» Posts Tagged ‘tascam’

Description image

Audio Recorder ShowdownWe’ve all heard the age-old adage that audio is half the battle in filmmaking. When you’ve got a proper crew with a dedicated team of audio professionals, getting proper audio isn’t much of a hassle. However, when you’re working with small crews or as a one-man-band, juggling the technical aspects of creating the image and recording the sound can be downright daunting. That’s where devices like the Tascam DR-60, Zoom H6, and juicedLink RM333 come into play. But which of these devices is best suited to meeting your audio needs on set, and what problems might you face with these various devices? Robert Rozak of juicedLink has put together this impressive comparison video that should help you find the best audio recording solution for your needs. More »

Description image

Audio is the theme of this video from our NAB coverage partners over at FreshDV. Get the scoop on the new Shoeps Super CMIT Digital shotgun mic with its ability to detect ambient sound separately from direct sound. Also covered is the new Tascam DR-60D for DSLR users. Hit the jump for all the info: More »

Description image

Despite all the advances in image resolution and quality, most DSLRs on the market still require separate audio recorders for quality sound capture. We’ve previously covered and compared affordable external audio recorders for DSLR filmmakers, and although great tools in themselves, if there’s one common drawback shared by these recorders it’s that they were designed for live music/event recording, rather than filmmaking. Enter Tascam’s new offering — the DR-60D — an audio recorder designed specifically with DSLR filmmakers in mind. Here are the details: More »

Description image

Last month a test was conducted by Robert Rozak, President of juicedLink, comparing the preamps from his company’s products with a similar offering from Beachtek, with both going right into the Canon 7D. He received so much feedback that he’s added a number of devices to the test and is now comparing the signal-to-noise ratio performance of the preamps of a number of devices, the Sound Devices 702, Zoom H4n, Tascam DR-100 MKII, Tascam DR-680, Edirol R44, Beachtek DXA-SLR PRO, and juicedLink Riggy Micro/Assist. Click through to see his results. More »

Description image

If you’re a DSLR shooter, you know that having an independent audio recorder can be a must for getting quality sound. There are a lot of affordable flash recorders that can deliver great audio, but only a few of them have features like XLR inputs and multi-channel recording. Three models stand out: the Zoom H4n, the Tascam DR-100mkII, and more recently, the Tascam DR-40. How do they stack up in terms of features filmmakers want, and which one delivers the sound you need? I aim to delve into these questions and more, so read on! More »

Description image

Tascam is nipping at the heels of the Zoom H4n with its new firmware update for the Tascam DR-40.  If you’re not too familiar with the Tascam DR-40, here’s the recap – it’s one of the smallest flash audio recorders with XLR inputs, has most of the basic functions run-and-gun filmmakers want, and runs you roughly $130 cheaper than the H4n.  With the new firmware update it also eliminates one of its biggest disadvantages – setting independent gains on the two XLR inputs.  Why is that important?  Find out after the jump: More »