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	<title>nofilmschool &#187; software</title>
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	<description>read, discuss, learn: free film school for all</description>
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		<title>Get Your Canon T2i/T3i, GH3, Nikon D800, &amp; More Looking Like Film with FilmConvert&#039;s Newest Update</title>
		<link>http://nofilmschool.com/2013/05/filmconvert-update-canon-t2i-t3i-gh3-nikon-d800/</link>
		<comments>http://nofilmschool.com/2013/05/filmconvert-update-canon-t2i-t3i-gh3-nikon-d800/#comments</comments>
		<pubDate>Tue, 14 May 2013 00:42:45 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[canon5dmarkii]]></category>
		<category><![CDATA[canon5dmarkiii]]></category>
		<category><![CDATA[canont2i]]></category>
		<category><![CDATA[canont3i]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmconvert]]></category>
		<category><![CDATA[grain]]></category>
		<category><![CDATA[nikond7000]]></category>
		<category><![CDATA[nikond800]]></category>
		<category><![CDATA[panasonicgh3]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=53940</guid>
		<description><![CDATA[During the NAB 2013 show, FilmConvert, the film emulation color grading program/plugin that actually maps color profiles to specific film stocks, was updated with support for the Blackmagic Cinema Camera, GoPro HERO3, Canon 7D, and 60D, as well as newer profiles for the Canon 5D Mark II and Mark III. Now, in the newest update, they&#8217;ve added the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-53942" alt="FilmConvert Standalone Version 1.047" src="http://nofilmschool.com/wp-content/uploads/2013/05/FilmConvert-Standalone-Version-1.047-224x127.jpg" width="224" height="127" />During the <a href="http://nofilmschool.com/tag/nab2013/">NAB 2013</a> show, <a href="http://nofilmschool.com/tag/filmconvert/">FilmConvert</a>, the film emulation color grading program/plugin that <a href="http://nofilmschool.com/2012/09/filmconvert-emulating-film-stocks-using-color-information-of-digital-sensors/">actually maps color profiles to specific film stocks</a>, was updated with support for the Blackmagic Cinema Camera, GoPro HERO3, Canon 7D, and 60D, as well as newer profiles for the Canon 5D Mark II and Mark III. Now, in the newest update, they&#8217;ve added the Panasonic GH3, Nikon D800 and D7000, in addition to the Canon T2i/T3i. Read on for more about the update, including a new ability to apply film color and contrast separately. <a href="http://nofilmschool.com/2013/05/filmconvert-update-canon-t2i-t3i-gh3-nikon-d800/#more-53940" class="more-link">(more&#8230;)</a></p>
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			<wfw:commentRss>http://nofilmschool.com/2013/05/filmconvert-update-canon-t2i-t3i-gh3-nikon-d800/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
	
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			<media:title type="html"><![CDATA[Get Your Canon T2i/T3i, GH3, Nikon D800, &#38; More Looking Like Film with FilmConvert&#039;s Newest Update - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[During the NAB 2013 show, FilmConvert, the film emulation color grading program/plugin that actually maps color profiles to specific film stocks, was updated with support for the Blackmagic Cinema Camera, GoPro HERO3, Canon 7D, and 60D, as well as newer profiles for the Canon 5D Mark II and Mark ]]></media:description>
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			<media:title type="html"><![CDATA[FilmConvert Standalone Version 1.047]]></media:title>
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		<title>Screenwriting Meets Simplicity: A Review of the New Screenwriting App Slugline</title>
		<link>http://nofilmschool.com/2013/05/screenwriting-app-review-slugline/</link>
		<comments>http://nofilmschool.com/2013/05/screenwriting-app-review-slugline/#comments</comments>
		<pubDate>Fri, 10 May 2013 17:23:43 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[fountain]]></category>
		<category><![CDATA[highland]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[slugline]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=53509</guid>
		<description><![CDATA[A few weeks ago, I wrote about the introduction of Slugline, a new Mac app for screenwriting from Stu Maschwitz and Clint Torres of Act Focused Media. The concept behind Slugline is to keep the app simple so screenwriters can focus on the writing. Slugline uses Fountain, the screenwriting markup language designed by Maschwitz with [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-50492 style-off" alt="Slugline screenwriting Mac app" src="http://nofilmschool.com/wp-content/uploads/2013/04/Slugline-screenwriting-Mac-app-224x86.jpg" width="224" height="86" />A few weeks ago, I wrote about the <a title="New Screenwriting App Slugline Focuses on Simplicity So Writers Can Focus on Writing" href="http://nofilmschool.com/2013/04/screenwriting-app-slugline/">introduction of Slugline</a>, a new Mac app for screenwriting from Stu Maschwitz and Clint Torres of Act Focused Media. The concept behind Slugline is to keep the app simple so screenwriters can focus on the writing. Slugline uses Fountain, the screenwriting markup language designed by Maschwitz with screenwriter John August, and adds a slight veneer of GUI to separate it from a plain text editor. Thanks to a review copy provided by Act Focused Media, I&#8217;ve had some time to work with Slugline to provide nofilmschool readers with a more in-depth review of this new Mac app. <a href="http://nofilmschool.com/2013/05/screenwriting-app-review-slugline/#more-53509" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>12</slash:comments>
	
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			<media:title type="html"><![CDATA[Slugline screenwriting Mac app]]></media:title>
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		<item>
		<title>New Screenwriting App Slugline Focuses on Simplicity So Writers Can Focus on Writing</title>
		<link>http://nofilmschool.com/2013/04/screenwriting-app-slugline/</link>
		<comments>http://nofilmschool.com/2013/04/screenwriting-app-slugline/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 11:31:11 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[fountain]]></category>
		<category><![CDATA[highland]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[slugline]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=50489</guid>
		<description><![CDATA[Last month, I wrote about the retail version of screenwriting Mac App Highland from Quote-Unquote Apps, based on the Fountain markup language. The major selling point for Highland is its ability to melt PDFs into Fountain-based text files that can be edited and exported as either formatted PDFs or Final Draft (.fdx) files. Today, Slugline [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-50492 style-off" title="Slugline screenwriting Mac app" src="http://nofilmschool.com/wp-content/uploads/2013/04/Slugline-screenwriting-Mac-app-224x86.jpg" alt="" width="224" height="86" />Last month, I wrote about the retail version of screenwriting Mac App <a title="Highland Screenwriting Mac App Now Available, Free to Try and $10 Through March" href="http://nofilmschool.com/2013/03/highland-screenwriting-mac-app-10-dollars-march/">Highland from Quote-Unquote Apps</a>, based on the Fountain markup language. The major selling point for Highland is its ability to melt PDFs into Fountain-based text files that can be edited and exported as either formatted PDFs or Final Draft (.fdx) files. Today, Slugline arrives, a new screenwriting Mac App now available for purchase that is also based on Fountain. What is Slugline&#8217;s major selling point for screenwriters? Simplicity. <a href="http://nofilmschool.com/2013/04/screenwriting-app-slugline/#more-50489" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>42</slash:comments>
	
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			<media:title type="html"><![CDATA[Slugline screenwriting Mac app]]></media:title>
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		<title>EditShare Announces the Highly Anticipated Mac Version of the Cross-Platform NLE Lightworks</title>
		<link>http://nofilmschool.com/2013/04/editshare-lightworks-for-mac/</link>
		<comments>http://nofilmschool.com/2013/04/editshare-lightworks-for-mac/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 00:02:40 +0000</pubDate>
		<dc:creator>V Renée</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[editshare]]></category>
		<category><![CDATA[lightworks]]></category>
		<category><![CDATA[nab]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=49198</guid>
		<description><![CDATA[The battle of NLE superiority rages on, a new contender arrives with EditShare&#8216;s announcement of Lightworks for Mac OS X. Lightworks has a long track record with industry professionals, but this move could potentially open up the software to a much larger market. It is now the only NLE that is compatible across all major [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.editshare.com/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-49231 style-off" title="Lightworks for Mac" src="http://nofilmschool.com/wp-content/uploads/2013/04/Lightworks-for-Mac1-224x194.jpg" alt="" width="224" height="194" /></a>The battle of NLE superiority rages on, a new contender arrives with <a href="http://www.editshare.com/">EditShare</a>&#8216;s announcement of Lightworks for Mac OS X. Lightworks has a long track record with industry professionals, but this move could potentially open up the software to a much larger market. It is now the only NLE that is compatible across all major operating systems (Windows, Linux and Mac). Read on for more info. <a href="http://nofilmschool.com/2013/04/editshare-lightworks-for-mac/#more-49198" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>21</slash:comments>
	
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			<media:title type="html"><![CDATA[Lightworks for Mac]]></media:title>
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		<item>
		<title>Canon Announcements: C300 Push Autofocus, C500 ACES Support, &amp; New 35mm Cinema Prime Lens</title>
		<link>http://nofilmschool.com/2013/04/canon-c300-push-autofocus-c500-aces-35mm-cinema-prime-lens/</link>
		<comments>http://nofilmschool.com/2013/04/canon-c300-push-autofocus-c500-aces-35mm-cinema-prime-lens/#comments</comments>
		<pubDate>Thu, 04 Apr 2013 20:02:41 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[aces]]></category>
		<category><![CDATA[c100]]></category>
		<category><![CDATA[c300]]></category>
		<category><![CDATA[c500]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[canonc100]]></category>
		<category><![CDATA[canonc300]]></category>
		<category><![CDATA[canonc500]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[eosc500]]></category>
		<category><![CDATA[firmware]]></category>
		<category><![CDATA[lens]]></category>
		<category><![CDATA[lenses]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[upgrade]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=48554</guid>
		<description><![CDATA[The days when Canon made its prized quality lenses separately for either its bizarre HDV psuedo-progressive imaging camcorders (remember those?) or its high-res digital stills cameras are gone &#8212; having bled into the present day. Now, its lenses have a significant stake in the production of 4K digital cinema, and its Cinema CN-E EF-mount line [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-32335 style-off" title="Canon C500 - Angle View" src="http://nofilmschool.com/wp-content/uploads/2012/11/Canon-C500-Angle-View-224x174.jpg" alt="" width="224" height="174" />The days when Canon made its prized quality lenses <em>separately</em> for either its bizarre HDV psuedo-progressive imaging camcorders (remember those?) or its high-res digital stills cameras are gone &#8212; having bled into the present day. Now, its lenses have a significant stake in the production of 4K digital cinema, and its Cinema CN-E EF-mount line of compact prime lenses will be fully rounded out by a just-announced 35mm prime, due out before the close of the year (that makes six lenses now: 14, 24, 35, 50, 85, 135). Furthering the same professional motion picture mission, Canon has also announced free firmware/software upgrades for automated functions such as Push Autofocus, as well as professional-grade ACES pipeline support for color management. Some updates apply to different cameras than others, so check below for more details. <a href="http://nofilmschool.com/2013/04/canon-c300-push-autofocus-c500-aces-35mm-cinema-prime-lens/#more-48554" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>14</slash:comments>
	
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			<media:title type="html"><![CDATA[Canon C500 - Angle View]]></media:title>
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		<title>Highland Screenwriting Mac App Now Available, Free to Try and $10 Through March</title>
		<link>http://nofilmschool.com/2013/03/highland-screenwriting-mac-app-10-dollars-march/</link>
		<comments>http://nofilmschool.com/2013/03/highland-screenwriting-mac-app-10-dollars-march/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 15:03:10 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[demo]]></category>
		<category><![CDATA[fdx]]></category>
		<category><![CDATA[fountain]]></category>
		<category><![CDATA[highland]]></category>
		<category><![CDATA[pdf]]></category>
		<category><![CDATA[quoteunquoteapps]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[texteditor]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=46782</guid>
		<description><![CDATA[After a little more than a year of beta testing, Highland, the screenwriting app from Quote-Unquote Apps, is now available for purchase in the Mac App Store. To promote the retail version, Highland is available for $10, half off its list price of $20, through the end of March. Highland lets writers write scripts in [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-full wp-image-46895 style-off" title="Highland Now Available in App Store" src="http://nofilmschool.com/wp-content/uploads/2013/03/highland-icon-200x200.jpg" alt="" width="200" height="200" />After a little more than a year of <a title="With Public Beta, 'Highland' Screenwriting Software Steps Up from Converter to Editor" href="http://nofilmschool.com/2012/05/highland-screenplay-software-converting/">beta testing</a>, Highland, the screenwriting app from Quote-Unquote Apps, is now available for purchase in the Mac App Store. To promote the retail version, Highland is available for $10, half off its list price of $20, through the end of March. Highland lets writers write scripts in plain text and converts files between PDF, Final Draft (.fdx) and <a title="John August and Stu Maschwitz Release 'Fountain,' a Handy Screenwriting Tool/Markup Language" href="http://nofilmschool.com/2012/02/john-august-stu-maschwitz-release-fountain/">Fountain</a>, a screenwriting markup language developed by Quote-Unquote Apps. To find out more about how Highland works and to get a free demo, check out the video and details below. <a href="http://nofilmschool.com/2013/03/highland-screenwriting-mac-app-10-dollars-march/#more-46782" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/03/highland-screenwriting-mac-app-10-dollars-march/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
	
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			<media:title type="html"><![CDATA[Highland Now Available in App Store]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/highland-icon-200x200-125x69.jpg" />
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		<title>&#039;Casper&#039; Spreadsheet Template Makes Call Sheets and Production Reports Fast, Easy, and Free</title>
		<link>http://nofilmschool.com/2013/03/casper-spreadsheet-call-sheet-production-report-template-free/</link>
		<comments>http://nofilmschool.com/2013/03/casper-spreadsheet-call-sheet-production-report-template-free/#comments</comments>
		<pubDate>Sun, 03 Mar 2013 02:47:30 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[callsheets]]></category>
		<category><![CDATA[casper]]></category>
		<category><![CDATA[excel]]></category>
		<category><![CDATA[msoffice]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[scheduling]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[thinkcrew]]></category>
		<category><![CDATA[timemanagement]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=45412</guid>
		<description><![CDATA[Production reports, call sheets, time logs, and schedules are a very necessary aspect of a shoot&#8217;s organization. On smaller productions with a limited crew, you may be responsible for producing these documents yourself. Thanks to a developer called ThinkCrew, you now have access to a tool that makes creating these production docs that much easier. [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-45424 style-off" title="casper call sheet thinkcrew automated automatic ms office microsoft excel spreadsheet template" src="http://nofilmschool.com/wp-content/uploads/2013/03/casper-call-sheet-thinkcrew-automated-automatic-ms-office-microsoft-excel-spreadsheet-template-e1362272574110-224x139.jpg" alt="" width="224" height="139" />Production reports, call sheets, time logs, and schedules are a very necessary aspect of a shoot&#8217;s organization. On smaller productions with a limited crew, you may be responsible for producing these documents yourself. Thanks to a developer called ThinkCrew, you now have access to a tool that makes creating these production docs that much easier. It&#8217;s called Casper, and it&#8217;s a <em>totally free</em> set of templates for Microsoft Office Excel designed for production management. Dynamic scripting under the hood means Casper automates the process for you, filling in relevant data across multiple documents as you input it. Read on to check out Casper, plus some videos breaking down this useful toolset. <a href="http://nofilmschool.com/2013/03/casper-spreadsheet-call-sheet-production-report-template-free/#more-45412" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>16</slash:comments>
	
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			<media:title type="html"><![CDATA[&#039;Casper&#039; Spreadsheet Template Makes Call Sheets and Production Reports Fast, Easy, and Free - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Production reports, call sheets, time logs, and schedules are a very necessary aspect of a shoot&#039;s organization. On smaller productions with a limited crew, you may be responsible for producing these documents yourself. Thanks to a developer called ThinkCrew, you now have access to a tool that makes]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/03/casper-spreadsheet-template-makes-call-sheets-and-production-reports-fast-easy-and-free-nofilmschool-224x168.jpg" />
			<media:keywords>callsheets,casper,excel,msoffice,production,scheduling,software,thinkcrew,timemanagement</media:keywords>
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		<title>J.J. Abrams and Valve CEO Gabe Newell Discuss Storytelling in Film vs. Video Games</title>
		<link>http://nofilmschool.com/2013/02/video-game-movie-storytelling-jjabrams-valve-gabe-newell/</link>
		<comments>http://nofilmschool.com/2013/02/video-game-movie-storytelling-jjabrams-valve-gabe-newell/#comments</comments>
		<pubDate>Tue, 19 Feb 2013 01:33:02 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[badrobot]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[gabenewell]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[jjabrams]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[valve]]></category>
		<category><![CDATA[videogames]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=44080</guid>
		<description><![CDATA[Nowadays, major franchises get the royal treatment upon release. Some video game series are expanded with original novels or comic books between release dates. The opening of many big films occurs with novelizations and video games accompanying them. The problem is, I haven&#8217;t seen many video game adaptations I&#8217;ve been able to appreciate as good [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-44309" title="j j abrams gabe newell valve steam software film video game storytelling" src="http://nofilmschool.com/wp-content/uploads/2013/02/j-j-abrams-gabe-newell-valve-steam-software-film-video-game-storytelling-e1361207767423-224x122.jpg" alt="" width="224" height="122" />Nowadays, major franchises get the royal treatment upon release. Some video game series are expanded with original novels or comic books between release dates. The opening of many big films occurs with novelizations and video games accompanying them. The problem is, I haven&#8217;t seen many video game adaptations I&#8217;ve been able to appreciate as good films in their own right, and all the while games seem to be <a href="http://nofilmschool.com/2011/07/boy-games-close-interactive-movies-bioshock/">getting more and more realistic</a>. How comparable, or even compatible is storytelling between video games and movies? If anybody could figure it out, it&#8217;d be &#8220;<em>Star Wars Episode VII</em> director&#8221; <a href="http://nofilmschool.com/tag/badrobot/">J.J. Abrams</a> and <a href="http://nofilmschool.com/tag/valve/">Valve</a> co-founder/CEO Gabe Newell. Check out their full D.I.C.E. 2013 keynote discussion below. <a href="http://nofilmschool.com/2013/02/video-game-movie-storytelling-jjabrams-valve-gabe-newell/#more-44080" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/02/video-game-movie-storytelling-jjabrams-valve-gabe-newell/feed/</wfw:commentRss>
		<slash:comments>18</slash:comments>
	
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			<media:title type="html"><![CDATA[J.J. Abrams and Valve CEO Gabe Newell Discuss Storytelling in Film vs. Video Games - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Nowadays, major franchises get the royal treatment upon release. Some video game series are expanded with original novels or comic books between release dates. The opening of many big films occurs with novelizations and video games accompanying them. The problem is, I haven&#039;t seen many video game ad]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/j-j-abrams-and-valve-ceo-gabe-newell-discuss-storytelling-in-film-vs-video-games-nofilmschool-224x168.jpg" />
			<media:keywords>badrobot,cinema,film,gabenewell,interactive,jjabrams,software,storytelling,valve,videogames,watch</media:keywords>
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			<media:title type="html"><![CDATA[j j abrams gabe newell valve steam software film video game storytelling]]></media:title>
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		<title>Is the First &#039;Instant&#039; 3D Modeling and Motion Capture Camera the Future of CG Animation?</title>
		<link>http://nofilmschool.com/2013/02/lynx-instant-3d-modeling-motion-capture-camera-cg-animation/</link>
		<comments>http://nofilmschool.com/2013/02/lynx-instant-3d-modeling-motion-capture-camera-cg-animation/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 01:34:34 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[3D]]></category>
		<category><![CDATA[3dsmax]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[capture]]></category>
		<category><![CDATA[cgi]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[mocap]]></category>
		<category><![CDATA[modeling]]></category>
		<category><![CDATA[motioncapture]]></category>
		<category><![CDATA[previsualization]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[vfx]]></category>
		<category><![CDATA[visualeffects]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=43946</guid>
		<description><![CDATA[In creating computer generated imagery, reference photographs of real-life objects may assist modeling, texturing, and animating a 3D object. In animation, this practice translates into something called motion capture, or &#8216;performance capture&#8217; when facial expressions are the focus (see: Avatar). Fixed reference points on an object or surface help artists recreate something virtually, but Microsoft [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-43958 style-off" title="lynx a point and shoot instand 3d camera cg cgi computer generated animation motion performance capture texture modeling design special effects visual vfx sfx kickstarter laboratories" src="http://nofilmschool.com/wp-content/uploads/2013/02/lynx-a-point-and-shoot-instand-3d-camera-cg-cgi-computer-generated-animation-motion-performance-capture-texture-modeling-design-special-effects-visual-vfx-sfx-kickstarter-laboratories-224x224.jpg" alt="" width="224" height="224" />In creating computer generated imagery, reference photographs of real-life objects may assist modeling, texturing, and animating a 3D object. In animation, this practice translates into something called motion capture, or &#8216;performance capture&#8217; when facial expressions are the focus (see: <em><a href="http://www.amazon.com/Avatar/dp/B003EVWDR0/">Avatar</a></em>). Fixed reference points on an object or surface help artists recreate something virtually, but Microsoft XBox 360&#8242;s Kinect technology is actually able to recognize shape and motion on its own, turning you into a full-body video game controller in real-time. The new <strong>Lynx A Camera</strong> looks to take this a step further. Meet the world&#8217;s first &#8216;point-and-shoot&#8217; camera that can model and capture the geometry, texture, and motion of anything you aim it at, right before your eyes. <a href="http://nofilmschool.com/2013/02/lynx-instant-3d-modeling-motion-capture-camera-cg-animation/#more-43946" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>24</slash:comments>
	
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		<item>
		<title>Film Looks the Easy Way: FilmConvert Now Supports Canon C300 and Arri Alexa, BMCC Coming Soon</title>
		<link>http://nofilmschool.com/2013/02/filmconvert-canon-c300-arri-alexa-bmcc/</link>
		<comments>http://nofilmschool.com/2013/02/filmconvert-canon-c300-arri-alexa-bmcc/#comments</comments>
		<pubDate>Sat, 02 Feb 2013 15:54:51 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[5dmarkii]]></category>
		<category><![CDATA[arri]]></category>
		<category><![CDATA[arrialexa]]></category>
		<category><![CDATA[c300]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[canonc300]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[cinegrain]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmconvert]]></category>
		<category><![CDATA[gorillagrain]]></category>
		<category><![CDATA[grain]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[rgrain]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=42547</guid>
		<description><![CDATA[A solid color grade can very quickly take the edge off an image that looks &#8220;too digital.&#8221; If you don&#8217;t have much time to spend on said color grade, but you&#8217;d like to get a great look very easily, a film LUT that attempts to recreate some of the magic we get from Kodak and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-42594" title="FilmConvert - C300 and Arri Alexa" src="http://nofilmschool.com/wp-content/uploads/2013/02/FilmConvert-C300-and-Arri-Alexa-224x95.jpg" alt="" width="224" height="95" />A solid color grade can very quickly take the edge off an image that looks &#8220;too digital.&#8221; If you don&#8217;t have much time to spend on said color grade, but you&#8217;d like to get a great look very easily, a film LUT that attempts to recreate some of the magic we get from Kodak and Fuji stocks could serve you well. <a href="http://nofilmschool.com/tag/filmconvert/">We&#8217;ve discussed FilmConvert a bit before</a>, but basically it&#8217;s either a standalone program or a plugin for the major Apple and Adobe products that uses the color science of the specific camera you&#8217;re using in order to precisely match the film stocks they have in their system. Now they&#8217;ve introduced another update, this time including support for the Canon C300 and the Arri Alexa. <a href="http://nofilmschool.com/2013/02/filmconvert-canon-c300-arri-alexa-bmcc/#more-42547" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>36</slash:comments>
	
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			<media:title type="html"><![CDATA[Film Looks the Easy Way: FilmConvert Now Supports Canon C300 and Arri Alexa, BMCC Coming Soon - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[A solid color grade can very quickly take the edge off an image that looks &#34;too digital.&#34; If you don&#039;t have much time to spend on said color grade, but you&#039;d like to get a great look very easily, a film LUT that attempts to recreate some of the magic we get from Kodak and Fuji stocks could serve you]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/film-looks-the-easy-way-filmconvert-now-supports-canon-c300-and-arri-alexa-bmcc-coming-soon-nofilmschool-224x125.jpg" />
			<media:keywords>5dmarkii,arri,arrialexa,c300,canon,canonc300,celluloid,cinegrain,effects,film,filmconvert,gorillagrain,grain,plugins,postproduction,red,rgrain,software</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/FilmConvert-C300-and-Arri-Alexa-125x69.jpg" />
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			<media:title type="html"><![CDATA[FilmConvert - C300 and Arri Alexa]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/02/FilmConvert-C300-and-Arri-Alexa-125x69.jpg" />
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		<item>
		<title>Polaroid, Technicolor, Kodak: With the Branded Beast Extinct, What Becomes of the Brand?</title>
		<link>http://nofilmschool.com/2013/01/polaroid-technicolor-kodak-first-mft-camera/</link>
		<comments>http://nofilmschool.com/2013/01/polaroid-technicolor-kodak-first-mft-camera/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 09:29:21 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[brand]]></category>
		<category><![CDATA[branding]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[imageprocessing]]></category>
		<category><![CDATA[kodak]]></category>
		<category><![CDATA[kodaks1]]></category>
		<category><![CDATA[m43]]></category>
		<category><![CDATA[mft]]></category>
		<category><![CDATA[micro43]]></category>
		<category><![CDATA[mirrorless]]></category>
		<category><![CDATA[polaroid]]></category>
		<category><![CDATA[s1]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[technicolor]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40696</guid>
		<description><![CDATA[In the whirlwind of hyperactive change that is Moore&#8217;s Law, branding can be a prime anchor point. Brand identity fights the tendency toward &#8216;the new&#8217; with powerful invocations of the past: nostalgia, reliability, simplicity, and the association of that brand name with the creation of very dear memories. Granted, nostalgia alone can&#8217;t save anyone from [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-42211 style-off" title="could this be a picture of polaroid kodak technicolor adapt or die diversify" src="http://nofilmschool.com/wp-content/uploads/2013/01/could-this-be-a-picture-of-polaroid-kodak-technicolor-adapt-or-die-diversify-e1359615993332-224x145.jpg" alt="" width="224" height="145" />In the whirlwind of hyperactive change that is Moore&#8217;s Law, <strong>branding</strong> can be a prime anchor point. Brand identity fights the tendency toward &#8216;the new&#8217; with powerful invocations of the past: nostalgia, reliability, simplicity, and the association of that brand name with the creation of very dear memories. Granted, nostalgia alone can&#8217;t save anyone from bankruptcy &#8212; but it&#8217;s a start. Polaroid, Technicolor, and Kodak are prime examples of this interplay, and each is adapting in its own ways &#8212; though there&#8217;s some overlap. Not one, but <em>two</em> of these traditionally film-based companies are even releasing digital cameras. In whatever the way, each of the three is working toward the preservation of its own historic brand name &#8212; which do you think will pull through? <a href="http://nofilmschool.com/2013/01/polaroid-technicolor-kodak-first-mft-camera/#more-40696" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>13</slash:comments>
	
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			<media:title type="html"><![CDATA[Polaroid, Technicolor, Kodak: With the Branded Beast Extinct, What Becomes of the Brand? - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[In the whirlwind of hyperactive change that is Moore&#039;s Law, branding can be a prime anchor point. Brand identity fights the tendency toward &#039;the new&#039; with powerful invocations of the past: nostalgia, reliability, simplicity, and the association of that brand name with the creation of very dear memor]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/polaroid-technicolor-kodak-with-the-branded-beast-extinct-what-becomes-of-the-brand-nofilmschool-224x168.jpg" />
			<media:keywords>brand,branding,camera,celluloid,film,imageprocessing,kodak,kodaks1,m43,mft,micro43,mirrorless,polaroid,s1,software,technicolor,video</media:keywords>
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			<media:title type="html"><![CDATA[could this be a picture of polaroid kodak technicolor adapt or die diversify]]></media:title>
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		<item>
		<title>Bad Robot&#039;s Creative and Technical Paradise with Avid&#039;s Dyamic Collaboration Environments</title>
		<link>http://nofilmschool.com/2013/01/bad-robot-creative-technical-avid-paradise/</link>
		<comments>http://nofilmschool.com/2013/01/bad-robot-creative-technical-avid-paradise/#comments</comments>
		<pubDate>Sat, 19 Jan 2013 19:56:02 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[anywhere]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[badrobot]]></category>
		<category><![CDATA[cloud]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[creativecloud]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[isis]]></category>
		<category><![CDATA[jjabrams]]></category>
		<category><![CDATA[mediacomposer]]></category>
		<category><![CDATA[protools]]></category>
		<category><![CDATA[satellitelink]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[sound]]></category>
		<category><![CDATA[sounddesign]]></category>
		<category><![CDATA[startrek]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40421</guid>
		<description><![CDATA[At the end of last year, Avid announced a free webinar exploring Bad Robot, the film and TV production company co-founded by J. J. Abrams &#8212; which, judging by the success of such projects as Mission Impossible: Ghost Protocol, Lost, and Star Trek, is doing more than one thing very, very right. Don&#8217;t worry if [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-35519" title="bad robot avid webinar post production" src="http://nofilmschool.com/wp-content/uploads/2012/12/bad-robot-avid-webinar-post-production-e1354928239908-224x131.jpg" alt="" width="224" height="131" />At the end of last year, Avid announced <a href="http://nofilmschool.com/2012/12/jj-abrams-bad-robot-free-avid-webinar-star-trek/">a free webinar exploring Bad Robot</a>, the film and TV production company co-founded by J. J. Abrams &#8212; which, judging by the success of such projects as <em><a href="http://www.amazon.com/Mission-Impossible-Ghost-Protocol/dp/B007UXSPK2/">Mission Impossible: Ghost Protocol</a></em>, <em><a href="http://www.amazon.com/Pilot-Part-1-HD/dp/B003U53I3I/">Lost</a></em>, and <em><a href="http://www.amazon.com/Star-Trek/dp/B002WV5A9G/">Star Trek</a></em>, is doing more than one thing very, very right. Don&#8217;t worry if you missed that webinar, though, because <a href="http://nofilmschool.com/tag/avid/">Avid</a> has recently shared a 20-minute video breaking down Bad Robot&#8217;s studio space &#8212; and not only is it an enviable one for any independent because each step of the creative process is fostered there, but also because its Media Composer workflow of collaboration taps the future directly. <a href="http://nofilmschool.com/2013/01/bad-robot-creative-technical-avid-paradise/#more-40421" class="more-link">(more&#8230;)</a></p>
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			<wfw:commentRss>http://nofilmschool.com/2013/01/bad-robot-creative-technical-avid-paradise/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/hdk2CYKJqKA" duration="1230">
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			<media:title type="html"><![CDATA[Bad Robot&#039;s Creative and Technical Paradise with Avid&#039;s Dyamic Collaboration Environments - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[At the end of last year, Avid announced a free webinar exploring Bad Robot, the film and TV production company co-founded by J. J. Abrams -- which, judging by the success of such projects as Mission Impossible: Ghost Protocol, Lost, and Star Trek, is doing more than one thing very, very right. Don&#039;t]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/bad-robots-creative-and-technical-paradise-with-avids-dyamic-collaboration-environments-nofilmschool-224x168.jpg" />
			<media:keywords>adobe,anywhere,avid,badrobot,cloud,collaboration,creativecloud,editing,isis,jjabrams,mediacomposer,protools,satellitelink,software,sound,sounddesign,startrek</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/12/bad-robot-avid-webinar-post-production-e1354928239908-125x69.jpg" />
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			<media:title type="html"><![CDATA[bad robot avid webinar post production]]></media:title>
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		<title>Digital Bolex&#039;s Lab-Style RAW Software Will Be Your CinemaDNG Workflow Workhorse</title>
		<link>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/</link>
		<comments>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 20:09:02 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[cinemadng]]></category>
		<category><![CDATA[digitalbolex]]></category>
		<category><![CDATA[digitalcinema]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[transcoding]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40129</guid>
		<description><![CDATA[By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone&#8217;s hands, while the future-bound Aaton Penelope Delta and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40144" title="digital bolex cinemadng post production workflow adobe raw camera" src="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolex-cinemadng-post-production-workflow-adobe-raw-camera-224x140.jpg" alt="" width="224" height="140" />By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and <a href="http://nofilmschool.com/tag/digitalbolex/">the ~$3K Digital Bolex D16</a> seek to put quality acquisition tools in nearly anyone&#8217;s hands, while the future-bound <a href="http://nofilmschool.com/2012/10/aatons-penelope-delta-camera/">Aaton Penelope Delta</a> and open source <a href="http://nofilmschool.com/2012/07/apertus-axiom-camera-4k-150fps-global-shutter-15-stops-dynamic-range-10k/">Apertus Axiom</a> bear their own technical notabilities (and nobilities). Clearly it&#8217;s time to really start wondering about <a href="http://nofilmschool.com/tag/cinemadng/">CinemaDNG</a>. As of now, the license-free format is being adopted by way more cameras than NLEs, and workflow questions, concerns, and schools of thought and technique abound. There&#8217;s hope and then some, though &#8212; just over the horizon the RAW processing software shipping with the Digital Bolex D16 just might change the world in <em>its</em> own way, too. <a href="http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/#more-40129" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/feed/</wfw:commentRss>
		<slash:comments>63</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=41309513" duration="841">
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			<media:title type="html"><![CDATA[Digital Bolex&#039;s Lab-Style RAW Software Will Be Your CinemaDNG Workflow Workhorse - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone&#039;s hands, while the future-bound Aato]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolexs-lab-style-raw-software-will-be-your-cinemadng-workflow-workhorse-nofilmschool-224x108.jpg" />
			<media:keywords>adobe,camera,cinemadng,digitalbolex,digitalcinema,postproduction,software,transcoding,workflow</media:keywords>
		</media:content>
		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolex-cinemadng-post-production-workflow-adobe-raw-camera-125x69.jpg" />
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			<media:title type="html"><![CDATA[digital bolex cinemadng post production workflow adobe raw camera]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolex-cinemadng-post-production-workflow-adobe-raw-camera-125x69.jpg" />
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		<title>Speaking of Apple&#039;s Prices... Why Are They So Damn High?</title>
		<link>http://nofilmschool.com/2013/01/high-apple-prices/</link>
		<comments>http://nofilmschool.com/2013/01/high-apple-prices/#comments</comments>
		<pubDate>Wed, 16 Jan 2013 07:54:26 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[imac]]></category>
		<category><![CDATA[ipad]]></category>
		<category><![CDATA[iphone]]></category>
		<category><![CDATA[macbook]]></category>
		<category><![CDATA[macbookpro]]></category>
		<category><![CDATA[macpro]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[smartphone]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=39988</guid>
		<description><![CDATA[More than anything, users appreciate the undeniable consistency (and therefore, customer confidence) that comes with any Apple machine or app. This applies to both consumers and professionals, though some of the latter may hesitate in days to come. Of course, achieving this consistency can be a double-edged sword &#8212; the very measures that guarantee the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-24737 style-off" title="apple-announces-next-generation-macbook-pro" src="http://nofilmschool.com/wp-content/uploads/2012/06/apple-announces-next-generation-macbook-pro-224x120.jpg" alt="" width="224" height="120" />More than anything, users appreciate the undeniable consistency (and therefore, customer confidence) that comes with any <a href="http://nofilmschool.com/tag/apple/">Apple</a> machine or app. This applies to both consumers and professionals, though some of the latter may <a href="http://nofilmschool.com/2012/10/next-mac-pro-predicting-apples-pro-future/">hesitate in days to come</a>. Of course, achieving this consistency can be a double-edged sword &#8212; the very measures that guarantee the quality you&#8217;ve come to know and respect of Apple computing are the same tendencies that see them labeled as &#8220;notoriously controlling.&#8221; This too goes for the staunchly unwavering prices of Apple products across the marketplace &#8212; that double-edged sword extends all the way out to how such pricing is so firmly set. And, in terms of sword metaphors, this is more often <a href="http://nofilmschool.com/2013/01/apple-monitor-27-inch-display-monoprice/">the kind that cuts a hole in your pocket</a> than the kind that &#8220;slashes prices.&#8221; <a href="http://nofilmschool.com/2013/01/high-apple-prices/#more-39988" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>97</slash:comments>
	
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			<media:title type="html"><![CDATA[apple-announces-next-generation-macbook-pro]]></media:title>
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		<title>Adobe Releases Full Creative Suite Online Completely Free (But Not Quite, and Not the Newest Version)</title>
		<link>http://nofilmschool.com/2013/01/adobe-releases-creative-suite-online-completely-free/</link>
		<comments>http://nofilmschool.com/2013/01/adobe-releases-creative-suite-online-completely-free/#comments</comments>
		<pubDate>Tue, 08 Jan 2013 16:35:31 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[creativesuite]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=39244</guid>
		<description><![CDATA[What could be better than free software? Well, a lot of things I guess, but I&#8217;ve never known anyone that would turn down an offer for free software (even when the legality of said free software is questionable). Some of you may have been following the news on the internet yesterday, but the Adobe site [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-39252 style-off" title="Adobe Creative Suite 2" src="http://nofilmschool.com/wp-content/uploads/2013/01/Adobe-Creative-Suite-2-224x128.jpg" alt="Adobe Releases Creative Suite 2 Online for Free" width="224" height="128" />What could be better than free software? Well, a lot of things I guess, but I&#8217;ve never known anyone that would turn down an offer for free software (even when the legality of said free software is questionable). Some of you may have been following the news on the internet yesterday, but the Adobe site had been down for quite some time, so I&#8217;ve been waiting for the dust to settle a bit. The situation is not actually as obvious as it may seem at first glance, and it&#8217;s taken a little investigation to get to the bottom of why Adobe would release an older version of Creative Suite for free online. <a href="http://nofilmschool.com/2013/01/adobe-releases-creative-suite-online-completely-free/#more-39244" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/adobe-releases-creative-suite-online-completely-free/feed/</wfw:commentRss>
		<slash:comments>32</slash:comments>
	
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			<media:title type="html"><![CDATA[Adobe Creative Suite 2]]></media:title>
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		<title>Final Draft 8 on Sale for $149 at The Writers Store, Today Only</title>
		<link>http://nofilmschool.com/2012/12/final-draft-8-on-sale-149-writers-store-today-only/</link>
		<comments>http://nofilmschool.com/2012/12/final-draft-8-on-sale-149-writers-store-today-only/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 14:08:45 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[discounts]]></category>
		<category><![CDATA[finaldraft]]></category>
		<category><![CDATA[sales]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=35581</guid>
		<description><![CDATA[Writers tend to be procrastinators. Maybe we kid ourselves into believing that we&#8217;re waiting for inspiration to strike. In reality, we&#8217;re usually finding new ways to avoid the fear of the blank page. Well, if you have been waiting for the right opportunity to buy Final Draft 8, arguably the industry standard for screenwriting software, [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-28420 style-off" title="final-draft-8" src="http://nofilmschool.com/wp-content/uploads/2012/09/final-draft-8-224x209.jpg" alt="" width="224" height="209" />Writers tend to be procrastinators. Maybe we kid ourselves into believing that we&#8217;re waiting for inspiration to strike. In reality, we&#8217;re usually finding new ways to avoid the fear of the blank page. Well, if you have been waiting for the right opportunity to buy Final Draft 8, arguably the industry standard for screenwriting software, your procrastination has just paid off. <a href="http://nofilmschool.com/finaldraft">Final Draft 8 is on sale for $149</a> at The Writers Store today only, Saturday, December 8, as one of its 12 Days of December Deals. <a href="http://nofilmschool.com/2012/12/final-draft-8-on-sale-149-writers-store-today-only/#more-35581" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>19</slash:comments>
	
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			<media:title type="html"><![CDATA[final-draft-8]]></media:title>
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		<title>Want Film-Like GH2 Footage? FilmConvert Now Supports GH2, More Canon Profiles, and Final Cut Pro 7</title>
		<link>http://nofilmschool.com/2012/12/gh2-look-like-film-filmconvert-canon-final-cut-pro-7/</link>
		<comments>http://nofilmschool.com/2012/12/gh2-look-like-film-filmconvert-canon-final-cut-pro-7/#comments</comments>
		<pubDate>Thu, 06 Dec 2012 19:11:16 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[5dmarkii]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[celluloid]]></category>
		<category><![CDATA[cinegrain]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmconvert]]></category>
		<category><![CDATA[finalcutpro]]></category>
		<category><![CDATA[gh2]]></category>
		<category><![CDATA[gorillagrain]]></category>
		<category><![CDATA[grain]]></category>
		<category><![CDATA[panasonic]]></category>
		<category><![CDATA[panasonicgh2]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[red]]></category>
		<category><![CDATA[rgrain]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=35417</guid>
		<description><![CDATA[Not too long ago we told you about a color corrector plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you&#8217;re using. Until now the only cameras that were guaranteed to work properly [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/2012/09/filmconvert-emulating-film-stocks-using-color-information-of-digital-sensors/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-29414" title="FilmConvert - Emulating Film Stocks" src="http://nofilmschool.com/wp-content/uploads/2012/09/FilmConvert-Emulating-Film-Stocks-224x137.jpg" alt="" width="224" height="137" />Not too long ago we told you about a color corrector</a> plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you&#8217;re using. Until now the only cameras that were guaranteed to work properly with FilmConvert to achieve the specific look were Canon DSLRs and RED cameras, but now they are adding support for the Panasonic GH2, as well as support for more Canon picture profiles, and a brand new plugin for Final Cut Pro 7. <a href="http://nofilmschool.com/2012/12/gh2-look-like-film-filmconvert-canon-final-cut-pro-7/#more-35417" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/12/gh2-look-like-film-filmconvert-canon-final-cut-pro-7/feed/</wfw:commentRss>
		<slash:comments>44</slash:comments>
	
		<media:content url="http://www.vimeo.com/moogaloop.swf?clip_id=54537082" duration="115">
			<media:player url="http://www.vimeo.com/moogaloop.swf?clip_id=54537082" />
			<media:title type="html"><![CDATA[Want Film-Like GH2 Footage? FilmConvert Now Supports GH2, More Canon Profiles, and Final Cut Pro 7 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Not too long ago we told you about a color corrector plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you&#039;re using. Until now the only cameras that were guaranteed to work pr]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/12/want-film-like-gh2-footage-filmconvert-now-supports-gh2-more-canon-profiles-and-final-cut-pro-7-nofilmschool-224x93.jpg" />
			<media:keywords>5dmarkii,canon,celluloid,cinegrain,effects,film,filmconvert,finalcutpro,gh2,gorillagrain,grain,panasonic,panasonicgh2,plugins,postproduction,red,rgrain,software</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/09/FilmConvert-Emulating-Film-Stocks-125x69.jpg" />
		<media:content url="http://nofilmschool.com/wp-content/uploads/2012/09/FilmConvert-Emulating-Film-Stocks.jpg" medium="image">
			<media:title type="html"><![CDATA[FilmConvert - Emulating Film Stocks]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2012/09/FilmConvert-Emulating-Film-Stocks-125x69.jpg" />
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		<title>Check Out This Thorough Presentation Comparing Final Cut Pro X vs. Premiere Pro CS6</title>
		<link>http://nofilmschool.com/2012/11/comparing-apple-final-cut-pro-x-vs-adobe-premiere-pro-cs6/</link>
		<comments>http://nofilmschool.com/2012/11/comparing-apple-final-cut-pro-x-vs-adobe-premiere-pro-cs6/#comments</comments>
		<pubDate>Wed, 21 Nov 2012 04:30:12 +0000</pubDate>
		<dc:creator>Benjamin Dewhurst</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobecs6]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[cs6]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[finalcutprox]]></category>
		<category><![CDATA[nle]]></category>
		<category><![CDATA[premiere]]></category>
		<category><![CDATA[premierepro]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=33492</guid>
		<description><![CDATA[In post production, I&#8217;ve always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-33493" title="final cut pro x vs premiere pro cs6" src="http://nofilmschool.com/wp-content/uploads/2012/11/final-cut-pro-x-vs-premiere-pro-cs6-224x124.png" alt="" width="224" height="124" />In post production, I&#8217;ve always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards). However, this year I finally made the decision to migrate to Premiere Pro CS6, as <a href="http://nofilmschool.com/2011/06/final-cut-pro-community-review-impressions/">Final Cut Pro X has some infamous issues</a>. Granted, <a href="http://nofilmschool.com/2012/10/dual-viewer-windows-other-additions-to-final-cut-pro-x/ ">Final Cut Pro X has come a long way</a>, and it <a href="http://nofilmschool.com/2012/10/apple-updates-final-cut-pro-x-to-10-0-6-brings-full-native-red-support-and-other-new-features/">continues to be a true &#8220;pro&#8221; tool</a>, but there are some quirks worth comparing against Premiere Pro CS6. Both suites are tools that should be compared objectively. <a href="http://www.youtube.com/user/pxl2k?feature=plcp">Ric Lanciotti</a> from <a href="http://www.pnca.edu/">The Pacific Northwest College of Art</a> made this great video comparing the two editing suites. Though he takes the perspective of an educator looking for solutions for students, I think there are still lessons for all of us &#8212; especially those of us who only edit in one suite or the other. Check out his full 45 minute presentation after the jump: <a href="http://nofilmschool.com/2012/11/comparing-apple-final-cut-pro-x-vs-adobe-premiere-pro-cs6/#more-33492" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>77</slash:comments>
	
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			<media:title type="html"><![CDATA[Check Out This Thorough Presentation Comparing Final Cut Pro X vs. Premiere Pro CS6 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[In post production, I&#039;ve always been a fan of the products from Adobe. I cut my teeth on programs like Photoshop 7, After Effects 5.5, even Image Ready (remember that?). But for editing, I never really got into Premiere Pro, and instead focused my attention on Final Cut Pro (from version 3 onwards).]]></media:description>
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			<media:keywords>adobe,adobecs6,apple,cs6,editing,finalcutprox,nle,premiere,premierepro,software</media:keywords>
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		<title>The Writers Store Final Draft Sale Extended to Nov. 30, Plus Exclusive NFS 10% Off Coupon</title>
		<link>http://nofilmschool.com/2012/11/writers-store-final-draft-sale-extended/</link>
		<comments>http://nofilmschool.com/2012/11/writers-store-final-draft-sale-extended/#comments</comments>
		<pubDate>Fri, 16 Nov 2012 23:21:45 +0000</pubDate>
		<dc:creator>Christopher Boone</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[discounts]]></category>
		<category><![CDATA[finaldraft]]></category>
		<category><![CDATA[sales]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=33258</guid>
		<description><![CDATA[Back in September, you may recall we told you about The Writers Store&#8217;s sale on Final Draft 8 (arguably the standard when it comes to professional screenwriting software) where you could save over 30% off the sticker price. Well, good news to all you procrastinators out there (and if you&#8217;re a writer, you&#8217;re probably a [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-28420 style-off" title="final-draft-8" src="http://nofilmschool.com/wp-content/uploads/2012/09/final-draft-8-224x209.jpg" alt="" width="224" height="209" />Back in September, you may recall we told you about The Writers Store&#8217;s sale on Final Draft 8 (arguably the standard when it comes to professional screenwriting software) where you could save over 30% off the sticker price. Well, good news to all you procrastinators out there (and if you&#8217;re a writer, you&#8217;re probably a procrastinator). The Writers Store has extended its <a href="http://nofilmschool.com/finaldraft">Final Draft sale until Nov. 30</a>, offering its Final Draft Platinum Package for $169 (a 32% savings off the Final Draft sticker price). Plus, NFS has an exclusive coupon to get you an additional 10% off most anything else purchased at The Writers Store. <a href="http://nofilmschool.com/2012/11/writers-store-final-draft-sale-extended/#more-33258" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>6</slash:comments>
	
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		<title>Adobe Extends 40% Discount on Creative Cloud to June 2013</title>
		<link>http://nofilmschool.com/2012/10/adobe-creative-cloud-discount-2013/</link>
		<comments>http://nofilmschool.com/2012/10/adobe-creative-cloud-discount-2013/#comments</comments>
		<pubDate>Wed, 03 Oct 2012 16:00:44 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobecs6]]></category>
		<category><![CDATA[applications]]></category>
		<category><![CDATA[creativesuite]]></category>
		<category><![CDATA[cs6]]></category>
		<category><![CDATA[discounts]]></category>
		<category><![CDATA[editing]]></category>
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		<category><![CDATA[premierepro]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29891</guid>
		<description><![CDATA[So much for the deal expiring at the end of August &#8212; Adobe&#8217;s offer of their entire Creative Suite for $30/month (as opposed to $50/month) is now available until June of 2013 for current CS users (CS3 or later). You have to sign up for a full year of Creative Cloud but the savings totals [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27083" title="Adobe Creative Cloud Discount" src="http://nofilmschool.com/wp-content/uploads/2012/08/Adobe-Creative-Cloud-Discount-224x136.jpg" alt="" width="224" height="136" />So much for the <a href="http://nofilmschool.com/2012/08/week-left-save-40-adobe-creative-cloud/">deal expiring at the end of August</a> &#8212; Adobe&#8217;s offer of their <a href="http://www.tkqlhce.com/click-3878565-11052596" target="blank">entire Creative Suite for $30/month</a> (as opposed to $50/month) is now available until June of 2013 for current CS users (CS3 or later). You have to sign up for a full year of Creative Cloud but the savings totals $240; I myself am a satisfied Creative Cloud user, and who doesn&#8217;t like saving 40%? <a href="http://nofilmschool.com/2012/10/adobe-creative-cloud-discount-2013/#more-29891" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>17</slash:comments>
	
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