in by a gang of neighbourhood thugs and is presented with the decision of whether or not to embrace his anger and step up to the next level, leaving his innocence behind. Create]]></media:description>
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		<title>David Mamet on Drama (a Memo to &#039;The Unit&#039; Writers)</title>
		<link>http://nofilmschool.com/2010/10/david-mamet-drama-a-memo-the-unit-writers/</link>
		<comments>http://nofilmschool.com/2010/10/david-mamet-drama-a-memo-the-unit-writers/#comments</comments>
		<pubDate>Tue, 26 Oct 2010 21:21:05 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[davidmamet]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[theunit]]></category>
		<category><![CDATA[tv]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=7810</guid>
		<description><![CDATA[This is an oldie but goodie. David Mamet wrote an impassioned memo to his writers on the now-cancelled show The Unit, laying out some principles of good dramatic writing. He wants three questions answered for every scene: &#8220;1) WHO WANTS WHAT? 2) WHAT HAPPENS IF [THEY] DON’T GET IT? 3) WHY NOW?&#8221; The memo also [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/10/File-David_Mamet_2_by_David_Shankbone-2.jpeg" alt="" title="File-David_Mamet_2_by_David_Shankbone 2" width="119" height="125" class="alignleft size-full wp-image-7811" />This is an oldie but goodie. <a href="http://en.wikipedia.org/wiki/David_Mamet">David Mamet</a> wrote an impassioned memo to his writers on the now-cancelled show <a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fentity%2FThe-Unit%2FB001CHF1A4%3Fie%3DUTF8%26ref_%3Dep_sprkl_tv_B001CHF1A4&#038;tag=nofilmschool-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=390957">The Unit</a><img src="https://www.assoc-amazon.com/e/ir?t=nofilmschool-20&#038;l=ur2&#038;o=1" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />, laying out some principles of good dramatic writing. He wants three questions answered for every scene: &#8220;1) WHO WANTS WHAT? 2) WHAT HAPPENS IF [THEY] DON’T GET IT? 3) WHY NOW?&#8221; The memo also includes a few putdowns aimed at studio executives, and is a good read &#8212; and yes, he wrote it in ALL CAPS to stress the importance of what he was saying: <a href="http://nofilmschool.com/2010/10/david-mamet-drama-a-memo-the-unit-writers/#more-7810" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2010/10/david-mamet-drama-a-memo-the-unit-writers/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
	
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			<media:title type="html"><![CDATA[File-David_Mamet_2_by_David_Shankbone 2]]></media:title>
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		<title>Seen: Compulsions, Green Porno</title>
		<link>http://nofilmschool.com/2010/04/seen-compulsions/</link>
		<comments>http://nofilmschool.com/2010/04/seen-compulsions/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 16:22:57 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[seen]]></category>
		<category><![CDATA[compulsions]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[greenporno]]></category>
		<category><![CDATA[streamys]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=2620</guid>
		<description><![CDATA[The 2nd Annual Streamy Awards took place last week, and while I was already familiar with many of the award-winners, some I&#8217;d never heard of. Every year when new-media awards like the Streamys or the Webbys are announced, I watch the nominees and winners in hopes that I&#8217;ll discover something that truly embodies the creative [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/04/streamys.jpg" alt="" title="streamys" width="225" height="118" class="alignleft size-full wp-image-2623" />The 2nd Annual <a href="http://www.streamys.org/">Streamy Awards</a> took place last week, and while I was already familiar with many of the award-winners, some I&#8217;d never heard of. Every year when new-media awards like the Streamys or the <a href="http://webbyawards.com">Webbys</a> are announced, I watch the nominees and winners in hopes that I&#8217;ll discover something that truly embodies the creative freedoms offered by the web, something unique and unlike anything in Hollywood. But every year I&#8217;m disappointed. This year&#8217;s Best Drama winner, <a href="http://www.crackle.com/c/The_Bannen_Way">The Bannen Way</a>, won specifically <em>because</em> it was the best of the bunch at emulating Hollywood. And while I feel there are a lot of brilliant comedies on the web &#8212; <a href="http://www.youtube.com/watch?v=U_X5uR7VC4M">You Suck at Photoshop</a>, <a href="http://www.wainydays.com/">Wainy Days</a>, <a href="http://www.youtube.com/user/TheOnion">The Onion News Network</a> &#8212; it&#8217;s much harder to find compelling drama.</p>
<p>The most interesting drama series I saw via the Streamys was <a href="http://compulsions.tv/">Compulsions</a> (Streamy winner for Best Writing for a Drama Web Series): <a href="http://nofilmschool.com/2010/04/seen-compulsions/#more-2620" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html"><![CDATA[Seen: Compulsions, Green Porno - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The 2nd Annual Streamy Awards took place last week, and while I was already familiar with many of the award-winners, some I&#039;d never heard of. Every year when new-media awards like the Streamys or the Webbys are announced, I watch the nominees and winners in hopes that I&#039;ll discover something that tr]]></media:description>
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