» Posts Tagged ‘editing’

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In 2010 I directed a 30 minute short indie film. My crew and I made use of a domain-level install of Google Docs to manage our production documents from the convenience of the cloud. It was fantastic to have everything all in one place, and we loved that it was on another login separate from our personal emails. However, there were scary hiccups, including strange non-forwarding emails, un-downloadable attachments, and login issues. As wonderful as Google is, we felt Docs left something to be desired. Considering this experience, I’m very excited to share with you another platform that offers that same closed garden approach, with added security and functionality, tailored specifically to filmmakers. It’s called Scenios, and the well-made welcome video is available after the link: More »

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Most of us who are shooting on SD cards, CF cards, or some form of solid-state memory enjoy a number of benefits that being in a digital workflow provides. Some of the biggest Pros involve sheer convenience factors like the ease of making digital copies, and the ease of storage or backup. Some of the biggest Cons, however, involve the cost of storing those large amounts of data, the logistics, and the fact that hard drive media is a bit more fragile than tape-based backup. If you’re looking for a piece of mind solution, and download speed isn’t an issue, Amazon Glacier can provide what you need for an affordable cost. Hit the jump for more details, and an incredibly intricate graphic from yours truly: More »

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Highlight Hunter is an app we covered back in April that aims to make it easier to find the best clips from your footage. The program simply finds where you’ve intentionally blocked out the lens and then creates clips based on your settings. Highlight Hunter can really be used for any footage, but it’s especially useful for extreme sports or adventure reels where you’ve got hours upon hours of footage to sort through. In fact, GoPro‘s video team actually uses the app — so that should tell you something about its usefulness. They’ve just released a new updated version that should make the entire process even simpler and faster. Check out the video below for an introduction to the new update. More »

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It’s no secret that many directors have “signature shots,” or shots that they tend to use (or even overuse) in their films. Vimeo user kogonada has edited together three brilliant mashups of some of the signature shots of Stanley Kubrick, Quentin Tarantino, and Wes Anderson. As a community of filmmakers, I think we can all agree there is something to be learned from how the greats make use of these shots. Hit the jump for the first video, which shows Kubrick’s use of the One-Point Perspective: More »

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In what will surely be welcome news for those who routinely use Photoshop and Premiere, Adobe is planning to natively support the higher resolution display of the new Macbook Pro (as well as any other HiDPI displays in the future). While there are certain creative applications that immediately supported the Retina resolution with software updates (namely Apple’s Final Cut Pro X and Motion), Adobe was not able to offer this support right away. For those who are loving the extra screen resolution, it’s disappointing to then have to open Adobe products only to see them not share the same crispness as the native apps. Not all Creative Cloud applications will receive support (at least at this time), but you can read the full list of programs that will get software updates below. More »

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Digital vs film. It’s the debate of our generation of filmmakers, and one we’ve all heard before. Some rave about the advances in digital technology and the convenience factor. Some lament the non-organic look of digital, or the fact that the on-set workflow has changed from artistry to assembly.  There are merits to both of these arguments, and in the new documentary Side by Side from Producer (yes, Producer) Keanu Reeves, these arguments are explored and commented on. Click through for a great trailer featuring some of your favorite filmmakers (Scorsese, Lynch, Rodriguez, Nolan) weighing in on the debate. More »

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We posted this earlier this month, but the deal expires in a week so it’s worth one last notification. If you’re a current user of any Adobe software (CS3 or later), you can upgrade to Adobe’s new all-inclusive Creative Cloud membership for $29.95/month (instead of $49.95) for the first year — a savings of $240. The discount expires at the end of August, so get cracking if you’re thinking of signing up. More »

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I’ve been meaning to do this personally, but almost forgot — so here’s a reminder of an expiring deal. If you’re a current user of any Adobe software (CS3 or later), you can upgrade to Adobe’s new all-inclusive Creative Cloud membership for $29.95/month (instead of $49.95) for the first year — a savings of $240. The discount expires at the end of this month (August), so get cracking if you’re thinking of signing up. More »

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While the Blackmagic Cinema Camera is a great value for the hardware contained within, there is another huge benefit to buying the camera: it comes free with Blackmagic’s powerful color correction/grading program DaVinci Resolve. While the newest version, DaVinci Resolve 9, was set to be released in July, it has been slightly delayed (along with the camera). Blackmagic has, however, released a beta version of the program which is free to download from their site. Alexis Van Hurkman, a writer/director/colorist who we’ve covered here in the past with his post-NAB Resolve 9 demo, takes a look at some of his favorite features that are new to version 9. More »

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If you’ve been reading this site for the past few months, you know we’ve talked a tremendous amount about a little company called Blackmagic Design who happens to make a little camera called the Cinema Camera. There’s no question the specs are interesting, (and preorders are flying out the door) because there has never been a camera at the $3,000 price point that could give ProRes, DNxHD, and RAW all in one camera body. Not only that, but it happens to come free (that’s right, free) with a color correction/color grading program that used to cost about what you’d pay for a new car until Blackmagic took over the development. That program is called DaVinci Resolve 9, and if you’re curious about what the big deal is, and you’d like to get started with it before you get your Blackmagic Cinema Camera, check out the videos below. More »

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So you bought a copy of Adobe Creative Suite 6 or downloaded it via Creative Cloud. Where do you start? Well, Adobe has a slew of videos on their website to introduce you to the changes in the Premiere Pro and After Effects interfaces, and to show you how the new features in CS6 work. Here are some of my favorites: More »

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After the software-only version was made available earlier in the week, Adobe Creative Cloud CS6 is live starting today. If the cost of owning this software has been prohibitive for you in the past, Adobe is finally allowing you to “rent” on a month-to-month or yearly basis. If you’ve never purchased the software in the past, the best deal is their plan that charges $50 per month for a year contract. If you just want to try it out on a month-to-month basis, it will be a little more expensive at $75 per month. If you are upgrading, they are doing a special promotion for $30 per month for the first year. More »

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Adobe has been wooing screenwriters with its free Story online screenwriting software, and now it’s pushing to make Story the first step in its pre-production to post-production solution.  With the Creative Cloud scheduled to launch May 11th for Adobe Creative Suite 6, Adobe has added new features and functionality to Story, now splitting the product between Story Free and Story Plus.  Story Free remains the in-the-cloud version of the screenwriting app that Adobe previously released, while for a subscription of $15/month or as part of a Creative Cloud subscription, CS6 users get access to Story Plus.  Advantages of Story Plus over Story Free include: More »

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Adobe Creative Suite 6 is now available. For filmmakers, the bundle of interest is Production Premium CS6, which includes: a redesigned Premiere Pro, Speed Grade for color grading, the new log and ingest application Prelude, new versions of After Effects and Audition, and Creative Cloud integration. Creative Cloud is scheduled to launch May 11th, and will give you access to all CS6 apps for $50/month — or $30/month for the first year if you’re a registered user of any Adobe product since CS3 and use this link by August 31 (that’s 40% off). The new Premiere Pro integrates some speed-focused features borrowed from Apple’s much-maligned Final Cut Pro X, including “hoverscrub,” which was one of my favorite FCPX features; here’s a look at the new version of Adobe’s NLE. More »

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Not everyone who reads NoFilmSchool is an expert – in fact most of us are still trying to learn something – and that’s really the reason why we hope people keep coming back each day. If you’re new to filmmaking, your editing experience is probably very limited – and it can be overwhelming starting from scratch. One of the most important things you can do if you aren’t very experienced is to learn good habits right from the start. This isn’t limited to editing, but also shooting and managing media. There’s always more than one way to do something – but there are certainly wrong ways to do many things that can lead to mistakes or slow you down. In terms of editing, organization is something every professional editor will stress above all else. Embedded below is a video describing that process. More »

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Adobe has launched Creative Suite 6 and is now taking pre-orders (no word on a release date yet). This latest version of Adobe’s Creative Suite includes more Mercury acceleration, adjustment layers in Premiere Pro, Speed Grade for color grading, ray-traced extruded 3D objects and reflections and 3D camera tracking in After Effects, Creative Cloud, and more. You can also check out an overview of the new features in Joe’s post on day 2 at NAB 2012, as well as the official Adobe Production Premium video with Jason Levine: More »

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While Adobe CS6 is coming down the pike, maybe you’re like me and are still getting to know CS 5.5, or maybe you’ve been using CS 5.5 for awhile and want to brush up on your editing workflow. In either case, you should check out this Premiere Pro CS 5.5 tutorial by Jarle Leirpoll. He goes over all sorts of useful primary and secondary color correction techniques, including methods for fixing moire, blown-out highlights, iris adjustments, and more. Check out the tutorial video below:

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You read that right boys and girls. Lightworks, the editing software that’s been an industry workhorse on multiple features for over 20 years has come out of its 18-month beta, and will be yours to download on May 28th at http://www.lwks.com (currently not live). There is no mention in the press release of what platforms the software will be available for on the release date other than stating that it will run “on a wide range of PC hardware”. However, it stands to reason that the Windows version will launch first, followed by Linux (a demo of which is being presented at NAB), and finally the OSX and 64-bit versions. Check out the list of new features after the jump: More »

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Editing got you down? Highlight Hunter is looking to make editing certain projects almost 100% faster. You may not be using Highlight Hunter on your next feature film, but there are fantastic ideas at work with this brand new app. If you’ve ever been filming with a GoPro or FlipCam, you know that there is plenty of unusable or bad footage, and this application aims to give you a way to identify the good shots immediately. More »

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On the left is a brand new shot of Adobe Premiere Pro CS6 running on…Mac OS 6? Conan’s editors are back again after their Final Cut Pro X video, which fairly or unfairly poked fun at the fact that Apple abandoned years of development and started over from scratch, forcing many people to relearn the new software or abandon ship. It looks like the editors over at Conan have done the latter. More »