» Posts Tagged ‘editing’

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Thelma SchoonmakerLegendary editor Thelma Schoonmaker has collaborated with Martin Scorsese for essentially the entire length of both of their careers, starting with Scorsese’s feature Who’s That Knocking at My Door?. Needless to say, this 3-time Oscar winner, with nearly a half a century of filmmaking experience, has insight into the craft that you’d be hard-pressed to find elsewhere, and fortunately for us, Schoonmaker has shared 8 Golden Rules of filmmaking with MovieMaker Magazine, and we’ve selected a few to share with you. More »

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Star Wars The Editor Strikes BackApparently re-cuts of famous works by people who are in the industry isn’t anything new. We’ve got Steven Soderbergh’s re-cut of Michael Cimino’s Heaven’s Gate, and now we have something completely different. Topher Grace of That ’70s Show fame, who is a huge Star Wars fan, and he re-cut the three prequels, Episodes I, II, and III, into one 85-minute filmHe screened it just once publicly, but he’s got a trailer online, and some reactions from people who saw it. In honor of Star Wars day, we’ve also got some other new Star Wars materials just released, including a trailer for the new animated series, Star Wars Rebels. More »

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musiDAvid editors and assistants working in long-format television or feature films know dealing with music can be cumbersome. Pulling large volumes of music tracks and tracking them through the licensing process can involve a lot of backtracking and headaches. Assistants need to scour the timeline to gather song titles, their start and endpoints, and how many times they were used, a manual process. It’s also limiting and inefficient for editors to sift through tracks without additional song details besides just their filenames. An AMA plugin called mus.iD that carries across the metadata embedded in the ID3 tag offers a solution. More »

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Red Giant UniverseBack in March, Red Giant Software announced the public beta of Universe, their innovative online post production platform/community — a potentially endless library of free tools, plugins, transitions, and effects.  Well, today is the big day — Red Giant has officially launched Universe with 50 tools, as well as the option to join their Premium Membership that will grant users paid access to premium content, which includes 12 effects and 7 transitions. Continue on to find out more about Universe’s official launch. More »

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Heavens GateMichael Cimino’s The Deer Hunter follow-up, Heaven’s Gate, faced all sorts of obstacles during its making, and is famous in filmmaking circles for plenty of other reasons besides the movie itself, including its low box office take and over 200 minute running time. Filmmaker Steven Soderbergh has apparently been obsessed with the movie since it was announced, and he’s actually re-edited the entire film and put it online. Called “Heaven’s Gate: The Butcher’s Cut,” this new version comes in at under 2 hours, cutting out a significant amount of the film. Check it out below. More »

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Tribeca Talks Industry Master Class:The Cutting Room: An Insight to the Edit Suite - 2014 Tribeca Film FestivalOn Friday, as part of the Tribeca Film Festival, Martin Scorsese’s longtime editor, Thelma Schoonmaker, sat down to discuss what was advertised as a look at her career. What we in the audience got was a granular breakdown of the editing and film techniques, as well as other production information, about the painstaking work that went into making Raging Bull,  consistently voted one of the Best Films of the 1980s. Click through for a breakdown as well as some other inside tips from the artist who helped bring this masterful vision to the big screen. More »

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The EditorWe live in an age where a 6-year-old with a laptop and a copy of iMovie can edit some footage together. Editing software is abundant and as easy to use as it has ever been, and the masses are using these tools to flood the internet with copious amounts of video content. But most of us can agree that simply being able to make edits does not necessarily make a person an editor, at least in the sense of the editing being a creative art form. However, it’s sometimes not clear what exactly an experienced editor can do, and what impact they can have on the final product of a film. Inside the Edit, a brand new online editing course, has put together a short video that demystifies the complexity of an editor’s job. More »

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SmallHDSmallHD has made a pretty significant upgrade to their already visually superb 7″ DP7 field monitor, and David Bredbury gives us a quick demo at the SmallHD booth at NAB. The new features in the DP7 include the ability to load and export custom 3D LUTs, as well as editing and grading footage in real-time. Continue on to see the DP7 in action, as well as all pricing and availability information. More »

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Kurosawa2It has been said many, many times: Akira Kurosawa is a master filmmaker — perhaps the master. However, what skill did the Master master? The general consensus leans toward Kurosawa’s incredible ability to tell stories through editing, the techniques of which are analyzed in this video by Phil Baumhardt. Find out how Kurosawa approached cutting the final battle scene in Seven Samuraias well as the motivations behind his approach after the break. More »

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Gone GirlEarlier this week, Adobe unveiled the features that will be rolling out in the next version of their Creative Cloud video apps, and the response thus far has been an incredibly positive one, especially for features such as DCP creation in Media Encoder and masking/tracking directly in Premiere. However, Adobe released quite a bit of other new information about their video products on Wednesday, most notably the fact that David Fincher’s upcoming film, an adaptation of the Gillian Flynn novel Gone Girl, is being cut exclusively on Premiere Pro by Kirk Baxter ACE. Will this be a major turning point for Adobe’s filmmaking software in regards to its use in Hollywood? Let’s take a look. More »

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LightworksIt has been almost a year to the day when Editshare shared that their award-winner NLE Lightworks was going through alpha/beta testing for Mac OS X, and since then the question on the minds of its supporters has been, “When will the public beta of the mac version be available?” Well, it looks like they’re much closer to completing the platform trifecta (Windows, Linux, and Mac), because Editshare has announced that they indeed have a date nailed down, as well as a few other pertinent pieces of information about Lightworks that you might want to know. More »

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Creative CloudIn 2012, Adobe unveiled the future of their software distribution strategy. Despite some initial hiccups in public perception, Creative Cloud has since taken the video post production world by storm. In addition to the monthly fee structure, Creative Cloud offered another major benefit over the Creative Suite — the ability for Adobe to push out major software updates and new features with a previously unheard of regularity. Now that NAB (filmmaker Christmas) is finally rolling around for another year, Adobe is releasing their next round of major features for their video-centric software, and let’s just say that the future is bright. More »

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PE35_Pre-SyncEarlier in the month, Red Giant software introduced Universe, a new plugin platform that is also its own community. The biggest thing about Universe is that it is free to sign up, so you can get an idea of what it’s all about before committing any hard-earned cash. Now Red Giant is back with some updates to some of their most popular software, including PluralEyes, which is now integrated with BulletProof, and a new version of Magic Bullet Looks, which is now GPU accelerated and completely rebuilt on the Universe platform. More »

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Green Screen Premiere ProWe all know how important lighting is in the process of shooting a subject against a green screen. However, having the ability to pull a solid key from any footage (whether it’s well lit or not) is perhaps one of the most important skills for somebody to have in the world of post-production. This is especially important considering that many low-budget editors are now becoming the one man bands of the post-production process. Luckily, programs like Premiere Pro include a plethora of effects that can be used to pull a fantastic key every single time, and without the need to leave your NLE. More »

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FCPX Mac Pro Maxed OutLate last November, Apple upped the ante with their video editing solutions when they released the long-rumored redesign of the Mac Pro alongside a major update to FCPX, one which was specifically engineered to provide maximum performance in tandem with the new machines. We’ve already seen some preliminary tests of the performance of this hardware/software combo, and the results were pretty convincing. However, the folks over at fcp.co went above and beyond the previous tests and pushed the new Mac Pro and FCPX to their absolute breaking point. Their results, which are pretty damn crazy, shed quite a bit of light on just how powerful this combo is. More »

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davinci-resolveRED has held back for quite some time letting other manufacturers use 3rd-party hardware acceleration in their software with RED’s proprietary .R3D codec, but that time has now passed. In the new 10.1.3 update for Blackmagic’s DaVinci Resolve, GPU acceleration is now supported with RED files, which will mean faster workflows for anyone not already using a ROCKET or ROCKET-X card from RED. More »

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darkenergylogoblogthm-224x134We’ve talked about the Cinnafilm Dark Energy de-noising plugin on several occasions. Most notably, Dark Energy played a crucial role in the post-production workflow of Shane Hurlbut’s DLSR-shot film Act of Valor. The good people at Cinnafilm also ran a Kickstarter campaign to judge interest in porting the plugin over to the OFX platform (which would have made it compatible with Resolve, Nuke, Avid, and a host of other applications). Even though that campaign didn’t succeed, the Dark Energy AE plugin is still one of the most wildly popular noise reduction/grain emulation tools on the market today. The only problem for most of us is that we’re not made of money. Luckily for us, Cinnafilm permanently slashed the price yesterday in honor of Einstein’s birthday.
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WipsterKeeping up to date with what’s currently happening in the cinematic world is certainly an important part of being a filmmaker, as is being able to recognize and anticipate changes. We’ve heard many thoughts on where the future of cinema and filmmaking is headed, from the transmediatic, multi-celled film to the end of TV as we know it. Adding to the discourse through their new series of (very) short SXSW video interviews is Wipster, who asked industry professionals, like reps from Blackmagic, Adobe, and Vimeo, what they saw in the future of video. Continue on to find out what they said. More »

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Red Giant UniverseHere at No Film School, we love Red Giant. Their lineup of filmmaking tools, from PluralEyes to the Color Suite to BulletProof, has made the lives of countless filmmakers so much easier and more efficient. So imagine our excitement when Red Giant started to hint at a major announcement, one that would surely see the launch of new tools that would be equally, if not more helpful than their prior products. Well No Film Schoolers, today Red Giant unveiled Universe, an innovative online post production platform/community that not only includes over 50 brand-spankin’ new effects and transitions, but the resources necessary for the platform to grow infinitely. In fact, Universe might just revolutionize the way plugins are created and distributed. Read on for the full story. More »

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Avid LogoNot exactly. Avid received a delisting letter from the NASDAQ Stock Market earlier in the week, and while it might seem like the end of the world, this was actually expected. Companies have to maintain certain conditions to stay listed on stock markets, and while Avid was granted a reprieve last September as long as they regained compliance by March, it became clear that the situation would not be resolved in time, and thus they have been delisted from the NASDAQ. So what’s next? More »