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	<title>nofilmschool &#187; interviews</title>
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		<title>&#039;Palindromes&#039; DP Tom Richmond: &#039;The Grammar of Filmmaking is a Good Place to Start&#039;</title>
		<link>http://nofilmschool.com/2013/05/cinematography-tom-richmond-craft-truck/</link>
		<comments>http://nofilmschool.com/2013/05/cinematography-tom-richmond-craft-truck/#comments</comments>
		<pubDate>Fri, 24 May 2013 04:46:15 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematographer]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[crafttruck]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[tomrichmond]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=54398</guid>
		<description><![CDATA[Here&#8217;s another awesome Craft Truck interview to munch on. Cinematographer Tom Richmond, who has shot some insane movies with the likes of Todd Solondz, Roger Avary, and James Gray, puts emphasis on composition and understanding that photography in a film is its own language. They discuss the grammar of the language and why working with directors [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-54537" alt="Tom Richmond Craft Truck Interview" src="http://nofilmschool.com/wp-content/uploads/2013/05/Tom-Richmond-Craft-Truck-Interview--224x99.png" width="224" height="99" />Here&#8217;s another awesome <a href="http://www.crafttruck.com/through-the-lens/through-the-lens-s01e14-tom-richmond-full-episode/">Craft Truck</a> interview to munch on. Cinematographer <a href="http://mubi.com/cast_members/11119">Tom Richmond</a>, who has shot some insane movies with the likes of Todd Solondz, Roger Avary, and James Gray, puts emphasis on composition and understanding that photography in a film is its own language. They discuss the grammar of the language and why working with directors is more akin to being a &#8220;Detective of Photography.&#8221; Hit the jump for the full interview: <a href="http://nofilmschool.com/2013/05/cinematography-tom-richmond-craft-truck/#more-54398" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html"><![CDATA[&#039;Palindromes&#039; DP Tom Richmond: &#039;The Grammar of Filmmaking is a Good Place to Start&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Here&#039;s another awesome Craft Truck interview to munch on. Cinematographer Tom Richmond, who has shot some insane movies with the likes of Todd Solondz, Roger Avary, and James Gray, puts emphasis on composition and understanding that photography in a film is its own language. They discuss the gramma]]></media:description>
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			<media:title type="html"><![CDATA[Tom Richmond Craft Truck Interview]]></media:title>
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		<item>
		<title>Introducing BitTorrent Bundle: Pioneering Decentralized Digital Distribution &amp; Marketing</title>
		<link>http://nofilmschool.com/2013/05/bittorrent-bundle-decentralized-distribution-marketing/</link>
		<comments>http://nofilmschool.com/2013/05/bittorrent-bundle-decentralized-distribution-marketing/#comments</comments>
		<pubDate>Tue, 14 May 2013 13:00:17 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[bittorrent]]></category>
		<category><![CDATA[bundle]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[piracy]]></category>
		<category><![CDATA[selfdistribution]]></category>
		<category><![CDATA[selfpromotion]]></category>
		<category><![CDATA[torrent]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=53461</guid>
		<description><![CDATA[BitTorrent, a tech company whose name is commonly and incorrectly associated with pirating, has been running a legitimate business since 2004 with over 2 million pieces of licensed content in the BitTorrent download manager, which serves more than 170 million people monthly. The company is now beginning to launch a new endeavor to empower those [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-large wp-image-53895 aligncenter" alt="BitTorrent Bundle" src="http://nofilmschool.com/wp-content/uploads/2013/05/BitTorrent-Bundle-e1368547783233-616x267.jpg" width="616" height="267" /></p>
<p><a href="http://nofilmschool.com/tag/bittorrent/">BitTorrent</a>, a tech company whose name is commonly and incorrectly associated with pirating, has been running a legitimate business since 2004 with over 2 million pieces of licensed content in the BitTorrent download manager, which serves more than 170 million people monthly. The company is now beginning to launch a new endeavor to empower those in the content creation business. <a href="http://bundles.bittorrent.com/"><em>BitTorrent Bundle</em></a> provide a way for creators large and small to have all the advantages of the peer-to-peer protocol while also maintaining control over their content by creating &#8216;gates&#8217; that must be unlocked by the consumer. We had a chance to chat with Matt Mason, VP of Marketing at BitTorrent, who is very impassioned about what this new publishing platform could potentially mean for creators. Read on for the interview and get the full scoop: <a href="http://nofilmschool.com/2013/05/bittorrent-bundle-decentralized-distribution-marketing/#more-53461" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>16</slash:comments>
	
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			<media:title type="html"><![CDATA[Introducing BitTorrent Bundle: Pioneering Decentralized Digital Distribution &#38; Marketing - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ BitTorrent, a tech company whose name is commonly and incorrectly associated with pirating, has been running a legitimate business since 2004 with over 2 million pieces of licensed content in the BitTorrent download manager, which serves more than 170 million people monthly. The company is now begi]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/05/bittorrent-bundle-a-decentralized-approach-to-digital-distribution-where-the-creator-is-king-nofilmschool-224x168.jpg" />
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			<media:title type="html"><![CDATA[BitTorrent Bundle]]></media:title>
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		<item>
		<title>Derek Cianfrance Breaks Down Scenes from &#039;The Place Beyond the Pines&#039;</title>
		<link>http://nofilmschool.com/2013/05/derek-cianfrance-place-beyond-the-pines/</link>
		<comments>http://nofilmschool.com/2013/05/derek-cianfrance-place-beyond-the-pines/#comments</comments>
		<pubDate>Sun, 12 May 2013 03:23:52 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[breakdown]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[scheduling]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=53525</guid>
		<description><![CDATA[Derek Cianfrance&#8217;s followup to the extraordinary Blue Valentine comes in the form of a three act Shakespearian crime drama, The Place Beyond the Pines. Collider goes behind the scenes with the director to discuss the filmmaking and break down a few scenes, discussing camera placement, character choices, working with &#8216;movie stars&#8217; and blending a performance [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-53533" alt="Collider Breaking Down Place Beyond the Pines" src="http://nofilmschool.com/wp-content/uploads/2013/05/Collider-Breaking-Down-Place-Beyond-the-Pines-e1368137643928-224x100.jpg" width="224" height="100" />Derek Cianfrance&#8217;s followup to the extraordinary <a href="http://www.amazon.com/Blue-Valentine/dp/B00503B9XE"><em>Blue Valentine</em></a> comes in the form of a three act Shakespearian crime drama, <em>The Place Beyond the Pines</em>. <a href="http://collider.com/derek-cianfrance-place-beyond-the-pines-breaking-down-the-movie/">Collider</a> goes behind the scenes with the director to discuss the filmmaking and break down a few scenes, discussing camera placement, character choices, working with &#8216;movie stars&#8217; and blending a performance together across many different takes. Hit the jump for the video and analysis: <a href="http://nofilmschool.com/2013/05/derek-cianfrance-place-beyond-the-pines/#more-53525" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>7</slash:comments>
	
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			<media:title type="html"><![CDATA[Collider Breaking Down Place Beyond the Pines]]></media:title>
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		<title>Janusz Kaminski &amp; Julian Schnabel on Creating New Conventions for &#039;The Diving Bell and the Butterfly&#039;</title>
		<link>http://nofilmschool.com/2013/05/janusz-kaminski-julian-schnabel-dp30/</link>
		<comments>http://nofilmschool.com/2013/05/janusz-kaminski-julian-schnabel-dp30/#comments</comments>
		<pubDate>Thu, 09 May 2013 02:28:07 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[dp30]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[januszkaminski]]></category>
		<category><![CDATA[roundtable]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=53389</guid>
		<description><![CDATA[DP/30 brings us some of the most casual yet penetrating interviews with filmmaking talent, and this one pushes that envelope even more. In the format of a roundtable lunchtime chat in sunny Southern California, the creative crew behind The Diving Bell and the Butterfly exposes their approach to material that had no precedent, the perks of making [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-53398" alt="The Diving Bell and the Butterfly" src="http://nofilmschool.com/wp-content/uploads/2013/05/The-Diving-Bell-and-the-Butterfly-224x125.jpg" width="224" height="125" /><a href="http://nofilmschool.com/tag/dp30/">DP/30</a> brings us some of the most casual yet penetrating interviews with filmmaking talent, and this one pushes that envelope even more. In the format of a roundtable lunchtime chat in sunny Southern California, the creative crew behind <em><a href="http://www.amazon.com/Diving-Bell-Butterfly/dp/B00AHSKXG6/">The Diving Bell and the Butterfly</a> </em>exposes their approach to material that had no precedent, the perks of making the film outside the United States, and creating new conventions where none existed. Hit the jump to watch the 30 minute segment: <a href="http://nofilmschool.com/2013/05/janusz-kaminski-julian-schnabel-dp30/#more-53389" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
	
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			<media:title type="html"><![CDATA[Janusz Kaminski &#38; Julian Schnabel on Creating New Conventions for &#039;The Diving Bell and the Butterfly&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[DP/30 brings us some of the most casual yet penetrating interviews with filmmaking talent, and this one pushes that envelope even more. In the format of a roundtable lunchtime chat in sunny Southern California, the creative crew behind The Diving Bell and the Butterfly exposes their approach to ma]]></media:description>
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			<media:title type="html"><![CDATA[The Diving Bell and the Butterfly]]></media:title>
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		<title>DIY Co-Directors Talk About Their First Feature Film Experience &#039;Hills Green&#039;</title>
		<link>http://nofilmschool.com/2013/04/hills-green-feature-film/</link>
		<comments>http://nofilmschool.com/2013/04/hills-green-feature-film/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 14:18:21 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[diy]]></category>
		<category><![CDATA[feature]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[hillsgreen]]></category>
		<category><![CDATA[independentfilmmaking]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[trailer]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50968</guid>
		<description><![CDATA[In between their 9-5 jobs, filmmakers Ryan C. Glover and Krista Dzialoszynski have been working diligently on their feature film debut Hills Green, and after several years are proud to say it&#8217;s finally complete. It&#8217;s a story about two friends&#8217; escape to the country to discover what their relationship is made of, and is brought [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-large wp-image-51187" title="Ryan Glover and Krista Dzialoszynsky" alt="" src="http://nofilmschool.com/wp-content/uploads/2013/04/Ryan-Glover-and-Krista-Dzialoszynsky-e1367182890975-616x292.jpg" width="616" height="292" /><br />
In between their 9-5 jobs, filmmakers <a href="http://ryancglover.com/">Ryan C. Glover</a> and <a href="https://vimeo.com/kdzialoszynski">Krista Dzialoszynski</a> have been working diligently on their feature film debut <em><a href="hillsgreen.com">Hills Green</a>, </em>and after several years are proud to say it&#8217;s finally complete. It&#8217;s a story about two friends&#8217; escape to the country to discover what their relationship is made of, and is brought to life with the power of real-life nostalgia. The duo is now set for the film&#8217;s Canadian premiere at the ReelHeART International Film Festival on June 24th in Toronto. Hit the jump for the trailer and our interview with the first-time feature filmmakers: <a href="http://nofilmschool.com/2013/04/hills-green-feature-film/#more-50968" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>19</slash:comments>
	
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/Ryan-Glover-and-Krista-Dzialoszynsky-e1367182890975-125x69.jpg" />
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			<media:title type="html"><![CDATA[Ryan Glover and Krista Dzialoszynsky]]></media:title>
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		<title>Cinematographer Sam Levy on Motivation: &#039;It&#039;s Just a Feeling&#039;</title>
		<link>http://nofilmschool.com/2013/04/cinematographer-sam-levy-craft-truck/</link>
		<comments>http://nofilmschool.com/2013/04/cinematographer-sam-levy-craft-truck/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 20:13:16 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[crafttruck]]></category>
		<category><![CDATA[directorofphotography]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[sam levy]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50787</guid>
		<description><![CDATA[From Wendy and Lucy to The Romantics, Sam Levy&#8217;s work as a cinematographer is marked with naturalism and attention to character blocking. Here he sits down with Craft Truck to discuss his work, how he began as an assistant and lensed his first feature film on a standard def Mini DV camera. Hit the jump to learn more and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-50788" title="Screen shot 2013-04-23 at 12.24.14 PM" src="http://nofilmschool.com/wp-content/uploads/2013/04/Screen-shot-2013-04-23-at-12.24.14-PM-224x106.png" alt="" width="224" height="106" />From <a href="http://www.amazon.com/Wendy-and-Lucy/dp/B0029DV2OE/"><em>Wendy and Lucy</em></a> to <em><a href="http://www.amazon.com/The-Romantics/dp/B004JPSJXW/">The Romantics</a>, </em>Sam Levy&#8217;s work as a cinematographer is marked with naturalism and attention to character blocking. Here he sits down with <a href="http://nofilmschool.com/tag/crafttruck/">Craft Truck</a> to discuss his work, how he began as an assistant and lensed his first feature film on a standard def Mini DV camera. Hit the jump to learn more and to watch the full interview: <a href="http://nofilmschool.com/2013/04/cinematographer-sam-levy-craft-truck/#more-50787" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html"><![CDATA[Cinematographer Sam Levy on Motivation: &#039;It&#039;s Just a Feeling&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[From Wendy and Lucy to The Romantics, Sam Levy&#039;s work as a cinematographer is marked with naturalism and attention to character blocking. Here he sits down with Craft Truck to discuss his work, how he began as an assistant and lensed his first feature film on a standard def Mini DV camera. Hit t]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/cinematographer-sam-levy-on-motivation-its-just-a-feeling-nofilmschool-224x168.jpg" />
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		<title>Rambling On With Directors, an Insightful Round Table With Today&#039;s Prominent Independents</title>
		<link>http://nofilmschool.com/2013/04/rambling-on-with-directors-insightful-round-table/</link>
		<comments>http://nofilmschool.com/2013/04/rambling-on-with-directors-insightful-round-table/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 13:00:55 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[alexkarpovsky]]></category>
		<category><![CDATA[antoniocampos]]></category>
		<category><![CDATA[craigzobel]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[filmmakermagazine]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[roundtable]]></category>
		<category><![CDATA[ryrussoyoung]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=48922</guid>
		<description><![CDATA[There seems to be an influx of great candid discussions with some of the most interesting working filmmakers today &#8212; one of the awesome benefits of having more people with cameras out in the wild. Produced by Shoebox Pictures and Filmmaker Magazine, moderator Russell Costanzo sits down with Craig Zobel, Alex Karpovsky, Ry Russo-Young and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-48972" title="Rambling On with Directors Craig Zobel Alex Karpovsky Ry Russo-Young Antonio Campos" src="http://nofilmschool.com/wp-content/uploads/2013/04/Rambling-On-with-Directors-Craig-Zobel-Alex-Karpovsky-Ry-Russo-Young-Antonio-Campos--224x111.png" alt="" width="224" height="111" />There seems to be an influx of <a title="'Blue Valentine' DP Andrij Parekh: 'People See Movies for Great Performances, Not Nice Photography'" href="http://nofilmschool.com/2013/02/andrij-parekh-craft-truck-cinematography/">great candid discussions</a> with some of the most interesting working filmmakers today &#8212; one of the awesome benefits of having more people with cameras out in the wild. Produced by <a href="http://www.shoebox-pictures.com/about.html">Shoebox Pictures</a> and Filmmaker Magazine, moderator Russell Costanzo sits down with Craig Zobel, Alex Karpovsky, Ry Russo-Young and Antonio Campos to discuss some of the important questions that directors face, starting with the big one: &#8220;Why do you direct?&#8221; Watch the full piece after the jump: <a href="http://nofilmschool.com/2013/04/rambling-on-with-directors-insightful-round-table/#more-48922" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html"><![CDATA[Rambling On With Directors, an Insightful Round Table With Today&#039;s Prominent Independents - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[There seems to be an influx of great candid discussions with some of the most interesting working filmmakers today -- one of the awesome benefits of having more people with cameras out in the wild. Produced by Shoebox Pictures and Filmmaker Magazine, moderator Russell Costanzo sits down with Craig Z]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/rambling-on-with-directors-an-insightful-round-table-with-todays-prominent-independents-nofilmschool-224x168.jpg" />
			<media:keywords>alexkarpovsky,antoniocampos,craigzobel,directing,filmmakermagazine,filmmaking,interviews,roundtable,ryrussoyoung</media:keywords>
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		<media:content url="http://nofilmschool.com/wp-content/uploads/2013/04/Rambling-On-with-Directors-Craig-Zobel-Alex-Karpovsky-Ry-Russo-Young-Antonio-Campos-.png" medium="image">
			<media:title type="html"><![CDATA[Rambling On with Directors Craig Zobel Alex Karpovsky Ry Russo-Young Antonio Campos]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/04/Rambling-On-with-Directors-Craig-Zobel-Alex-Karpovsky-Ry-Russo-Young-Antonio-Campos--125x69.png" />
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		<title>Cinematographer Wolfgang Held Explores the Ethics of Vérité: &#039;The Camera is a Catalyst&#039;</title>
		<link>http://nofilmschool.com/2013/03/cinematographer-wolfgang-held-craft-truck/</link>
		<comments>http://nofilmschool.com/2013/03/cinematographer-wolfgang-held-craft-truck/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 02:02:16 +0000</pubDate>
		<dc:creator>Micah Van Hove</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[crafttruck]]></category>
		<category><![CDATA[directorofphotography]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[wolfgangheld]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=47598</guid>
		<description><![CDATA[Craft Truck brings us another great candid interview, this time with cinematographer Wolfgang Held. Wolfgang has shot countless films over the past 20 years, from documentaries, to commercials, to narratives. He is perhaps best know for his vérité work, ranging from the social labor of love Children Underground, to the cult Metallica doc Some Kind of [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-47611" title="Wolfgang Held Craft Truck Interview" src="http://nofilmschool.com/wp-content/uploads/2013/03/Wolfgang-Held-Craft-Truck-Interview-224x110.png" alt="" width="224" height="110" /><a href="http://www.crafttruck.com/">Craft Truck</a> brings us another great candid interview, this time with cinematographer Wolfgang Held. Wolfgang has shot countless films over the past 20 years, from documentaries, to commercials, to narratives. He is perhaps best know for his <a href="http://en.wikipedia.org/wiki/Cin%C3%A9ma_v%C3%A9rit%C3%A9">vérité</a> work, ranging from the social labor of love <em><a href="http://www.amazon.com/Children-Underground-English-Subtitled/dp/B008LZS54O/">Children Underground</a>, </em>to the cult Metallica doc <em><a href="http://www.amazon.com/Metallica-Some-Kind-of-Monster/dp/B000OB5UU0/">Some Kind of Monster</a></em>, to <em><a href="http://www.amazon.com/Bruno/dp/B002TL08FU/">Bruno</a> </em>(whatever that is). Hit the jump to hear Wolfgang discuss vérité filmmaking in the digital age, his favorite focal lengths, and the undercover shenanigans of working with Sacha Baron Cohen: <a href="http://nofilmschool.com/2013/03/cinematographer-wolfgang-held-craft-truck/#more-47598" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/jngSNmHQQ_o" duration="148">
			<media:player url="http://www.youtube-nocookie.com/v/jngSNmHQQ_o" />
			<media:title type="html"><![CDATA[Cinematographer Wolfgang Held Explores the Ethics of Vérité: &#039;The Camera is a Catalyst&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Craft Truck brings us another great candid interview, this time with cinematographer Wolfgang Held. Wolfgang has shot countless films over the past 20 years, from documentaries, to commercials, to narratives. He is perhaps best know for his vérité work, ranging from the social labor of love Childr]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/cinematographer-wolfgang-held-explores-the-ethics-of-verite-the-camera-is-a-catalyst-nofilmschool-224x168.jpg" />
			<media:keywords>cinematography,crafttruck,directorofphotography,interview,interviews,wolfgangheld</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/Wolfgang-Held-Craft-Truck-Interview-125x69.png" />
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			<media:title type="html"><![CDATA[Wolfgang Held Craft Truck Interview]]></media:title>
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		<title>&#039;Frozen River&#039; DP Reed Morano on Shooting Movies: &#039;It&#039;s Not for You, It&#039;s for Someone Else&#039;</title>
		<link>http://nofilmschool.com/2013/03/reed-morano-craft-truck-cinematography/</link>
		<comments>http://nofilmschool.com/2013/03/reed-morano-craft-truck-cinematography/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 03:15:26 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[crafttruck]]></category>
		<category><![CDATA[directorofphotography]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[reedmorano]]></category>
		<category><![CDATA[shooting]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=46091</guid>
		<description><![CDATA[There was quite a bit of back and forth regarding the role of the DP on a recent post about Andrij Parekh, much to the surprise of myself and a few others. The DP is one of the most important people on a production. The real purpose of the last post was to hear from a working [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-46137" title="Reed Morano - Craft Truck Interview" src="http://nofilmschool.com/wp-content/uploads/2013/03/Reed-Morano-Craft-Truck-Interview-224x124.jpg" alt="" width="224" height="124" />There was quite a bit of back and forth regarding the role of the DP on a <a href="http://nofilmschool.com/2013/02/andrij-parekh-craft-truck-cinematography/">recent post about Andrij Parekh</a>, much to the surprise of myself and a few others. The DP is one of the most important people on a production. The real purpose of the last post was to hear from a working professional that the cinematographer has to be a collaborator and must serve the story. Now we&#8217;ve got another Craft Truck interview from Jeff Glickman, this time with Reed Morano, the director of photography on <em><a href="http://www.amazon.com/Frozen-River/dp/B0021QKQF0/">Frozen River</a>. </em>In the video below, Reed talks about her process and her career, and how she&#8217;s risen up through the ranks. <a href="http://nofilmschool.com/2013/03/reed-morano-craft-truck-cinematography/#more-46091" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>21</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/NE416p32U1A" duration="1297">
			<media:player url="http://www.youtube-nocookie.com/v/NE416p32U1A" />
			<media:title type="html"><![CDATA[&#039;Frozen River&#039; DP Reed Morano on Shooting Movies: &#039;It&#039;s Not for You, It&#039;s for Someone Else&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[There was quite a bit of back and forth regarding the role of the DP on a recent post about Andrij Parekh, much to the surprise of myself and a few others. The DP is one of the most important people on a production. The real purpose of the last post was to hear from a working professional that the]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/frozen-river-dp-reed-morano-on-shooting-movies-its-not-for-you-its-for-someone-else-nofilmschool-224x168.jpg" />
			<media:keywords>cinematography,crafttruck,directorofphotography,interview,interviews,lighting,reedmorano,shooting</media:keywords>
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			<media:title type="html"><![CDATA[Reed Morano - Craft Truck Interview]]></media:title>
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		<title>&#039;Blue Valentine&#039; DP Andrij Parekh: &#039;People See Movies for Great Performances, Not Nice Photography&#039;</title>
		<link>http://nofilmschool.com/2013/02/andrij-parekh-craft-truck-cinematography/</link>
		<comments>http://nofilmschool.com/2013/02/andrij-parekh-craft-truck-cinematography/#comments</comments>
		<pubDate>Sun, 24 Feb 2013 03:58:56 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[crafttruck]]></category>
		<category><![CDATA[directorofphotography]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[shooting]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=44808</guid>
		<description><![CDATA[There is no question the director of photography is one of the most important jobs on set. The DP helps the director set the look of the film, and depending on their working relationship, may actually have quite a bit of influence on the final film. In the end though, the DP&#8217;s job is to [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-44810" title="Andrij Parekh on Craft Truck" src="http://nofilmschool.com/wp-content/uploads/2013/02/Andrij-Parekh-on-Craft-Truck-224x123.png" alt="" width="224" height="123" />There is no question the director of photography is one of the most important jobs on set. The DP helps the director set the look of the film, and depending on their working relationship, may actually have quite a bit of influence on the final film. In the end though, the DP&#8217;s job is to help the director get the movie &#8220;in the can&#8221; at all costs, even if that means sacrificing time for lighting and camera moves. <a href="http://www.amazon.com/Blue-Valentine/dp/B00503B9XE/"><em>Blue Valentine</em></a> director of photography Andrij Parekh sat down with Craft Truck, a website that focuses on discussions with technical storytellers from the world of film, to talk about his career and how he sees the role of the cinematographer. <a href="http://nofilmschool.com/2013/02/andrij-parekh-craft-truck-cinematography/#more-44808" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>96</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/Bz0fxVX175M" duration="1298">
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			<media:title type="html"><![CDATA[&#039;Blue Valentine&#039; DP Andrij Parekh: &#039;People See Movies for Great Performances, Not Nice Photography&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[There is no question the director of photography is one of the most important jobs on set. The DP helps the director set the look of the film, and depending on their working relationship, may actually have quite a bit of influence on the final film. In the end though, the DP&#039;s job is to help the dir]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/blue-valentine-dp-andrij-parekh-people-see-movies-for-great-performances-not-nice-photography-nofilmschool-224x168.jpg" />
			<media:keywords>cinematography,crafttruck,directorofphotography,interview,interviews,lighting,shooting</media:keywords>
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			<media:title type="html"><![CDATA[Andrij Parekh on Craft Truck]]></media:title>
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		<title>Leaving It All on the Court with 24 Hours Left: Everything I&#039;ve Done to Promote #Manchild</title>
		<link>http://nofilmschool.com/2011/09/leaving-court-interview-feature-guest/</link>
		<comments>http://nofilmschool.com/2011/09/leaving-court-interview-feature-guest/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 03:59:22 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[crowdfunding]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[manchild]]></category>
		<category><![CDATA[pr]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=14901</guid>
		<description><![CDATA[Exactly 24 hours left in the Man-child campaign, and we&#8217;re so close! Despite this screencap from my Twitter campaign video, I haven&#8217;t had a team to help. But what I have had is help from a lot of other websites! So in addition to writing a dozen posts about Man-child here on NoFilmSchool, participating in [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/09/twitter-manchild-224x125.jpg" alt="" title="twitter manchild" width="224" height="125" class="alignleft size-medium wp-image-14531" />Exactly 24 hours left in the <a href="http://nofilmschool.com/manchild"><em>Man-child</em></a> campaign, and we&#8217;re <em>so</em> close! Despite this screencap from my <a href="http://nofilmschool.com/2011/09/social-media-ftw-you-hashtag-success-story/" title="We Have 10 Days to Make History: #ManChild Could Be the Most Funded Film in Kickstarter Narrative History">Twitter campaign video</a>, I haven&#8217;t had a team to help. But what I have had is help from a lot of other websites! So in addition to writing <a href="http://nofilmschool.com/tag/manchild">a dozen posts about <em>Man-child</em> here on NoFilmSchool</a>, participating in <a href="www.ifp.org/independent-film-week/">Independent Film Week</a>, Facebooking and Twittering almost non-stop, and writing my own <a href="http://koo.co/manchild-pr-nfs">Press Release</a> &#8212; all while simultaneously trying to post the latest helpful news about filmmaking here, as usual &#8212; I&#8217;ve also thankfully popped on a lot of other web sites. Some of these were guest posts, some were interviews, and some were posts written by others out of the simple desire to help the campaign. This has been a community effort that has made it this far thanks to, literally, <a href="http://www.kickstarter.com/projects/ryanbkoo/man-child-feature-film/backers">thousands of people</a>. I can&#8217;t say it enough: thank you so much for helping. It takes a village! As I say in the post title &#8212; and to use a sports analogy &#8212; I&#8217;ve left it all on the court. Now we&#8217;re on the cusp of making history together. Here&#8217;s a list of appearances elsewhere that I&#8217;ve been able to keep track of over the last 37 days: <a href="http://nofilmschool.com/2011/09/leaving-court-interview-feature-guest/#more-14901" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>34</slash:comments>
	
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			<media:title type="html"><![CDATA[twitter manchild]]></media:title>
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		<title>Three Interviews About &#039;Man-child,&#039; DIY Filmmaking, Film School and DSLRs</title>
		<link>http://nofilmschool.com/2011/09/interviews-man-child-diy-filmmaking/</link>
		<comments>http://nofilmschool.com/2011/09/interviews-man-child-diy-filmmaking/#comments</comments>
		<pubDate>Mon, 05 Sep 2011 21:07:35 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[manchild]]></category>
		<category><![CDATA[pr]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=14391</guid>
		<description><![CDATA[It&#8217;s been a very slow Labor Day weekend for the Man-child campaign &#8212; dang federal holidays! So while I&#8217;m working on a video update specifically for NoFilmSchool readers, in the meantime here&#8217;s a brand-new video interview I did with TV Writer Podcast presented by Script Magazine. In the interview, we talk about film school, crowdfunding, [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-14396" title="man-child koo tv radio podcast" src="http://nofilmschool.com/wp-content/uploads/2011/09/man-child-koo-tv-radio-podcast-224x126.jpg" alt="" width="224" height="126" />It&#8217;s been a <em>very</em> slow Labor Day weekend for the <a href="http://nofilmschool.com/manchild"><em>Man-child</em> campaign</a> &#8212; dang federal holidays! So while I&#8217;m working on a video update specifically for NoFilmSchool readers, in the meantime here&#8217;s a brand-new video interview I did with <a href="http://www.tvwriterpodcast.com/">TV Writer Podcast</a> presented by <a href="http://www.scriptmag.com/">Script Magazine</a>. In the interview, we talk about film school, crowdfunding, DSLRs, and DIY filmmaking (please forgive the aggrandizing bio at the beginning): <a href="http://nofilmschool.com/2011/09/interviews-man-child-diy-filmmaking/#more-14391" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>8</slash:comments>
	
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		<title>Darren Aronofsky Talks About Film School, His Early Years, and Gives Advice to Aspiring Filmmakers</title>
		<link>http://nofilmschool.com/2011/05/darren-aronofsky-talks-film-school-early/</link>
		<comments>http://nofilmschool.com/2011/05/darren-aronofsky-talks-film-school-early/#comments</comments>
		<pubDate>Tue, 17 May 2011 14:30:27 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[darrenaronofsky]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[makingof]]></category>

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		<description><![CDATA[Darren Aronofsky, who needs no introduction, sits down below for an interview about his early years attending graduate film school at AFI, his experiences famously shooting Pi for $20k, and gives some worthy advice for up-and-coming filmmakers.]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/05/aronofksy-224x114.jpg" alt="" title="aronofksy" width="224" height="114" class="alignleft size-medium wp-image-12180" />Darren Aronofsky, who needs no introduction, sits down below for an interview about his early years attending graduate film school at <a href="http://www.afi.com/">AFI</a>, his experiences famously shooting <em>Pi</em> for $20k, and gives some worthy advice for up-and-coming filmmakers. <a href="http://nofilmschool.com/2011/05/darren-aronofsky-talks-film-school-early/#more-12178" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>11</slash:comments>
	
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