» Posts Tagged ‘externalrecorder’
Since its release last year, we’ve know that Sony’s FS700 — the high-speed ‘little brother to-be’ of the F5 and F55 — had 4K capabilities awaiting in its future. This option, with 4K RAW speeds up to 120fps burst shooting and 2K RAW up to 240fps (continuous) is made possible by a ‘middle-man’ interface/adapter module, the HXR-IF5 along with the AXS-R5 recorder. What we probably didn’t expect was support for 2K CinemaDNG at up to 240fps, or even 4K DPX at a more modest 30fps (still — it’s DPX) by way of another external recorder, the Convergent Design Odyssey7Q. Click through for further details from Sony, some speculative pricing on the R5, and a quick look at these beastly additions to the FS700 system. More »
Convergent Design, one of the first companies to introduce a small and portable external recorder with the Nanoflash, just unleashed a brand new 7.7″ OLED 1280 x 800 external monitor that also doubles as an external recorder capable of receiving 4K RAW as well as uncompressed and DNxHD formats. That’s right, the company has decided that your external monitor isn’t good enough, and your external recorder is a little boring, so the best of both worlds should be combined into one device to rule them all. Here is the introduction video from the company: More »
The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their PIX series of external monitor/recorders that is capable of giving access to the full power of the 3G-SDI, thereby allowing you to record in the 12-bit ProRes 4:4:4:4 codec at up to 30fps. More »
It was one of the most requested features for the Blackmagic HyperDeck Shuttle 2 external recorder that was released earlier this year, and now Apple’s ProRes HQ codec has finally been made available on the device in a free firmware update. Certainly it’s some good news from a company that hasn’t had too much of it in recent weeks, but the device that currently retails for about $328 is now a serious piece of filmmaking gear considering it takes any standard SSD drive and can record uncompressed Quicktime, Avid DNxHD, and Apple ProRes codecs. More »
Unless you’re shooting with cameras like the Blackmagic Cinema Camera or the Arri Alexa, you’re probably recording internally to a somewhat (or very highly) compressed format. Even though compression schemes have improved greatly since the humble beginnings of digital video, the image on many cameras can fall apart very easily if pushed too far in color grading or if serious noise reduction must be done. Matt Allard of DSLR News Shooter takes a look at an external recorder from Atomos called the Samurai, which features an HD-SDI input and ProRes recording (along with DNxHD with an optional upgrade). More »
After Atomos made quite the splash with their Ninja ProRes SSD external recorder, they announced at this year’s NAB an update to that model, the Ninja 2, as well as a new operating system called AtomOS 3.0. While users of the original Ninja recorder will not be able to benefit from the updated software and its new features, owners of the Atomos Samurai HD-SDI recorder can download the firmware update now. Here is an overview of some of the new additions in the brand new version of their operating system: More »
Atomos Unveils the Ninja 2 External Recorder with 800 X 480 Resolution Screen and HDMI Pass-through
At the recent NAB show, Atomos, the popular external recorder company who made a splash with the Ninja, introduced an updated version called the Ninja 2. Along with the new 3.0 version of their operating system, Atomos has made metadata a priority, much like the new Blackmagic Cinema Camera. Tagging clips is an essential part of the new OS, and I had a chance to talk with Matt Ivey from Atomos about the Ninja 2 as well as other products, including the very handy Connect HD-SDI and HDMI pass-through converters. More »
There is no shortage of 4K RAW ready cameras being announced recently, from the Sony FS700 to the Canon C500 (and one internally recording 4K camera). It reminds me a little of when HDTVs were first released and many didn’t include HDTV tuners internally to actually get HD over the air. It’s a nice gesture and a smart idea to attempt to future proof a camera line – but details are a little more hazy on actually recording those 4K video streams to external recorders. Well, for a solution right now, you need to look no further than Convergent Design’s new Gemini RAW recorder. More »
Blackmagic's New Hyperdeck Shuttle 2 is an External Recorder for Under $350
Have any of you used last year’s Blackmagic Hyperdeck Shuttle? I ask because it always seemed like an incredible deal. An uncompressed HD-SDI recorder for less than $350 that lets you swap in SSDs of your choice. Seems like a perfect device to pair with the Sony FS100 or F3 (or any DSLR with a clean output). Despite not having used it myself, I bring it up because at CES last week Blackmagic released the Hyperdeck Shuttle 2, which adds an important feature: the ability to record to a high-quality compressed codec. More »
I’ve mentioned the AJA Ki Pro Mini ($2,000) and Nanoflash ($3,000) in the past as the new kids on the block when it comes to compact field recorders. However, there’s a startup by the name of Atomos who is now shipping a $995 field recorder. The Atomos Ninja records an HDMI output direct to ProRes (HQ, 422, or LT), and despite its lower price, it also offers a touch LCD screen. Here’s a look at the announcement of the Atomos a few months ago from UrbanFox.tv: More »
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