» Posts Tagged ‘redprojector’

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Digital technology is racing to replace celluloid in the theatrical space at an incredible pace. With many of the top professionals in the industry moving solely to digital, the landscape is changing drastically. Just recently we had one of the more respected cinematographers working today, Roger Deakins, talking about his experience using the Arri Alexa. Now, Ridley Scott gives us a little bit about his experience working with the RED EPIC in 3D and also explains how we can get people back into movie theaters: More »

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Loom, a science fiction short film directed by Luke Scott (son of Ridley and nephew of Tony), was used by RED to show off their 4K 3D projector at NAB 2012. The last time we talked about Luke Scott, he had just directed a viral video for his father Ridley’s Prometheus. While you won’t be able to watch it in 4K (or in 3D), the H.264 file is remarkably clean. The film is set in the mid-21st century and stars Giovanni Ribisi as a scientist working at a laboratory attempting to grow meat for human consumption. While he plays worker bee during the day, he’s got a secret that could land him in jail. More »

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The dream of any independent filmmaker is to one day project their film in pristine detail on the big screen. For many, this means hooking up an HD projector to a laptop and projecting on a less-than-optimal screen with less-than-optimal audio. If you are fortunate enough to have the money to rent out a real theater or you have access to one, there’s a good chance that theater is going to be using a digital projector that takes a DCP (or Digital Cinema Package). Unfortunately, they are not cheap to make — but if you’re willing to go the DIY route, there is now open source software called OpenDCP that will allow you to make cinema quality DCPs. Filmmaker Danny Lacey has a very thorough walk-through of the process in the video below. More »

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Earlier in the week I was able to watch the short film Loom, directed by Luke Scott and produced by his father, Ridley Scott. The entire futuristic sci-fi film was shot on Epic in 3D, and it was being projected on RED’s (not new) Laser Projector and RED Ray. Both of those products were announced a long time ago but RED may finally release them this year. Unfortunately at the beginning of the week the projector was only displaying 2K 3D in each eye, but it’s actually capable of 4K in each eye. I went back later in the week to see if it had been fixed but they were still working on the system, so I imagine at some point it will be 100% working as it ships late this year (hopefully). But the real question is: can 3D make a comeback with RED’s projector? Will the lower cost be beneficial to the survival of independent theaters or will this projector not be adopted by theaters at all? More »

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This being my first time at NAB, it’s a little overwhelming with the incredible amount of exhibitors on hand. It should also be noted there are not a team of shooters and editors on hand to help me out – just me shooting and uploading everything you see (if you’re wondering why some videos might take so long to be uploaded). Some of the biggest news of the first day was the Blackmagic Design Cinema Camera, which I had a few moments to play with and take a look at, and I also had a great interview with Simon Westland of Blackmagic. Some other big news was the announcement of the AJA Ki Pro Quad 4K recorder, and SmallHD’s new DP7 display, which has two versions – one with a very bright LCD and the other with an OLED – which reproduces colors impeccably. More »