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	<title>nofilmschool &#187; oled</title>
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	<description>read, discuss, learn: free film school for all</description>
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		<title>OLED Monitor? 4K RAW Recorder? Convergent Design&#039;s New Odyssey7 Series Combines All of the Above</title>
		<link>http://nofilmschool.com/2013/03/convergent-design-odyssey7-oled-monitor-external-recorder/</link>
		<comments>http://nofilmschool.com/2013/03/convergent-design-odyssey7-oled-monitor-external-recorder/#comments</comments>
		<pubDate>Tue, 26 Mar 2013 17:40:12 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[convergentdesign]]></category>
		<category><![CDATA[externalmonitor]]></category>
		<category><![CDATA[externalrecorder]]></category>
		<category><![CDATA[odyssey7]]></category>
		<category><![CDATA[oled]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=47579</guid>
		<description><![CDATA[Convergent Design, one of the first companies to introduce a small and portable external recorder with the Nanoflash, just unleashed a brand new 7.7&#8243; OLED 1280 x 800 external monitor that also doubles as an external recorder capable of receiving 4K RAW as well as uncompressed and DNxHD formats. That&#8217;s right, the company has decided that [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-47595 style-off" title="Convergent Design Odyssey 7" src="http://nofilmschool.com/wp-content/uploads/2013/03/Convergent-Design-ODYSSEY7front-e1364315834606-224x169.jpg" alt="" width="224" height="169" /><a href="http://nofilmschool.com/tag/convergentdesign/">Convergent Design</a>, one of the first companies to introduce a small and portable external recorder with the Nanoflash, just unleashed a brand new 7.7&#8243; OLED 1280 x 800 external monitor that also doubles as an external recorder capable of receiving 4K RAW as well as uncompressed and DNxHD formats. That&#8217;s right, the company has decided that your external monitor isn&#8217;t good enough, and your external recorder is a little boring, so the best of both worlds should be combined into one device to rule them all. Here is the introduction video from the company: <a href="http://nofilmschool.com/2013/03/convergent-design-odyssey7-oled-monitor-external-recorder/#more-47579" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>61</slash:comments>
	
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			<media:title type="html"><![CDATA[OLED Monitor? 4K RAW Recorder? Convergent Design&#039;s New Odyssey7 Series Combines All of the Above - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Convergent Design, one of the first companies to introduce a small and portable external recorder with the Nanoflash, just unleashed a brand new 7.7&#34; OLED 1280 x 800 external monitor that also doubles as an external recorder capable of receiving 4K RAW as well as uncompressed and DNxHD formats. Tha]]></media:description>
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			<media:title type="html"><![CDATA[Convergent Design Odyssey 7]]></media:title>
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		<title>AbleCine EXPO: Everything You Ever Wanted to Know About On-Board Monitors</title>
		<link>http://nofilmschool.com/2013/03/ablecine-expo-on-board-monitors/</link>
		<comments>http://nofilmschool.com/2013/03/ablecine-expo-on-board-monitors/#comments</comments>
		<pubDate>Sun, 10 Mar 2013 01:21:01 +0000</pubDate>
		<dc:creator>Robert Hardy</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[abelcine]]></category>
		<category><![CDATA[externalmonitor]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[oled]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=45803</guid>
		<description><![CDATA[On-board monitors might not be among the sexiest pieces of gear on set, but they are definitely among the most useful. Whether they&#8217;re used as a reference for a camera assistant or a dolly grip, the camera operator isn&#8217;t able to use the eyepiece, or you&#8217;ve got a director who likes to hover behind the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-46019" title="AbelCine Expo: On-Board Monitors" src="http://nofilmschool.com/wp-content/uploads/2013/03/AbelCine-Expo-On-Board-Monitors1-224x127.png" alt="" width="224" height="127" />On-board monitors might not be among the <a href="http://nofilmschool.com/2012/07/why-cant-we-have-beautiful-digital-cinema-cameras/">sexiest pieces of gear on set</a>, but they are definitely among the most useful. Whether they&#8217;re used as a reference for a camera assistant or a dolly grip, the camera operator isn&#8217;t able to use the eyepiece, or you&#8217;ve got a director who likes to hover behind the camera, on-board monitors have become essential to the filmmaking process in the digital age. But with so many different monitoring technologies, and with just as many options for these monitors in the marketplace, deciding which on-board monitor is right for your next production can be a downright daunting task. Luckily for us, <a href="http://www.abelcine.com/store/home.php">AbelCine</a> has our back. <a href="http://nofilmschool.com/2013/03/ablecine-expo-on-board-monitors/#more-45803" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
	
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			<media:title type="html"><![CDATA[AbelCine Expo: On-Board Monitors]]></media:title>
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		<title>Meet Sony&#039;s New Budget Mirrorless Camera, the NEX-3N, and a New SLT, the A58</title>
		<link>http://nofilmschool.com/2013/02/sony-mirrorless-dslr-nex-3n-a58/</link>
		<comments>http://nofilmschool.com/2013/02/sony-mirrorless-dslr-nex-3n-a58/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 20:53:36 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[cameras]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[nex3n]]></category>
		<category><![CDATA[oled]]></category>
		<category><![CDATA[shooting]]></category>
		<category><![CDATA[sony]]></category>
		<category><![CDATA[sonya58]]></category>
		<category><![CDATA[triluminos]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=44622</guid>
		<description><![CDATA[Sony isn&#8217;t about to be left behind in any facet of video technology, be it camera, console, or display. They&#8217;ve got a model at every conceivable price point for every person out there. There have been some leaks of a new budget mirrorless camera, and now we finally have our first glimpse. Sony has unveiled [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-44704 style-off" title="sony a58 dslr aps c sensor a alpha lens mount camera 1080p video 2" src="http://nofilmschool.com/wp-content/uploads/2013/02/sony-a58-dslr-aps-c-sensor-a-alpha-lens-mount-camera-1080p-video-2-e1361461137952-224x150.jpg" alt="" width="224" height="150" />Sony isn&#8217;t about to be left behind in any facet of video technology, be it camera, console, or display. They&#8217;ve got a model at every conceivable price point for every person out there. There have been some leaks of a new budget mirrorless camera, and now we finally have our first glimpse. Sony has unveiled the A58, a digital SLT (single lens translucent mirror), and the least expensive E-mount mirrorless camera in their lineup, the NEX-3N. They&#8217;re cheap, they&#8217;re light, and they&#8217;ll render &#8220;vivid, ultra-realistic colors&#8221; on special OLED displays. Read on for some details and beauty shots. <a href="http://nofilmschool.com/2013/02/sony-mirrorless-dslr-nex-3n-a58/#more-44622" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/02/sony-mirrorless-dslr-nex-3n-a58/feed/</wfw:commentRss>
		<slash:comments>21</slash:comments>
	
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			<media:title type="html"><![CDATA[sony a58 dslr aps c sensor a alpha lens mount camera 1080p video 2]]></media:title>
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		<title>SmallHD Unveils Sleek New AC7 OLED Monitors at Ground-Breakingly Low Price Point</title>
		<link>http://nofilmschool.com/2012/11/smallhd-reveals-ac7-oled-monitors/</link>
		<comments>http://nofilmschool.com/2012/11/smallhd-reveals-ac7-oled-monitors/#comments</comments>
		<pubDate>Mon, 26 Nov 2012 22:42:04 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[externalmonitor]]></category>
		<category><![CDATA[lcd]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[monitoring]]></category>
		<category><![CDATA[oled]]></category>
		<category><![CDATA[panel]]></category>
		<category><![CDATA[smallhd]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=34226</guid>
		<description><![CDATA[The differences between competing pieces of technology often become very, well, technical in explanation &#8212; but most of the time, we don&#8217;t get to use the term &#8216;organic&#8217; as a qualifier. This happens to be true in the case of SmallHD&#8217;s new OLED HDMI and SDI monitors &#8212; and Organic Light Emitting Diodes are actually [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-34256 style-off" title="smallhd ac7" src="http://nofilmschool.com/wp-content/uploads/2012/11/smallhd-ac7-224x126.jpg" alt="" width="224" height="126" />The differences between competing pieces of technology often become very, well, technical in explanation &#8212; but most of the time, we don&#8217;t get to use the term &#8216;organic&#8217; as a qualifier. This happens to be true in the case of SmallHD&#8217;s new OLED HDMI and SDI monitors &#8212; and Organic Light Emitting Diodes are actually news to me in general. What&#8217;s even more exciting is that <a href="http://nofilmschool.com/tag/smallhd/">SmallHD is looking to provide very high-quality monitoring solutions</a> for prices previously unheard-of. Read on for a more comprehensive specs readout and a bit on what makes OLEDs different from traditional LCD systems. <a href="http://nofilmschool.com/2012/11/smallhd-reveals-ac7-oled-monitors/#more-34226" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/11/smallhd-reveals-ac7-oled-monitors/feed/</wfw:commentRss>
		<slash:comments>43</slash:comments>
	
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			<media:title type="html"><![CDATA[SmallHD Unveils Sleek New AC7 OLED Monitors at Ground-Breakingly Low Price Point - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The differences between competing pieces of technology often become very, well, technical in explanation -- but most of the time, we don&#039;t get to use the term &#039;organic&#039; as a qualifier. This happens to be true in the case of SmallHD&#039;s new OLED HDMI and SDI monitors -- and Organic Light Emitting Diode]]></media:description>
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		<item>
		<title>MicroOLED Screen Promises Massive 1280x1024 Resolution for the Next Generation of EVFs</title>
		<link>http://nofilmschool.com/2012/02/microoled-screen-promises-massive-1280/</link>
		<comments>http://nofilmschool.com/2012/02/microoled-screen-promises-massive-1280/#comments</comments>
		<pubDate>Fri, 24 Feb 2012 18:43:48 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[arri]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[electronicviewfinder]]></category>
		<category><![CDATA[evf]]></category>
		<category><![CDATA[microoled]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[oled]]></category>
		<category><![CDATA[panasonic]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[sony]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=18705</guid>
		<description><![CDATA[Electronic Viewfinders have slowly been replacing traditional viewfinders for the past few years, but last year&#8217;s NAB saw an explosion in cameras with all-digital viewfinders &#8211; as well as standalone EVF products. Sony has been in the lead for the quality of the EVF on their cameras, specifically the NEX-7, A77, and A65. Panasonic is [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-18894 style-off" src="http://nofilmschool.com/wp-content/uploads/2012/02/MicroOLED-224x188.jpg" alt="" width="224" height="188" />Electronic Viewfinders have slowly been replacing traditional viewfinders for the past few years, but <a title="NAB Roundup: Electronic Viewfinders from Zacuto, Cineroid, SmallHD, and More" href="http://nofilmschool.com/2011/04/nab-roundup-electronic-viewfinders-zacuto/">last year&#8217;s NAB</a> saw an explosion in <a title="Sony Announces Innovative A77, A65, and NEX-7 Cameras with Full 1080/60p Video" href="http://nofilmschool.com/2011/08/sony-a77-a65-nex7/">cameras with all-digital viewfinders</a> &#8211; as well as <a title="Redrock Micro Aims to Release $375 Electronic Viewfinder with microEVF" href="http://nofilmschool.com/2011/05/redrock-micro-targets-375-price-point-microevf/">standalone EVF products</a>. Sony has been in the lead for the quality of the EVF on their cameras, specifically the NEX-7, A77, and A65. Panasonic is just behind with their GH2. But all of the EVFs on these cameras pale in comparison to<a href="http://www.microoled.net/"> MicroOLED&#8217;s</a> technology.  <a href="http://nofilmschool.com/2012/02/microoled-screen-promises-massive-1280/#more-18705" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>12</slash:comments>
	
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