» Posts Tagged ‘pl’
There are now more options than ever for good professionally built lenses, and many of them are exceptionally fast. None of them are perfect at their widest aperture (well, a few come as close as possible), but there are times when you just need that extra stop or two of light, even if you might normally be shooting more closed down. SALT, the Southland Alternative Lens Test, is conducted by a group of professionals who test a wide range of lenses against each other in difficult situations, trying to determine the strengths and weaknesses of each set of lenses. The most recent test, WFO, is specifically designed to push lenses like Master Primes, Zeiss Super Speeds, and Canon Cine lenses at their widest aperture to see how well they perform. Check out the test below. More »
Last week I shared a “blind” shootout between seven sets of prime lenses. Viewers of the extensive test were instructed to pick their favorites and wait for the answer key to find out which lens was which. Now the answers are live with the videos, and downloadable .R3D files (it was shot on a RED EPIC) are also available: More »
What have we here? A nice addition to the roundup of lens options for the new breed of Super35 cameras. Indent Studios in Oregon hosted a shootout between seven different PL lens sets: the Cooke Panchro /i, Luma Tech Super 35 Illuminas, Red Pro Primes, Unique Optics Kenji Suematsu Series, Leica R Cine-Mod, Schneider Cine-Xenar II, & Zeiss Compact Primes v1 & v2. Shot on a RED EPIC at 5K, they’ve released the tests initially as a “blind” test — meaning, go ahead and watch them and pick your favorite lenses. Then, a week later, they’ll label the tests so you know which is which: More »











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