» Posts Tagged ‘panavision’

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ARRI Logo LargeWhile the 6K market may start to get crowded over the next few years, what’s so special about that resolution? As an acquisition format, 6K gives you all sorts of options for better-looking 4K with the ability to reframe and stabilize. That’s why it comes as no surprise that ARRI looks to be developing their own 6K camera, but instead of squeezing those pixels onto a Super 35mm sensor like the RED DRAGON or the new Kinefinity 6K cameras are, the company is letting them breathe on a gigantic 65mm sensor. More »

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Screen Shot 2014-03-16 at 11.47.00 PMBelieve it or not, shooting on film is still a legitimate thing (I know, it’s shocking). Despite the fact that digital imaging is finally matching the technical capabilities of film (and maybe even surpassing it in the case of DRAGON), many narrative productions are still shooting on good old fashioned celluloid. What does this mean for younger folks looking to make a career in the camera department? Well for one, it means that knowing your way around a film camera, and knowing how to load various types of magazines, is still a valuable skill in this industry, one that might land you a gig or two. Luckily for us, literally anything can be learned on YouTube, including the methods for loading film in a variety of popular magazines and cameras. More »

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Screen Shot 2013-12-11 at 12.13.38 PMHere at No Film School we often talk about various pieces of gear. Unfortunately, the common sentiment seems to be that gear needs to be priced to own in order for it to be of any use to the readers of a site about low-budget and DIY filmmaking. However, focusing solely on the lower-priced gear can potentially leave people unaware of the gear that they would likely encounter on larger film sets. With that in mind, here’s a brief introduction to a piece of gear that you will never own, but one that you may very well see on various sets, the Panavision Supertechno 100-foot crane. More »

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Panavision Primo VIn the past few weeks we’ve talked multiple times about high-end cinema lenses. First, we shared a brief comparison of the Zeiss Compact Zooms and Arri-Zeiss Ultra/Master Primes. Then last week, we talked about Cooke lenses and why the “Cooke Look” is so desirable to filmmakers. However, there’s one major brand of high-end cinema lenses that hasn’t gotten much NFS love yet, and that brand is Panavision. That trend is about to change, though, because Panavision just released their Primo V series of lenses, which just so happen to be the first cinema lenses designed specifically for large sensor, high-resolution digital cinema cameras. Read on to see what these lenses are all about. More »

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While there have been rumors for years about Hollywood rental and camera company Panavision developing a new camera to replace the aging Genesis, that’s pretty much all we’ve gotten: rumors. Back in early December at the Plus Camerimage 2012 festival, Panavision unveiled a prototype for a digital camera that will have a sensor equivalent to 70mm. It’s interesting and significant for a number of reasons, mostly because the last time Panavision developed a camera it became the standard that other digital cinema cameras had to live up to, and also because it signals that the company might think that’s where the future of movies is headed. More »