» Posts Tagged ‘filmschool’
So many great filmmakers got their start directing short films: Martin Scorsese made several well-received shorts while at NYU, David Lynch’s shorts contain the same unsettling DNA as his features, and Paul Thomas Anderson’s pre-Boogie Nights Dirk Diggler first existed in short film form. Jane Campion is no different. Her shorts demonstrate the dark humor and visual style, especially the ones she made while studying at the Australian Film and Television School in the 1980s — 3 of which Cinephilia and Beyond has compiled and shared. Continue on to check out these noteworthy shorts. More »
I just wrote about the early documentaries of Stanley Kubrick, and now, in an embarrassment of riches, we have three early student films by Martin Scorsese to look at. Unlike Kubrick, whose first efforts were commercial news reels and industrials, Martin Scorsese was a member of the so-called “film school generation,” attending NYU in the 60s. Filmmaker IQ has posted three of Scorsese’s early student films, and they are instructive viewing for any fan of Scorsese, or student of cinema. Click below to check out these three early works from a master!
Spike Lee has been the talk of the town recently after the launch of his Kickstarter campaign. However, I thought we should take a moment to look into the mind of the great filmmaker and find out what films he considers to be essential viewing. What movies and directors moved and shaped him into the filmmaker that told some of the greatest stories and created many imaginative filmmaking techniques. Hit the jump to view the list. More »
This is a guest post by Cinematographer Ryan E. Walters.
With the rise of popularity and accessibility of film schools since the 1960′s & 1970′s, aspiring film professionals have had the difficult task of choosing where to begin their career path. Is it best to go to school to get formal training, or jump right in and start working? Today with the plethora of free online resources, it makes the choice of formal schooling less appealing. But what is the right choice, and the best way to prepare yourself for a career in the film industry? Let’s take a look at what you have to gain, and what you have to lose by following either path. More »
There are already plenty of universities and colleges that teach communications and film, but very few schools below that level get much further than basic art and music classes. Teaching film in schools, or at least using the language of film to help teach communications, is rarely considered in these lower-level schools. Usually if films are even shown, it’s when there’s nothing to teach, or as a break from regular classes. In the videos below (which were recorded in 2006 and 2005, respectively), Martin Scorsese and George Lucas discuss the importance of visual literacy and using the language of cinema in education. More »
Joachim Trier, the critically acclaimed Norwegian director of Reprise and the 2011 Cannes entry Oslo, August 31st, knows his way around cinema. From his time at film school to his many festival appearances, he’s garnered the respect of his peers and has earned numerous awards. He sat down with Scott Macaulay of Filmmaker Magazine to talk about Oslo, August 31st, which just opened in theaters, and the conversation shifted to his experiences at film school, literary adaptations, and some advice for amateur filmmakers. The video of that interview is embedded below. More »
Amid the hubbub of new product announcements this item has flown a bit under the radar — this Fall, RED will start offering a 16 week digital-cinema training course. It aims to take students from pre-production to production to post-production while developing their own projects with the guidance of working professionals. At first glance, it looks like a pretty interesting opportunity — you get to make projects on RED equipment, while learning the tools, craft and technique from experts. But what will it cost? And what are the pros and cons of this sort of program?: More »
The Hollywood Reporter sits down with many of the leading candidates for this year’s Best Director award (take your pick of the particular awards show). Here’s the lineup: Alexander Payne (The Descendants), Mike Mills (Beginners), Steve McQueen (Shame), Jason Reitman (Young Adult), Bennett Miller (Moneyball) and Michel Hazanavicius (The Artist). There are a lot of terrific moments here: More »
Since graduating from NYU, I have met many DIYers who have expressed a desire to go back to film school to learn more about the craft of filmmaking. But they are typically surprised when I explain what is typically taught in the first year at any major film school. In this blog post, I’d like to share with you a very simple way to get a similar filmmaking experience to what a student at NYU, USC, or New York Film Academy gets — without paying a lot in tuition. More »
This is a guest post by freelance writer Donna Reish.
You don’t have to have a bachelor’s or graduate degree in film in order to become a successful film maker—but you do need to have talent and knowledge of the industry. Open courseware are online classes that are offered entirely for free. The catch? You can’t claim college credit or ask for a professor’s assistance. But you do have access to an abundance of educational resources with which you can teach yourself. Resources typically include recorded video lectures, course readings, project outlines and old exams with keys. So no matter if you need to learn the basics or what to freshen up your knowledge, consider taking the open courseware featured below. More »
Note: I have argued both for and against film school in the past, and as I say on this site’s about page, “different strokes for different folks.” This is a guest post by filmmaker Seth Hymes, who runs Film School Secrets. Image by LuMaxArt.
Film schools are a great place to learn the basics of filmmaking and meet like minded collaborators. They also provide a structured environment to experiment and hone your craft. Unfortunately, I’ve met more than my fair share of young NYU and USC film school alumni deeply in debt with no clear job leads or any idea how to start making movies for a living. I’ve also met many DIYers who wonder if they missed out by skipping school. With tuition costs continuing to rise, and HD equipment costs continuing to plummet, the film school debate is worth reopening in 2011. My goal in this post is to shed some light on the specifics of investing in film school and also share some cheaper alternatives to get a film education in a classroom setting. More »
MIT’s Comparative Media Studies program is part of MIT’s OpenCourseWare initiative, wherein the top-tier school posts extensive course materials online. One of the reasons I named this site NoFilmSchool is because I didn’t think it made sense for me (and I’m not saying this is true for everyone) to pay hundreds of thousands of dollars to go to film school. But what if one of the most respected universities in the country posted their film and media courses online, for free? More »
Indie auteur Jim Jarmusch made an appearance in Paris at the Fondation Cartier earlier this year. In this clip, filmed by Léa Rinaldi, Jarmusch talks about his time at NYU’s graduate film school, saying “I did learn a few things, but there were more things I was taught that I felt I had to then unlearn.” More »