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	<title>nofilmschool &#187; preproduction</title>
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		<title>Why Make a Short? Why Run a Kickstarter Campaign So Early? The MANCHILD Q&amp;A</title>
		<link>http://nofilmschool.com/2013/02/short-kickstarter-campaign-manchild-qa/</link>
		<comments>http://nofilmschool.com/2013/02/short-kickstarter-campaign-manchild-qa/#comments</comments>
		<pubDate>Tue, 12 Feb 2013 11:29:13 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[financing]]></category>
		<category><![CDATA[fundraising]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[manchild]]></category>
		<category><![CDATA[preproduction]]></category>
		<category><![CDATA[screenwriting]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=43761</guid>
		<description><![CDATA[In the comments section of my more-contentious-than-I-expected post about making a short that ties into my forthcoming feature MANCHILD, there were a lot of questions about my project, as well as the overall wisdom of making a short in order to fundraise for a feature. Reading through the comments, I realized I could&#8217;ve delved deeper [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-43768" title="ryan-koo---joe-marine" src="http://nofilmschool.com/wp-content/uploads/2013/02/ryan-koo-joe-marine2-224x132.jpg" alt="" width="224" height="132" />In the comments section of my more-contentious-than-I-expected post about <a href="http://nofilmschool.com/2013/02/1-write-feature-2-short-3-feature-made/">making a short that ties into my forthcoming feature <em>MANCHILD</em></a>, there were a lot of questions about my project, as well as the overall wisdom of making a short in order to fundraise for a feature. Reading through the comments, I realized I could&#8217;ve delved deeper into the timeline of what&#8217;s happened since my <a href="http://www.kickstarter.com/projects/ryanbkoo/man-child-feature-film">Kickstarter campaign</a>. So, to answer some of the questions posed in the comments &#8212; as well as to generally shoot the shit about filmmaking &#8212; I sat down (virtually) with NFS editor <a href="http://nofilmschool.com/author/jmarine/">Joe Marine</a> for an wide-ranging video chat. <a href="http://nofilmschool.com/2013/02/short-kickstarter-campaign-manchild-qa/#more-43761" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>72</slash:comments>
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			<media:title type="html"><![CDATA[Why Make a Short? Why Run a Kickstarter Campaign So Early? The MANCHILD Q&#38;A - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[In the comments section of my more-contentious-than-I-expected post about making a short that ties into my forthcoming feature MANCHILD, there were a lot of questions about my project, as well as the overall wisdom of making a short in order to fundraise for a feature. Reading through the comments, ]]></media:description>
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		<title>1. Write the Feature. 2. Make a Short. 3. Get the Feature Made. (Coming Soon: a MANCHILD Short)</title>
		<link>http://nofilmschool.com/2013/02/1-write-feature-2-short-3-feature-made/</link>
		<comments>http://nofilmschool.com/2013/02/1-write-feature-2-short-3-feature-made/#comments</comments>
		<pubDate>Mon, 04 Feb 2013 20:29:05 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[financing]]></category>
		<category><![CDATA[fundraising]]></category>
		<category><![CDATA[manchild]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[preproduction]]></category>
		<category><![CDATA[short]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=30534</guid>
		<description><![CDATA[UPDATE: In response to some of the (heated! opinionated!) questions and comments on this post, we did a long video Q&#038;A as well. I wrote recently about finishing the screenplay for my feature MANCHILD (for now&#8230; ), but it&#8217;s been a while since I talked about what else is going on in the trenches of [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  src="http://nofilmschool.com/wp-content/uploads/2013/02/Feature-Presentation-Feature-Film-Movie-Trailer.jpg" alt="" title="Feature-Presentation-Feature-Film-Movie-Trailer" width="616" height="315" class="aligncenter size-full wp-image-42763" /></p>
<p><em>UPDATE: In response to some of the (heated! opinionated!) questions and comments on this post, we did a <a href="http://nofilmschool.com/2013/02/short-kickstarter-campaign-manchild-qa/">long video Q&#038;A</a> as well.</em></p>
<p>I wrote recently about <a href="http://nofilmschool.com/2013/01/things-helped-finish-manchild-screenplay/">finishing the screenplay for my feature <em>MANCHILD</em></a> (for now&#8230; ), but it&#8217;s been a while since I talked about what else is going on in the trenches of first-time feature filmmaking. The title of the post gives it away: we&#8217;re making a short. Why are we doing this? And why do I think this strategy makes a lot of sense for other first-time feature directors? Because there are millions of people with a screenplay, all trying to figure out how to get from here (words on a page) to there (actual finished movie). If your goal seems impossibly far off, that&#8217;s when it&#8217;s time to bite off a smaller chunk and show what you&#8217;re capable of. <a href="http://nofilmschool.com/2013/02/1-write-feature-2-short-3-feature-made/#more-30534" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>114</slash:comments>
	
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			<media:title type="html"><![CDATA[1. Write the Feature. 2. Make a Short. 3. Get the Feature Made. (Coming Soon: a MANCHILD Short) - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ UPDATE: In response to some of the (heated! opinionated!) questions and comments on this post, we did a long video Q&#38;A as well. I wrote recently about finishing the screenplay for my feature MANCHILD (for now... ), but it&#039;s been a while since I talked about what else is going on in the trenches of ]]></media:description>
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		<title>Sylights is an Intuitive Lighting Diagram App for iOS Devices</title>
		<link>http://nofilmschool.com/2012/11/sylights-intuitive-lighting-diagram-app-ios-devices/</link>
		<comments>http://nofilmschool.com/2012/11/sylights-intuitive-lighting-diagram-app-ios-devices/#comments</comments>
		<pubDate>Thu, 22 Nov 2012 05:04:55 +0000</pubDate>
		<dc:creator>Benjamin Dewhurst</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[apps]]></category>
		<category><![CDATA[ios]]></category>
		<category><![CDATA[ipad]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[preproduction]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=33672</guid>
		<description><![CDATA[Thoughtful, artistic lighting is necessary to set your film apart from the competition. Some great planning and pre-production on lighting design can make a $5,000 short film sell a $50,000 look. And the good news is there are many tools that can help you achieve your intended look on an indie budget, from a good [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-33673 style-off" title="sylights lighting preview app" src="http://nofilmschool.com/wp-content/uploads/2012/11/sylights-lighting-preview-app-224x73.png" alt="" width="224" height="73" />Thoughtful, artistic <a href="http://nofilmschool.com/tag/lighting/">lighting</a> is necessary to set your film apart from the competition. Some great planning and pre-production on lighting design can make a $5,000 short film sell a $50,000 look. And the good news is there are many tools that can help you achieve your intended look on an indie budget, from a <a href="http://nofilmschool.com/2012/11/build-book-light-shane-hurlbut/">good book lighting setup</a> to <a href="http://nofilmschool.com/2012/05/shane-hurlbut-using-smoke-achieve-different-goals/">a bit of well-managed haze</a>. As a new iPad owner, I recently stumbled upon <a href="http://www.sylights.com/">Sylights</a>, an app geared at photographers that (like many things DSLR) also has great digital filmmaking applications. Hit the jump for some screen caps and a brief rundown of this handy FREE app/website: <a href="http://nofilmschool.com/2012/11/sylights-intuitive-lighting-diagram-app-ios-devices/#more-33672" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
	
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		<title>Fifteen Things to Prepare for when Making a Film</title>
		<link>http://nofilmschool.com/2011/03/fifteen-prepare-making-film/</link>
		<comments>http://nofilmschool.com/2011/03/fifteen-prepare-making-film/#comments</comments>
		<pubDate>Sat, 12 Mar 2011 19:01:47 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[guestpost]]></category>
		<category><![CDATA[preproduction]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=10112</guid>
		<description><![CDATA[This is a guest post by filmmaker William Speruzzi. 1. Use SAG talent (if you can) – If the budget can take the hit, go for people who have experience and know how to conduct themselves on a set, rehearse, etc. It will save you time and aggravation in the end. The last thing you want [...]]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by filmmaker <a href="http://www.thissavageart.com/">William Speruzzi</a>.</em></p>
<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/03/preparation.jpg" alt="" title="preparation" width="224" height="147" class="alignleft size-full wp-image-10589" />1. <strong>Use SAG talent (if you can)</strong> – If the budget can take the hit, go for people who have experience and know how to conduct themselves on a set, rehearse, etc. It will save you time and aggravation in the end. The last thing you want to do is teach someone how to act while you&#8217;re making your film. If you can’t go this way, get non-union but make sure all the talent is non-union. If you have a cast of ten actors and one actor is SAG then you still have to become a SAG signatory. An audience can forgive a scene that’s shot a little too dark but they will never believe a film that has poor acting. <a href="http://nofilmschool.com/2011/03/fifteen-prepare-making-film/#more-10112" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>25</slash:comments>
	
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