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	<title>nofilmschool &#187; sounddevices</title>
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	<link>http://nofilmschool.com</link>
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		<title>Sound Devices Gets into the ProRes 12-bit 4:4:4:4 Game with Free PIX V3.0 Firmware Update</title>
		<link>http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/</link>
		<comments>http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/#comments</comments>
		<pubDate>Sat, 29 Dec 2012 03:45:02 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[externalrecorder]]></category>
		<category><![CDATA[firmware]]></category>
		<category><![CDATA[pix240]]></category>
		<category><![CDATA[prores]]></category>
		<category><![CDATA[sounddevices]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=38287</guid>
		<description><![CDATA[The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their PIX series of external monitor/recorders that [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://nofilmschool.com/wp-content/uploads/2012/12/pix-firmware-aurora.jpg"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-38288" title="pix-firmware-aurora" src="http://nofilmschool.com/wp-content/uploads/2012/12/pix-firmware-aurora-224x49.jpg" alt="" width="224" height="49" /></a>The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their <a href="http://www.bhphotovideo.com/c/search?Ntt=pix+recorder&amp;N=0&amp;InitialSearch=yes&amp;sts=ma&amp;Top+Nav-Search=&amp;BI=5955&amp;KBID=6829">PIX series of external monitor/recorders</a> that is capable of giving access to the full power of the 3G-SDI, thereby allowing you to record in the 12-bit ProRes 4:4:4:4 codec at up to 30fps. <a href="http://nofilmschool.com/2012/12/sound-devices-12-bit-4444-prores-pix-v3-0-firmware/#more-38287" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>15</slash:comments>
	
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			<media:title type="html"><![CDATA[Sound Devices Gets into the ProRes 12-bit 4:4:4:4 Game with Free PIX V3.0 Firmware Update - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The Convergent Design Gemini 4:4:4 might be the cheapest RAW recorder on the market, but it just got some company as far as 4:4:4 recording is concerned. Sound Devices, better known for their superb audio recording equipment, has just announced that they are offering a free upgrade to their PIX seri]]></media:description>
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			<media:keywords>externalrecorder,firmware,pix240,prores,sounddevices</media:keywords>
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		<title>Audio Recorder/Preamp Shootout: Sound Devices, Zoom, Tascam, Edirol, Beachtek, and juicedLink</title>
		<link>http://nofilmschool.com/2012/09/audio-recorder-preamp-shootout/</link>
		<comments>http://nofilmschool.com/2012/09/audio-recorder-preamp-shootout/#comments</comments>
		<pubDate>Thu, 27 Sep 2012 02:38:53 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[audiorecorder]]></category>
		<category><![CDATA[beachtek]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[edirol]]></category>
		<category><![CDATA[h4n]]></category>
		<category><![CDATA[juicedlink]]></category>
		<category><![CDATA[sounddevices]]></category>
		<category><![CDATA[tascam]]></category>
		<category><![CDATA[zoom]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=29607</guid>
		<description><![CDATA[Last month a test was conducted by Robert Rozak, President of juicedLink, comparing the preamps from his company&#8217;s products with a similar offering from Beachtek, with both going right into the Canon 7D. He received so much feedback that he&#8217;s added a number of devices to the test and is now comparing the signal-to-noise ratio [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-29608" title="Audio Recorder Shootout" src="http://nofilmschool.com/wp-content/uploads/2012/09/Audio-Recorder-Shootout-224x111.jpg" alt="" width="224" height="111" />Last month a <a href="http://nofilmschool.com/2012/08/dslr-audio-quality-good-preamp-beachtek-juicedlink-zoomh4n/">test was conducted by Robert Rozak, President of juicedLink</a>, comparing the preamps from his company&#8217;s products with a similar offering from Beachtek, with both going right into the Canon 7D. He received so much feedback that he&#8217;s added a number of devices to the test and is now comparing the signal-to-noise ratio performance of the preamps of a number of devices, the <a href="http://www.bhphotovideo.com/c/product/429566-REG/Sound_Devices_702_702_High_Resolution_2_Channel.html/BI/5955/KBID/6829">Sound Devices 702</a>, <a href="http://www.bhphotovideo.com/c/product/600761-REG/Zoom_H4N_H4n_Handy_Mobile_4_Track.html/BI/5955/KBID/6829">Zoom H4n</a>, <a href="http://www.bhphotovideo.com/c/product/832911-REG/Tascam_DR100MKII_DR_100mkII_Portable_Linear.html/BI/5955/KBID/6829">Tascam DR-100 MKII</a>, <a href="http://www.bhphotovideo.com/c/product/673541-REG/Tascam_DR_680_DR_680_8_Track_Portable_Field.html/BI/5955/KBID/6829">Tascam DR-680</a>, <a href="http://www.bhphotovideo.com/c/product/542280-REG/Edirol_Roland_R_44_R_44_Solid_State_Four_Channel_Portable.html/BI/5955/KBID/6829">Edirol R44</a>, <a href="http://www.bhphotovideo.com/c/product/842095-REG/Beachtek_DXA_SLR_PRO_DXA_SLR_ACTIVE_DSLR_ADAPTER.html/BI/5955/KBID/6829">Beachtek DXA-SLR PRO</a>, and <a href="http://www.bhphotovideo.com/c/search?sts=ma&amp;Ns=p_PRICE_2%7c1&amp;N=0&amp;srtclk=sort&amp;Ntt=juicedlink&amp;BI=5955&amp;KBID=6829">juicedLink Riggy Micro/Assist</a>. Click through to see his results. <a href="http://nofilmschool.com/2012/09/audio-recorder-preamp-shootout/#more-29607" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>64</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/KKVeBqhXMvM" duration="638">
			<media:player url="http://www.youtube-nocookie.com/v/KKVeBqhXMvM" />
			<media:title type="html"><![CDATA[Audio Recorder/Preamp Shootout: Sound Devices, Zoom, Tascam, Edirol, Beachtek, and juicedLink - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Last month a test was conducted by Robert Rozak, President of juicedLink, comparing the preamps from his company&#039;s products with a similar offering from Beachtek, with both going right into the Canon 7D. He received so much feedback that he&#039;s added a number of devices to the test and is now comparin]]></media:description>
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			<media:title type="html"><![CDATA[Audio Recorder Shootout]]></media:title>
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		<title>Creating Arri Alexa Dailies with the Sound Devices PIX 240</title>
		<link>http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/</link>
		<comments>http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 08:04:23 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[abelcine]]></category>
		<category><![CDATA[andyshipsides]]></category>
		<category><![CDATA[arrialexa]]></category>
		<category><![CDATA[pix240]]></category>
		<category><![CDATA[sounddevices]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=28681</guid>
		<description><![CDATA[While many productions choose the Arri Alexa for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction will usually choose a log profile, but this also [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-28782" title="Arri Alexa and Pix240 dailies" src="http://nofilmschool.com/wp-content/uploads/2012/09/Arri-Alexa-and-Pix240-dailies-224x126.jpg" alt="" width="224" height="126" /></p>
<p>While many productions choose the <a href="http://nofilmschool.com/tag/arrialexa/">Arri Alexa</a> for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction <a href="http://nofilmschool.com/2012/06/understanding-difference-raw-log-uncompressed/">will usually choose a log profile</a>, but this also means that unless you do some sort of correction, the files will be very flat. Since the Alexa can output both log and standard gamma profiles, you can use an external recorder like the <a href="http://www.bhphotovideo.com/c/product/767838-REG/Sound_Devices_PIX_240_PIX_240_Video_Recorder.html/BI/5955/KBID/6829">Sound Devices PIX 240</a> to record proxy files with a standrad gamma profile. The new 2.01 firmware for the 240 gives it the ability receive timecode and have identical file names to the internally recorded files from the Alexa, so those can be matched up perfectly when you want to re-link files later for color grading. <a href="http://nofilmschool.com/tag/andyshipsides/">Andy Shipsides</a> from <a href="http://nofilmschool.com/tag/abelcine/">AbelCine</a> gives a walk-through of that process in this video:  <a href="http://nofilmschool.com/2012/09/creating-alexa-dailies-with-the-sound-devices-pix-240/#more-28681" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
	
		<media:content url="http://www.viddler.com/player/7792b933/" duration="286">
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			<media:title type="html"><![CDATA[Creating Arri Alexa Dailies with the Sound Devices PIX 240 - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[ While many productions choose the Arri Alexa for its superior dynamic range, sensitivity, and color rendition, having the ability to record to high quality ProRes can mean faster turnaround times with a workflow that is already a standard. Any production that will rely on color correction will usua]]></media:description>
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			<media:keywords>abelcine,andyshipsides,arrialexa,pix240,sounddevices</media:keywords>
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			<media:title type="html"><![CDATA[Arri Alexa and Pix240 dailies]]></media:title>
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		<item>
		<title>NAB Roundup: Monitor/Field Recorders from Atomos, Sound Devices, Convergent Design, and Blackmagic</title>
		<link>http://nofilmschool.com/2011/04/nab-roundup-monitorfield-recorder-combos/</link>
		<comments>http://nofilmschool.com/2011/04/nab-roundup-monitorfield-recorder-combos/#comments</comments>
		<pubDate>Mon, 25 Apr 2011 01:20:04 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[atomos]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[convergentdesign]]></category>
		<category><![CDATA[fieldmonitor]]></category>
		<category><![CDATA[fieldrecorder]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[nab2011]]></category>
		<category><![CDATA[sounddevices]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=11569</guid>
		<description><![CDATA[As large-sensor cameras at all price points become more prevalent, one of the most limiting factors to the image quality is the native video codec used for compression. Many of us are used to DSLR codecs that may hold up initially, only to fall apart during color correction (some codecs don&#8217;t even hold up very [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/04/ssdrecorderportable-224x104.jpg" alt="" title="ssdrecorderportable" width="224" height="104" class="alignleft size-medium wp-image-11788 style-off" />As large-sensor cameras at all price points become more prevalent, one of the most limiting factors to the image quality is the native video codec used for compression. Many of us are used to DSLR codecs that may hold up initially, only to fall apart during color correction (some codecs don&#8217;t even hold up very well initially, except for viewing on the web). One way to overcome this limitation is to buy a much more expensive camera with superior recording options, like a <a href="http://nofilmschool.com/tag/red">RED</a> or <a href="http://nofilmschool.com/tag/alexa/">ARRI ALEXA</a>. Another way to overcome the same codec issue is to pair an external recorder with a cheaper camera. Here&#8217;s a roundup of the field recorders I saw on display at <a href="http://nofilmschool.com/tag/nab2011">NAB</a>. <a href="http://nofilmschool.com/2011/04/nab-roundup-monitorfield-recorder-combos/#more-11569" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>15</slash:comments>
	
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			<media:title type="html"><![CDATA[NAB Roundup: Monitor/Field Recorders from Atomos, Sound Devices, Convergent Design, and Blackmagic - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[As large-sensor cameras at all price points become more prevalent, one of the most limiting factors to the image quality is the native video codec used for compression. Many of us are used to DSLR codecs that may hold up initially, only to fall apart during color correction (some codecs don&#039;t even h]]></media:description>
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			<media:keywords>atomos,blackmagic,convergentdesign,fieldmonitor,fieldrecorder,gear,nab2011,sounddevices</media:keywords>
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