» Posts Tagged ‘lut’
SmallHD has made a pretty significant upgrade to their already visually superb 7″ DP7 field monitor, and David Bredbury gives us a quick demo at the SmallHD booth at NAB. The new features in the DP7 include the ability to load and export custom 3D LUTs, as well as editing and grading footage in real-time. Continue on to see the DP7 in action, as well as all pricing and availability information. More »
Suffice it to say some lucky, happy campers here at NFS have recently (finally) gotten their hands on a refurbished Canon 5D Mark III. Substances will surely flow in the not-too-distant future — and by substances I think I mean “footage.” We recently came across an overall-helpful 5D3 RAW DaVinci Resolve workflow tutorial from DP Hunter Hampton Richards, which we have found very helpful in our early experiences. Hunter has devised his own custom LUT to Alexa-ify your 5D CinemaDNG RAW footage, emulating that camera’s Rec. 709 output. Hunter also digs Purity Ring, so you’ll definitely want to check this out. More »
There are some cool new features in Adobe’s revamped lineup of professional video applications. From the new tools in After Effects, to fantastic new noise reduction plugins in Audition, it’s safe to say that the Creative Suite has never been more powerful or easier to use. One of the new features that’s had me the most excited however, is the integration of Speedgrade’s Lumetri Deep Color Engine directly into Premiere Pro, thus making Premiere one of the most powerful NLE’s on the market in regards to color correction. Hit the jump for a couple of top-notch tutorials that will get you up to speed with the Lumetri Deep Color Engine and how you can use its magical powers to apply various types of looks directly inside of Premiere. More »
Ever asked yourself, “What in the f#$% is a LUT?!” Or what a LUT’s relationship is with color space? Or what a color space is? If “yes,” not to worry — these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers the fundamentals. And even if you answered “no” to all the above, you should still check out some of outstanding basic-breakdowns of these concepts below — including how to convert CinemaDNG footage into the Academy Color Encoding Spec color space (ACES) in Davinci Resolve, plus how to use that very program to generate dailies (like a boss). More »
This is a guest post by producer/colorist Jay Friesen.
There are a lot of great tools out for grading and finishing. Cineform’s First Light has been out for a while now and Red Giant’s LUT Buddy was just released. Technicolor also released their CineStyle profile for Canon DSLRs and their documentation talks about using the included Look Up Table (LUT) in the post processing of your footage. The new Sony F3 will soon have a firmware upgrade that enables an uncompressed 4:4:4 S-LOG mode that utilizes LUTs. So, what exactly is a LUT? More »
Red Giant Software has released two free plugins that work in Final Cut Pro, Premiere Pro, and After Effects: a limited version of their great Colorista color-correction plugin, as well as a new plugin named LUT Buddy. More »