» Posts Tagged ‘postproduction’

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Inside the Edit Paddy Bird

A few months ago, we shared an excellent short animation that detailed the ins and outs of what exactly an experienced editor does. Although we only briefly mentioned it at the time, that video was an advertisement for Inside the Edit, a soon-to-be-released online creative editing course. Yesterday marked the official release of Inside the Edit, and we here at No Film School couldn’t be more excited about the tremendous potential value that this course offers to aspiring editors wishing to break into the industry. I recently had the opportunity to chat with Paddy Bird, the founder of Inside the Edit, about what sets this course apart from any other editing course on the market today. More »

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Disney Automatic EditingWe all know that editing is an incredibly complex craft, one that requires not only an immaculate sense of timing, but also an in-depth knowledge of narrative structure. The edit is, after all, the final re-writing of the script. With that said, editing can also be, well, a pain in the ass, with hours on end spent making minuscule changes. But what if an edit, or at least a competent rough cut, could be done with an algorithm designed to choose the best shots and string them together with continuity? Well, a group of engineers with Disney Research have done just that, and they’ve put together a brief video explanation of how it all works. More »

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House of Cards - Kevin Spacey - Text MessageFor the past 15 years, filmmakers have been attempting to tackle a serious problem: how to visually portray the screens that permeate every aspect of modern life. From computers to smart phones, screens — and more importantly, the information on those screens — have become instrumental components of the contemporary human experience. As such, filmmakers have an inherent need to find ways to incorporate this experience and information into their visual stories. The only problem? Pointing a camera at a cell phone or computer often doesn’t look great, and it can be difficult to absorb the required information. Some filmmakers, however, have found ways to make it interesting. More »

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EditReady

Earlier in the summer, Divergent Media, a software company whose tools need no introduction in the video production world, released EditReady, a Mac transcoding app with a tremendous claim, that it was supposedly the world’s fastest transcoder for Quicktime conversion. In a market that is fairly saturated with transcoding solutions for filmmakers, that is definitely a bold claim, to say the least. However, after reading about what sets EditReady apart from its competitors, then testing the app for myself, I’m ready to say that the claim is indeed a valid one. I also talked briefly with Mike Woodworth, the CEO of Divergent Media, who’s also the lead developer of EditReady, and learned more about how the software was designed, what it can and cannot do, and where it is headed in the future. More »

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acrovid footagestudio 4k video assets media transcode conversion frame rate resolution effects slow motion file filmmaking app utility tool windows pc computerApple’s ProRes family of codecs is integral to the workflow of many a camera these days. Whether you’re offline editing RED RAW footage or working right off Alexa or Blackmagic camera negative, there’s a good chance you’re doing it in ProRes — which in turn means you’re probably doing it in Mac OSX. Enter FootageStudio 4K, a standalone video encoder recently released by Acrovid. Featuring powerful codec support and a variety of frame rate & resolution conversion capabilities, FootageStudio 4K is also one of the few ways you can encode to/from Apple ProRes on the Windows platform. More »

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Ryan_Connolly_Guerrila_Filmmaking_WEB_1600x900In the past two months, we’ve covered several courses from the good folks over at CreativeLive, an outstanding online educational resource for creatives of all types. First was Larry Jordan’s comprehensive FCPX masterclass. Then there was an epic 2-day course on aerial photography. This coming Monday, August 11th to be exact, another course is beginning that should definitely be of interest to independent and low-budget filmmakers. It’s called Guerilla Filmmaking, and it’s being taught by Ryan Connolly of Film Riot fame. So, if you’ve got any spare time this coming Monday through Wednesday, tuning into Connolly’s course will provide an educational alternative to the cat videos that you would probably be watching otherwise. More »

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Resolve 11 EditingAt NAB 2014, Blackmagic Design announced DaVinci Resolve 11, and it not only contained a handful of fantastic new color correction and organization features, but also upwards of 70 new editing features that brought Resolve’s timeline trimming functionality into line with many of today’s popular NLEs. After a month and a half in public beta testing, the final release version of DaVinci Resolve 11 was made available today. More »

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ADR Adobe AuditionIn theory, ADR is a relatively simple process. You bring your actors into a vocal booth, show them their original performance, then record a clean take of them mimicking that original performance. Easy right? Well once you start replacing the production sound with the newly-recorded audio, things can start to get tricky. Oftentimes minuscule variations in performance can lead to ADR that just doesn’t work because of barely-perceptible sync issues. This can be fixed in most audio post production programs by subtly warping the audio file to match the original clip, but that process is tedious and time-consuming, and often the results still aren’t up to par. Luckily, there’s a feature in Adobe Audition that will do all of that work for you with a few clicks. It’s called “Automated Speech Alignment” and the good folks at PeachpitTV have a tutorial to show you how it’s done. More »

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Masking & Tracking Adobe PremiereIn the month since Adobe released the 2014 updates to all of their Creative Cloud video applications, we’ve covered many of the significant new features in Premiere, After Effects, SpeedGrade, and Audition. However, we still have not covered one of the most significant time-saving features that was included in Premiere Pro 2014. I’m talking of course about “Masking and Tracking,” something which used to require timely round-trips between Premiere and After Effects. For all of your effects-based tracking, that round-tripping is no longer necessary, as it can all be accomplished directly inside of Premiere Pro. Here’s Larry Jordan to show you just how simple it is. More »

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Learn Color GradingThere are many factors that go into making a film look cinematic, like lighting, blocking, and camera settings, but creating a good color grade is certainly somewhere near the top. If you’re completely new to color grading, but are looking for an opportunity to really get a firm grasp of it (or even if you just want to learn a few new techniques), this intensive DaVinci Resolve class, which will teach you everything from the basics of the interface to advanced color control, is now 75% off  ($49) on the online learning platform Udemy. More »

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Resolve BMPCCChances are that, unless you live under a rock, you know that the already-reasonable price of the Blackmagic Pocket  Cinema Camera dropped dramatically earlier this month. As such, I think that it is pretty safe to assume that there are quite a few new owners of the bite-sized camera. For some, the post processing of the BMPCC footage will be similar to what they’ve experienced with many of the other cinema cameras that shoot log footage and RAW. However, for people who are just starting to work with the flat images from the Blackmagic Film Gamma, getting an appropriately colored and aesthetically pleasing image can seem like a daunting task. Luckily, Casey Faris uploaded a fantastic tutorial that will show you how to get snappy color from both your BMPCC ProRes and RAW files inside of DaVinci Resolve. More »

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Adam EpsteinThe Saturday Night Live Film Unit is responsible for the short films (like this Wes Anderson horror parody) that get broadcast every Saturday night. Many are written, shot, and edited in 4 days or less, which makes for a very condensed and hectic production and post schedule. Last month, we interviewed Adam Epstein, the staff editor for the SNL Film Unit, and he not only provided technical information about how he works, but also some insight into how to be creative and effective on extremely tight deadlines. But that’s not where the great info stops, because Adam is now gearing up to hit the road for his Cutting Edge Tour, in which he’ll teach you everything you need to know in order to go from an empty timeline to an effective broadcast-ready piece. More »

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DaVinci Resolve 11 Beta 2Blackmagic has pushed the DaVinci Resolve 11 color grading suite even closer to being a full-fledged editor, but the company, at the least for the moment, does not have any interest taking editing jobs away from the big names like Final Cut, Premiere, and Avid. While the program is still in Beta form, it’s far closer to a finished product than lots of other Beta software, and they are releasing new updates all the time. The newest Beta 2 includes support for Apple’s new ProRes 4444 XQ codec, Final Cut Pro X XML 10.1.2, and a number of other new features. More »

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Adobe Audition CCFor the past month, we’ve been covering the latest release of Adobe’s CC video applications extensively — from the exciting new titling features in Premiere, to the two new keying effects inside of After Effects, to the full gamut of new features in SpeedGrade. Those aren’t the only apps that received a few new welcome additions to their feature-sets, however. Audition, Adobe’s audio post-production program, also got a few new usability and interface updates that make multi-track mixing sessions easier to navigate. In an excerpt from one of his many post production courses, Larry Jordan breaks down these new features in Audition and provides a few helpful tips and tricks. More »

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Lawrence of Arabia EditingThere are very few things that you can learn in film school that can’t be learned online in some form or another. The only problem is that tracking down all of that information can be a bit of, well, a pain in the ass. Oftentimes you have to dig through page after page on obscure forums, or watch YouTube video after YouTube video, just to find something that is relatively helpful in your pursuit of filmmaking knowledge. Other times however, sites like IndieWire, Cinefix, (and ours, of course) bring the film school to you, without any need for absurd tuition and a lifetime of debt, and for people wondering what kind of material is taught in college editing courses, right now is one of those times. More »

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Izotope RX3A few weeks ago, we shared a post about using Adobe Audition’s built-in noise reduction tools to rescue bad production audio. While I personally have been satisfied by the results that I get from the suite of tools in Audition, many of the comments on our Facebook post and the article itself mentioned a popular noise-reduction plugin called Izotope RX3. After some cursory research, I’m now convinced that RX3 is the most magical thing that I have ever laid eyes upon. So with that in mind, here’s a quick overview of the Izotope RX3 as well as a few tutorials on how to incorporate the plugin into your audio post-production workflow. More »

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After Effects Key CleanerOver the past two weeks, we’ve been sharing tutorials for the new features that were introduced in the recent major update to Adobe’s Creative Cloud video applications. First we took a look at Live Text Templates, which allow for complex text compositions from After Effects to be manipulated inside of Premiere. Then we took a look at the new features in SpeedGrade 2014, including stronger linking with Premiere and a host of new usability features. After Effects also received several new features in this most recent update, including two new effects which should make the keying process much faster and more accurate. More »

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SpeedGrade CCLast week, Adobe released the much-anticipated update to their Creative Cloud video applications. We’ve already taken a look at one of the most exciting new features inside of Premiere/After Effects, Live Text Templates, which allows multi-faceted After Effects text compositions to be manipulated directly inside of Premiere, eliminating the need for excessive round-tripping. However, Live Text Templates are just the tip of the iceberg when it comes to new features in this update. SpeedGrade CC, Adobe’s color grading application, also received a few welcome new features, features that one of our readers, Dave Andrade, shows off in a new video. More »

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scott freeman online editing editor post production cinema film filmmaking movies tv television series avid symphony blackmagic davinci resolve media workflowPerhaps one of the most under-appreciated aspects of cinema production is the work that goes into post. Editing, color grading, and visual effects play huge roles in shaping the final piece, but unseen and often unsung is the important work of the supporting positions in editorial, such as assistant editor and online editor. The men and women doing this kind of work keep the media management madness at bay, steam-rolling the workflow and ironing out issues so that editors and colorists may do their jobs unimpeded. To help lessen the burden, veteran online editor Scott Freeman has shared what he believes to be the first-ever unbreakable workflow between Avid Symphony and DaVinci Resolve. If hardcore work between these two tools is common for you, his research is a must-read. More »

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DaVinci Resolve 11 EditingIn the early days of NAB 2014, Blackmagic Design shared a few new products that made a major splash. However, even though some of these products generated some serious excitement, their biggest announcement by far was the fact that DaVinci Resolve, the legendary color correction software, was now also a fully fledged NLE with a host of new trimming and timeline tools. Although the official release date for the software is still several months out at this point, today Blackmagic released the public beta of version 11, which can now be downloaded from their website. More »