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	<title>nofilmschool &#187; transcoding</title>
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		<title>Amazon Wants a Bigger Piece of Cloud Video with New Elastic Transcoder Service</title>
		<link>http://nofilmschool.com/2013/02/amazon-cloud-elastic-transcoder-service/</link>
		<comments>http://nofilmschool.com/2013/02/amazon-cloud-elastic-transcoder-service/#comments</comments>
		<pubDate>Sat, 02 Feb 2013 00:17:29 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[amazon]]></category>
		<category><![CDATA[transcoding]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=42503</guid>
		<description><![CDATA[We may only think about transcoding in terms of dropping a file in into a batch converter and coming out with maybe a dozen file formats at most, but for really big jobs, especially those that need streaming video, letting another specialized company take care of the workload is far more efficient. So when a [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-42536 style-off" title="Amazon Web Services" src="http://nofilmschool.com/wp-content/uploads/2013/02/Amazon-Web-Services-224x85.jpg" alt="" width="224" height="85" />We may only think about transcoding in terms of dropping a file in into a batch converter and coming out with maybe a dozen file formats at most, but for really big jobs, especially those that need streaming video, letting another specialized company take care of the workload is far more efficient. So when a giant corporation like Amazon, who is at the forefront of cloud computing and servers, decides to get into video transcoding, it&#8217;s nothing to take lightly. Click through for more on Amazon&#8217;s new video transcoding service, Elastic Transcoder. <a href="http://nofilmschool.com/2013/02/amazon-cloud-elastic-transcoder-service/#more-42503" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>14</slash:comments>
	
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			<media:title type="html"><![CDATA[Amazon Web Services]]></media:title>
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		<item>
		<title>Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What&#039;s a LUT?</title>
		<link>http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/</link>
		<comments>http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/#comments</comments>
		<pubDate>Tue, 29 Jan 2013 16:29:11 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[abelcine]]></category>
		<category><![CDATA[andyshipsides]]></category>
		<category><![CDATA[blackmagic]]></category>
		<category><![CDATA[bmcc]]></category>
		<category><![CDATA[cinemacamera]]></category>
		<category><![CDATA[cinemadng]]></category>
		<category><![CDATA[colorscience]]></category>
		<category><![CDATA[colorspace]]></category>
		<category><![CDATA[davinci]]></category>
		<category><![CDATA[davinciresolve]]></category>
		<category><![CDATA[howto]]></category>
		<category><![CDATA[lookuptable]]></category>
		<category><![CDATA[lut]]></category>
		<category><![CDATA[transcoding]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=41896</guid>
		<description><![CDATA[Ever asked yourself, &#8220;What in the f#$% is a LUT?!&#8221; Or what a LUT&#8217;s relationship is with color space? Or what a color space is? If &#8220;yes,&#8221; not to worry &#8212; these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40470" title="Blackmagic DaVinci Resolve" src="http://nofilmschool.com/wp-content/uploads/2013/01/Blackmagic-DaVinci-Resolve-224x135.jpg" alt="" width="224" height="135" />Ever asked yourself, &#8220;<a href="http://nofilmschool.com/2011/05/what-is-a-look-up-table-lut-anyway/">What in the f#$% is a LUT?!</a>&#8221; Or what a LUT&#8217;s relationship is with color space? Or what a color space is? If &#8220;yes,&#8221; not to worry &#8212; these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers the fundamentals. And even if you answered &#8220;no&#8221; to all the above, you should still check out some of outstanding basic-breakdowns of these concepts below &#8212; including how to convert <a href="http://nofilmschool.com/tag/cinemadng/">CinemaDNG</a> footage into the Academy Color Encoding Spec color space (ACES) in <a href="http://nofilmschool.com/tag/blackmagic/">Davinci Resolve</a>, plus how to use that very program to generate dailies (like a boss). <a href="http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/#more-41896" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/tutorials-davinci-resolve-cinemadng-aces-lut/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	
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			<media:title type="html"><![CDATA[Tutorials Galore: Dailies in DaVinci Resolve, CinemaDNG to ACES Conversion, Plus What&#039;s a LUT? - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Ever asked yourself, &#34;What in the f#$% is a LUT?!&#34; Or what a LUT&#039;s relationship is with color space? Or what a color space is? If &#34;yes,&#34; not to worry -- these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers]]></media:description>
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			<media:title type="html"><![CDATA[Blackmagic DaVinci Resolve]]></media:title>
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		<item>
		<title>Digital Bolex&#039;s Lab-Style RAW Software Will Be Your CinemaDNG Workflow Workhorse</title>
		<link>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/</link>
		<comments>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 20:09:02 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[cinemadng]]></category>
		<category><![CDATA[digitalbolex]]></category>
		<category><![CDATA[digitalcinema]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[transcoding]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=40129</guid>
		<description><![CDATA[By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone&#8217;s hands, while the future-bound Aaton Penelope Delta and [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-40144" title="digital bolex cinemadng post production workflow adobe raw camera" src="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolex-cinemadng-post-production-workflow-adobe-raw-camera-224x140.jpg" alt="" width="224" height="140" />By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and <a href="http://nofilmschool.com/tag/digitalbolex/">the ~$3K Digital Bolex D16</a> seek to put quality acquisition tools in nearly anyone&#8217;s hands, while the future-bound <a href="http://nofilmschool.com/2012/10/aatons-penelope-delta-camera/">Aaton Penelope Delta</a> and open source <a href="http://nofilmschool.com/2012/07/apertus-axiom-camera-4k-150fps-global-shutter-15-stops-dynamic-range-10k/">Apertus Axiom</a> bear their own technical notabilities (and nobilities). Clearly it&#8217;s time to really start wondering about <a href="http://nofilmschool.com/tag/cinemadng/">CinemaDNG</a>. As of now, the license-free format is being adopted by way more cameras than NLEs, and workflow questions, concerns, and schools of thought and technique abound. There&#8217;s hope and then some, though &#8212; just over the horizon the RAW processing software shipping with the Digital Bolex D16 just might change the world in <em>its</em> own way, too. <a href="http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/#more-40129" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2013/01/digital-bolex-cinemadng-workflow/feed/</wfw:commentRss>
		<slash:comments>63</slash:comments>
	
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			<media:title type="html"><![CDATA[Digital Bolex&#039;s Lab-Style RAW Software Will Be Your CinemaDNG Workflow Workhorse - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone&#039;s hands, while the future-bound Aato]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2013/01/digital-bolexs-lab-style-raw-software-will-be-your-cinemadng-workflow-workhorse-nofilmschool-224x108.jpg" />
			<media:keywords>adobe,camera,cinemadng,digitalbolex,digitalcinema,postproduction,software,transcoding,workflow</media:keywords>
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			<media:title type="html"><![CDATA[digital bolex cinemadng post production workflow adobe raw camera]]></media:title>
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		<title>Top-quality DSLR Plugin 5DtoRGB Goes Version 1.5 for Both Mac and Windows</title>
		<link>http://nofilmschool.com/2011/08/top-quality-dslr-plugin-5dtorgb-version/</link>
		<comments>http://nofilmschool.com/2011/08/top-quality-dslr-plugin-5dtorgb-version/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 17:19:00 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[5dtorgb]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[transcoding]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=13762</guid>
		<description><![CDATA[About a year ago I was one of the first to call attention to an HDSLR plugin in development named 5DtoRGB. 5DtoRGB was designed to suck the utmost quality out of HDSLR files by transcoding them in 10 bits without using the ubiquitous, problematic, gamma-shifting Quicktime engine. Now beta releases of version 1.5 of the [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/06/5dtorgb-223x123.png" alt="" title="5dtorgb" width="223" height="123" class="alignleft size-medium wp-image-4496" />About a year ago I was one of the first to call attention to an HDSLR plugin in development named <a href="http://nofilmschool.com/2010/06/is-5dtorgb-the-dslr-post-production-solution-weve-been-waiting-for/">5DtoRGB</a>. 5DtoRGB was designed to suck the utmost quality out of HDSLR files by transcoding them in 10 bits <em>without</em> using the ubiquitous, <a href="http://nofilmschool.com/2010/06/color-correcting-dslr-footage-on-a-mac-is-a-clustercuss/">problematic</a>, gamma-shifting Quicktime engine. Now beta releases of version 1.5 of the plugin are available for both Mac and Windows. <a href="http://vimeo.com/chrismarinodp">Chris Marino</a> takes an excellent video look at the new version: <a href="http://nofilmschool.com/2011/08/top-quality-dslr-plugin-5dtorgb-version/#more-13762" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2011/08/top-quality-dslr-plugin-5dtorgb-version/feed/</wfw:commentRss>
		<slash:comments>26</slash:comments>
	
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			<media:title type="html"><![CDATA[Top-quality DSLR Plugin 5DtoRGB Goes Version 1.5 for Both Mac and Windows - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[About a year ago I was one of the first to call attention to an HDSLR plugin in development named 5DtoRGB. 5DtoRGB was designed to suck the utmost quality out of HDSLR files by transcoding them in 10 bits without using the ubiquitous, problematic, gamma-shifting Quicktime engine. Now beta releases o]]></media:description>
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		<item>
		<title>Adapter is a Free Everything-to-Everything Transcoding App for Mac and Windows</title>
		<link>http://nofilmschool.com/2011/07/adapter-favorite-audio-video-image-converter/</link>
		<comments>http://nofilmschool.com/2011/07/adapter-favorite-audio-video-image-converter/#comments</comments>
		<pubDate>Wed, 06 Jul 2011 16:57:26 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adapter]]></category>
		<category><![CDATA[app]]></category>
		<category><![CDATA[conversion]]></category>
		<category><![CDATA[mac]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[transcoding]]></category>
		<category><![CDATA[windows]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=13074</guid>
		<description><![CDATA[Ever since VisualHub was discontinued, there&#8217;s been a dearth of freeware transcoding apps on the Mac. I&#8217;ve since recommended MPEG Streamclip, but a true &#8220;everything to everything&#8221; program hasn&#8217;t been available in the free arena. As of a week ago you can grab the new version of Apple Compressor for $50, but they didn&#8217;t update [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/07/adapterLogo.jpg" alt="" title="adapterLogo" width="125" height="125" class="alignleft size-full wp-image-13076 style-off" />Ever since <a href="http://www.macupdate.com/app/mac/21888/visualhub">VisualHub</a> was discontinued, there&#8217;s been a dearth of freeware transcoding apps on the Mac. I&#8217;ve since recommended <a href="http://www.squared5.com/">MPEG Streamclip</a>, but a true &#8220;everything to everything&#8221; program hasn&#8217;t been available in the free arena. As of a week ago you can grab the new version of Apple Compressor for $50, but they didn&#8217;t update the program to 64-bit or even change the interface from the last version (which I was never a fan of). Thus newcomer <a href="http://www.macroplant.com/adapter/">Adapter</a>, while still in beta, looks promising: <a href="http://nofilmschool.com/2011/07/adapter-favorite-audio-video-image-converter/#more-13074" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		<slash:comments>20</slash:comments>
	
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			<media:title type="html"><![CDATA[adapterLogo]]></media:title>
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		<item>
		<title>Canon Updating EOS E1 Plugin for 60D, Multi-Core Support</title>
		<link>http://nofilmschool.com/2010/08/canon-updating-eos-e1-plugin-for-60d-multi-core-support/</link>
		<comments>http://nofilmschool.com/2010/08/canon-updating-eos-e1-plugin-for-60d-multi-core-support/#comments</comments>
		<pubDate>Mon, 30 Aug 2010 13:09:41 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[5dtorgb]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[e1]]></category>
		<category><![CDATA[plugin]]></category>
		<category><![CDATA[transcoding]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=6360</guid>
		<description><![CDATA[How are you transcoding your DSLR video these days? If you&#8217;re editing in Premiere Pro CS5, are you even transcoding at all? No matter your NLE, there are several options for transcoding, like Magic Bullet Grinder, the still-in-beta 5DtoRGB, and Canon&#8217;s own EOS Movie Plugin-E1 for Final Cut Pro. It looks like Canon&#8217;s going to [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/03/TimeCode_withEOS_Movie_Plugin-284x121.jpg" alt="" title="TimeCode_withEOS_Movie_Plugin" width="223" height="95" class="alignleft size-medium wp-image-2111" />How are you transcoding your DSLR video these days? If you&#8217;re editing in Premiere Pro CS5, are you even transcoding at all? No matter your NLE, there are several options for transcoding, like Magic Bullet Grinder, the still-in-beta <a href="http://nofilmschool.com/2010/08/unlocked-beta-of-5dtorgb-now-available/">5DtoRGB</a>, and Canon&#8217;s own <a href="http://nofilmschool.com/2010/03/canon-dslr-movie-makers-you-need-this-now/">EOS Movie Plugin-E1 for Final Cut Pro</a>. It looks like Canon&#8217;s going to be adding some interesting features to their free solution: <a href="http://nofilmschool.com/2010/08/canon-updating-eos-e1-plugin-for-60d-multi-core-support/#more-6360" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2010/08/canon-updating-eos-e1-plugin-for-60d-multi-core-support/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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