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	<title>nofilmschool &#187; webseries</title>
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	<link>http://nofilmschool.com</link>
	<description>read, discuss, learn: free film school for all</description>
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		<title>Netflix Streaming Loses 2000 Titles as Universal &amp; MGM Licenses Expire</title>
		<link>http://nofilmschool.com/2013/05/netflix-streamingh-2000-license-expire-warner-bros-instant-archive/</link>
		<comments>http://nofilmschool.com/2013/05/netflix-streamingh-2000-license-expire-warner-bros-instant-archive/#comments</comments>
		<pubDate>Thu, 02 May 2013 03:27:29 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[archiveinstant]]></category>
		<category><![CDATA[mgm]]></category>
		<category><![CDATA[netflix]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[onlinevideo]]></category>
		<category><![CDATA[streaming]]></category>
		<category><![CDATA[universal]]></category>
		<category><![CDATA[warnerbros]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=51388</guid>
		<description><![CDATA[While the phenomenon of title evaporation is nothing new to Netflix, one of the service&#8217;s most significant catalog losses will come with the expiration of licensing agreements with Warner Bros., Universal, and MGM. Starting today and continuing over the course of May, InstantWatcher tracks 1,794 previously available films that will no longer be streamed on [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-37081" title="netflix logo" src="http://nofilmschool.com/wp-content/uploads/2012/12/netflix-logo-224x103.jpg" alt="" width="224" height="103" />While the phenomenon of <a href="http://nofilmschool.com/2010/06/the-future-of-netflix-is-in-the-hands-of-the-studios/">title evaporation is nothing new</a> to <a href="http://nofilmschool.com/tag/netflix/">Netflix</a>, one of the service&#8217;s most significant catalog losses will come with the expiration of licensing agreements with <del>Warner Bros.</del>, Universal, and MGM. Starting today and continuing over the course of May, InstantWatcher tracks <strong>1,794</strong> previously available films that will no longer be streamed on Netflix. This news piggy-backs that of Warner Archive Instant, an offering that &#8212; very literal title notwithstanding &#8212; should be quite familiar to Netflix viewers. Click below for details on what perennial picks will be removed from the Netflix catalog, some additional info on Warner&#8217;s Archive Instant, plus what Netflix itself has to say about all this as well. <a href="http://nofilmschool.com/2013/05/netflix-streamingh-2000-license-expire-warner-bros-instant-archive/#more-51388" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>20</slash:comments>
	
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		<title>Unprecedented Cost Breakdown for the $600K Web Series &#039;Video Game High School&#039;</title>
		<link>http://nofilmschool.com/2012/12/cost-breakdown-web-series-video-game-high-school/</link>
		<comments>http://nofilmschool.com/2012/12/cost-breakdown-web-series-video-game-high-school/#comments</comments>
		<pubDate>Thu, 20 Dec 2012 08:28:38 +0000</pubDate>
		<dc:creator>Dave Kendricken</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[freddiew]]></category>
		<category><![CDATA[freddiewong]]></category>
		<category><![CDATA[kickstarter]]></category>
		<category><![CDATA[rocketjump]]></category>
		<category><![CDATA[webseries]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=37240</guid>
		<description><![CDATA[Freddie Wong, the namesake of his FreddieW YouTube channel and co-founder of Rocket Jump Studios, directs or collaborates on some of the coolest original content on YouTube. The FreddieW team also contributes to YT&#8217;s Node channel, featuring work from their brethren-in-arms Corridor Digital, who also produce a volume of great original stuff on the &#8216;Tube. [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-37253 style-off" title="video game high school vghs freddiew rocket jump" src="http://nofilmschool.com/wp-content/uploads/2012/12/video-game-high-school-vghs-freddiew-rocket-jump-e1355965046341-224x154.jpg" alt="" width="224" height="154" />Freddie Wong, the namesake of his FreddieW YouTube channel and co-founder of Rocket Jump Studios, directs or collaborates on some of the coolest original content on YouTube. The FreddieW team also contributes to <a href="http://www.youtube.com/node">YT&#8217;s Node channel</a>, featuring work from their brethren-in-arms Corridor Digital, who also produce <a href="http://nofilmschool.com/2012/11/corridor-digital-potion-overdose-visual-effects-humor/">a volume of great original stuff</a> on the &#8216;Tube. Rocket Jump&#8217;s cumulatively feature-length web series <em>Video Game High School</em> was a substantial undertaking, the first for FreddieW and co at such a scale, and produced for over $600,000 (just the first season) &#8212; subsequently, Freddie and Rocket Jump have done something virtually unheard of by posting a full budgetary breakdown. <a href="http://nofilmschool.com/2012/12/cost-breakdown-web-series-video-game-high-school/#more-37240" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/12/cost-breakdown-web-series-video-game-high-school/feed/</wfw:commentRss>
		<slash:comments>42</slash:comments>
	
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			<media:title type="html"><![CDATA[Unprecedented Cost Breakdown for the $600K Web Series &#039;Video Game High School&#039; - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Freddie Wong, the namesake of his FreddieW YouTube channel and co-founder of Rocket Jump Studios, directs or collaborates on some of the coolest original content on YouTube. The FreddieW team also contributes to YT&#039;s Node channel, featuring work from their brethren-in-arms Corridor Digital, who also]]></media:description>
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			<media:title type="html"><![CDATA[video game high school vghs freddiew rocket jump]]></media:title>
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		<title>Launching Ain&#039;t Easy: Behind-the-Scenes on a Doc Series About the New Gaming Website &#039;Polygon&#039;</title>
		<link>http://nofilmschool.com/2012/10/launching-aint-easy-behind-the-scenes/</link>
		<comments>http://nofilmschool.com/2012/10/launching-aint-easy-behind-the-scenes/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 19:32:47 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[polygon]]></category>
		<category><![CDATA[theverge]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[webdesign]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=31393</guid>
		<description><![CDATA[As some of you may know — and as others may be glad to hear — we are redesigning this site from the ground up. Some of you may also know about a recently-launched, already-popular tech site by the name of The Verge. As we set out to redesign our own web experience, The Verge [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/10/polygon-224x83.jpg" alt="" title="polygon" width="224" height="83" class="alignleft size-medium wp-image-31422" />As some of you may know — and as others may be glad to hear — we are <a href="http://nofilmschool.com/2012/09/version-film-school-open-thread/">redesigning this site</a> from the ground up. Some of you may also know about a recently-launched, already-popular tech site by the name of <a href="http://theverge.com">The Verge</a>. As we set out to redesign our own web experience, The Verge has similarly been expanding with a sister site about video games, <a href="http://polygon.com">Polygon</a> &#8212; which just launched today &#8212; and they decided to document the process thoroughly with a web series. That series, entitled <a href="http://www.polygon.com/press-reset">Press Reset</a>, is reminiscent in tone of the great <em><a href="http://nofilmschool.com/tag/indiegamethemovie/">Indie Game: The Movie</a></em>, and I recommend it if you&#8217;re interested in what goes into designing and launching a web site. I&#8217;ve embedded several episodes after the jump, and I&#8217;ll do my best to relate them to filmmaking as well as our own little fledgling web redesign. We also talk to Senior Producer Stephen Greenwood about the production of the show. <a href="http://nofilmschool.com/2012/10/launching-aint-easy-behind-the-scenes/#more-31393" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/10/launching-aint-easy-behind-the-scenes/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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		<title>Find Out What Goes into Making a Web Series with the Creators of &#039;Glitch&#039;</title>
		<link>http://nofilmschool.com/2012/08/find-out-what-goes-into-making-web-series-with-creators-glitch/</link>
		<comments>http://nofilmschool.com/2012/08/find-out-what-goes-into-making-web-series-with-creators-glitch/#comments</comments>
		<pubDate>Sun, 26 Aug 2012 20:30:18 +0000</pubDate>
		<dc:creator>Justin Minich</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[creativeprocess]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[web-series]]></category>
		<category><![CDATA[webseries]]></category>
		<category><![CDATA[webvideo]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=27892</guid>
		<description><![CDATA[If you&#8217;ve been wanting make your own web series, you no doubt have been wondering about production logistics, storytelling, and crowdfunding, among other things. Luckily, Seattle-based filmmakers Tyler Hill and Brendan Davis have just been through this process in completing the first season of their web series Glitch. I sat down with them to discuss [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-27927" title="glitch webseries creators interview" src="http://nofilmschool.com/wp-content/uploads/2012/08/glitch-webseries-creators-interview-224x113.jpg" alt="" width="224" height="113" />If you&#8217;ve been wanting make your own web series, you no doubt have been wondering about production logistics, storytelling, and crowdfunding, among other things. Luckily, Seattle-based filmmakers Tyler Hill and Brendan Davis have just been through this process in completing the first season of their web series <em>Glitch</em>. I sat down with them to discuss what roles they took on during production of the series, how they ran their Kickstarter campaign, various aspects of storytelling, and more (Full Disclosure: I&#8217;m friends with writer/producer Brendan Davis). <a href="http://nofilmschool.com/2012/08/find-out-what-goes-into-making-web-series-with-creators-glitch/#more-27892" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/08/find-out-what-goes-into-making-web-series-with-creators-glitch/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	
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			<media:title type="html"><![CDATA[glitch webseries creators interview]]></media:title>
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		<title>Learn How to Build a Helmet Cam and See It in Action in This Max Payne 3 Machinima Video</title>
		<link>http://nofilmschool.com/2012/05/build-helmet-cam-max-payne-3-machinima/</link>
		<comments>http://nofilmschool.com/2012/05/build-helmet-cam-max-payne-3-machinima/#comments</comments>
		<pubDate>Tue, 22 May 2012 09:01:56 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[helmetcam]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=23814</guid>
		<description><![CDATA[Shane Hurlbut used a helmet cam extensively in his new film Act of Valor, but the advantage of being a Hollywood Director of Photography is that other people can build these sorts of gadgets for you. In the independent world, we&#8217;ve got to work a little harder, and a little cheaper, so thankfully we&#8217;ve got [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-23817" title="Helmet Cam" src="http://nofilmschool.com/wp-content/uploads/2012/05/Helmet-Cam-224x125.jpg" alt="" width="224" height="125" /><a href="http://nofilmschool.com/tag/shanehurlbut/">Shane Hurlbut</a> used <a href="http://www.hurlbutvisuals.com/blog/2010/11/helmet-cams-visceral-intimate-andemotional-connection-with-your-5d/">a helmet cam</a> extensively in his new film <em><a href="http://www.amazon.com/Act-Valor-Blu-ray-Roselyn-Sanchez/dp/B00846TTDG/ref=sr_1_1_vod_0_pre?ie=UTF8&amp;qid=1337668241&amp;sr=8-1">Act of Valor</a></em>, but the advantage of being a Hollywood Director of Photography is that other people can build these sorts of gadgets for you. In the independent world, we&#8217;ve got to work a little harder, and a little cheaper, so thankfully we&#8217;ve got the people at <a href="http://www.youtube.com/user/DakaKin">DakaKin</a> to give us a tutorial on making your very own helmet cam that will work with any DSLR-sized camera or smaller. <a href="http://nofilmschool.com/2012/05/build-helmet-cam-max-payne-3-machinima/#more-23814" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/05/build-helmet-cam-max-payne-3-machinima/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
	
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			<media:title type="html"><![CDATA[Learn How to Build a Helmet Cam and See It in Action in This Max Payne 3 Machinima Video - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[Shane Hurlbut used a helmet cam extensively in his new film Act of Valor, but the advantage of being a Hollywood Director of Photography is that other people can build these sorts of gadgets for you. In the independent world, we&#039;ve got to work a little harder, and a little cheaper, so thankfully we&#039;]]></media:description>
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			<media:title type="html"><![CDATA[Helmet Cam]]></media:title>
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		<title>Forget the Sponsors and Just Make Your Web Series - &#039;Vampire Mob&#039; Creator Explains</title>
		<link>http://nofilmschool.com/2012/04/vampire-mob-creator-joe-wilson-tells/</link>
		<comments>http://nofilmschool.com/2012/04/vampire-mob-creator-joe-wilson-tells/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 23:06:08 +0000</pubDate>
		<dc:creator>E.M. Taboada</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[joewilson]]></category>
		<category><![CDATA[vampiremob]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=21422</guid>
		<description><![CDATA[So you&#8217;re planning a web series.  Do you know what demographics you&#8217;re going for?  Have you figured out the perfect episode length that will keep viewers coming back for more?  What about sponsors, how are you going to pitch the concept to them?  In a rousing interview with Film Courage , filmmaker and Vampire Mob web [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-21424" title="VampireMob" src="http://nofilmschool.com/wp-content/uploads/2012/04/VampireMob-224x140.png" alt="" width="224" height="140" />So you&#8217;re planning a web series.  Do you know what demographics you&#8217;re going for?  Have you figured out the perfect episode length that will keep viewers coming back for more?  What about sponsors, how are you going to pitch the concept to them?  In a rousing interview with <a href="http://filmcourage.com/">Film Courage</a> , filmmaker and <em><a href="http://www.vampiremob.com/">Vampire Mob</a></em> web series creator Joe Wilson explains why none of this matters and why you  need to focus on the passion: <a href="http://nofilmschool.com/2012/04/vampire-mob-creator-joe-wilson-tells/#more-21422" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
			<wfw:commentRss>http://nofilmschool.com/2012/04/vampire-mob-creator-joe-wilson-tells/feed/</wfw:commentRss>
		<slash:comments>44</slash:comments>
	
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			<media:title type="html"><![CDATA[Forget the Sponsors and Just Make Your Web Series - &#039;Vampire Mob&#039; Creator Explains - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[So you&#039;re planning a web series.  Do you know what demographics you&#039;re going for?  Have you figured out the perfect episode length that will keep viewers coming back for more?  What about sponsors, how are you going to pitch the concept to them?  In a rousing interview with Film Courage , filmm]]></media:description>
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			<media:keywords>advice,joewilson,vampiremob,webseries</media:keywords>
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		<title>Is the Kiefer Sutherland-starring &#039;The Confession&#039; a Turning Point for Web Series?</title>
		<link>http://nofilmschool.com/2011/05/kiefer-sutherland-starrer-the-confession/</link>
		<comments>http://nofilmschool.com/2011/05/kiefer-sutherland-starrer-the-confession/#comments</comments>
		<pubDate>Fri, 27 May 2011 20:14:22 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[hulu]]></category>
		<category><![CDATA[kiefersutherland]]></category>
		<category><![CDATA[theconfession]]></category>
		<category><![CDATA[webseries]]></category>
		<category><![CDATA[webvideo]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=12401</guid>
		<description><![CDATA[Much is being made of The Confession, an original web series starring Kiefer Sutherland that just concluded on Hulu after premiering in March. The hype isn&#8217;t limited to the show itself, instead centering on reports that it has already turned a profit through Hulu&#8217;s free ad-driven model. There are plenty of additional revenue streams available [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2011/05/the-confession-224x120.jpg" alt="" title="the-confession" width="224" height="120" class="alignleft size-medium wp-image-12404" />Much is being made of <a href="http://www.hulu.com/the-confession"><em>The Confession</em></a>, an original web series starring Kiefer Sutherland that  just concluded on Hulu after premiering in March. The hype isn&#8217;t limited to the show itself, instead centering on reports that it has <a href="http://gigaom.com/video/kiefer-sutherland-confession-profitable/">already turned a profit</a> through Hulu&#8217;s free ad-driven model.  There are plenty of additional revenue streams available for the show, and so the question on everyone&#8217;s mind is: does this mean original web series are a viable business model now? Because back when <a href="http://zdldz.com/">Zack Lieberman</a> and I won the Webby for <a href="http://thewestside.tv">The West Side</a>, that was not the case. Every studio we met with felt that the online revenue streams were not mature enough to support a decently-budgeted web series, with or without recognizable stars. Is <em>The Confession</em> a &#8220;watershed moment?&#8221; <a href="http://nofilmschool.com/2011/05/kiefer-sutherland-starrer-the-confession/#more-12401" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>10</slash:comments>
	
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		<title>Tips from a YouTube Exec on Successfully Building an Online Audience</title>
		<link>http://nofilmschool.com/2011/04/tips-youtube-exec-successfully-building/</link>
		<comments>http://nofilmschool.com/2011/04/tips-youtube-exec-successfully-building/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 15:12:17 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[onlinevideo]]></category>
		<category><![CDATA[social]]></category>
		<category><![CDATA[webseries]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=11821</guid>
		<description><![CDATA[There&#8217;s a growing number of video producers that enjoy creative and financial freedoms today whose job description didn&#8217;t exist a few years ago. I&#8217;m talking about YouTube channel producers, who employ a skill set that is often very different from what they teach in film schools. We&#8217;ve covered some audience-building tactics in the past, but [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/11/youtube-logo-21-224x99.jpg" alt="" title="youtube-logo-2" width="224" height="99" class="alignleft size-medium wp-image-8726 style-off" />There&#8217;s a growing number of video producers that enjoy creative and financial freedoms today whose job description didn&#8217;t exist a few years ago. I&#8217;m talking about YouTube channel producers, who employ a skill set that is often very different from what they teach in film schools. We&#8217;ve covered some <a href="http://nofilmschool.com/tag/choosing-online-video/">audience-building tactics</a> in the past, but here&#8217;s some advice on building a successful YouTube channel directly from YouTube exec Bing Chen, via Daisy Whitney&#8217;s interview on <a href="http://daisywhitney.com/newmediaminute/">New Media Minute</a>: <a href="http://nofilmschool.com/2011/04/tips-youtube-exec-successfully-building/#more-11821" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>5</slash:comments>
	
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		<title>Watch Your Favorite Web Series Anywhere, Anytime with Webishades!</title>
		<link>http://nofilmschool.com/2010/09/watch-your-favorite-web-series-anywhere-anytime-with-webishades/</link>
		<comments>http://nofilmschool.com/2010/09/watch-your-favorite-web-series-anywhere-anytime-with-webishades/#comments</comments>
		<pubDate>Thu, 09 Sep 2010 17:06:38 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[arg]]></category>
		<category><![CDATA[seen]]></category>
		<category><![CDATA[transmedia]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=6539</guid>
		<description><![CDATA[This is not a sponsored post! These are amazing! What are amazing? Glad you asked! Webishades are amazing new technological glasses that allow you to watch web series in 4K resolution in glorious 2D (note how there is only the red color of red/blue 3D glasses). I don&#8217;t need to sell these things when they [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/09/webishades.jpg" alt="" title="webishades" width="224" height="138" class="alignleft size-full wp-image-6540" />This is not a sponsored post! These are amazing! What are amazing? Glad you asked! <a href="http://www.webishades.com/">Webishades</a> are amazing new technological glasses that allow you to watch web series in 4K resolution in glorious 2D (note how there is only the red color of red/blue 3D glasses). I don&#8217;t need to sell these things when they sell themselves: <a href="http://nofilmschool.com/2010/09/watch-your-favorite-web-series-anywhere-anytime-with-webishades/#more-6539" class="more-link">(more&#8230;)</a></p>
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			<wfw:commentRss>http://nofilmschool.com/2010/09/watch-your-favorite-web-series-anywhere-anytime-with-webishades/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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		<title>Web Series &#039;Missing Reel&#039; Uncovers Grindhouse Classics</title>
		<link>http://nofilmschool.com/2010/08/web-series-missing-reel-uncovers-grindhouse-classics/</link>
		<comments>http://nofilmschool.com/2010/08/web-series-missing-reel-uncovers-grindhouse-classics/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 17:36:45 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[grindhouse]]></category>
		<category><![CDATA[missingreel]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=5983</guid>
		<description><![CDATA[If the web series is the DIY version of a TV show, then it follows that we should expect DIY versions of all different genres of TV programming. Missing Reel is essentially a web version of At the Movies focused exclusively on grindhouse films from the &#8217;70s. Hosts David Walker and Kurt Loyd do a [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/08/nfs.jpg" alt="" title="Missing Reel" width="224" height="62" class="alignleft size-full wp-image-5993 style-off" />If the web series is the DIY version of a TV show, then it follows that we should expect DIY versions of all different genres of TV programming. <a href="http://superatomictv.com/missingreel/">Missing Reel</a> is essentially a web version of <a href="http://en.wikipedia.org/wiki/At_the_Movies_(U.S._TV_series)">At the Movies</a> focused exclusively on grindhouse films from the &#8217;70s. Hosts David Walker and Kurt Loyd do a great job of profiling gems that might otherwise fall by the wayside, reviewing films like <a href="http://www.amazon.com/gp/product/B00004S89Y?ie=UTF8&#038;tag=nofilmschool-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=B00004S89Y">Ms. 45</a><img src="http://www.assoc-amazon.com/e/ir?t=nofilmschool-20&#038;l=as2&#038;o=1&#038;a=B00004S89Y" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> with unapologetic quotes like &#8220;<em>Ms. 45</em> takes the rape-revenge genre in an all-new direction.&#8221; As you&#8217;d expect from the grindhouse genre, some of the web series is NSFW, but with the impending release of <a href="http://nofilmschool.com/2010/07/robert-rodriguezs-latin-shaft-gets-a-red-band-trailer-nsfw/">Robert Rodriguez&#8217;s Machete</a>, Loyd and Walker seem to have picked a good time to premiere their show. Which grindhouse film do they call &#8220;an exploitation film to end all exploitation films?&#8221; Watch the series premiere to find out: <a href="http://nofilmschool.com/2010/08/web-series-missing-reel-uncovers-grindhouse-classics/#more-5983" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>0</slash:comments>
	
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		<title>Tips for Building Buzz for a Web Series</title>
		<link>http://nofilmschool.com/2010/07/tips-for-building-buzz-for-a-web-series/</link>
		<comments>http://nofilmschool.com/2010/07/tips-for-building-buzz-for-a-web-series/#comments</comments>
		<pubDate>Sun, 18 Jul 2010 19:09:12 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[promotion]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=4584</guid>
		<description><![CDATA[If short films should be replaced by web series as the indie filmmaker&#8217;s go-to calling card, what replaces a film festival&#8217;s aggregated audience for promoting said calling card? Tubefilter, one of the top web sites focused entirely on web series, recently posted an articled titled How to Build Buzz For a Web Series. I could [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/07/web-series-marketing-224x112.jpg" alt="" title="web series marketing" width="224" height="112" class="alignleft size-medium wp-image-5336" />If <a href="http://nofilmschool.com/2010/07/the-short-film-is-dead-time-for-the-emerging-filmmaker-to-get-a-new-calling-card/">short films should be replaced by web series</a> as the indie filmmaker&#8217;s go-to calling card, what replaces a film festival&#8217;s aggregated audience for promoting said calling card? <a href="http://tubefilter.tv">Tubefilter</a>, one of the top web sites focused entirely on web series, recently posted an articled titled <a href="http://news.tubefilter.tv/2010/06/14/how-to-build-buzz-for-a-web-series/">How to Build Buzz For a Web Series</a>. I could probably write a much longer post on the same topic, simply by pointing out all of the things we <em>didn&#8217;t</em> do on <a href="http://thewestside.tv">The West Side</a> (such as making videos embeddable and posting them to sites like <a href="http://vimeo.com">Vimeo</a>, <a href="http://youtube.com">YouTube</a>, and <a href="http://blip.tv">blip.tv</a>). But for now, here are some tips from Tubefilter for building an online audience, including this passage on hitting the message boards: <a href="http://nofilmschool.com/2010/07/tips-for-building-buzz-for-a-web-series/#more-4584" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>0</slash:comments>
	
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		<title>The Short Film is Dead: Time for the Emerging Filmmaker to Get a New Calling Card</title>
		<link>http://nofilmschool.com/2010/07/the-short-film-is-dead-time-for-the-emerging-filmmaker-to-get-a-new-calling-card/</link>
		<comments>http://nofilmschool.com/2010/07/the-short-film-is-dead-time-for-the-emerging-filmmaker-to-get-a-new-calling-card/#comments</comments>
		<pubDate>Mon, 12 Jul 2010 17:03:39 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[essay]]></category>
		<category><![CDATA[guestpost]]></category>
		<category><![CDATA[mikejones]]></category>
		<category><![CDATA[short]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=5234</guid>
		<description><![CDATA[This is a guest post by Mike Jones, Lecturer in Screen Studies at the Australian Film Television and Radio School. Filmmaking is full of traditions. These traditions are the &#8220;way things are done,&#8221; they are what is &#8220;expected,&#8221; they are &#8220;industry standard,&#8221; they are &#8220;default&#8221; and &#8220;accepted.&#8221; This is all fine and dandy until we [...]]]></description>
				<content:encoded><![CDATA[<p><em>This is a guest post by <a href="http://www.mikejones.net.au">Mike Jones</a>, Lecturer in Screen Studies at the <a href="http://www.aftrs.edu.au/">Australian Film Television and Radio School</a>.</em></p>
<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/07/75875402_4c14529e8d_b.jpeg" alt="" title="75875402_4c14529e8d_b" width="284" height="317" class="alignleft size-full wp-image-5247" />Filmmaking is full of traditions. These traditions are the &#8220;way things are done,&#8221; they are what is &#8220;expected,&#8221; they are &#8220;industry standard,&#8221; they are &#8220;default&#8221; and &#8220;accepted.&#8221; This is all fine and dandy until we recognise the innate implication of such Traditions is to imply Right and Wrong &#8211; that there is a correct way to do things and deviations are &#8220;incorrect,&#8221; not &#8220;acceptable&#8221; or, worse still, not &#8220;professional.&#8221;</p>
<p>These traditions manifest themselves in all manner of guises &#8211; creative, technical, business, logistic. I have <a href="http://mikejonesnet.squarespace.com/the-philosophy-of-the-tools/">written previously</a> about how the tools of filmmaking (particularly software) possess internal philosophies that enforce traditions &#8211; traditions which may or may not be a good fit for your own creative processes. In a similar light, there occurs to me to be another long-standing and entrenched tradition (one that may not be serving emerging and indie filmmakers as it should) that needs to be questioned. That is the significance of the Short Film. <a href="http://nofilmschool.com/2010/07/the-short-film-is-dead-time-for-the-emerging-filmmaker-to-get-a-new-calling-card/#more-5234" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>82</slash:comments>
	
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		<title>Web series watch: Dragon Age</title>
		<link>http://nofilmschool.com/2010/05/web-series-watch-dragon-age/</link>
		<comments>http://nofilmschool.com/2010/05/web-series-watch-dragon-age/#comments</comments>
		<pubDate>Mon, 24 May 2010 22:09:50 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[seen]]></category>
		<category><![CDATA[dragonage]]></category>
		<category><![CDATA[machinima]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=3716</guid>
		<description><![CDATA[One of the things I was most proud of when it came to my web series The West Side was, quite frankly, that it should&#8217;ve sucked a lot more than it did. If you took the challenging concept and combined that with our utter lack of resources, it really should&#8217;ve been a laughable home movie. [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/05/dragonage-224x94.png" alt="" title="dragonage" width="224" height="94" class="alignleft size-medium wp-image-3721" />One of the things I was most proud of when it came to my web series <a href="http://thewestside.tv">The West Side</a> was, quite frankly, that it should&#8217;ve sucked a lot more than it did. If you took the challenging concept and combined that with our utter lack of resources, it really should&#8217;ve been a laughable home movie. The fact that we were even able to suspend disbelief at all was a minor miracle. I had a similar &#8220;it should suck more than it does&#8221; feeling while watching the latest <a href="http://machinima.com/">Machinima.com</a> web series to premiere, <a href="http://machinima.com/film/view&#038;id=49389">Dragon Age</a>. This is a credit to the directing and editing, because if you think Hollywood&#8217;s video game adaptations are bad, imagine trying to make a movie <em>using the video game engine itself</em>. Not easy, and the unitentionally risible moments are surprisingly few in Dragon Age: <a href="http://nofilmschool.com/2010/05/web-series-watch-dragon-age/#more-3716" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html"><![CDATA[Web series watch: Dragon Age - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[One of the things I was most proud of when it came to my web series The West Side was, quite frankly, that it should&#039;ve sucked a lot more than it did. If you took the challenging concept and combined that with our utter lack of resources, it really should&#039;ve been a laughable home movie. The fact tha]]></media:description>
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			<media:keywords>dragonage,machinima,webseries</media:keywords>
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		<title>Seen: Compulsions, Green Porno</title>
		<link>http://nofilmschool.com/2010/04/seen-compulsions/</link>
		<comments>http://nofilmschool.com/2010/04/seen-compulsions/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 16:22:57 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[seen]]></category>
		<category><![CDATA[compulsions]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[greenporno]]></category>
		<category><![CDATA[streamys]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=2620</guid>
		<description><![CDATA[The 2nd Annual Streamy Awards took place last week, and while I was already familiar with many of the award-winners, some I&#8217;d never heard of. Every year when new-media awards like the Streamys or the Webbys are announced, I watch the nominees and winners in hopes that I&#8217;ll discover something that truly embodies the creative [...]]]></description>
				<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2010/04/streamys.jpg" alt="" title="streamys" width="225" height="118" class="alignleft size-full wp-image-2623" />The 2nd Annual <a href="http://www.streamys.org/">Streamy Awards</a> took place last week, and while I was already familiar with many of the award-winners, some I&#8217;d never heard of. Every year when new-media awards like the Streamys or the <a href="http://webbyawards.com">Webbys</a> are announced, I watch the nominees and winners in hopes that I&#8217;ll discover something that truly embodies the creative freedoms offered by the web, something unique and unlike anything in Hollywood. But every year I&#8217;m disappointed. This year&#8217;s Best Drama winner, <a href="http://www.crackle.com/c/The_Bannen_Way">The Bannen Way</a>, won specifically <em>because</em> it was the best of the bunch at emulating Hollywood. And while I feel there are a lot of brilliant comedies on the web &#8212; <a href="http://www.youtube.com/watch?v=U_X5uR7VC4M">You Suck at Photoshop</a>, <a href="http://www.wainydays.com/">Wainy Days</a>, <a href="http://www.youtube.com/user/TheOnion">The Onion News Network</a> &#8212; it&#8217;s much harder to find compelling drama.</p>
<p>The most interesting drama series I saw via the Streamys was <a href="http://compulsions.tv/">Compulsions</a> (Streamy winner for Best Writing for a Drama Web Series): <a href="http://nofilmschool.com/2010/04/seen-compulsions/#more-2620" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>0</slash:comments>
	
		<media:content url="http://www.youtube-nocookie.com/v/Tqz0afu0kAE" duration="217">
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			<media:title type="html"><![CDATA[Seen: Compulsions, Green Porno - nofilmschool]]></media:title>
			<media:description type="html"><![CDATA[The 2nd Annual Streamy Awards took place last week, and while I was already familiar with many of the award-winners, some I&#039;d never heard of. Every year when new-media awards like the Streamys or the Webbys are announced, I watch the nominees and winners in hopes that I&#039;ll discover something that tr]]></media:description>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/04/seen-compulsions-green-porno-nofilmschool-224x168.jpg" />
			<media:keywords>compulsions,drama,greenporno,streamys,webseries</media:keywords>
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		<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/04/streamys-125x69.jpg" />
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			<media:title type="html"><![CDATA[streamys]]></media:title>
			<media:thumbnail url="http://nofilmschool.com/wp-content/uploads/2010/04/streamys-125x69.jpg" />
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		<title>Internet video gets eyeballs, not dollars</title>
		<link>http://nofilmschool.com/2009/07/internet-video-gets-eyeballs-not-dollars/</link>
		<comments>http://nofilmschool.com/2009/07/internet-video-gets-eyeballs-not-dollars/#comments</comments>
		<pubDate>Mon, 27 Jul 2009 22:12:23 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[The West Side]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[metrics]]></category>
		<category><![CDATA[stats]]></category>
		<category><![CDATA[views]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=542</guid>
		<description><![CDATA[UK-based author Russell Evans has a book on web filmmaking coming out in April of next year from Focal Press. I answered via email as best I could his questions about The West Side, and while doing so realized this neglected blog is long overdue for some updates. Why not kill two birds with one [...]]]></description>
				<content:encoded><![CDATA[<p>UK-based author Russell Evans has a book on web filmmaking coming out in April of next year from Focal Press. I answered via email as best I could his questions about <a href="http://thewestside.tv"><em>The West Side</em></a>, and while doing so realized this neglected blog is long overdue for some updates. Why not kill two birds with one keyboard? These excerpts will have to suffice until I step away from the screenplay I&#8217;m toiling on (priorities, priorities) to write a proper, hopefully meaningful, update. <a href="http://nofilmschool.com/2009/07/internet-video-gets-eyeballs-not-dollars/#more-542" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>2</slash:comments>
	
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		<title>Seen: The District</title>
		<link>http://nofilmschool.com/2009/02/seen-the-district/</link>
		<comments>http://nofilmschool.com/2009/02/seen-the-district/#comments</comments>
		<pubDate>Tue, 17 Feb 2009 20:54:39 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[seen]]></category>
		<category><![CDATA[obama]]></category>
		<category><![CDATA[thecity]]></category>
		<category><![CDATA[webseries]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=449</guid>
		<description><![CDATA[From my (disad)vantage point as an ex-MTVer, the new web series The District, from Newsweek of all places, is particularly hilarious. Most of the time. I think. It&#8217;s either hilarious or sad.]]></description>
				<content:encoded><![CDATA[<p>From my (disad)vantage point as an ex-MTVer, the new web series <a href="http://video.newsweek.com/#?t=9961941001&amp;l=9860081001">The District</a>, from Newsweek of all places, is particularly hilarious. Most of the time. I think. It&#8217;s either hilarious or sad. <a href="http://nofilmschool.com/2009/02/seen-the-district/#more-449" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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