» Posts Tagged ‘finalcutprox’
Coen Brothers Switching from Final Cut Pro to Adobe Premiere with Their Next Film
Though there have been some seriously divided opinions on the new Adobe Creative Cloud-only strategy, there is no question the company has made a dent into what was once Final Cut Pro and Avid territory. The Coen Brothers, Academy Award winners for Fargo and No Country for Old Men, have been editing their own films since they began their careers (under the name Roderick Jaynes), and they’ve been using Apple’s software until now: their newest film, which has not begun shooting, will be edited on Adobe Premiere. More »
ProCutX, an iPad Control App for Final Cut Pro X, is Now Free for a Limited Time
We’ve seen a few apps capable of controlling different programs on your computer with an iPad. A recent app that caught our eye, ProCutX, is capable of controlling Final Cut Pro X with your iPad, and replacing many of the functions normally done with a keyboard. For a limited time (possible only a few more hours), the full app, which is normally around $25, is now free on iTunes. Click through for a video walk-through of ProCutX. More »
Apple has been losing its grip on the professional editing market ever since Final Cut Pro X was launched in 2011 to much skepticism. With Avid and Adobe welcoming a lot of FCP7 refugees, Apple is now once again targeting those customers with its latest free update to FCPX. The major features include support for Sony’s new XAVC codec up to 4K resolution, and the option to display ProRes Log C files from the Arri Alexa in Rec. 709. Also included in the free update are various fixes to both Compressor and Motion. Get the full details after the jump. More »
Your iPad is Now a Controller for Apple Final Cut Pro X with Pixel Film Studios' ProCutX
The keyboard can certainly be a powerful and efficient control surface for non-linear editing, especially with the mastery of hot-keys and short-cuts. Despite this, some editors desire a more visually intuitive way of interfacing with their NLE. There are those that prefer specialized color-coded editing keyboards or keyboard covers, while others swear by their tactile controllers. Those can go for around $80, but what about using an infinitely configurable iPad to take the place of one of these consoles? We’ve already seen one iOS app capable of controlling a wide range of video software, but with a new iPad app called ProCutX, Apple editors have yet another way to turn their tablet into a Final Cut Pro X console. Check out some images and details below. More »
Grab Some 4K Canon 1D C DSLR Sample Footage, and Check Out a Possible FCPX Workflow
Canon’s 4K video capable DSLR, the EOS-1D C, has marked an upset for the DSLR industry — and in more ways than one. Many feel that the addition of Motion-JPEG alone is not worth the camera’s $12K price point. This is particularly the case when weighing in controversial speculation that internally it’s mostly identical to its $7K 1080p sibling, the 1D X — and the fact that Canon is likely anticipating with gritted teeth the possibility of firmware hacks 4K-ifying the 1D X. That said, it could be a near-perfect blend of features depending on your application. If this is the case for you, but you want the chance to check out or grade some full-res video footage before pulling the trigger, you’re in luck — planet5D has just posted some downloadable 1D C 4K footage for your viewing consideration (assuming of course your machine can handle it). More »
Check Out This Thorough Presentation Comparing Final Cut Pro X vs. Premiere Pro CS6
In post production, I’ve always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this year I finally made the decision to migrate to Premiere Pro CS6, as Final Cut Pro X has some infamous issues. Granted, Final Cut Pro X has come a long way, and it continues to be a true “pro” tool, but there are some quirks worth comparing against Premiere Pro CS6. Both suites are tools that should be compared objectively. Ric Lanciotti from The Pacific Northwest College of Art made this great video comparing the two editing suites. Though he takes the perspective of an educator looking for solutions for students, I think there are still lessons for all of us — especially those of us who only edit in one suite or the other. Check out his full 45 minute presentation after the jump: More »
CTRL+Console App: Turn Your iPad into a Premiere Pro or Final Cut Pro 7/X Editing Console
If you’ve ever worked in linear tape-to-tape editing, there’s a good chance you’ve dealt with an edit controller device that has jog or shuttle wheels. With everything being software based now, many have simply reassigned to a keyboard the tasks that used to be associated with a console. Well, short of buying an expensive console to interface with your NLE or remembering dozens of keyboard shortcuts, what’s a video editor to do? That’s where Jeff Chow’s CTRL+Console iOS app comes in. Click through to check out the Kickstarter video. More »
Apple’s Final Cut Pro X has slowly been getting up to speed after a somewhat underwhelming release last year. Each update has brought features users were expecting in the first version, but it’s still a good sign that they’re coming. With the recent 10.0.6 update, Apple has made a few key additions and changes that may just make you reconsider the editing application for future projects, including native RED support. Two of the major additions, dual viewer windows (Event and Timeline), and override connections, will certainly be helpful to those who like working in a more traditional manner. Click through for videos showing off both of these features. More »
Really skinny hardware isn’t the only type of tech Apple’s been cooking up recently. They’ve also updated FCP X to 10.0.6 with a host of new features, including native, real-time (on most machines) support for R3D files thanks to a new plug-in and some nifty background rendering. This means big-savings on time for FCP X/RED users — especially with the assist of a RED ROCKET — plus an upgrade in quality if you’ve been using proxies. For the plug-in and update download links, plus a video demonstrating just how easy this could make things for you FCP X editors out there, read on! More »
While it seems that Premiere gets most of the attention these days, there are still plenty of users who are cutting their work on Final Cut Pro X. Regardless of the reason, FCPX can be a little quirky in how it deals with audio and video, and some functions are slightly different than they were in Final Cut Pro 7. In this tutorial from Steve Martin of Ripple Training, learn how to remove unwanted sounds from your audio in Final Cut Pro X. More »
If you’re a Final Cut Pro 7 or Final Cut Pro X user and have been thinking about checking out Adobe Premiere Pro CS6, you probably have some questions about the similarities and differences in how they operate, or their advantages and disadvantages as editing tools. Scott Simmons of ProVideo Coalition recently held a webinar where he fielded 105 of these questions, which he turned into a very informative blog post. Here are a couple samples of the questions he answered: More »
Not everyone who reads NoFilmSchool is an expert – in fact most of us are still trying to learn something – and that’s really the reason why we hope people keep coming back each day. If you’re new to filmmaking, your editing experience is probably very limited – and it can be overwhelming starting from scratch. One of the most important things you can do if you aren’t very experienced is to learn good habits right from the start. This isn’t limited to editing, but also shooting and managing media. There’s always more than one way to do something – but there are certainly wrong ways to do many things that can lead to mistakes or slow you down. In terms of editing, organization is something every professional editor will stress above all else. Embedded below is a video describing that process. More »
On the left is a brand new shot of Adobe Premiere Pro CS6 running on…Mac OS 6? Conan’s editors are back again after their Final Cut Pro X video, which fairly or unfairly poked fun at the fact that Apple abandoned years of development and started over from scratch, forcing many people to relearn the new software or abandon ship. It looks like the editors over at Conan have done the latter. More »
Yes, very well. But also, not quite. With Apple’s 10.0.3 release of Final Cut Pro X, they added multicam support and a host of other features, but more importantly for some, they finally made it possible to move projects from Final Cut Pro 7 to Final Cut Pro X. Well, that’s not quite true. Apple didn’t actually make this possible – they are promoting the product of a 3rd party, Intelligent Design, to facilitate upgrading old projects. Here’s a quick overview of the process: More »
Apple today released an update to the controversial Final Cut Pro X, adding multicam support, advanced chroma keying, media relinking upgrades, and enhanced XML support. There’s also a third party app that — get this — actually allows you to import Final Cut Pro 7 projects. FCPX is now at 10.0.3, and while I’m not sure this will make anyone give up their copy of 7, it’s a step in the right direction (and a significant upgrade for current X users). Here are the details: More »
I know, I know, Final Cut Pro X has been slammed by many, so what’s the point in posting yet another article about it? Well, one question I’ve been asked a lot since the release of FCP X is, “I’m a student, what NLE should I learn?” Before, the answer was easy: Final Cut Pro. Now, not so much. Should a student commit to FCP X, assuming it will become the future standard despite being woefully incomplete at present, or should they learn Adobe or Avid, assuming Apple’s role in the professional, wage-earning editing world as we know it is over? It’s a tough question, and I’m curious to hear your thoughts in the comments. In the meantime, here’s famed editor Walter Murch (The Conversation, Apocalypse Now, The Godfather II, and The English Patient among many others) talking about the X at the Boston Supermeet: More »
XML import/export has finally made its way to Final Cut Pro X in a 10.0.1 update Apple released today. This brings, yes, a form of backwards compatibility for Final Cut Pro 7 users, as one can now import and export rich XML files from FCPX. Unfortuantely — and I initially misunderstood this — “rich XML” does NOT work with Final Cut Pro 7 (more on this after the jump)! But also among the new features are GPU-accelerated export rendering (as opposed to just playback), Xsan support, and a camera import SDK (to allow developers to write plugins for specific cameras). Apple’s Richard Townhill, senior director of applications product marketing said of the release: More »
Adobe's Mac Video Apps Up 45 Percent Thanks to Final Cut Pro X; Buys IRIDAS SpeedGrade
Since Apple introduced the much-maligned Final Cut Pro X, Adobe’s Mac Video apps have reportedly enjoyed a 45% boost in sales. This is in all likelihood partially thanks to Adobe’s offer of 50% off for Final Cut Pro users (Avid editors are also eligible). Perhaps as a result of this newfound confidence, Adobe has also purchased IRIDAS, a company known best for their high-end SpeedGrade color grading software. More »
After days of rumors, it’s official: according to Apple, “a limited quantity of Final Cut Studio [are] still available through Apple telesales to customers who need them for ongoing projects.” What’s the big deal? Apple had previously pulled all copies of FCS from the shelves, and this represents a capitulation to the ongoing demand for their two year-old NLE in the face of negative reactions to FCPX. I thought Walter Biscardi put it best: More »
When Apple released Final Cut Pro X, they did so without giving third-party plugin developers access ahead of time; thus there’s been a shortage of add-ons for the controversial app. Red Giant Software has just released their first plugin to be ported to FCPX, and it’s one of their simpler apps, Magic Bullet Mojo. FCPX‘s current architecture doesn’t support some of the more complicated functionality included in Looks or Colorista, so X editors will have to make do with the simpler interface of Mojo for the time being. As a bonus, however, Red Giant has cut the price in half for this week only, bringing it down to $49 — and the coupon code works on all platforms, not just FCPX. Here’s the program in action: More »
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