» Posts Tagged ‘transitions’

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PE35_Pre-SyncEarlier in the month, Red Giant software introduced Universe, a new plugin platform that is also its own community. The biggest thing about Universe is that it is free to sign up, so you can get an idea of what it’s all about before committing any hard-earned cash. Now Red Giant is back with some updates to some of their most popular software, including PluralEyes, which is now integrated with BulletProof, and a new version of Magic Bullet Looks, which is now GPU accelerated and completely rebuilt on the Universe platform. More »

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Red Giant UniverseHere at No Film School, we love Red Giant. Their lineup of filmmaking tools, from PluralEyes to the Color Suite to BulletProof, has made the lives of countless filmmakers so much easier and more efficient. So imagine our excitement when Red Giant started to hint at a major announcement, one that would surely see the launch of new tools that would be equally, if not more helpful than their prior products. Well No Film Schoolers, today Red Giant unveiled Universe, an innovative online post production platform/community that not only includes over 50 brand-spankin’ new effects and transitions, but the resources necessary for the platform to grow infinitely. In fact, Universe might just revolutionize the way plugins are created and distributed. Read on for the full story. More »

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The DissolveOnce a powerful storytelling device and pillar of continuity editing, the dissolve has become something of a ghost. This transition, which is also the earliest transition, has evolved from a tool for putting multi-shot films together, to a branch of film language that has a rich and powerful meaning all its own. The Dissolve (the website not the transition) has made a video about the dissolve (the transition not the website) that highlights some of the most well-known dissolves in film, and offers insight into what each transition is trying to convey. Check it out after the jump. More »

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scriptnotesWhen we initially put together our stories for our screenplays, we typically think about all of our major story beats, jotting them down on notecards or writing bulletpoints in outlines. Everything looks great on our whiteboards or corkboards or cinema displays and we’re ready to dive into the screenplay itself. We come to the end of our first scene and realize something is missing. Transitions are the glue that holds our screenplays together, the peanut butter between our scene-size crackers, the chewed-up gum in our MacGyver writing contraptions (alright, I’m trying too hard here). Without transitions, we’re left with a bunch of scenes and no cohesive story. On a recent episode of the Scriptnotes podcast, John August and Craig Mazin offer the following five tips on screenplay transitions to help you keep the reader and the viewer engaged in your story. More »