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	<title>nofilmschool &#187; house</title>
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		<title>Will Post Houses and DITs Be Extinct by 2017?</title>
		<link>http://nofilmschool.com/2013/01/dit-post-house-extinct-2017/</link>
		<comments>http://nofilmschool.com/2013/01/dit-post-house-extinct-2017/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 12:41:00 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[di]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[digitalintermediate]]></category>
		<category><![CDATA[dit]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[lightiron]]></category>
		<category><![CDATA[lilypad]]></category>
		<category><![CDATA[michaelcioni]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[outpost]]></category>
		<category><![CDATA[post]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[sony]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=38373</guid>
		<description><![CDATA[The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen &#8212; at least according [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-38736 style-off" title="light iron lily pad dit cart post house extinct michael cioni" src="http://nofilmschool.com/wp-content/uploads/2013/01/light-iron-lily-pad-dit-cart-post-house-extinct-michael-cioni-e1357123794535-224x125.jpg" alt="" width="224" height="125" />The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen &#8212; at least according to the predictions of Michael Cioni. As the CEO of post house Light Iron, he has <a href="http://nofilmschool.com/2011/12/fincher-reframes-post-4k-release-the/">helped pioneer RED workflows at the highest level of filmmaking</a>, so his word is not to be taken lightly &#8212; particularly since he&#8217;s predicting <strong>the end of what his and any other post house does</strong> as we know it by <strong>2017</strong>. Furthermore, what cameras (and therefore camera teams) will have to take care of themselves is staggering, especially taking a look at the duties fulfilled by today&#8217;s high-end DIT carts &#8212; including those assembled by Light Iron itself. <a href="http://nofilmschool.com/2013/01/dit-post-house-extinct-2017/#more-38373" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>27</slash:comments>
	
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			<media:title type="html"><![CDATA[Will Post Houses and DITs Be Extinct by 2017? - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quic]]></media:description>
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			<media:title type="html"><![CDATA[light iron lily pad dit cart post house extinct michael cioni]]></media:title>
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		<title>Behind the scenes on the 5D-shot House finale</title>
		<link>http://nofilmschool.com/2010/06/behind-the-scenes-on-the-5d-shot-house-finale/</link>
		<comments>http://nofilmschool.com/2010/06/behind-the-scenes-on-the-5d-shot-house-finale/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 17:32:41 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[galetattersall]]></category>
		<category><![CDATA[hdslr]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[vdslr]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=4263</guid>
		<description><![CDATA[Everyone knows the season finale of the multimillion-dollar Fox show House was shot on $2,500 DSLRs. While watching the episode, beyond thinking about what I was seeing on screen, many of my thoughts were related to what I wasn&#8217;t seeing on screen: aliasing, moire, or rolling shutter. Putting the camera in the hands of a [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/06/house-md-224x88.jpg" alt="House DSLR" title="house-md" width="224" height="88" class="alignleft size-medium wp-image-4265" />Everyone knows the season finale of the multimillion-dollar Fox show House <a href="http://nofilmschool.com/2010/05/watch-the-full-house-finale-here-shot-on-a-5d-mark-ii/"> was shot on $2,500 DSLRs</a>. While watching the episode, beyond thinking about what I was seeing on screen, many of my thoughts were related to what I <em>wasn&#8217;t</em> seeing on screen: <a href="http://nofilmschool.com/dslr/aliasing-and-moire/">aliasing, moire</a>, or <a href="http://nofilmschool.com/dslr/rolling-shutter/">rolling shutter</a>. Putting the camera in the hands of a great DP is the first step to avoiding these drawbacks, and since seeing the episode I&#8217;ve been wondering about the technical details of the production; thankfully the interwebs have the answers. <a href="http://nofilmschool.com/2010/06/behind-the-scenes-on-the-5d-shot-house-finale/#more-4263" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>4</slash:comments>
	
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		<title>Watch the full House finale here (shot on a 5d Mark II)</title>
		<link>http://nofilmschool.com/2010/05/watch-the-full-house-finale-here-shot-on-a-5d-mark-ii/</link>
		<comments>http://nofilmschool.com/2010/05/watch-the-full-house-finale-here-shot-on-a-5d-mark-ii/#comments</comments>
		<pubDate>Tue, 25 May 2010 16:35:02 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[seen]]></category>
		<category><![CDATA[5dmarkii]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[finale]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[tv]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=3763</guid>
		<description><![CDATA[The DSLR-shot season finale of House in full. Shot on a 5d Mark II.]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/05/house-224x128.png" alt="" title="house" width="224" height="128" class="alignleft size-medium wp-image-3764" />The season finale of House was famously <a href="http://www.engadget.com/2010/04/13/canon-5d-mark-ii-used-to-shoot-entire-house-season-finale-direc/">shot on a DSLR</a>, specifically the <a href="http://nofilmschool.com/5dmarkii">5d Mark II</a>. FOX doesn&#8217;t post full episodes online until 8 days after they air on TV, which is why the season finale hasn&#8217;t been available anywhere &#8212; until now. Here&#8217;s the DSLR-shot episode in full:</p>
]]></content:encoded>
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		<slash:comments>5</slash:comments>
	
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