» Posts Tagged ‘twitter’
Since it’s introduction a little over a year ago, the free mobile video app Vine has become a pretty significant player in smartphone filmmaking, inspiring the creation of hilarious 6-second videos, wise film industry musings, feature films, and even film contests. If you love Vine and missed the chance to put your micro-content skills to the test last year, Tribeca has once again sent out a call for entries for their 2nd Annual #6SECFILMS Vine Competition. Continue on to find out how to enter. More »
Every once in a while you come across a piece of advice that just kicks you right in the crotch and leaves you weak and heaving in the middle of a crowded mall or desolate highway — in a good way. This is what @MysteryExec does for filmmakers daily. If you’re an avid Twitter user, you might’ve come across this mysterious individual who dispenses sardonic wisdom 140 very honest words at a time, but recently Tribeca gave him/her the opportunity to not only expound on his/her “kick someone in the crotch” message, but also how taking the anonymity route brings back some of what he/she thinks cinema has lost. More »
Vine, the Twitter-owned iOS app that lets you take, upload, and now embed 6 seconds of video, has been making the rounds since it was released back in January of this year. Tribeca held a contest for filmmakers to make movies with Vine, but similar to Twitter itself when it began, we haven’t quite figured out its true purpose. That is, until now. Ryan McHenry, who directed a BAFTA-winning short film called Zombie Musical, has created something of true genius with the app. Behold, Ryan Gosling Won’t Eat Cereal, the very reason Vine, and possibly the internet, was created: More »
As we posted earlier this week, the handheld stabilizer that utilizes gyro stabilization and accelerometer technology, the MōVI, is getting all kinds of attention — rightfully so considering what it can do. Today, update on Vincent Laforet’s blog post about the MōVI announces that two TWO of these bad boys are being given away. All you need to do to be in the running to get one for free is follow both @freeflycinema and @vincentlaforet on Twitter. After receiving almost 1 million views on its videos in just a few days, Freefly Cinema’s MōVI is clearly an incredibly desired item. Laforet’s blog lays it out below. More »
A few months ago Twitter launched a new iOS app called Vine that is aiming to take a piece of the video sharing pie. Similar to the company’s 140 character limit, Vine is a video sharing service limited to videos that are no more than 6 seconds in length. There have been plenty of interesting applications for the service, and Tribeca is trying to take advantage of the storytelling possibilities by starting a contest that challenges you to come up with a short film in 6 seconds that has a beginning, middle, and end. Think you’re up for it? Read on for more details. More »
Edward Burns, director of Nice Guy Johnny, Newlyweds, and most recently The Fitzgerald Family Christmas, is utilizing social media not only to get in touch with his fan base about all sorts of topics related to filmmaking, but also get his films out to his audience without spending money on advertisement. He’s even trying to get input from his Twitter followers on his upcoming film project. Recently he sat down with Sheri Candler to talk about making and distributing films for little money outside of the studio system, and we’ve got the second part of that interview below: More »
Twitter is “the internet’s SMS.” Instagram is the Twitter of pictures. Some app somewhere is prophesied to be “the Instagram of Video.” I’ve used epic words for social media’s ‘cinemaminigram’ before, because it’s apparently that big of a deal — or it may just be YouTube. Then again, if Instagram is Twitter for photos, but Facebook nabbed Instagram — all while ‘Instagram for Video’ is still out there — what’s a Twitter to do? The next best thing, or better: Twitter has just dropped Vine for iOS. It’s a lot like Instagram, but for 6 second looping videos. Given that Twitter already is, well, the Instagram of words, this app could be the ‘IoV.’ Is this saga at the beginning of its end? More »
Being an independent filmmaker usually requires one to wear a lot of different hats — not only during the production process — but also in the arenas of promotion and marketing. It’s hard work to build your audience from the ground up, and NoFilmSchool has covered this topic in multiple posts that will hopefully make this process somewhat easier and more understandable. But while we have explored audience building on YouTube quite a bit, we haven’t really gone into using social networking sites as much. However, in his recent webinar Richard Harrington talked to Scott Bourne — one of the most followed photographers on Twitter and Editor of PhotoFocus.com — about the best methods to use for audience building on Twitter. More »
NoFilmSchool reader @truphtooph took to Twitter recently to offer up some reasons to back my campaign to make my first feature film, which ends tomorrow night. Man-child, I don’t need to remind you, will raise nothing if the campaign falls short! Also, I had nothing to do with these tweets — it was a simple act of unprompted generosity. My favorite reason of his has to do with American Movie — and what could happen if Man-child ends up sucking!
Here are his six reasons: More »
Big news about Man-child today, thanks to you! Three things:
FIRST: with only ten days left in my campaign to make my first feature film, I just discovered that if we’re successful, we will make history. I didn’t start out with this goal in mind, but as I was exploring Kickstarter I found that if Man-child is funded it will become the single most funded project to be listed in Kickstarter’s narrative film category. Wow.
SECOND: we are officially most of the way there. Most of the way to making history, that is! 51% and counting. However, the campaign is ending next Friday. As you know by now, Kickstarter projects are all-or-nothing, so if we don’t make history we’ll make… nothing. Now is a great time to get on board!
THIRD: last week’s Twitter outreach campaign was extremely effective. Thank you to everyone who helped reach the basketball community — it was a classic case of “strength in numbers,” as I never could’ve done it alone. In fact, we now have a success story worthy of an official press release (after the jump). What happened? Well, we were able to reach none other than one of the greatest basketball coaches of all time: More »
As I say in the video, thank you guys so much for your support. We’ve gotten this far, but we’re past the halfway point and we’ve started falling behind. So I wanted to share a way you can help make the Man-child campaign a success — even if you don’t want to back the project (or if you already did — thank you!). Anyone who appears on the Twitter lists below is a prominent member of the basketball community. Let them know about this film — it’s a well-researched movie by an indie filmmaker who’s played basketball all his life (@ryanbkoo), it’s about part of the basketball world that you don’t normally see in the movies (the recruiting of middle schoolers), and it could really use their support! By reaching out to them as a community (and by talking amongst ourselves), let’s see if we can get #manchild trending this week on Twitter — together:
I’ve included some example tweets below. A couple more things: More »
The first annual Vimeo Festival + Awards is almost here, and it looks like it’s going to be a heck of a good time. Taking place this weekend here in New York City (October 8th and 9th), the festival consists of talks, workshops, screenings, community meeting spaces, special events, and a big ol’ closing party. Tickets are currently on sale for $120 ($90 for students). Unless, of course, you’re a NoFilmSchool reader, in which case you have a chance to go to all these events free: More »
For every filmmaker I know who is a social media maven, there are at least two who are skeptical about Twittering and Facebooking their projects into existence (or at least, into popularity). I think it’s a common misperception that using Twitter and Facebook somehow comes at the expense of the actual filmmaking part of… well, filmmaking. I myself was a late adopter of Twitter (follow me here), and I understand the line of thought that goes into being a social media luddite. But the fact is, to reach an audience a hundred years ago, you would literally have to get out a soapbox and stand on it to shout at people passing by on the street. Now there are instantaneous, free tools of mass communication and some are worried that these tools are more trouble than they’re worth? In this light, Mashable has a nice story that rounds up many options for how social media has changed the game for (documentary) filmmaking, and it goes beyond just Twitter and Facebook: More »
You may notice things look a little different around here today (if everything looks the same, you might have to hold Shift and click your “refresh” button). Note there are no major aesthetic changes — I switched the titling and typography (I was always more of a sans-serif kind of guy, whatever that means), and there are now Twitter, Facebook, and StumbleUpon badges on single posts. I’ve also created a NoFilmSchool Facebook Page, which now has a home in the sidebar. Many of these changes have been driven by a look inside the analytics of this site, so let’s look at NoFilmSchool’s recent stats: More »
@shitmydadsays is the Twitter account of Justin Halpern, a (formerly) unemployed 29 year-old living with his foulmouthed 74 year-old dad. From the Twitter handle, you can probably guess what Justin tweets: the expletive-laced sayings of his father. Soon, the 30-minute sitcom version of these 140-character sayings, titled “Sh*t My Dad Says,” will be coming to CBS as a sitcom. This is the first time a Twitter account has been acquired for adaptation, although Fox did pick up @TFLN in September – but TFLN, better known as “Texts from Last Night,” was a web site before it was a Twitter account. Video of the new show (which stars none other than William Shatner as the titular dad) after the jump: More »