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		<title>Sound Devices Gets into the ProRes 12-bit 4:4:4:4 Game with Free PIX V3.0 Firmware Update</title>
		<link>http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/</link>
		<comments>http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/#comments</comments>
		<pubDate>Sat, 29 Dec 2012 03:45:02 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[externalrecorder]]></category>
		<category><![CDATA[firmware]]></category>
		<category><![CDATA[pix240]]></category>
		<category><![CDATA[prores]]></category>
		<category><![CDATA[sounddevices]]></category>

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		<description><![CDATA[The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their PIX series of external monitor/recorders that [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/wp-content/uploads/2012/12/pix-firmware-aurora.jpg"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-38288" title="pix-firmware-aurora" src="http://nofilmschool.com/wp-content/uploads/2012/12/pix-firmware-aurora-224x49.jpg" alt="" width="224" height="49" /></a>The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their <a href="http://www.bhphotovideo.com/c/search?Ntt=pix+recorder&amp;N=0&amp;InitialSearch=yes&amp;sts=ma&amp;Top+Nav-Search=&amp;BI=5955&amp;KBID=6829">PIX series of external monitor/recorders</a> that is capable of giving access to the full power of the 3G-SDI, thereby allowing you to record in the 12-bit ProRes 4:4:4:4 codec at up to 30fps. <a href="http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/#more-38287" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>15</slash:comments>
	
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			<media:title type="html"><![CDATA[Sound Devices Gets into the ProRes 12-bit 4:4:4:4 Game with Free PIX V3.0 Firmware Update - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their PIX seri]]></media:description>
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		<title>Creating Arri Alexa Dailies with the Sound Devices PIX 240</title>
		<link>http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/</link>
		<comments>http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 08:04:23 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[abelcine]]></category>
		<category><![CDATA[andyshipsides]]></category>
		<category><![CDATA[arrialexa]]></category>
		<category><![CDATA[pix240]]></category>
		<category><![CDATA[sounddevices]]></category>

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		<description><![CDATA[While many productions choose the Arri Alexa for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction will usually choose a log profile, but this also [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-28782" title="Arri Alexa and Pix240 dailies" src="http://nofilmschool.com/wp-content/uploads/2012/09/Arri-Alexa-and-Pix240-dailies-224x126.jpg" alt="" width="224" height="126" /></p>
<p>While many productions choose the <a href="http://nofilmschool.com/tag/arrialexa/">Arri Alexa</a> for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction <a href="http://nofilmschool.com/2012/06/understanding-difference-raw-log-uncompressed/">will usually choose a log profile</a>, but this also means that unless you do some sort of correction, the files will be very flat. Since the Alexa can output both log and standard gamma profiles, you can use an external recorder like the <a href="http://www.bhphotovideo.com/c/product/767838-REG/Sound_Devices_PIX_240_PIX_240_Video_Recorder.html/BI/5955/KBID/6829">Sound Devices PIX 240</a> to record proxy files with a standrad gamma profile. The new 2.01 firmware for the 240 gives it the ability receive timecode and have identical file names to the internally recorded files from the Alexa, so those can be matched up perfectly when you want to re-link files later for color grading. <a href="http://nofilmschool.com/tag/andyshipsides/">Andy Shipsides</a> from <a href="http://nofilmschool.com/tag/abelcine/">AbelCine</a> gives a walk-through of that process in this video:  <a href="http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/#more-28681" class="more-link">(more&#8230;)</a></p>
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			<media:title type="html"><![CDATA[Creating Arri Alexa Dailies with the Sound Devices PIX 240 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ While many productions choose the Arri Alexa for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction will usua]]></media:description>
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