Shane Carruth Discusses Visuals, Techniques, and 'Walden' in 'Upstream Color' Q&A

Christopher Boone — Tue, 16 Apr 2013 14:45:31 +0000

Back in January, we couldn’t catch up with Shane Carruth for our Sundance 2013 interviews (we tried!) to learn about his sophomore effort, Upstream Color. Now that Carruth has launched his self-distribution of Upstream Color in theatres with digital streaming and downloads coming on May 7, 2013, the writer-producer-director-actor-editor-cinematographer-camera operator-composer opened up a little bit about his film in a Q&A with Film Society of Lincoln Center as part of its New Directors/New Films series. (more…)

Panasonic GH2 at Sundance and Slamdance: Carruth's 'Upstream Color' and Orbegoso's 'Musgo'

Joe Marine — Tue, 05 Feb 2013 18:24:13 +0000

The Panasonic GH2 is something of an anomaly in the camera world. Out of the box it looked good enough, but it wasn’t until the hackers got to it that things really got interesting — which was a very similar situation to the previous camera, the GH1. The Panasonic line hasn’t quite taken the industry by storm the way the Canon DSLRs have, which could come down to familiarity and/or high-profile endorsements. Either way, that hasn’t stopped a couple of festival-worthy films — Shane Carruth’s Sundance film Upstream Color (which won an award for sound design at the festival and is being self-distributed in April), and Gami Orbegoso’s Slamdance film Musgo – from shooting on the camera. Check out some footage and clips from both films below. (more…)

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Shane Carruth Discusses Visuals, Techniques, and 'Walden' in 'Upstream Color' Q&A

Panasonic GH2 at Sundance and Slamdance: Carruth's 'Upstream Color' and Orbegoso's 'Musgo'